Critics From The United States

"Their religion is unfeasible, for one cannot richly meet the glancing present … without long discipleship and secure sustenance."

"An awkward consequence of heightening experience when one is inexperienced, of self-transcendence when one has not much world to lose, is that afterward one cannot be sure that one was somewhere or had newly experienced anything. If you aren’t much in the world, how do you know you are “out of this world”?"

"In a milieu of resignation, where the young men think of society as a closed room in which there are no values but the rejected rat race, … it is extremely hard to aim at objective truth or world culture. One’s own products are likely to be personal or parochial."

"Let me formulate the artistic disposition as follows: it is reacting with one’s ideal to the flaw in oneself and in the world, and somehow making that reaction formation solid enough in the medium so that it indeed becomes an improved bit of real world for others."

"The paucity of its vocabulary and syntax is for the Beats essentially expressive of withdrawal from the standard civilization and its learning. On the other hand this paucity gives, instead of opportunities for thought and problem solving, considerable satisfaction in the act and energy of speaking itself, as is true of any simple adopted language, such as pig Latin. But this can have disadvantages. One learns to one’s frustration that they regard talk as an end in itself, as a means of self-expression, without subject matter. In a Beat group it is bad form to assert or deny a proposition as true or false, probable or improbable, or to want to explore its meaning."

"Only in democratic countries is there the beginning of a suspicion that the old axioms about the press being the bulwark of liberty is something that affects the daily life of the people—that it is a living warning rather than an ancient wisecrack. A people that wants to be free must arm itself with a free press."

"But much more vicious than these cases is the majority of foreign correspondents who never have to be placed against the wall, who are never told what to write and how to write it, but who know from contact with the great minds of the press lords or from the simple deduction that the bosses are in big business and the news must be slanted accordingly, or from the general intangible atmosphere which prevails everywhere, what they can do and what they must never do. The most stupid boast in the history of present-day journalism is that of the writer who says, "I have never been given orders; I am free to do as I like.""

"I am merely trying to illustrate one of the fundamental facts about American journalism today, the fact that the servants of the press lords are slaves very much as they have always been, and that any attempt at revolt is immediately punished with the economic weapon."

"We scent the air of the office. We realize that certain things are wanted, certain things unwanted. There is an atmosphere favorable to Fascism. We find that out when some little pro-Mussolini item is played up, some big item, not so pleasant to the hero of our era, played down, or left out. In the future we send pro-Mussolini stuff only. We get a cable of congratulations."

"Of course there are boob and bad reporters who bring in boob and bad items which are printed, and which make so many papers what they are. But there are more intelligent men who try to bring in intelligent items, only to see them changed into imbecile items, with the result that they may easily give up trying, and accustom themselves instead to the spirit of the office...."

"Forbidden to write anything critical of the Fascist regime, they could only report what the hierarchy wanted them to report. The clever and honest American and British journalists, however, did insinuate startling facts in their stories; these insinuations, unfortunately, were between the lines and not for those who read as they run, and the American public is mostly a running reading public."

"One of the biggest pieces of bunkum shoved down the American throat was the story of the 1929 Italian election. For this I cannot blame my colleagues."

"There are less than a dozen independent newspapers in the whole country, and even that small number is dependent on advertisers and other things, and all these other things which revolve around money and profit make real independence impossible. No newspaper which is supporting one class of society is independent."

"The failure of a free press in most countries is usually blamed on the readers. Every nation gets the government—and the press—it deserves. This is too facile a remark. The people deserve better in most governments and press. Readers, in millions of cases, have no way of finding out whether their newspapers are fair or not, honest or distorted, truthful or colored...."

"Never grow weary of protesting. In this sensitive business of dealing with the public which depends on faith and good will, protest is a most effective weapon. Therefore protest."

"I'll die young, but it's like kissing God."

"The liberals can understand everything but people who don't understand them."

"Lenny Bruce was trying to tell you many things before he died..."

"Ginsberg, Dylan, Cunningham and Cage Lenny Bruce, Langston Hughes, to the stage"

"For Halloween, I want to be Lenny Bruce, I want them to hate me, so you can love me on the sly."

"Lenny Bruce, declares a truce and plays his other hand. Marshall McLuhan, casual viewin', head buried in the sand."

"I want to be Lenny Bruce."

"Mother Goose is on the loose, stealing lines from Lenny Bruce."

"That's great, it starts with an earthquake, birds and snakes, an aeroplane - Lenny Bruce is not afraid."

"Just don't forget your history, dirty Lenny died so we could all be free"

"They said that he was sick 'cause he didn't play by the rules He just showed the wise men of his day to be nothing more than fools"

"Oh, the language is a bit loose; It's decidedly not Mother Goose. Outside on the marquee This quotation you'll see: "I was shocked!" and it's signed Lenny Bruce."

"And I learned the truth from Lenny Bruce, That all my wealth won't buy me health So I smoke a pint of tea a day."

