Critics From The United States

"In some ways she was not a very good scientist: impatient with data, too ready to leap to conclusions, apt to judge an idea not by its merits but by its sheer niftiness."

"“I trust I have not grown so gullible as to consult a doctor,” the bureaucrat said with dignity. “If I want medical attention, I hall employ the qualified machinery or, in extremis, a human with proper biomedical augmentation. But I will not swill down fermented swamp guzzle at the behest of some quasi-literate, uneducated charlatan.”"

"“I am playing a game called Futility,” she said. Are you familiar with it? “How does one win?” “You don’t. You can only postpone losing. I’ve managed to keep this particular game going for years.”"

"“Can you really kill the Goddess?” Jane asked. “You stupid gobbet of flesh! Don’t you understand yet? There is no Goddess.” “No,” Jane cried. “You said yourself—” “I lied,” the dragon said with a fearful complacency. “Everyone you have ever met has lied to you. Life exists, and all who live are born to suffer. The best moments are fleeting and bought with the coin of exquisite torment. All attachments end. All loved ones die. All that you value passes away. In such a vexatious existence laughter is madness and joy is folly. Shall we accept that it all happens for no reason, with no cause? That there is nobody to blame but ourselves but that accepting the responsibility is pointless for doing so cannot ease, defer, or deaden the pain? Not likely! It is so much more comforting to erect a straw figure on which to blame it all. “Some bow down before the Goddess and others curse her every name. There is not a fart’s difference between the two approaches. They cling to the fiction of the Goddess because admitting the alternative is unbearable.”"

"“I would appreciate it if just this once you would make the effort to curb your negativism.” “I have to say what I think. That’s what I’m being paid for, after all.” “A very common delusion.”"

"The precarization of academic labor contributes to the demolition of radical leftism."

"According to a stagist conception of progressive history (which is usually blind to its implicit teleology), the work of figures like Foucault, Derrida and other cutting-edge French theorists is often intuitively affiliated with a form of profound and sophisticated critique that presumably far surpasses anything found in the socialist, Marxist or anarchist traditions. It is certainly true and merits emphasis that the Anglophone reception of French theory, as John McCumber has aptly pointed out, had important political implications as a pole of resistance to the false political neutrality, the safe technicalities of logic and language, or the direct ideological conformism operative in the McCarthy-supported traditions of Anglo-American philosophy. However, the theoretical practices of figures who turned their back on what Cornelius Castoriadis called the tradition of radical critique—meaning anti-capitalist and anti-imperialist resistance—surely contributed to the ideological drift away from transformative politics. According to the spy agency itself, post-Marxist French theory directly contributed to the CIA’s cultural program of coaxing the left toward the right, while discrediting anti-imperialism and anti-capitalism, thereby creating an intellectual environment in which their imperial projects could be pursued unhindered by serious critical scrutiny from the intelligentsia."

"Well, maybe the princess shouldn't be a damsel and she could save herself."

"[On the Gamergate controversy] Ethics in journalism is not what's happening, in any way."

"When the media we create excludes girls and women, fails to depict them as leaders and innovators or treats them as little more than side-kicks, love interests and sex objects, is it any wonder that women are systematically excluded and under-represented in so many careers and leadership positions?"

"The "mystical pregnancy" is one of the tropes that I loathe the most, because while other tropes represent women in stereotypical ways, this one hits us on a biological level."

"It gets worse and worse, it reinforces this idea of women as sexual objects, right; there's this idea of women as playthings for their amusement ... [that] we are not meant to be treated with respect."

"I'm exhausted. I know that it's not unusual for nonprofits to have a life cycle shorter than a lot of people would like, but there are unique challenges when they're so entwined with an individual (me) who has become a symbol (oops), for better and for worse. I'm hoping that it will be valuable to share the reality of the bone-deep burnout that comes from consistently saying yes to the growth of Feminist Frequency, often at the expense of protecting my personal boundaries, and the workload of our team. While I've already said my piece about the harassment that myself and others have experienced over the years, reflecting on it now I can express both a sense of pride that conversations about online abuse have become part of our lexicon, and a reality that it has come at the cost of my health and wellbeing."

