Novelists From The United States

"Chico’s was busy that night, the dance floor a scrummage of writhing humanity. Snowclaw couldn’t get over the noise in the place. It had taken some getting used to. He didn’t quite understand what all the thumping and screeching was about, though he knew it had something to do with music. And the dancing was completely incomprehensible. Snowy took it to be some complex courting ritual. But what did the flashing lights have to do with anything?"

"I learned to trust my vision and advocate for it. I had experienced so much rejection that when I heard a “yes” I thought the process of “selling” my idea was over. In fact, that was the moment when I needed to be clearest about my intention"

"This look into the far future has lightened my heart. Simply to know that there is a future is somehow reassuring."

"Things are going to change around here. I realize that taboos are hard to overcome, but it simply has to be done if your people are going to have any future."

"Stories are inextricable from existence which means your story has incalculable value. It is needed by someone, somewhere, and if you keep at it, at some point you will connect with that someone"

"Keep going. If you keep writing, you’ll outpace the rejection. Storytelling is as old as humanity—every known civilization has told stories of life as they lived it, passed down legends of how we got here, and created fables or parables to illustrate morals or deliver lessons"

"I hope to add my voice to the African authors before me, beside me, and behind me committed to creating balanced, engaging, informative, and authentic portraits of the continent. I don't want to romanticize Africa, but I do want people to be aware that there is more to the continent than corruption, political unrest, war, disease, poverty, genocide and the rest"

"I wanted to make the connection that just because a person is born outside the continent, he/she is not "other""

"When citizens allow leaders to get away with providing sub-par infrastructure, or none at all, without demanding more for themselves and their children, nations remain stuck in a cycle of poverty and victimhood"

"I wanted to expose the superiority complex people in the West have concerning Africa."

"I am motivated to write because it's important to me not to be defined by someone else. If we leave the Storytelling to other people we can't get too mad if they get it wrong. I also love writing--from the inspiration involved in coming up up with a concept to the discipline of the process to stringing the actual words together. I'm so thankful for the gift of words"

"Don’t fall into the trap of feeling sorry for yourself because you haven’t yet got to the stage where you can [pursue your dream] full time"

"Look at a day job as a type of fellowship that pays you to research a certain sector or society"

"I think writers have a responsibility to hold a mirror up to society. The beauty of writing is the reflection can, and should, come in various forms."

"I wanted to make the point that God works things for good--even when events in life seem random and ridiculous"

"The silence was deep, yet it was the sort of restful, contemplative silence befitting and peculiar to a library."

"The truth lay on him like the rubble of a landslide."

"No one wants to think they are the cause of their own misery."

"This must be a field day for the end-is-nigh, compound-dwelling, bullets-and-Bibles folk. They must feel so vindicated. If there was any comfort to find at the end of the world, it was knowing you were right all along and that was about it."

"This was not a time of civility or compassion, but of survival."

"For as long as humankind can remember, it has wanted two things: to play God and to breathe life into the objects around them. And for thousands of years, humans created machines to approximate life and magic and all the things men and women could not do. And then a man stood in front of a roomful of people and had a computer say, “Hello.” That’s it. Hello. It didn’t mean it. It didn’t know what it was saying. But it said it. Hello. And within thirty years, humans were having conversations with their phones."

"“I’m too drunk to handle this right now. I’m going to need you to be the adult in the room tonight.” “Asshole, I’m drunk too.” “Yeah, but you’re better at it than I am.”"

"I learned long ago that, when anyone spoke of peace, be it man or machine, they meant war. Peace through war. Peace was the standard. It was the inert state of all things. You didn’t need to expend energy for peace. Only war."

"What good is it surviving the end of the world if there are still stupid rules about what grown-ups can do and kids can’t?"

"Survival is worthless without meaning."

"“We have to help them,” said Ezra. “I don’t think we can.” “You have a plasma gun and you’re smart. What else do you need?”"

"“Let me ask you something.” “Okay!” “Are we good guys or are we bad guys?” “We’re good guys.” “Well, good guys only do terrible things when our lives depend on it. And we have to feel bad about them afterward.” “Why?” “Because otherwise, we become the bad guys.”"

"If a rocket screams across the darkness, the counterinsurgent can hunched down in his slit trench and pray that the glowing green ball with a sound like a steam locomotive will land on somebody else instead. Prayer probably won’t help, any more than it’ll stop the rain or make the mosquitoes stop biting. But nothing else will help either."

"I feel as if I’ve spent my working life throwing darts at a map and convincing myself that I’ve traveled to the places the darts hit."

"Nilsen looked up slowly. His face was as doubtful as that of a political prisoner who has just been informed that the revolution has made him president."

"That’s the dilemma the group of friends in The Indelible Heart had to face. And, as in our larger society, their opinions ran the gamut from indifference to merciful release to let him rot in hell. As I wrote, I found myself weighing and evaluating my own belief. As it turns out, I find myself leaning closer to Sharon’s ‘let him rot’ opinion, with a gentle nudge to force justice to take the hand of forgiveness."

