Mystics

8457 quotes
0 likes
0Verified
222Authors

Timeline

First Quote Added

April 10, 2026

Latest Quote Added

April 10, 2026

All Quotes

"Perhaps, the good and the beautiful are the same, and must be investigated by one and the same process; and in like manner the base and the evil. And in the first rank we must place the beautiful, and consider it as the same with the good; from which immediately emanates intellect as beautiful. Next to this, we must consider the soul receiving its beauty from intellect, and every inferior beauty deriving its origin from the forming power of the soul, whether conversant in fair actions and offices, or sciences and arts. Lastly, bodies themselves participate of beauty from the soul, which, as something divine, and a portion of the beautiful itself, renders whatever it supervenes and subdues, beautiful as far as its natural capacity will admit. Let us, therefore, re-ascend to the good itself, which every soul desires; and in which it can alone find perfect repose. For if anyone shall become acquainted with this source of beauty he will then know what I say, and after what manner he is beautiful. Indeed, whatever is desirable is a kind of good, since to this desire tends. But they alone pursue true good, who rise to intelligible beauty, and so far only tend to good itself; as far as they lay aside the deformed vestments of matter, with which they become connected in their descent. Just as those who penetrate into the holy retreats of sacred mysteries, are first purified and then divest themselves of their garments, until someone by such a process, having dismissed everything foreign from the God, by himself alone, beholds the solitary principle of the universe, sincere, simple and pure, from which all things depend, and to whose transcendent perfections the eyes of all intelligent natures are directed, as the proper cause of being, life and intelligence. With what ardent love, with what strong desire will he who enjoys this transporting vision be inflamed while vehemently affecting to become one with this supreme beauty! For this it is ordained, that he who does not yet perceive him, yet desires him as good, but he who enjoys the vision is enraptured with his beauty, and is equally filled with admiration and delight. Hence, such a one is agitated with a salutary astonishment; is affected with the highest and truest love; derides vehement affections and inferior loves, and despises the beauty which he once approved. Such, too, is the condition of those who, on perceiving the forms of gods or daemons, no longer esteem the fairest of corporeal forms. What, then, must be the condition of that being, who beholds the beautiful itself?"

- Plotinus

0 likesmysticsphilosophers-from-greecemonistslogiciansphilosophers-from-egypt
"Kempe describes, in this extract and elsewhere, what could be construed as classic psychotic symptoms; visions, auditory, olfactory and tactile hallucinations, grandiose delusions, self-neglect (Margery’s penances of fasting, being inadequately clothed), social withdrawal (from her family and friends), and feelings of passivity and control. Yet it does not feel like madness. Why not? What Kempe describes to us is a truly embodied spiritual experience. Kempe has no doubt about this, and it is this unshakeable belief that communicates itself down the centuries through the text...the question remains as to how Kempe manages to convey the phenomenological intensity of Margery’s experience twenty or more years after the event? First, Kempe is an expert storyteller, and it is likely that she retold such narratives as discussed here on many occasions to many people, clergy and fellow pilgrims, through oral testimony and public performance. Second, central to the orthodox liturgy, is the conception that devotional words uttered are expressed through the senses. Extreme emotion which, in modern times, is viewed as a sign of mental instability, was a fundamental feature of spirituality, conveying both the seriousness and truth of the religious experience...With this knowledge, when we return to Kempe’s text, we can listen to Margery’s voice within a framework more akin to medieval England than the twentieth century West. Margery’s sensory experiences are not without cultural and historical provenance, rather she draws upon a range of mystical sources grounded in religious and cultural traditions known throughout medieval Europe. Kempe’s embodied descriptions cease to be tactile or olfactory hallucinations or grandiose ideas (marriage to God), but become experiences that result from spiritual passion. As Porter argues “it would serve no purpose to label such exercise of spiritual discipline as a psychiatric disorder” (Porter, 1988: 44). As argued earlier, religiosity was sanity, whereas madness amounted to a refusal to accept the truth that was God. Furthermore, Margery’s experiences are intelligible not only in terms of religious traditions, but also in her terms of her career; Kempe construes Margery as a holy mystic"

- Margery Kempe

0 likesmysticscatholics-from-englandanglican-saintsautobiographers-from-englandbusinesswomen-from-england