"Anime is the most disgusting, sexist, and misogynistic form of media to ever come out of Japan. Anime defiles women and caters to perverts and losers. These cartoons are corrupting teenagers and promoting rape culture."

"Shortly after the abuse of Quinn began, Anita Sarkeesian, a prominent feminist media critic and blogger, began to receive a similar wave of threats. ... When Sarkeesian released a new video in her Tropes vs Women series, the mob, already attacking Quinn, connected the two women, seeing them as part of the same 'threat', and trolls began to abuse Sarkeesian as well. After her address was found and posted online, amid a mass of renewed death and rape threats, Sarkeesian, like Quinn, was forced to flee her home."

"There's no such thing as sexism against men. That's because sexism is prejudice + power. Men are the dominant gender with power in society."

"For this video I tried to get a glimpse of Batman's rear end, but it's as if his cape is a piece of high-tech Wayne-Industries equipment designed to cover up his butt at all costs."

"Not a coincidence it's always men and boys committing mass shootings. The pattern is connected to ideas of toxic masculinity in our culture."

"Buying 1,000 dollar shoes ... — @anitasarkeesian"

"Why are [...] female characters in combat roles wearing high-heels? With all the fighting, running and climbing these women have to do, dressing them in high-heels is clearly a decision rooted in sexualized aesthetic pleasure rather than believability."

"If you want to get to know a character, learn about their interests, goals or desires, their butt is probably not going to give you that information."

"Since mobile, indie and retro inspired games are built on a legacy of inequality in the medium the new wave of 80s and 90s nostalgia has brought with it a resurrection of the worst of the old-school damsel in distress stereotypes. Indeed, many of these new titles essentially function as love letters to the trope as a way of paying homage to classic games of years gone by."

"We can trace the "woman as reward" trope all the way back the beginning of the medium itself as [...] upon successful completion of many arcade games, players were rewarded with a related "smooch of victory" trope, so named for the kiss the hero received as a reward for rescuing a kidnapped princess. Sometimes the prize is blatant, as with the "standard hero reward" in which the king will give his daughter to the hero. On other occasions it's taken a step further by employing the parallel of "sex for victory" or "rescue sex" trope."

"Geraldine Doogue: I'm intrigued by Anita saying she had to learn about systems. You had to learn about the sociology of systems and structural change, and that was obviously quite a journey for you."

"Anita Sarkeesian: I think it's important to recognize that harassment is, as someone had mentioned, not just what is legal and illegal, right? Harassment is threats of violence, but it's also the day-to-day grind of "you're a liar", "you suck", making all these hate videos to attack us on a regular basis, and the mobs that come from those hate videos, et cetera."

"Princess Peach is in many ways the quintessential stock-character version of the damsel in distress."

"It's both possible, and even necessary, to simultaneously enjoy media while also being critical of its more problematic or pernicious aspects."

"Anita Sarkeesian: For me, the big picture has always been culture change, and pop culture was just a vehicle and a medium through which cultural change can happen or it can be influenced by; so it's not actually about video games. But it's about video games, right?"

"Dear reader dearest inscrutable listener inscrutably harking or regrettably more likely not harking except in that chamber in me that posits you with me every moment I’m speaking or trying to speak"

"What is new poetry? The difference is not mere details of form, measure rhyme schemes or diction, but a return to contemporary speech, thought, imagination and spiritual life, coupled with oriental (Japan & China) and cosmopolitan influences ,and a direction of vision, with perfection of form and delicacy of feeling."

"Translators, again-the most abused and patient lot of folk on earth-are helpful in making us better acquainted; though we hope the time will soon come when citizens of the twenty-one republics will no longer need translators. There is no reason for our not speaking each other's language...We may recall also such friendly gestures as that of Harriet Monroe, who dedicated an entire number of her magazine, Poetry, to poets of Spanish America..."

"'Verse libertines' pioneered the work to get rid of obstacles between that which hampered the poet and separated him from his audience, less a matter of rules and formulae , more a return of spirit."

