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April 10, 2026
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"Emma Goldman lived at the Anarchist's House too. Describe Emma Goldman? Her interest to Meridel was as "the first sexually 'free' woman" she met. "The women and feminists of that period never dealt with sex. They were Puritans.""
"The writer Meridel Le Sueur was blacklisted, hounded by the FBI, her books banned; she was dismissed from job after job-teaching, waitressing because the FBI intimidated her students and employers."
"For the first time, Meridel says "I am writing what I want to write. I don't know if anyone is going to read it," she adds with the pragmatism of someone whose work was virtually banned for years. "I don't even think about it. I just love it. It's a wonderful gift to have a passion like that.""
"Meridel Le Sueur's documentary novel of the depression, The Girl, is arresting as a study of female double life... Sex is thus equated with attention from the male, who is charismatic though brutal, infantile, or unreliable. Yet it is the women who make life endurable for each other, give physical affection without causing pain, share, advise, and stick by each other. (I am trying to find my strength through women-without my friends, I could not survive)...The Girl and Sula are both novels which examine what I am calling the lesbian continuum, in contrast to the shallow or sensational "lesbian scenes" in recent commercial fiction. Each shows us woman identification untarnished (till the end of Le Sueur's novel) by romanticism; each depicts the competition of heterosexual compulsion for women's attention, the diffusion and frustration of female bonding that might, in a more conscious form, reintegrate love and power."
"Paula Gunn Allen's description of the tribal culture is helpful in understanding this concept of energy dispersal: "The closest analogy in Western thought is the Einsteinian understanding of matter as a special state or condition of energy. Yet even this concept falls short of the Native American understanding, for Einsteinian energy is essentially stupid, while energy in the Indian view is intelligence manifesting yet another way.""
"Native American writers have always been a major influence on me, like Wendy Rose, Simon Ortiz, Joy Harjo, Leslie Marmon Silko, and Paula Gunn Allen, just to name a few."
"Paula Allen has uncanny perception and intellect."
"Old women are powerful. They really are powerful. That's not a culture perception, that's a fact. So, what you do with powerful people whom you don't wish to have powerful is you put a mind trick on the whole society. You convince them that those who have power do not have power. You do that by degrading them, trivializing them, disappearing them, and murdering them. They were murdered in great numbers toward the end of the Middle Ages. And that thing is kept up by talking about "old bags" and "old witches" and "old crones" and making fun of them, laughing, and saying, "Don't go near her-she's got the Evil Eye," which is what immigrant populations do. All those sorts of things instill in the minds of all people that old women are not powerful because, of course, they are. If they weren't really powerful, would it be necessary to do all we do to them? It wouldn't be. (JB: Isn't this one of the lessons now being learned by many women in the United States?) ALLEN: Finally. (JB: A lesson that American Indian women could have taught...) ALLEN: If non-Indians had bothered to pay attention. Yes. I think of old women not as grotesque and ugly, but as singular with vibrancy, alive just as the leaves get before they fall...the older you get the more you come into your own and the more your stability increases and your knowledge and your sense of who you are and how things ought to go."
"I wouldn't be writing now if Momaday hadn't done that book. I would have died. (JB: What did it do for you?) ALLEN: It told me that I was sane-or if I was crazy at least fifty thousand people out there were just as nutty in exactly the same way I was, so it was okay. I was not all alone. It did that and it brought my land back to me."
"What the novel does is what novels do and what the critical articles do is what criticism can do and what the poems do is what poems can do. My form is determined by my purpose, my point. They're all writing and that's what I'm doing. I'm a writer. It's like asking a seamstress if making dresses is somehow separate from making skirts and blouses. Sure, one has a waistband that's separate and in the others one part is connected to the other, but it's all sewing."
"(JB: What is it that is unique and important?) ALLEN: Our spiritual vision, our ability to be fundamentally practical and spiritual because Indian people are practical and spiritual. We don't horseshit around."
"(JB: Certain anthropologists, such as Elsie Clew Parsons, have "written off" Laguna, saying it no longer has a kiva, it's no longer really a Pueblo. Parsons comes close to saying it's not even Indian. How do you respond to that point of view?) ALLEN: I usually laugh because it's such a limited point of view. But then I say, "Okay, why are people always looking further back?" They've got to find a utopia-the perfect place-and Indians always fail them. Indians are always not quite something or other, whatever the something or other is that they want. People will come up to you and say, "There aren't any Indians anymore. You know, Indians put Pampers on their babies! They watch T. V.!" And all of this means that Indians are not Indian to the white world which loves Indians and is looking for the lost noble savage or something like that. I will say Parsons's work in itself indicates that they were so thoroughly primitive, so thoroughly wilderness people, that how she could write them off simply astonishes me."