"Lenny Bruce (The Establishment) [is] the most original, free-speaking, wild-thinking gymnast of language this inhibited island has ever engaged to amuse its citizens. Mr. Bruce is dark-hatred, dark-suited and American; and the virulent, free-associating manner in which he excoriates the hypocrisies of his compatriots has earned him the epithet "sick." He is in fact pan nihilist, part moralist. He slouches around the stage clutching a microphone, smiling as he improvises, caring as he smiles, seldom repeating in the second show what he said in the first, and always conducting what amounts to a rush job of psychoanalysis on the audience he is addressing. He talks about the nuances of race relations (viz. the white liberals who worship Negroes but somehow never meet them) ... about the techniques of masturbation and the psychological duplicity ("a horny hoax") involved in sleeping with a prostitute; about pain, and laughter, and dying. At times Mr. Bruce drawls and mumbles too privately, lapsing in to a welter of Yiddish phrases borrowed from the show-business world that reared him. ... But at the end he had broken through frontiers of language and feeling that one had hitherto thought inviolable ..."

"One last four-letter word for Lenny: Dead. At forty. That's obscene."

"Bruce was a great stage artist, a soloist of unbelievable virtuosity. The thousands of people who filled two houses of an old movie theater in Greenwich Village in December 1963 are a witness of that. So were the audiences that came back night after night during his month in London. The people who followed him were charmed by the free conversational directness of the man. He liked his audiences and took great pains to feel his way towards the individual temperament of each one. And if he felt comfortable with a group there was no end to the effort he would make to entertain and delight them. It’s not really true that he thrived on hostility, though he sometimes managed to put on a show of hard, glittering verve when the animals were in—people who talked loudly throughout his act, sounding "like tape played backwards." But generally an unfriendly audience made him stiff and defiant, and then he would sometimes become brutally dirty, just for the hell of it."

"That's what happened to Lenny Bruce. He got angry, and then he wasn't funny any more."

"Lenny Bruce's legacy is freedom of speech and telling it as it is, getting your life and putting it out on the table, telling everyone about it."

", in one of his forensic flights, once described Lenny's hotel as "the on elegant .” The Marlton was, indeed, just a few doors west of Fifth Avenue, but it belonged exclusively to the honky-tonk world of , which it fronted with a façade so narrow-shouldered and a lobby so inconspicuous that you could walk up and down the street for years and never notice this tiny fleabag."

"In the Halls of Justice, the only justice is in the halls."

"Life is a four-letter word."

"You can't put tits and ass on the marquee!...Why not?...Because it's dirty and vulgar, that's why not!... Titties are dirty and vulgar?...Okay, we'll compromise. How about Latin? Gluteus maximus, pectoralis majors nightly...That's alright, that's clean, class with ass, I'll buy it...Clean to you, schmuck, but dirty to the Latins!"

"Take away the right to say "fuck" and you take away the right to say "fuck the government.""

"If I get busted in New York, the freest city in the world, that will be the end of my career."

"Let me tell you the truth. The truth is what is, and what should be is a fantasy. A terrible, terrible lie that someone gave to the people long ago."

"I'm not a comedian. I'm Lenny Bruce."

"The role of a comedian is to make the audience laugh, at a minimum of once every fifteen seconds."

"Are there any niggers here tonight? Could you turn on the house lights, please, and could the waiters and waitresses just stop serving, just for a second? And turn off this spot. Now what did he say? "Are there any niggers here tonight?" I know there's one nigger, because I see him back there working. Let's see, there's two niggers. And between those two niggers sits a kike. And there's another kike— that's two kikes and three niggers. And there's a spic. Right? Hmm? There's another spic. Ooh, there's a wop; there's a polack; and, oh, a couple of greaseballs. And there's three lace-curtain Irish micks. And there's one, hip, thick, hunky, funky, boogie. Boogie boogie. Mm-hmm. I got three kikes here, do I hear five kikes? I got five kikes, do I hear six spics, I got six spics, do I hear seven niggers? I got seven niggers. Sold American. I pass with seven niggers, six spics, five micks, four kikes, three guineas, and one wop. Well, I was just trying to make a point, and that is that it's the suppression of the word that gives it the power, the violence, the viciousness. Dig: if President Kennedy would just go on television, and say, "I would like to introduce you to all the niggers in my cabinet," and if he'd just say "nigger nigger nigger nigger nigger" to every nigger he saw, "boogie boogie boogie boogie boogie," "nigger nigger nigger nigger nigger" 'til nigger didn't mean anything anymore, then you could never make some six-year-old black kid cry because somebody called him a nigger at school."

"If something about the human body disgusts you, the fault lies with the manufacturer."

"I was arrested for using a ten-letter word that began with ‘c,’ and I would marry no woman who was not one."

"A Jew, in the dictionary, is one who is descended from the ancient tribes of Judea, or one who is regarded as a descendant from that tribe. That's what it says in the dictionary, but you and I know what a Jew is: One Who Killed Our Lord... there should be a statute of limitations for that crime."

"I want to perform an unnatural act."

"Inconsiderate to the last, Josef Stalin, a man who never had to meet a deadline, had the bad taste to die in installments."

"As A. J. Liebling wrote: "Freedom of the press is guaranteed only to those who own one." Today, a handful of multinational corporations own much of the media and control what the American people see, hear, and read. This is a direct threat to American democracy. It is an issue we cannot continue to ignore."

"A man´s taste is formed more by his culture, his profession, and the period in which he is young than by his race or politics."