People From Virginia

"She lunched on papaya poo poo or mango mu mu or some other fruity foo foo bursting with overripe tropical vowels."

"Sharks are the criminals of the sea. Dolphins are the outlaws."

"There are essential and inessential insanities. The latter are solar in character, the former are linked to the moon."

"They'd be no threat to me. I have a black belt in Haiku. And a black vest in the cleaners."

"Hawaii made the mouth of her soul water."

"Her surname resembled a line from an optometrist's examination chart."

"Humanity has advanced, when it has advanced, not because it has been sober, responsible and cautious, but because it has been playful, rebellious, and immature."

"There is a similarity between juggling and composing on the typewriter. The trick is, when you spill something, make it look like a part of the act."

"This baby (the Remington SL3 typewriter) speaks electric Shakespeare at the slightest provocation and will rap out a page and a half if you just look at it hard."

"I sense that novel of my dreams is in the Remington SL3 — although it writes much faster than I can spell."

"Society had a crime problem. It hired cops to attack crime. Now society has a cop problem."

"If this typewriter can't do it, then fuck it, it can't be done."

"On the campus of Outlaw College, professors of essential insanities would characterize the conflicting attitudes of Nina Jablonski and Leigh-Cheri as indicative of a general conflict between social idealism and romanticism. As any of the learned professors would explain, plied with sufficient tequila, no matter how fervently a romantic might support a movement, he or she eventually must withdraw from active participation in that movement because the group ethic — the supremacy of the organization over the individual — is an affront to intimacy. Intimacy is the principal source of the sugars with which this life is sweetened. It is absolutely vital to the essential insanities."

"When we're incomplete, we're always searching for somebody to complete us. When, after a few years or a few months of a relationship, we find that we're still unfulfilled, we blame our partners and take up with somebody more promising. This can go on and on — series polygamy — until we admit that while a partner can add sweet dimension to our lives, we, each of us, are responsible for our own fulfillment. Nobody else can provide it for us, and to believe otherwise is to delude ourselves dangerously and to program for eventual failure every relationship we enter."

"Certain individual words do possess more pitch, more radiance, more shazam! than others, but it's the way words are juxtaposed with other words in a phrase or sentence that can create magic. Perhaps literally. The word "grammar," like its sister word "glamour," is actually derived from an old Scottish word that meant "sorcery." When we were made to diagram sentences in high school, we were unwittingly being instructed in syntax sorcery, in wizardry. We were all enrolled at Hogwarts. Who knew? When a culture is being dumbed down as effectively as ours is, its narrative arts (literature, film, theatre) seem to vacillate between the brutal and the bland, sometimes in the same work. The pervasive brutality in current fiction – the death, disease, dysfunction, depression, dismemberment, drug addiction, dementia, and dreary little dramas of domestic discord – is an obvious example of how language in exploitative, cynical or simply neurotic hands can add to the weariness, the darkness in the world. Less apparent is that bland writing — timid, antiseptic, vanilla writing – is nearly as unhealthy as the brutal and dark. Instead of sipping, say, elixir, nectar, tequila, or champagne, the reader is invited to slurp lumpy milk or choke on the author's dust bunnies."

"Christians, and some Jews, claim we're in the "end times," but they've been saying this off and on for more than two thousand years. According to Hindu cosmology, we're in the Kali Yuga, a dark period when the cow of history is balanced precariously on one leg, soon to topple. Then there are our new-age friends who believe that this December we're in for a global cage-rattling which, once the dust has settled, will usher in a great spiritual awakening. Most of this apocalyptic noise appears to be just wishful thinking on the part of people who find life too messy and uncertain for comfort, let alone for serenity and mirth. The truth, from my perspective, is that the world, indeed, is ending – and is also being reborn. It's been doing that all day, every day, forever. Each time we exhale, the world ends; when we inhale, there can be, if we allow it, rebirth and spiritual renewal. It all transpires inside of us. In our consciousness, in our hearts. All the time. Otherwise, ours is an old, old story with an interesting new wrinkle. Throughout most of our history, nothing – not flood, famine, plague, or new weapons – has endangered humanity one-tenth as much as the narcissistic ego, with its self-aggrandizing presumptions and its hell-hound spawn of fear and greed. The new wrinkle is that escalating advances in technology are nourishing the narcissistic ego the way chicken manure nourishes a rose bush, while exploding worldwide population is allowing its effects to multiply geometrically. Here's an idea: let's get over ourselves, buy a cherry pie, and go fall in love with life."

