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April 10, 2026
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"I knew Robert Burns, and I knew my father. Yet were you to ask me which had the greater natural faculty, I might perhaps actually pause before replying. Burns had an infinitely wider education, my father a far wholesomer. Besides, the one was a man of musical utterance; the other wholly a man of action, with speech subservient thereto. Never, of all the men I have seen, has one come personally in my way in whom the endowment from nature and the arena from fortune were so utterly out of all proportion. I have said this often, and partly know it. As a man of speculation — had culture ever unfolded him — he must have gone wild and desperate as Burns; hut he was a man of conduct, and work keeps all right. What strange shapable creatures we are!"
"My father's education was altogether of the worst and most limited. I believe he was never more than three months at any school. What he learned there showed what he might have learned. A solid knowledge of arithmetic, a fine antique handwriting — these, with other limited practical etceteras, were all the things he ever heard mentioned as excellent. He had no room to strive for more."
"But greatly his most important culture he had gathered — and this, too, by his own endeavors — from the better part of the district, the religious men; to whom, as to the most excellent, his own nature gradually attached and attracted him. He was religious with the consent of his whole faculties. Without religion he would have been nothing."
"Religion was the pole-star for my father. Rude and uncultivated as he otherwise was, it made him and kept him "in all points a man." Oh! when I think that all the area in boundless space he had seen was limited to a circle of some fifty miles' diameter (he never in his life was farther or elsewhere so far from home as at Craigenputtoch), and all his knowledge of the boundless time was derived from his Bible and what the oral memories of old men could give him, and his own could gather; and yet, that he was such, I could take shame to myself. I feel to my father — so great though so neglected, so generous also towards me — a strange tenderness, and mingled pity and reverence peculiar to the case, infinitely soft and near my heart. Was he not a sacrifice to me? Had I stood in his place, could he not have stood in mine, and more? Thou good father! well may I forever honor thy memory. Surely that act was not without its reward. And was not nature great, out of such materials to make such a man?"
"Complete, at the same time, was his confidence in his own judgment when it spoke to him decisively. He was one of those few that could believe and know as well as inquire and be of opinion. When I remember how much he admired intellectual force, how much he had of it himself, and yet how unconsciously and contentedly he gave others credit for superiority, I again see the healthy spirit of the genuine man."
"Clearness, emphatic clearness, was his highest category of man's thinking power. He delighted always to hear good argument. He would often say, I would like to hear thee argue with him." He said this of Jeffrey and me, with an air of such simple earnestness, not two years ago (1830), and it was his true feeling. I have often pleased him much by arguing with men (as many years ago I was prone to do) in his presence. He rejoiced greatly in my success, at all events in my dexterity and manifested force. Others of us he admired for our "activity," our practical valor and skill, all of us (generally speaking) for our decent demeanor in the world. It is now one of my greatest blessings (for which I would thank Heaven from the heart) that he lived to see me, through various obstructions, attain some look of doing well. He had "educated" me against much advice, I believe, and chiefly, if not solely, from his own noble faith. James Bell, one of our wise men, had told him, "Educate a boy, and he grows up to despise his ignorant parents." My father once told me this, and added, "Thou hast not done so; God be thanked for it." I have reason to think my father was proud of me (not vain, for he never, except when provoked, openly bragged of us); that here too he lived to see the pleasure of the Lord prosper in his hands. Oh, was it not a happiness for me! The fame of all this planet were not henceforth so precious."
"I think he once told us his first short clothes were a hull made mostly or wholly of leather. We all only laughed, for it is now long ago. Thou dear father! Through what stern obstructions was thy way to manhood to be forced, and for us and for our travelling to be made smooth!"
"Had there not been a natural goodness and indestructible force in my father, I see not how be could have bodied himself forth from these mean impediments. I suppose good precepts were not wanting. There was the Bible to read. Old John Orr, the schoolmaster, used from time to time to lodge with them; be was religious and enthusiastic (though in practice irregular with drink). In my grandfather, also, there seems to have been a certain geniality; for instance, he and a neighbor, Thomas Hogg, read "Anson's Voyages;" also tho "Arabian Nights," for which latter my father, armed with zealous conviction, scrupled not to censure them openly. By one means and another, at an early age he had acquired principles, lights that not only flickered, but shone steadily to guide his way."
"It must have been in his teens, perhaps rather early, that he and his elder brother John, with William Bell (afterwards of Wylie Hill, and a noted drover) and his brother, all met in the kiln at Eelief to play cards. The corn was dried then at home. There was a fire, therefore, aud perhaps it was both heat and light. The boys had played, perhaps, often enough for trifling stakes, and always parted in good humor. One night they came to some disagreement. My father spoke out what was in him about the folly, the sinfulness, of quarreling over a perhaps sinful amusement. The earnest mind persuaded other minds. They threw the cards into the fire, and (I think the younger Bell told my brother James) no one of the four ever touched a card again through life. My father certainly never hinted at such a game since I knew him. I cannot remember that I, at that age, had any such force of belief. Which of us can?"