"A book of poems should have almost as many dedications as titles for the poet must always sing for some friend whether the friend knows it or not"

"Poetry, perhaps the finest of fine arts, certainly the shynest and most elusive? ,poetry which must have listeners, which cannot sing into a void."

"When I make a photograph, I make love."

"I am an American. Photography is my passion. The search for truth my obsession"

"Stieglitz, in America through photography, has shown us, as far as possible, the objectivity of our outer world. I speak of that photography in which the genius of man leaves to the machine its full power of expression. For it is only thus that we can reach a comprehension of pure objectivity. Objective truth takes precedence over Stieglitz in his work. By means of a machine he shows us the outer life."

"Then, one afternoon he turned me [Stieglitz, in 1941] loose, alone, among the several boxes of [his photo-series:] 'w:Equivalents'. He had learned to trust me.. ..A couple of hours later I came out in tears. I had been through a tremendous experience. It was like the thunderstorm I felt in my head once in Paris.. ..Music has done this to me many times, but though I already deeply loved photographs, nothing like this had happened to me before.. .Stieglitz, amused and compassionate, waited until I could speak.."

"..he persisted in following his instinctive feeling that the photographic image was more beautiful than anything the human hand could do to it. In the middle of his activities [for 'w:Photo-Secession' and 'w:291 (magazine)' ], he still found time to greet the new [20th] century with the penetrating tenderness that characterizes his work - photographs of a locomotive, an airplane, of the rising changing city, and the Steerage, that strange picture of immigrants returning to Europe, with his prophetic split organization of form."

"It seems odd to think of you at 'Lake George' tonight – I can smell the outdoors – and hear it – and see the stars – So often before I went to bed at night I would walk out toward the barn and look at the sky in the open space. There was no light little house – there were no people – there was only the night – I will never go back again – maybe to stand just for a moment where I put the little bit that was left of Alfred [Stieglitz], her husband] after he was cremated – but I think not even for that. I put him where he would hear the lake. – That is finished."

"I know exactly what I have photographed [in his series 'Equivalents', 1925 - 1934]. I know I have done something that has never been done.. .I also know that there is more of the really abstract in some 'representation' than in most of the dead representations of the so-called abstract so fashionable now."

"There is a reality — so subtle that it becomes more real than reality. That's what I'm trying to get down in photography."

"to show that [the success of my portray-] photographs was not due to subject matter – not to special trees or faces, or interiors, to special privileges – clouds were there for everyone.. .I wanted to photograph clouds to find out what I had learned in forty years about photography. Through clouds to put down my philosophy of life.. .My aim is increasingly to make my photographs look so much like photographs that unless one has eyes and sees, they won't be seen – and still everyone will never forget them having once looked at them."

"I have always been a great believer in today. Most people live either in the past or in the future, so that they really never live at all. So many people are busy worrying about the future of art or society, they have no time to preserve what is. Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere."

"Atmosphere is the medium through which we see all things. In order, therefore, to see them in their true value on a photograph, as we do in Nature, atmosphere must be there. Atmosphere softens all lines; it graduates the transition from light to shade; it is essential to the reproduction of the sense of distance. That dimness of outline which is characteristic for distant objects is due to atmosphere. Now, what atmosphere is to Nature, tone is to a picture."

"Nearly right is child's play"

"Man: [looking at a Stieglitz's photo of 'Equivalents'] Is this a photograph of water? Stieglitz: What difference does it make of what it is a photograph? Man: But is it a photograph of water? Stieglitz: I tell you it does not matter. Man: Well, then, is it a picture of the sky? Stieglitz: It happens to be a picture of the sky. But I cannot understand why that is of any importance."

"Photography as a fad is well-nigh on its last legs, thanks principally to the bicycle craze."

"AS A KID I WAS PROMISED an America - An America I believed in - and I insist on living - and dying - in that America, even I have to create it myself."

"Photography is not an art. Neither is painting, nor sculpture, literature or music. They are only different media for the individual to express his aesthetic feelings.. .You do not have to be a painter or a sculptor to be an artist. You may be a shoemaker. You may be creative as such. And, if so, you are a greater artist than the majority of the painters whose work is shown in the art galleries of today."