"Ideally, what a writer does is talk to two perspectives. I don't know a writer who doesn't feel essentially alienated and that's what a breed is. It's fundamentally, "I'm not this and I'm not that and I am two of everything.""
"I'd always identified myself with the people's struggles. I think I began writing more about it and having an audience for writing it. But we wrote as partisans, we call it. You're on the side and like I was marching. I don't say anything about the troubles of the manufacturers association, or any sympathy for them. I just identified with the strikers."
"She was a poet. She was an activist. She was a writer. And she was a bold believer in a different world. And, you know, she was a poet. She was a writer of poetry books. But she also, you know, fought for the women’s right to vote. She was an organizer in the labor movement, big sacrificer for some of the rights that we have today and sort of—not sort of. She’s a legend, I guess, beyond our family and did a lot of—did a lot of things that helped shape this country. And to me, you know, as—to me and our generation, I think we still derive a lot of courage from the courage that she had."
"My poetry has a haunted sense to it and it has a sorrow and a grievingness in it that comes directly from being split, not in two but in twenty, and never being able to reconcile all the places that I am. I think of it as Wordsworth did when he said we come into this world "trailing clouds of glory," when he said nothing can bring back the hour when we saw "splendor in the grass and glory in the flower." We shall not weep but find strength in what remains behind. That poem-I was in college, I was a sophomore when I read it, and I just wept. I was completely, absolutely desolate because I thought he understood. He understood, of course, in his own way exactly what happens when your reality is so disordered that you can't ever make it whole, but you have the knowledge of what has happened, what has been done."
"The power of imagination, of image, which is the fundamental power of literature, is the power to determine a people’s fate."
"Our heart is in the sky. We understand that woman is the sun and the earth: she is grandmother; she is mother; she is Thought, Wisdom, Dream, Reason, Tradition, Memory, Deity, and Life itself."
"America does not seem to remember that it derived its wealth, its values, its food, much of its medicine and a large part of its "dream" from Native America. It is ignorant of the genesis of its culture in this Native American land, and that ignorance helps to perpetuate the long standing European and Middle Eastern monotheistic, hierarchical, patriarchal cultures' oppression of women, gays and lesbians, people of color, working class and unemployed people. Hardly anyone in America speculates that the constitutional system of government implaced here might be as much a product of American Indian ideas and practices as it is of colonial American and/or Anglo-European revolutionary fervor. However Indians are officially and informally ignored as intellectual movers and shapers in the United States, Britain and Europe, they are peoples with ancient tenure on this soil. During the ages when the tribal societies existed in the Americas largely untouched by patriarchal oppression, they developed elaborate systems of thought that included sciences, philosophy and governmental systems based on a belief in the central importance of female energies, systems that highly valued autonomy of individuals, cooperation, human dignity, human freedom, and egalitarian distribution of status, goods and services. Respect for others, reverence for life, and as a by-product of this value, pacifism as a way of life, importance of kinship ties and customary ordering of social transactions, a sense of the sacredness and mystery of existence, balance and harmony in relationships both sacred and secular were all features of life among the tribal confederacies and nations. And in those that lived by the largest number of these principles, gynarchy was the norm rather than the exception. Those systems are as yet unmatched in any contemporary industrial, agrarian, or post-industrial society on earth."
"No people is broken until the heart of its women is on the ground. Then they are broken. Then will they die."
"The oral tradition is more than a record of a people’s culture. It is the creative source of their collective and individual selves."
"The oral tradition is a living body. It is in continuous flux, which enables it to accommodate itself to the real circumstances of a people’s lives."
"Beliefs, attitudes and laws such as these resulted in systems that featured all that is best in the vision of American feminists and in human liberation movements around the world. Yet feminists too often believe that no one has ever experienced the kind of society that empowered women and made that empowerment the basis of its rules of civilization. The price the feminist community must pay because it is not aware of the recent if not contemporary presence of gynarchical societies on this continent is unnecessary confusion, division, and much lost time. Wouldn't it be good for feminists to know that there have been recent social models from which its dream descends and to which its adherents can look for models?"
