People From Paris

"Let us wage war on totality; let us be witnesses to the unpresentable, let us activate the different and save the honor of the name."

"Here is the question: is a legitimization of the social bond, a just society, feasible in terms of a paradox analogous to that of scientific activity? What would such a paradox be?"

"…Scientific knowledge does not represent the totality of knowledge; it has always existed in addition to, and in competition and conflict with, another kind of knowledge, which I will call narratives in the interest of simplicity."

"Knowledge is and will be produced in order to be sold, it is and will be consumed in order to be valorized in a new product."

"The logic of maximum performance is no doubt inconsistent in many ways, particularly with respect to contradiction in the socio-economic field: it demands both less work (to lower production costs) and more (to lessen the social burden of the idle population). But our incredulity is now such that we no longer expect salvation to rise from these inconsistencies, as did Marx."

"Legitimation is the process by which a legislator is authorized to promulgate such a law as a norm."

"Science has always been in conflict with narratives. Judged by the yardstick of science, the majority of them prove to be fables. But to the extent that science does not restrict itself to stating useful regularities and seeks truth, it is obliged to legitimate the rules of its own game."

"I define postmodern as incredulity towards metanarratives."

"The moment knowledge ceases to be an end in itself—its realization of The Idea or the emancipation of men—it’s transmission is no longer the exclusive responsibility of scholars and students."

"Knowledge is and will be produced in order to be sold, it is and will be consumed in order to be valorized in a new production..."

"What is new in all this is that the old poles of attraction represented by nation-states, parties, professions, institutions, and historical traditions are losing their attraction. And it does not look as though they will be replaced, at least not on their former scale."

"The grand narrative has lost its credibility, regardless of what mode of unification is uses, regardless of whether it is a speculative narrative or a narrative of emancipation."

"Un beau jour, ou peut-etre une nuit, Près d'un lac, je m'étais endormie, Quand soudain, semblant crever le ciel, Et venant de nulle part, Surgit un aigle noir."

"Et tant pis pour ceux qui s'etonnent Et que les autres me pardonnent Mais les enfants ce sont les memes A Paris ou a Gottingen."

"Mais il mourut à la nuit même Sans un adieu, sans un je t'aime Mon père, mon père le ciel de Nantes Rend mon coeur chagrin."

"I therefore think that I was right in trying from the outset of the Olympic revival to rekindle a religious awareness."

"Winning medals wasn’t the point of the Olympics. It’s the participating that counts."

"The important thing in the Olympic Games is not to win, but to take part; the important thing in Life is not triumph, but the struggle; the essential thing is not to have conquered but to have fought well. To spread these principles is to build up a strong and more valiant and, above all, more scrupulous and more generous humanity."

"Standing outside the house where she was born, in June 1930, I think some things in Paris never change...things like the smell of fresh-baked baguettes at daybreak, the Napoleonic arcades [-] the morning coffee that you drink standing up for double impact and the sound of a chanson that's not just popular, its intensely personal, to everyone who hears it, it's a song that evokes a place, an encounter, a moment in your life. It might be sung by Edith Piaf, or Jacques Brel, or Juliette Greco - but the one for me who delves deepest into the collective unconscious, is almost unknown outside France, and her song is the story of millions of private lives, of the spirit of Paris, of the narrative of our times, of my lifetime, she's known as Barbara, though that's not her real name, she called herself, the Black Eagle, and she always wore black."

"A better world could be brought about only by better individuals."

"In the name of all the competitors I promise that we shall take part in these Olympic Games, respecting and abiding by the rules which govern them, in the true spirit of sportsmanship, for the glory of sport and the honour of our teams."

"Fortune is always on the side of the largest battalions."

"Ah! comme vous dites, il faut glisser sur bien des pensées, et ne faire pas semblant de les voir."

"La mode d'aimer Racine passera comme la mode du café."

"Il n'y a personne qui ne soit dangereux pour quelqu'un."

"L'ingratitude attire les reproches comme la reconnaissance attire de nouveaux bienfaits."

"If one only saw the people one respected one would see nobody."

"Un homme né pour les grands vices et les petites actions."

"A man born for great vices and small actions."

"It may seem odd to confess, but I never could discover on what grounds Talleyrand's great reputation as a Minister was built. I never found him a man of business, nor, I must say, able in affairs."

