People From Veneto

"Most Illustrious, &c,— It was not necessary for your Excellency to remind me by letter or the gift of a rich cassock of the pictures, which I have altogether at heart, knowing as I do under what obligation I am for many kindnesses.. ..Many days have passed since I gave one of the pictures to the ambassador to send to your Excellency. Five others are in a fair way, which I shall finish on hearing that the first was satisfactory, or the reverse, regulating my work accordingly. And so I shall proceed by degrees to the end, when I shall hope to have well served your Excellency. In the meantime, it would be a great favour to me if your Excellency would liberate my benefice from the pension payable upon it, which, besides causing me a loss in money which I pay out yearly, creates not a little trouble and disturbance because of the persons with whom I am pestered, out of whose hands your Excellency alone can save me. I beg, I supplicate your Excellency to do this.. ..which alone would suffice to make me your Excellency's perpetual slave."

"..I kissed the hand of Don Alvise Davila, who said he was your friend, and begged me to tell you he would soon prove it. I would have done the same by Signor Antonio da Leva, but that there was no time. He came to see the Emperor [Charles V], and only staid half a day, and there were so many visitors that I could not kiss his hand. But should we meet I shall do my duty, and attend to your interests without regard to the consequences. No more on this head. Here nothing is heard but the roll of drums, and everyone is starting for France. I hope soon to be with you, when we shall have much to say to each other. Bas las manos a vuestra merced and also those of Alvise Anichini."

"Illustrious Lord, hearing that your Excellency has gone to the court of his Imperial Majesty [Charles V], I abstain from coming to Mantua, sighing at my bad fortune in not having left Bologna soon enough to meet your Grace. At Venice I shall prepare the copy of the portrait of his Majesty, which I take home with me at your Excellency's bidding."

"I have been expecting the bull of the benefice of Medole which your Excellency gave me for my son Pomponio last year, and seeing that the matter is delayed beyond measure, and what is worse, that I have not received the income of the benefice — I find myself in a state of great discontent. It would be greatly to my dishonour and infamy, if my boy should be forced to change the priest's dress, which he wears with so much pleasure, after all Venice has been made acquainted with the gift made to him of this benefice by your Excellency."

"Excellent Lord: —Knowing your Excellency's love for painting and your passion for protecting it as shown in the patronage of Ginlio Eomano; —being further desirous of pleasing your Excellency, —I have taken the opportunity of Messer Pietro Aretino's arrival [in Venice] to paint his likeness, and as he comes — a second St. Paul —to preach the virtues of your Excellency, and I likewise know that you are fond of so faithful a servant because of his many virtues, I make you herewith a present of his portrait. But I also bear in remembrance the Signor Girolamo Adorno who adored the Marquis of Mantua, and as he was a qualified gentleman, I send your Excellency a present of him also. These may not be gifts worthy of so great a person as your Excellency.. ..Most devoted servant, Titiano Vecellio."

"Most Illustrious Lord and My Lord, I received the other day, with due reverence your Lordship's letter, together with the canvas and framing. Having read and noted the contents, I considered them so pretty and ingenious as to require no improvement of any kind; and the more I thought over it the more I became convinced that the greatness of art amongst the ancients was due to the assistance they received from great princes content to leave to the painters the credit and renown derived from their own ingenuity in bespeaking pictures. Can I therefore doubt that, if God enables me to satisfy in any part the wishes of Your Lordship, I shall have all credit for my labour? Yet I shall, after all have done no more than give shape to that which received its spirit — the most essential part — from Your Excellency."

"Your Excellency, I went without delay to the well of which Y. E. had written, and made a sketch of it, from which Y. E. will see how the matter stands; but I wish that sketch not to go alone, so send another with it of a well after the fashion of this country. Should these drawings appear to have been done in a manner not agreeable to the greatness of your illustrious Signorina, or in accordance with my humble desire to serve Y. E., I hope to be excused; and that Y. E. will ascribe, the cause to an earnest longing that the work should be done rapidly. I am entirely at command should the drawings be considered unsatisfactory, and am ready to furnish others.."

"I, Titian of Cadore, having studied painting from childhood upwards, and desirous of fame rather than profit, wish to serve the Doge and Signori, rather than his Highness the Pope and other Signori, who in past days, and even now, have urgently asked to employ me: I am therefore anxious, if it should appear feasible, to paint in the Hall of Council, beginning, if it please their sublimity, with the canvas of 'The Battle' on the side towards the Piazza, which is so difficult that no one as yet has had courage to attempt it..."