"The cultural bias of the translator inevitably shapes his or her perception of the materials being translated, often in ways that he or she is unaware of. Culture is fundamentally a shaper of perception, after all, and perception is shaped by culture in many subtle ways. In short, it’s hard to see the forest when you’re a tree."
"We are doing all we can: as mothers and grandmothers; as family members and tribal members; as professionals, workers, artists, shamans, leaders, chiefs, speakers, writers, and organizers, we daily demonstrate that we have no intention of disappearing, of being silent, or of quietly acquiescing in our extinction."
"American Indian women struggle on every front for the survival of our children, our people, our self-respect, our value systems, and our way of life. The past five hundred years testify to our skill at waging this struggle: for all the varied weapons of extinction pointed at our heads, we endure. We survive war and conquest; we survive colonization, acculturation, assimilation; we survive beating, rape, starvation, mutilation, sterilization, abandonment, neglect, death of our children, our loved ones, destruction of our land, our homes, our past, and our future. We survive, and we do more than just survive. We bond, we care, we fight, we teach, we nurse, we bear, we feed, we earn, we laugh, we love, we hang in there, no matter what."
"The genocide practiced against the tribes is aimed systematically at the dissolution of ritual tradition. In the past this has included prohibition of ceremonial practices throughout North and Meso-America, Christianization, enforced loss of languages, reeducation of tribal peoples through government-supported and schools that Indian children have been forced to attend, renaming of the traditional ritual days as Christian feast days, missionization (incarceration) of tribal people, deprivation of language, severe disruption of cultures and economic and resource bases of those cultures, and the degradation of the status of women as central to the spiritual and ritual life of the tribes."
"We are busily stealing the thunder back, so it can empower the fires of life we tend, have always tended, as it was ever meant to."
"The American Indian people are in a situation comparable to the imminent genocide in many parts of the world today. The plight of our people north and south of us is no better; to the south it is considerably worse. Consciously or unconsciously, deliberately, as a matter of national policy, or accidentally as a matter of “fate,” every single government, right, left, or centrist in the western hemisphere is consciously or subsconsciously dedicated to the extinction of those tribal people who live within its borders."
"Patriarchy requires that powerful women be discredited so that its own system will seem to be the only one that reasonable or intelligent people can subscribe to."
"The vision that impels feminists to action was the vision of the Grandmothers' society, the society that was captured in the words of the sixteenth-century explorer Peter Martyr nearly five hundred years ago. It is the same vision repeated over and over by radical thinkers of Europe and America, from François Villon to John Locke, from William Shakespeare to Thomas Jefferson, from Karl Marx to Friedrich Engels, from Benito Juarez to Martin Luther King, from Elizabeth Cady Stanton to Judy Grahn, from Harriet Tubman to Audre Lorde, from Emma Goldman to Bella Abzug, from Malinalli to Cherrie Moraga, and from to me. That vision as Martyr told it is of a country where there are "no soldiers, no gendarmes or police, no nobles, kings, regents, prefects, or judges, no prisons, no lawsuits... All are equal and free," or so Friedrich Engels recounts Martyr's words."
"The years between time immemorial and the present are long and bloody and filled with despair. But we cannot despair, we children of the mother, Earth Woman, and the grandmother, Thought Woman. American Indian women not only have endured, but we have grown stronger and more hopeful in the past decade. Our numbers grow, our determination to define ourselves grows, and our consciousness of our situation, of the forces affecting it, and of the steps we can take to turn our situation around grows."
"Not until recently have American Indian women chosen to define themselves politically as Indian women—a category that retains American Indian women’s basic racial and cultural identity but distinguishes women as a separate political force in a tribal, racial, and cultural context—but only recently has this political insistence been necessary. In other times, in other circumstances more congenial to womanhood and more cognizant of the proper place of Woman as creatrix and shaper of existence in the tribe and on the earth, everyone knew that women played a separate and significant role in tribal reality."
"Timelessness—that place where one is whole."
"In the ancient bardic tradition the bards sang only of love and death. Certainly these twin themes encompass the whole of human experience. Loving, celebrating, and joining are the source of life, but they necessarily occur against a background of potential extinction. Thus, these themes become the spindle and loom of the poets’ weavings, for from the interplay of connection and disconnection come our most significant understandings of ourselves, our fellow creatures, and our tradition, our past."
"We are the dead and the witnesses to death of hundreds of thousands of our people, of the water, the air, the animals and forests and grassy lands that sustained them and us not so very long ago."