"All animals copulate but only humans osculate. Parakeets rub beaks? Sure they do, but only little old ladies who murder schoolchildren with knitting needles to steal their lunch money so that they can buy fresh kidneys to feed overweight kitty cats would place bird billing in the realm of the true kiss."

"To pragmatists, the letter Z is nothing more than a phonetically symbolic glyph, a minor sign easily learned, readily assimilated, and occasionally deployed in the course of a literate life. To cynics, Z is just an S with a stick up its butt."

"Nobody can say the word “naked” as nakedly as Cohen. He makes us see the markings where the pantyhose have been."

"It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song. There is evidence that the honoree might be privy to the secret of the universe, which, in case you’re wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person’s biochemical sky more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact, the poetic image may be the only device remotely capable of dissecting romantic desire, let alone disclosing the hidden mystical essence of the material world. Cohen is a master of the quasi-surrealistic phrase, of the “illogical” line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and the bewildering assaults of culture."

"The key to self-generated happiness (the only reliable kind) is the refusal to take oneself too seriously."

"Usually, my witticisms are composed on the spot. They're simply intrinsic; an inseparable, integral, organic part of my writing process — doubtlessly because humor is an inseparable, integral part of my philosophical worldview. The comic sensibility is vastly, almost tragically, underrated by Western intellectuals. Humor can be a doorway into the deepest reality, and wit and playfulness are a desperately serious transcendence of evil. My comic sense, although deliberately Americanized, is, in its intent, much closer related to the crazy wisdom of Zen monks and the goofy genius of Taoist masters than it is to, say, the satirical gibes on Saturday Night Live. It has both a literary and a metaphysical function."

"I'm descended from a long line of preachers and policemen. Now, it's common knowledge that cops are congenital liars, and evangelists spend their lives telling fantastic tales in such a way as to convince otherwise rational people that they're factual. So, I guess I come by my narrative inclinations naturally. Moreover, I grew up in the rural South, where, although television has been steadily destroying it, there has always existed a love of colorful verbiage."

"Good luck to you, pal. That's a search these days."

"I've always assumed that every time a child is born, the Divine reenters the world. Okay? That's the meaning of the Christmas story. And every time that child's purity is corrupted by society, that's the meaning of the Crucifixion story. Your man Jesus stands for that child, that pure spirit, and as its surrogate, he's being born and put to death again and again, over and over, every time we inhale and exhale, not just at the vernal equinox and on the twenty-fifth of December."

"I'm looking for the novelists whose writing is an extension of their intellect rather than an extension of their neurosis."

"Things. Cosas. Things attach themselves like leeches to the human soul, then they bleed out the sweetness and the music and the primordial joy of being unencumbered upon the land."

"Accept that you're a pimple and try to keep a lively sense of humor about it. That way lies grace — and maybe even glory."

"For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass."

"The Devil doesn't make us do anything. The Devil, for example, doesn't make us mean. Rather, when we're mean, we make the Devil. Literally. Our actions create him. Conversely, when we behave with compassion, generosity, and grace, we create God in the world."

"Suppose the neutral angels were able to talk to Yahweh and Lucifer — God and Satan, to use their popular titles — into settling out of court. What would be the terms of the compromise? Specifically, how would they divide the assets of their earthly kingdom? Would God be satisfied to take loaves and fishes and itty-bitty thimbles of Communion wine, while allowing Satan to have the redeye Gravy, eighteen ounce New York steak, and buckets of chilled champagne? Would God really accept twice-a-month lovemaking for procreative purposes and give Satan the all-night, no-holds-barred, nasty "can't-get-enough-of-you" hot-as-hell fucks?"

"Moreover, given the unpleasant option of having to associate with either the self-satisfied beautiful or the self-pitying plain, he'd choose the former every time because beauty could sometimes transcend smugness whereas self-pity just made ugliness all the more unattractive."

"The more advertising I see, the less I want to buy."

"And what would our ideas of God, of religion, be like if they had come to us through the minds of women? Ever think of that?"

"What is it that separates human beings from the so called lower animals? Well as I see it, it's exactly one half dozen significant things: Humor, Imagination, Eroticism — as opposed to the mindless, instinctive mating of glow-worms or raccoons — Spirituality, Rebelliousness, and Aesthetics, an appreciation of beauty for its own sake. Now, since those are the features that define a human being, it follows that the extent to which someone is lacking in those qualities is the extent to which he or she is less than human. Capisce?"