"On the 17th of November, 1520, Alfonso was induced to write to his agent Tebaldi to remind Titian of his promise, and as this letter very clearly illustrates a change of tone in the Duke's communications to the painter, it deserves to be quoted: "Messer Jacomo. Make it your business to speak with Titian and remind him that he made promises when leaving Ferrara which he has not thought fit as yet to keep. Amongst other things he said he would paint a canvas which we expect to receive, and as we do not deserve that he should fail in his duty, exhort him to proceed so that we shall not have cause to be angry with him, and let means be found to obtain our canvas immediately.""

"There is nothing strained or repulsive in his character. His letters to princes and to ministers concerning his pictures and his pensions contain that degree of humility which then denoted the savoir-vivre of a subject. He takes men well and he takes life well; that is to say, that he enjoys life like other men, without either excess or baseness. He is no rigorist; his correspondence with Aretino reveals a boon companion, eating and drinking daintily and heartily, appreciative of music, of elegant luxury, and the society of pleasure-seeking women. He is not violent, nor tormented by immeasurable and dolorous conceptions; his painting is healthy, exempt from morbid questionings and from painful complications; he paints incessantly, without turmoil of the brain and without passion during his whole life. He commenced while still a child, and his hand was naturally obedient to his mind. He declares that "his talent is a special grace from heaven;" that it is necessary to be thus endowed in order to be a good painter, for otherwise "one cannot give birth to any but imperfect works;" that in this art "genius must not be agitated." Around him beauty, taste, education, the talents of others, reflect back on him as from a mirror the brightness of his own genius."

"We find the following words:— "Whether it is the human figure, and animal, or even inanimate objects, there is nothing, however unpromising in appearance, but may be raised into dignity, convey sentiment, and produce emotion, in the hands of a painter of genius. What was said of Virgil, that he threw even the dung about the ground with an air of dignity, may be applied to Titian; whatever he touched, however naturally mean, and habitually familiar, by a kind of magic he invested with grandeur and importance." —No, not by magic, but by seeking and finding in individual nature, and combined with details of every kind, that grace and grandeur and unity of effect which Sir Joshua supposes to be a mere creation of the artist's brain! Titian's practice was, I conceive, to give general appearances with individual forms and circumstances. Sir Joshua's theory goes too often, and in its prevailing bias, to separate the two things as inconsistent with each other, and thereby to destroy or bring into question that union oi striking effect with accuracy of resemblance, in which the essence of sound art (as far as relates to imitation) consists."

"It is the intense personal character which, I think, gives the superiority to Titian's portraits over all others, and stamps them with a living and permanent interest. Of other pictures you tire, if you have them constantly before you; of his, never. For other pictures have either an abstracted look, and you dismiss them, when you have made up your mind on the subject as a matter of criticism; or an heroic look, and you cannot be always straining your enthusiasm; or an insipid look, and you sicken of it. But whenever you turn to look at Titian's portraits, they appear to be looking at you; there seems to be some question pending between you, as though an intimate friend or inveterate foe were in the room with you; they exert a kind of fascinating power; and there is that exact resemblance of individual nature which is always new and always interesting, because you cannot carry away a mental abstraction of it, and you must recur to the object to revive it in its full force and integrity. I would as soon have Raphael's, or most other pictures, hanging up in a collection, that I might pay an occasional visit to them: Titian's are the only ones that I should wish to have hanging in the same room with me for company!"

"Titian by a few strokes knew how to mark the general image and character of whatever objects he attempted. His great care was to preserve the masses of light and shade, and to give by opposition the idea of that solidity which is inseparable from natural objects."

"Many artists, as Vasari likewise observes, have ignorantly imagined they are imitating the manner of Titian when they leave their colours rough, and neglect the detail: but not possessing the principles on which he wrought, they have produced what he calls goffe pitture, absurd, foolish pictures; for such will always be the consequence of affecting dexterity without science, without selection, and without fixed principles."

"Raphael and Titian are two names which stand the highest in our art, — one for drawing, the other for painting. It is to Titian we must turn our eyes to find excellence with regard to color, and light and shade, in the highest degree. He was both the first and the greatest master of this art. By a few strokes he knew how to mark the general image and character of whatever object he attempted; and produced, by this alone, a truer representation than his master Giovanni Bellini, or any of his predecessors, who finished every hair. His great care was to express the general color, to preserve the masses of light and shade, and to give by opposition the idea of that solidity which is inseparable from natural objects. When those are preserved, though the work should possess no other merit, it will have in a proper place its complete effect; but where any of these are wanting, however minutely labored the picture may be in detail, the whole will have a false' and even an unfinished appearance, at whatever distance, or in whatever light, it can be shown.. ..This manner was then new to the world, but that unshaken truth on which it is founded has fixed it as a model to all succeeding painters; and those who will examine into the artifice will find it to consist in the power of generalizing, and in the shortness and simplicity of the means employed."