"This worthy man, whose nephew is still minister of Eskdalemuir (and author of a book on the Jews), proved the greatest blessing to that household. My father would, in any case, have saved himself. Of the other brothers, it may be doubted whether William Brown was not the primary preserver. They all learned to he masons from him, or from one another; instead of miscellaneous laborers and hunters, became regular tradesmen, the best in all their district, the skilfullest and faithfullest, and the best-rewarded every way. Except my father, none of them attained a decisive religiousness. But they all had prudence and earnestness, love of truth, industry, and the blessings it brings."
"[G]rave talk and grave humor with the doers of the craft. Building, walling, is an operation that beyond most other manual ones requires incessant consideration — even new invention. I have heard good judges say that he excelled in it all persons they had seen."
"[A]nd some others that I have seen, were perhaps among the first. There is no third rising. Time sweeps all away with it so fast at this epoch. The Scottish Church has been short-lived, and was late in reaching thither."
"I shall now no more behold my dear father with these "bodily eyes. With him a whole threescore and ten years of the past has doubly died for me. It is as if a new leaf in the great hook of time were turned over. Strange time — endless time or of which I see neither end nor beginning. All rushes on. Man follows man. His life is as a tale that has been told; yet under Time does there not lie Eternity? Perhaps my father, all that essentially was my father, is even now near me, with me. Both he and I are with God. Perhaps, if it so please God, we shall in some higher state of being meet one another, recognize one another. As it is written. We shall be forever with God. The possibility, nay (in some way), the certainty, of perennial existence daily grows plainer to me. "The essence of whatever was, is, or shall be, even now is." God is great. God is good. His will be done, for it will be right. As it is, I can think peaceably of the departed love. All that was earthly, harsh, sinful, in our relation has fallen away; all that was holy in it remains. I can see my dear father's life in some measure as the sunk pillar on which mine was to rise and be built; the waters of time have now swelled up round his (as they will round mine); I can see it all transfigured, though I touch it no longer. I might almost say his spirit seems to have entered into me (so clearly do I discern and love him); I seem to myself only the continuation and second volume of my father. These days that I have spent thinking of him and of his end are the peaceablest, the only Sabbath that I have had in London. One other of the universal destinies of man has overtaken me. Thank Heaven, I know, and have known, what it is to be a son; to love a father, as spirit can love spirit. God give me to live to my father's honor and to His. And now, beloved father, farewell for the last time in this world of shadows I In the world of realities may the Great Father again bring us together in perfect holiness and perfect love! Amen!"
"War is a quarrel between two thieves too cowardly to fight their own battle; therefore they take boys from one village and another village, stick them into uniforms, equip them with guns, and let them loose like wild beasts against each other."
"If they be inhabited, what a scope for misery and folly; if they be un-inhabited, what a waste of space."
"Lord Bacon could as easily have created this planet as he could have written Hamlet."
"Can there be a more horrible object in existence than an eloquent man not speaking the truth?"
"Work is the grand cure for all the maladies and miseries that ever beset mankind,—honest work, which you intend getting done."
"A great man shows his greatness by the way he treats little men."
"[T]here is no English historian who has a right to be judged by a higher or severer test, for no one has spoken more deeply and truly on the character and dignity of history... He showed an intelligence of things which no other English historian has understood. He dwelt upon the invisible impersonal forces that act in history, and appreciated, often with rare sagacity, the true significance and sequence of events. But he was unable to follow the course he had pointed out, and failed even to maintain himself on the high ground he had reached. He could not distinguish in history what was unknown to him in religion: thus he fell to the exclusive contemplation of certain typical individuals, whose greatness appeared to supply what he wanted, an object of worship, and personified invisible elements in visible men. And now the belongings of his hero possess so great an importance that they distract his attention from him; he invests with an absurd dignity not only his relations, but their goods and chattels, and allows merely material things to eclipse the human interest of his subject. It is a history made up of eccentricities. This is the way that Mr. Dickens writes novels; for whom the spectacles of an elderly gentleman, a pair of mulberry coloured hose, or a wandering American pig, have greater attractions than any psychological problem."
"After fifty years we are still dependent on him for Cromwell, and in Past and Present he gave what was the most remarkable piece of historical thinking in the language. But the mystery of investigation had not been revealed to him when he began his most famous book [The French Revolution] ... [T]he vivid gleam, the mixture of the sublime with the grotesque, make other opponents forget the impatient verdicts and the poverty of settled fact in the volumes that delivered our fathers from thraldom to Burke. They remain one of those disappointing storm-clouds that give out more thunder than lightning."
