Guitarists From England

"Marr has been described as "arguably Britain's last great guitar stylist", a "God-like genius", and most affectionately, "the man who would not solo". No matter the title, Johnny Marr effortlessly shrugged off once-ironclad notions. Unafraid to lay back, Marr's jangly sound, open tunings, melody-ridden arpeggios and chordal chiming are all notable components of his playing style."

"[People] would ask me, "what do you want to be when you're older?" and I'd be like, "a singer", and they'd be like, "what do you really want to be?" and I'd be like, "oh, I really want to be a singer.""

"There have been plenty of times when I've been a total dick like everybody else, you know, I mean I wanted to be a little rock'n'roller, and I was, and it was great. I had a to-do list of like "Thou shalt wear sunglasses indoors at all times." Done. "Thou shalt take drugs and have a great time." Done. "Thou shalt crash a big car into a wall." Done."

"Noel Gallagher: "There's nothing he can't do on a guitar. I've been in the studio with him. He's played on Oasis tracks and stuff. The man's a fucking wizard. I've seen Johnny Marr on the telly and he had thick black shades on, a white polo neck, a Brian Jones bowl head, a red semi-acoustic, a pair of jeans and I don't know what he had on his feet, but I thought "That's it. That's what I want to look like.""

"I'm not a loud, extravagant person; I'm never going to be that and, to be honest, I don't want to be like that. I don't show off or boast, and it's pointless to think I'm going to be any different."

"Diamonds are supposed to be a girl's best friend but it's impossible to know for sure where they have come from so I find it is safer just to avoid them altogether."

"About the cover of "The world wont’ listen" It represents the band to me. On the front you've got four guys who look like, if not the band, then Smiths fans. On the back you've got the female side of it - individually they really look like the Smiths: Morrissey on the far right, me on the second right, Andy [Rourke, bass] on the second left and Mike [Joyce, drums] on the far left. To find a picture like that is really clever. We didn't discuss it, but I understood."

"I think when something's over, events have a way of conspiring to make you realise that it's over. As cryptic as that sounds, it's true. Things would happen and I'd be like, Am I going to have to deal with this for the rest of my life? And it was a very, very emotional band. It's in the music. The relationship between me and Morrissey was very emotional. It wasn't volatile in that we would row or anything like that, but it was so intense that if rocked slightly it would be a big deal. Was the lack of a manager important? Massively, I think. I was nursemaiding people when I needed nursemaiding myself. And I couldn't see where we were going to go in the near future musically without repeating ourselves and not being as good."

"Q: What’s the best piece of advice you’ve ever received? JM: Never get into a situation you can’t get out of. I really have stuck to it, because it’s good advice for all walks of live."

"And now I know how Joan of Arc felt Now I know how Joan of Arc felt As the flames rose to her And her started to melt"

"I sometimes wonder whether we're the last dying breath of that '60's grim working class thing! I often feel like we're that one solitary clog left in the middle of the Arndale Centre! The idea of taking that spirit of optimism and of possible change and trying to use it in '84 I don't see anything wrong with at all. But more important than that are the images we grew up with: smokey chimneys, backstreets, the impressions I get from Morrissey's lyrics. It isn't just nostalgia, it's a Northern spirit, a working man's spirit - and here I'm trying to not sound like Gary Kemp doing the working class bit. But we're more about the working class values in the '60's than Rickenbackers and Brian Jones haircuts... Certainly we don't feel restrained musically in any way by the period. What I'm saying is we do not confuse roots with formula. The formula we're prepared to slash away at, musically try things we've never done before. But the roots are the reason why we're here. That's something I'll never get away from. I'm always aware of why we started and I think that's a good thing. Those reasons are still valid."

"I've always believed that any instrumentalist is basically just an accompanist to the singer and the words. That's born out of being a fan of records before I was a fan of guitar players -- I'm interested in melody, lyrics, and the overall song. I don't like to waste notes, not even one. Who was it that said, "The reason why all those guitar players play so many notes is because they can't find the right one"? I like to put the right note in the right place, and my influences have always been those kinds of players. Keith Richards comes to mind, and I really like Nils Lofgren's soloing, because he's so melodic. I love John Lennon's rhythm playing, and George Harrison was an incredible guitarist. There's a lot of guitar culture that I don't like at all. I find the traditional idea of the guitar hero to be really irrelevant to the 1990s. I don't think that young people are that impressed with some guy brandishing Spandex trousers and a hideously shaped guitar, playing that kind of masturbatory, egotistical noise. Being a soloist who wants to just display virtuosity is a dated philosophy, and I don't think there's any room for it in pop music. It's the last stand of late-'60s/early-'70s rockism, and it should have gone a long time ago."

"When I crashed my BMW and managed to walk away pretty much unscathed, it was a turning point. I'd been living the life, and when people see photos of the car wreck, they can't believe I got away with it. It was like a fog had lifted. I stopped drinking a bottle of Tequila before grabbing my car keys. It was time to wise-up and get a haircut."

"Those women are the true divas. They're amazing performers, whom I've listened to for years. These are the people who've inspired me to sing, so it's flattering that I'm being compared to them. But I have a lot of hard work to do first."

"I went to Clive Davis' Grammy party and I nearly spontaneously combusted because everyone on my iPod was there!"

"Birkenstock desert boots have been a part of pop culture since the beatniks. I made such a fuzz about them being discontinued that the company send me an "lifetime supply", which initially turned out to be seven pairs at two years apiece. They weren’t giving me very long. I think that’s why I gave up smoking."

"The guitar players that inspire me today are basically all the same guitar players that inspired me when I first started. That hasn't really changed, but additionally I think that Tom Morello, Jack White & Jerry Cantrell are great and are some of the really inspiring lead guitar players that have come out in the last 20 years."