"You are a thief, a coward, a man without faith. You don't believe in God; you have all your life failed in all your duties, you have deceived, betrayed everyone […] Look, sir, you are nothing but shit in silk stockings. (Vous êtes un voleur, un lâche, un homme sans foi. Vous ne croyez pas à Dieu ; vous avez toute votre vie manqué à tous vos devoirs, vous avez trompé, trahi tout le monde […] Tenez, Monsieur, vous n’êtes que de la merde en bas de soie.[This refers to the fact that Talleyrand always dressed in the old aristocratic fashion with breeches and stocking, while the Revolution and the Empire had led to the generalised use of full-length trousers previously used by the lower classes]"

"Napoleon was essentially a man of visions and impulses, every conjecture, every trick of circumstance only prompting him to more grand designs, only luring his eye to more untrodden hills. But Talleyrand could not go with him all the way, and, aristocrat at heart, would not consent to be a mute unreasoning tool. Talleyrand's thought was of that withering kind that was so fashionable and attractive in the gilded world of his youth. He talked with a wink and a smile, his sarcasm would charm a salon, and, in repartee, he would cover a sword-thrust with velvet; but always his was the talk of the sceptic rather than the enthusiast, the critic rather than the dreamer; he could be delightfully oblique, he was never daringly grand. He thought best when on the defensive. This is where he differed from his master. This is why he was able to play a sort of second critical self to Napoleon, checking his flights of ambition, softening his intemperate expressions, and moderating his indiscreet outbursts—and, on the positive side, furnishing him expedients rather than grand designs. Hence he was perhaps the man to know Napoleon, and realise the true situation of affairs, better than Napoleon himself."

"His age was venerable, his society was delightful, and there was an exhibition of conservative wisdom, ‘of moderate and healing counsels,’ in all his thoughts, words, and actions very becoming to his age and station, vastly influential from his sagacity and experience, and which presented him to the eyes of men as a statesman like Burleigh or Clarendon for prudence, temperance, and discretion."

"He countered insult with a smile, and, when charged with lack of principle, was content to observe that the only sound principle was to have none. His unpopularity, then, is easily intelligible. Nothing alienates people more thoroughly than indifference, unless it be a rasping wit; and when Talleyrand spoke at all, he would always rather lose a friend than a jest."

"M. de Talleyrand, the most celebrated wit, courtier, and negotiator of his time. The public life of that celebrated man had not been free from the stains which, in times of frequent and violent change, are almost necessarily contracted by politicians. But it is just to say, that, if he was unfaithful to particular parties and particular families, he was in the main faithful to the interests of his country and to the great principles of government; that, though a revolutionist, he was never a jacobin; and that, though a minister of Napoleon, he had no share in the worst parts of the imperial tyranny."

"To betray at the right time means to foresee."

"Black as the devil, hot as hell, pure as an angel, sweet as love (of coffee)."

"It is worse than a crime, it is a mistake."

"A diplomat who says "yes" means "maybe", a diplomat who says "maybe" means "no", and a diplomat who says "no" is no diplomat."

"He was, in truth, a finished specimen of the homme politique. He aspired to govern not empires, but rulers; and such being his profession, it is not strange that vices and even crimes were imputed to him by those who lacked his knowledge and humour. But if he disdained to answer his accusers, he never ceased to believe in the loftiness of his patriotism and the grandeur of his policy. ‘Animated by the most devoted love of France,’ thus he wrote at the end of his career, ‘I have always served her conscientiously, and sought for her honestly that which I honestly believed to be most advantageous for her.’"

"Financiers flourish only when nations decline."

"Accessibility on the part of rulers ends by inspiring love rather than respect, and love evaporates at first sign of trouble."

"They have learned nothing, and forgotten nothing (and variations)."

"C'est le commencement de la fin."

"Qui n'a pas vécu dans les années voisines de 1789 ne sait pas ce que c'est le plaisir de vivre."

"To succeed in the world, it is much more necessary to possess the penetration to discern who is a fool than to discover who is a clever man."

"Vous ne jouez donc pas le whist, monsieur? Hélas! quelle triste vieilesse vous vous préparez!"

"Celui qui n'a pas vécu au dix-huitième siècle avant la Révolution ne connaît pas la douceur de vivre et ne peut imaginer ce qu'il peut y avoir de bonheur dans la vie. C'est le siècle qui a forgé toutes les armes victorieuses contre cet insaisissable adversaire qu'on appelle l'ennui. L'Amour, la Poésie, la Musique, le Théâtre, la Peinture, l'Architecture, la Cour, les Salons, les Parcs et les Jardins, la Gastronomie, les Lettres, les Arts, les Sciences, tout concourait à la satisfaction des appétits physiques, intellectuels et même moraux, au raffinement de toutes les voluptés, de toutes les élégances et de tous les plaisirs. L'existence était si bien remplie qui si le dix-septième siècle a été le Grand Siècle des gloires, le dix-huitième a été celui des indigestions."

"Ce n'est pas un événement, c'est une nouvelle."

"The tricolour flag, symbol of revolution, was raised on the cathedral's towers and the bells rang to the frantic acclamation of the crowd. 'Listen to the tocsin! We are triumphing' remarked the Prince de Talleyrand gleefully: 'Who are we?' he was asked: 'Quiet! Not a word. I will tell you tomorrow' was the reply."