"In the end, we should simply imagine a joke; a long joke that's being continually retold in an accent too thick and too strange to ever be completely understood. Life is that joke. The soul is its punchline."

"On the poor use of grammar It's a matter of usage. If a house is off-plumb and rickety and lets in the wind, you blame the mason, not the bricks. Our words are up to the job. It's our syntax that's limiting."

"There's birth, there's death, and in between there's maintenance."

"Nostalgia's nice enough in little bitty doses, it puts personal peach fuzz on the hard ass of history."

"People of zee wurl, Relax!"

"You can love ‘em till your well runs dry, Belford, but you can never love ‘em enough, and you know it. No matter how much others might love you, you can’t love yourself unless you’re in charge of your own actions, and you’ll never take charge as long as you can get away with blaming your shortcomings and misfortunes on your family or society or your race or gender or Satan or whatever…"

"There are many things worth living for, there are a few things worth dying for, but there is nothing worth killing for."

"Sometimes those things that attract the most attention to us are the things that afford us the greatest privacy."

"Albert Camus wrote that the only serious question is whether to kill yourself or not. Tom Robbins wrote that the only serious question is whether time has a beginning or an end. Camus clearly got up on the wrong side of the bed, and Robbins must have forgotten to set the alarm. There is only one serious question. And that question is: "Who knows how to make love stay?"."

"There are essential and inessential insanities. The latter are solar in character, the former are linked to the moon. Inessential insanities are a brittle amalgamation of ambition, aggression, and pre-adolescent anxiety — garbage that should have been dumped long ago. Essential insanities are those impulses one instinctively senses are virtuous and correct, even though peers may regard them as coo-coo. Inessential insanities get one in trouble with one's self. Essential insanities get one in trouble with others. In fact, it may be essential. Poetry, the best of it, is lunar and is concerned with the essential insanities. Journalism is solar... and is devoted to the inessential."

"Tequila, scorpion honey, harsh dew of the doglands, essence of Aztec, crema de cacti; tequila, oily and thermal like the sun in solution; tequila, liquid geometry of passion; Tequila, the buzzard God who copulates in midair with the ascending souls of dying virgins; tequila, firebug in the house of good taste; O tequila, savage water of sorcery, what confusion and mischief your sly, rebellious drops do generate!”"

"It's not men who limit women, it's not straights who limit gays, it's not whites who limit blacks. What limits people is lack of character. What limits people is that they don't have the fucking nerve or imagination to star in their own movie, let alone direct it."

"How can one person be more real than any other? Well some people do hide and others seek. Maybe those who are hiding — escaping encounters, avoiding surprises, protecting their property, ignoring their fantasies, restricting their feelings, sitting out the Pan pipe hootchy-kootch of experience — maybe those people, people who won't talk to rednecks, or if they're rednecks won't talk to intellectuals, people who are afraid to get their shoes muddy or their noses wet, afraid to eat what they crave, afraid to drink Mexican water, afraid to bet a long shot to win, afraid to hitchhike, jaywalk, honky-tonk, cogitate, osculate, levitate, rock it, bop it, sock it, or bark at the moon, maybe such people are simply inauthentic, and maybe the jackleg humanist who says differently is due to have his tongue fried on the hot slabs of liars hell. Some folks hide and some folks seek,and seeking when its mindless, neurotic, desperate, or pusillanimous, can be a form of hiding. But there are folks who want to know and aren't afraid to look, and won't turn tail should they find it — and if they never do, they'll have a good time anyway, because nothing, neither the terrible truth, nor the absence of it, is going to cheat them out of one honest breath of earth's sweet gas."

"Love is the ultimate outlaw. It just won’t adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet. That would mean that security is out of the question. The words “make” and “stay” become inappropriate. My love for you has no strings attached. I love you for free."

"I’m not quite twenty, but, thanks to you, I’ve learned something that many women these days never learn: Prince Charming really is a toad. And the Beautiful Princess has halitosis. The bottom line is that (a) people are never perfect, but love can be, (b) that is the one and only way that the mediocre and the vile can be transformed, and (c) doing that makes it that. Loving makes love. Loving makes itself. We waste time looking for the perfect lover instead of creating the perfect love. Wouldn’t that be the way to make love stay?"