"Titian was characterized by this, that he painted flesh in which the blood appeared to mantle, whilst the art of the painter was merged in the power of a creator. He imagined forms of grander proportions, of more shiny impast[o], of more harmonious hues than his competitors. With incomparable skill he gave tenderness to flesh by transitions of half tone and broken contrasted colours. He moderated the fire of Giorgione, whose strength lay in resolute action, fanciful movement, and a mysterious artifice in disposing shadows contrasting darkly with hot red lights, blended, strengthened, or blurred so as to produce the semblance of exuberant life."

"Even the young are killing each other."

"Pius X, in 1906, right here in Rome, had beatified the sixteen Carmelites of Compiègne, martyrs during the French revolution. During the trial they were condemned "to death for fanaticism". And one of them asked in her simplicity: "Your Honour, what does fanaticism mean?" And the judge: "It is your foolish membership of religion." "Oh, Sisters, she then said, did you hear, we are condemned for our attachment to faith. What happiness to die for Jesus Christ!" They were brought out of the prison of the Conciergerie, and made to climb into the fatal cart. On the way they sang hymns; when they reached the guillotine, one after the other knelt before the Prioress and renewed the vow of obedience. Then they struck up "Veni Creator"; the song, however, became weaker and weaker, as the heads of the poor Sisters fell, one by one, under the guillotine. The Prioress, Sister Theresa of St Augustine, was the last, and her last words were the following: "Love will always be victorious, love can do everything." That was the right word, not violence, but love, can do everything. Let us ask the Lord for the grace that a new wave of love for our neighbour may sweep over this poor world."

"People sometimes say: "we are in a society that is all rotten, all dishonest." That is not true. There are still so many good people, so many honest people. Rather, what can be done to improve society? I would say: let each of us try to be good and to infect others with a goodness imbued with the meekness and love taught by Christ. Christ's golden rule was: "do not do to others what you do not want done to yourself. Do to others what you want done to yourself." 'And he always gave. Put on the cross, not only did he forgive those who crucified him, but he excused them. He said: "Father, forgive them for they know not what they do." This is Christianity, these are sentiments which, if put into practice would help society so much."

"We are the objects of undying love on the part of God. We know: he has always his eyes open on us, even when it seems to be dark. He is our father; even more he is our mother. He does not want to hurt us, He wants only to do good to us, to all of us. If children are ill, they have additional claim to be loved by their mother. And we too, if by chance we are sick with badness, on the wrong track, have yet another claim to be loved by the Lord."

"We wish to continue in following up the legacy of the Second Vatican Council whose wise regulations have still to be led to their fulfilment, being careful that a push, generous perhaps, but unduly timed, does not detract from the content and meaning of the council, and on the other hand being careful and reined and timid efforts do not slow up the magnificent drive of renewal and of life."

"Yesterday, a funny thing happened to me on my way to the Conclave."

"I am at best on the C list for Pope."

"Let me give an example. It is far away in time but a classic case … In 1815, the official French newspaper Le Moniteur, showed its readers how to follow Napoleon's progress: 'The brigand flees from the island of Elba '; 'The usurper arrives at Grenoble'; ' Napoleon enters Lyons'; 'The Emperor reaches Paris this evening'. What an amazing turnabout! This must not be compared with prudence, just as it isn't prudent to have a stubborn attitude and to take no account of what is obviously real or to become excessively rigid and zealously upright, more loyalist than the king, more papist than the pope. This happens. Some people seize on an idea, then bury it and guard it for the rest of their lives, defending it jealously without ever examining it again, without ever trying to check what has become of it after all the rain and wind and storms of events and changes. Those who travel in the stratosphere are in danger of not being prudent, when they are full of knowledge acquired purely from books. They can never get away from what is written, are always busy analyzing, pointing out subtleties, perpetually splitting hairs. Life is quite another matter."

"I come without five lire. I want to leave without five lire."

"Pope John Paul could have been a revolutionary Pope. He already had put aside the pompous trappings which went with the Papal coronation. Almost certainly he would have seen that the Vatican's mysterious finances, and financial dealings, were made public, and perhaps set them on a more pastoral track. In Venice, he had urged his parish priest to sell the gold and jewels which people had donated to a saint or the Virgin Mary, and to use the money to help the needy. Had he carried it out in the Vatican, it would have been a revolutionary act."