"I'd like to dedicate this song real quick, and I'm not going to say anything offensive so that we can make it on TV. This song isn't dedicated to drinking or drug addiction [...]. It's basically about a walk in the park. This is something called 'Nightrain'."

"I recognized my own creative voice filtered through those six strings, but it was also something else entirely. Notes and chords have become my second language and, more often than not, that vocabulary expresses what I feel when language fails me."

"Some people think I always wear the hat, but that's not true. Sometimes I don't wear the hat. It makes me laugh that some people think I always wear the hat, because obviously I don't wear the hat all the time. What about when I sleep or take a shower? I don't wear the hat then. Also, I don't wear the hat to go to Millets."

"It makes sense that the bands first show took place in Seattle because as much as L.A. was our address, we had as much in common with the average "L.A." band as Seattle's weather has with Southern California."

"Everyone in the band wore their influences on their sleeves and there was not a bit of the typical L.A. vibe going on where the goal is to court a record deal. There was no concern for the proper poses or goofy choruses that might spell pop-chart success; which ultimately guaranteed endless hot chicks. That type of calculated rebellion wasn't an option for us; we were too rabid a pack of musically like-minded gutter rats. We were passionate, with a common goal and a very distinct sense of integrity. That was the difference between us and them."

"The truth is, all we ever cared to do was top the bullshit hair metal bands that enjoyed undue success for their subpar existence."

"Most of the girls who dated us back then were these innocent chicks whose lives were changed forever after one of us came into it for however long it lasted. We were like a vacuum back then that sucked people up and spit them out; a ton of people around us fell by the wayside that way. Some people died, not because of anything we did, but as a side effect of being too close to the flame. People would get attracted to our fucked-up weird life and just get it wrong and drown in our riptide."

"I've always had to do things my way; I've gotten high my way, I've gotten clean my way, I've been in and out of relationships my way. I've taken myself to the edges of life my way. And I'm still here. Whether or not I deserve to be is another story."

"Now I just don't know who to tell to go to hell Who put the old devil in the distorted angel?"

"Writing about music is like dancing about architecture — it's a really stupid thing to want to do."

"Why can't a man stand alone? Must he be burdened by all that he's taught to consider his own? His skin and his station, his kin and his crown, his flag and his nation They just weigh him down"

"Well there's a line that you must toe and it'll soon be time to go but it's darker than you know in those Complicated Shadows"

"As I walk through This wicked world Searchin' for light in the darkness of insanity, I ask myself Is all hope lost? Is there only pain and hatred, and misery? And each time I feel like this inside, There's one thing I wanna know: What's so funny 'bout Peace, Love, & Understanding?"

"Now Im dead, now Im dead, and you're all Going on to meet your reward. Are you scared? Are you scared? Are you scared? Are you scared? You might have never heard, but God's comic."

"There's always something that's smoldering somewhere I know it don't make a difference to you But oh! It sure made a difference to me You'll see me off in the distance, I hope At the other end At the other end of the telescope."

"While you lie in the dark, afraid to breathe and you beg and you promise And you bargain and you plead Sometimes you confuse me with Santa Claus It's the big white beard I suppose. Im going up to the pole, where you folks die of cold I might be gone for a while if you need me."

"The boy said 'Dad they're going to take me to task But I'll be back by Christmas' It's just a rumour that was spread around town Somebody said that someone got filled in For saying that people get killed in The result of this shipbuilding With all the will in the world Diving for dear life When we could be diving for pearls."

"Is it all in that pretty little head of yours? What goes on in that place in the dark? Well I used to know a girl and I would have sworn that her name was Veronica Well she used to have a carefree mind of her own and a delicate look in her eye These days I'm afraid she's not even sure if her name is Veronica."

"I'm a man with a mission in two or three editions And I'm giving you a longing look Everyday, everyday, everyday I write the book."

"Lie down baby now don't say a word There there baby your vision is blurred Your head is so sore from all of that thinking I don't want to hurt you now But I think you're shrinking."

"So beautiful and fortunate You're the one who hates to love But he's the one who loves to hate."

"Clowntime is over Time to take over While others just talk and talk Somebody's watching where the others don't walk."

"Oliver's army is here to stay Oliver's army are on their way And I would rather be anywhere else But here today."

"Accidents will happen We only hit and run He used to be your victim Now you're not the only one.Accidents will happen We only hit and run I don't want to hear it 'Cause I know what I've done."

"Theres so many fish in the sea That only rise up in the sweat and smoke like mercury"

"Don't tell me you don't know what love is When you're old enough to know better."

"And it's the damage that we do And never know It's the words that we don't say That scare me so."

"What shall we do, what shall we do with all this useless beauty?"

"Turn up the TV. No one listening will suspect, even your mother won't detect it, no your father won't know. they think that I've got no respect but everything means less than zero."

"She said that's that. I don't wanna chitter-chat. Turn it down a little bit or turn it down flat. Pump it up when you don't really need it. Pump it up until you can feel it."

"Oh I used to be disgusted and now I try to be amused. But since their wings have got rusted, you know, the angels wanna wear my red shoes."

"Nice girls, not one with a defect, Cellophane shrink-wrapped, so correct. Red dogs under illegal legs, She looks so good that he gets down and begs.She is watching the detectives. "Ooh, it's so cute." She's watching the detectives. When they shoot, shoot, shoot, shoot. They beat him up until the teardrops start, But he can't be wounded 'cause he's got no heart."

"Alison, I know this world is killing you. Oh, Alison, my aim is true. My aim is true."