"As have so many LGBT people, I formed a family of choice throughout the years – people who accepted and nurtured and loved me for who I am. During the writing of The Indelible Heart, I lost three of those people. There wasn’t enough time for me to recover from the grief of one loss before I was faced with another. The once solid ground beneath me was gone. And, at the same time that I was trying to get through my own grief, I was having to take Sharon back to hers. It has made this the most difficult book for me to write."

"I have a couple of things niggling my mind. One, partly fueled by the importance of the women’s vote in the recent election, is to explore the history of our fight for the vote. Another is the problem of animal neglect and overwhelmed animal shelters. Of course, these issues will have to explored by characters in a storyline that balances love, hope, and social consciousness. I just can’t seem to help it."

"The hate crimes described in Love in the Balance are based on the hate crime murders of Susan Pittmann and Christine Puckett, committed in Huron Township in Michigan. I was honored to have their daughter, Cynthia Pittmann, write the poignant Foreword for the sequel, The Indelible Heart."

"The character created most closely from my personal experiences is Jean Carson, the teacher in Mirrors. Her struggles were mine, her hopes and fears were mine. She struggled to protect her job, while trying to help a bullied student. I kept my job, but lost a student to suicide."

"One of the reoccurring challenges I incur is that my stories don’t fit neatly into one category – there is too much social commentary for the romance genre and too much romance for general fiction. It makes marketing a challenge, as well as award nominations."

"Within the circle of friends, Kasey and Connie have the most stable relationship. My hope is to leave the reader with the sense that this couple has the tools to work through the challenges that long term relationships face."

"That balance has been a real struggle for me. And, balance truly is the key, I believe. It’s a fluid thing, something that changes as our lives change. There were times when I could expend time and energy on marches and rallies and petitions, and there were times when I needed to secure my personal place in the world. The truth, I’ve realized, is that it takes a community, recognizing its fluidity and maintaining its focus. It takes leaders. It takes everyone doing what they can. For me, for now, it means writing stories of palatable consciousness."

"My biggest writing challenge is embracing the freedom that I have now from page and word restrictions. My first few books were published by Naiad Press, and were subject to restrictions. I learned to make every word count, minimalize description, and move quickly from scene to scene, all of which improved my craft. But, now I can expand the scope of my story lines without fear of drastic cuts."

"What is unfortunate is that our community is still embattled, facing ongoing challenges to our rights and security. I would think that as long as those exist, there will be a need and opportunity for me to write stories of how those struggles effect our lives."

"I believe there are a number of similarities, common struggles to change social attitude. But, unlike the racial struggle, the LGBT community, for the most part, has had the option of the closet – to stay hidden, to live the lie. And, I think in the long run, that has lengthened our struggle. Without that option, we would have had to fight harder and sooner."

"As I said, my next project is a prequel to Under the Witness Tree. I fell in love with Nessie Tinker. Nessie was a 90+ year old black supporting character who challenged me to know more about her and where she came from. I wanted to know what her life would have been like growing up in Georgia in the 1900’s. What were her dreams and hopes, her disappointments? And, what of love, between two young women, one black and one white? This next book is the result of that curiosity and search."

"For me, a story must be relatable and believable. As a writer, I want to immerse the reader in the lives of my characters, in hopes and dreams that may be lofty but reachable, and in struggles that are realistic and frustrating, and even frightening. If I can do that, the reader will be able to live the story with my characters."

"It seems as though I was always writing something – little stories, poems. All through school, whenever there was a choice between a written or oral assignment, I always chose the written. Later, writing became affordable therapy. I taught in the public school system for 25 years, as closeted a profession as there is, except possibly the religious sector. Expressing and exploring who I was as an individual, as a whole person, had to be done secretly and during those times when I wasn’t teaching, coaching, or losing my mind. It is the need to express beliefs and thoughts and feelings that had been suppressed for so long."

"I have a great amount of respect and admiration for a number of authors. It’s difficult to single out one as a favorite. Each offers me something special, unique to their style and presentation. Alice Walker offers introspection and a raw, yet palatable honesty. Harper Lee gave us an unrivaled one-time shot to the gut challenge to our humanity. Sarah Waters masterfully weaves her fictitious characters through places and time in history. And, I have yet to find an author whose craft is more impeccable, or plotting more effective, than Val McDermid."

"I have written 9 books. Each has something that makes it special to me. The first, Legacy of Love, for the obvious reason. Love in the Balance has an emotional connection to my mother, and to a hate crime that was committed near where I live. Mirrors emerged from my teaching experiences, and losing a student on my watch. Losses in my personal life, and an unexpected connection with the daughter of the hate crimes victims, made The Indelible Heart a difficult and unforgettable effort."

"Without the test of heat, no metal proves its strength; without the test of life, no love can prove its worth. Rare is the love that survives the tests of the life she knew, but the pain from loves that failed those tests could fill more than one lifetime.”"

"My next book will be a prequel to Under the Witness Tree. I never say never, but I don’t foresee featuring these three characters again."

"Most surprising, I think, was the depth of my sense of injustice. At times it bordered on anger, and it was such a cleansing, therapeutic experience to be able to express and explore that through my characters."

"Consider the origins of beauty and you soon realize that it is a triumph of accident. Be it human or art, the chances are its parents were toxic waste."