"The traditional tribal concept of time is of timelessness, as the concept of space is of multidimensionality. In the ceremonial world the tribes inhabit, time and space are mythic."
"Acceptance is the better part of grief."
"The true nature of being is magical and that the proper duty of the creatures, the land, and human beings is to live in harmony with what is."
"While lovelessness is not usually named by sociologists as an aspect of alienation, it may be the primary factor. For without relationships with significant others, meaning, self-esteem, a sense of belonging expressed in the establishment of norms and experienced as a sense of power cannot exist."
"Reconciling the opposites of life and death, of celebration and grief, of laughter and rage is no simple task, yet it is one worthy of our best understanding and our best effort. If, in all these centuries of death, we have continued to endure, we must celebrate that fact and the fact of our vitality in the face of what seemed, to many, inevitable extinction. For however painful and futile our struggle becomes, we have but to look outside at the birds, the deer, and the seasons to understand that change does not mean destruction, that life, however painful and even elusive it is at times, contains much joy and hilarity, pleasure and beauty for those who live within its requirements with grace."
"Perhaps the most destructive aspect of alienation is that: the loss of power, of control over one’s destiny, over one’s memories, thoughts, relationships, past, and future. For in a world where no normative understandings apply, where one is perceived as futile and unwanted, where one’s perceptions are denied by acquaintance and stranger alike, where pain is the single most familiar sensation, the loss of self is experienced continually and, finally, desperately."
"We are the land, and the land is mother to us all."
"All tales are born in the mind of Spider Woman, and all creation exists as a result of her naming."
"The earth is the source and the being of the people, and we are equally the being of the earth. The land is not really a place, separate from ourselves, where we act out the drama of our isolate destinies; the witchery makes us believe that false idea. The earth is not a mere source of survival, distant from the creatures it nurtures and from the spirit that breathes in us, nor is it to be considered an inert resource on which we draw in order to keep our ideological self functioning, whether we perceive that self in sociological or personal terms. We must not conceive of the earth as an ever-dead other that supplies us with a sense of ego identity by virtue of our contrast to its perceived nonbeing."
"In the myth, and especially the mythopoeic vision that gives it birth, past, present, and future are one, and the human counterparts of these—ancestors, contemporaries, and descendents—are also one. Conscious and unconscious are united through the magic of symbolic progression so that the symbols can convey direct, rational meanings and stir indirect memories and insights that have not been raised to conscious articulation. In mythopoeic vision and its literary counterparts, the near and the far must come together, for in its grasp we stand in a transcendent landscape that incorporates both. Lastly, the mythic heals, it makes us whole. For in relating our separate experiences to one another, in weaving them into coherence and therefore significance, a sense of wholeness arises, a totality which, by virtue of our active participation, constitutes direct and immediate comprehension of ourselves and the universe of which we are integral parts."
"The fragility of the world is a result of its nature as thought. Both land and human being participate in the same kind of being, for both are thoughts in the mind of Grandmother Spider."
"The nature of the cosmos, of the human, the creaturely, and the supernatural universe is like water. It takes numerous forms; it evaporates and it gathers. Survival and continuance are contingent on its presence. Whether it is in a cup, a jar, or an underground river, it nourishes life. And whether the ritual traditions are in ceremony, myth, or novel, they nourish the people. They give meaning. They give life."
"There is a permanent wilderness in the blood of an Indian, a wilderness that will endure as long as the grass grows, the wind blows, the rivers flow, and one Indian woman remains alive."
"Ethnohistorians have traditionally assigned male gender to native figures in the documentary record unless otherwise identified. They have also tended to not identify native individuals as leaders unless so identified in the specific source. This policy, while properly cautious, has fostered the notion that all native persons mentioned in the documentation were both male and commoners unless otherwise identified. This practice has successfully masked the identities of a substantial number of Coastal Algonkian leaders of both sexes. And that’s not all it successfully achieves. It falsifies the record of people who are not able to set it straight; it reinforces patriarchal socialization among all Americans, who are thus led to believe that there have never been any alternative structures; it gives Anglo-Europeans the idea that Indian societies were beneath the level of organization of western nations, justifying colonization by presumption of lower stature; it masks the genocide attendant on the falsification of evidence, as it masks the gynocidal motive behind the genocide. Political actions coupled with economic and physical disaster in the forms of land theft and infection of native populations caused the Mid-Atlantic Algonkians to be overwhelmed by white invaders."