"Because of this virtue of his, it only took 33 days for Pope Luciani to win people's hearts. In his addresses he always referred to events in practical life, from his family memories and from popular wisdom. His simplicity was a vehicle for a solid, rich teaching which, thanks to the gift of an exceptional memory and a vast knowledge, he embellished with numerous citations from ecclesiastical and secular writers. Thus, he was an incomparable catechist, following in the footsteps of St Pius X, who came from the same region and was his predecessor first on the throne of St Mark and then on that of St Peter. "We must feel small before God", he said during the same Audience. And he added, "I am not ashamed to feel like a child before his mother; one believes in one's mother; I believe in the Lord, in what he has revealed to me". These words reveal the full depth of his faith. As we thank God for having given him to the church and to the world, let us treasure his example, striving to cultivate his same humility which enabled him to talk to everyone, especially the small and the "distant". For this, let us invoke Mary Most Holy, the humble handmaid of the Lord"."

"Luciani began to think very seriously of becoming a Jesuit. He watched as first one, then a second, of his close friends went to the rector, Bishop Giouse Cattarossi, and asked for permission to join the Jesuit order. In both instances the permission was granted to them. Luciani would soon make his decision, and so he went and asked for permission. The bishop considered the request, then responded, "No, three is one too many. You had better stay here.""

"He has been the greatest gift of God, a sunray of God’s love shining in the darkness of the world."

"It seems to us that only yesterday he emerged from this assembly of ours to put on the papal robes — not a light weight. But what warmth of charity, nay, what "an abundant outpouring of love" — which came forth from him in the few days of his ministry and which in his last Sunday address before the Angelus he desired should come upon the world. This is also confirmed by his wise instructions to the faithful who were present at his public audiences on faith, hope and love."

"For my part, he was God's candidate."

"On behalf of the American people, I join people the world over in welcoming your election as Pontiff of the Roman Catholic Church. We rejoice in the renewal of leadership for your Church. In a world of rapid change, the basic needs of humanity remain the same: peace, justice, equity and the opportunity for life with dignity. These are still the supreme challenges that face us. Your voice and your efforts, in the tradition of your predecessors, can be an inspiration and a hope for all those who struggle to meet those challenges. I pray it will be heard and echoed by people of good will throughout the world. On this happy occasion, I extend to Your Holiness my deep respect and sincere good wishes for your Papacy."

"A peak unequaled by anyone between Hippocrates and Pasteur."

"[Contagion] passes from one thing to another, and is originally caused by infection of the imperceptible particle."

"It is just this quality, this clear and almost terrible simplicity, that puts Catullus in a place by himself among the Latin poets. Where others labour in the ore of thought and gradually forge it out into sustained expression, he sees with a single glance, and does not strike a second time."

"An admirable poet. No Latin writer is so Greek. The simplicity, the pathos, the perfect grace, which I find in the great Athenian models, are all in Catullus, and in him alone of the Romans."

"Si quicquam cupido optantique optigit umquam insperanti, hoc est gratum animo proprie."

"Multas per gentes et multa per aequora vectus Advenio has miseras, frater, ad inferias, Ut te postremo donarem munere mortis Et mutam nequiquam alloquerer cinerem. Quandoquidem fortuna mihi tete abstulit ipsum, Heu miser indigne frater adempte mihi, Nunc tamen interea haec prisco quae more parentum Tradita sunt tristi munere ad inferias, Accipe fraterno multum manantia fletu, Atque in perpetuum, frater, ave atque vale."

"Odi et amo. quare id faciam, fortasse requiris. nescio, sed fieri sentio et excrucior."

"Si vitam puriter egi."

"Difficile est longum subito deponere amorem."

"Siqua recordanti benefacta priora voluptas Est homini."

"Huc est mens deducta tua mea, Lesbia, culpa atque ita se officio perdidit ipsa suo, ut iam nec bene velle queat tibi, si optima fias, nec desistere amare, omnia si facias."

"Desine de quoquam quicquam bene velle mereri, Aut aliquem fieri posse putare pium."

"Mulier cupido quod dicit amanti in vento et rapida scribere oportet aqua."

"Omnia fanda nefanda malo permixta furore iustificam nobis mentem avertere deorum."

"Nunc iam nulla viro iuranti femina credat, nulla viri speret sermones esse fideles; quis dum aliquid cupiens animus praegestit apisci, nil metuunt iurare, nihil promittere parcunt: sed simul ac cupidae mentis satiata libido est, dicta nihil metuere, nihil periuria curant."

"Ut flos in saeptis secretus nascitur hortis, Ignotus pecori, nullo contusus aratro, Quem mulcent aurae, firmat sol, educat imber; Multi illum pueri, multae optavere puellae."

"Quid datur a divis felici optatius hora?"

"Otium et reges prius et beatas perdidit urbes."