"These are damned times—everything is against one—the height to which knowledge is come, the spread of luxury, our physical enervation, the absence of great natures, the unavoidable contact with millions of small ones, newspapers, cities, light profligate friends, moral desperadoes like Carlyle."
"That regular Carlylean strain which we all know by heart and which the clear-headed among us have so utter a contempt for."
"I never much liked Carlyle. He seemed to me to be “carrying coals to Newcastle,” as our proverb says; preaching earnestness to a nation which had plenty of it by nature, but was less abundantly supplied with several other useful things."
"There was the puissant voice of Carlyle; so sorely strained, over-used, and mis-used since, but then fresh, comparatively sound, and reaching our hearts with true, pathetic eloquence. Who can forget the emotion of receiving in its first freshness such a sentence as that sentence of Carlyle upon Edward Irving, then just dead: ‘Scotland sent him forth a herculean man; our mad Babylon wore and wasted him with all her engines,—and it took her twelve years!’"
"The influence of Carlyle and Maurice was nothing less than socialistic. Those who at one-and-twenty pored over the Sartor Resartus, Past and Present, and Chartism, became distinctly Socialists—not such gentry as bawl the Gospel of Destruction and break club windows, but Socialists of the highest type, to whom nothing of humanity is common or unclean."
"As you introduced Schiller to your countrymen, so you have placed before the Germans our great Prussian King in his full figure; like a living statue. What you said long years ago of the "Hero as Man of Letters"—that he is under the noble obligation to be true,—has been fulfilled in yourself; but, more fortunate than those of whom you then spoke, you may rejoice in what you have accomplished, and continue your work in full vigour, which may God long preserve to you. Accept with my cordial congratulations the assurance of my sincere respect."
"One book especially, given to me by a sergeant of ours, had a strong influence on me. This was Carlyle's Heroes and Hero Worship. I read that over and over and then bought a cheap copy of Sartor Resartus. I remember one evening, after reading the famous meditation on the sleeping city, I threw the book across the room. I felt I should never be able to write like that."
"Carlyle, to the modern reader, is a paradox, an extraordinary compound of the archaic, or, worse, the deeply unfashionable, and elements we think of as distinctly modern. Swift and Rabelais before him suggest parallels, as does Whitman after. Carlyle's classmates nicknamed him "the Dean" in recognition of a Swiftian quality. Relations to earlier historiography are harder to see, though Carlyle greatly admired Schiller and came towards the end of a long period of erosion of the idea of the dignity of history. Carlyle has much time for the sublime, none for dignity. It is not surprising that the classical republican historians make no figure in his work, despite the French revolutionaries' devotion to them. The chief borrowing is, rather surprisingly, from Florence: Carlyle a number of times employs the carroccio...as an image of a symbolic rallying point. For the rest, no humanist he, or philosophe, but an Old Testament-nurtured Puritan, at home with the mundane and the transcendental. Humorous, hectoring and at times almost frenzied, he found one guide to his monumental task in Homer's epic realism, and for the rest he went his own way. At his best – and he has more than one kind of best – his history and his prose have enormous imaginative energy, whose degenerations into bombast are the price the reader pays."
"It was very good of God to let Carlyle and Mrs. Carlyle marry one another and so make only two people miserable instead of four."
"He came and spoke a word, and the chatter of rationalism stopped, and the sums would no longer work out and be ended. He was a breath of Nature turning in her sleep under the load of civilisation, a stir in the very stillness of God to tell us He was still there."
"The next group of reactionaries or romantics or whatever we elect to call them, gathers roughly around one great name. Scotland, from which had come so many of those harsh economists who made the first Radical philosophies of the Victorian Age, was destined also to fling forth (I had almost said to spit forth) their fiercest and most extraordinary enemy. The two primary things in Thomas Carlyle were his early Scotch education and his later German culture. The first was in almost all respects his strength; the latter in some respects his weakness. As an ordinary lowland peasant, he inherited the really valuable historic property of the Scots, their independence, their fighting spirit, and their instinctive philosophic consideration of men merely as men. But he was not an ordinary peasant. If he had laboured obscurely in his village till death, he would have been yet locally a marked man; a man with a wild eye, a man with an air of silent anger; perhaps a man at whom stones were sometimes thrown. A strain of disease and suffering ran athwart both his body and his soul. In spite of his praise of silence, it was only through his gift of utterance that he escaped madness. But while his fellow-peasants would have seen this in him and perhaps mocked it, they would also have seen something which they always expect in such men, and they would have got it: vision, a power in the mind akin to second sight.' Like many ungainly or otherwise unattractive Scotchmen, he was a seer. By which I do not mean to refer so much to his transcendental rhapsodies about the World-soul or the Nature-garment or the Mysteries and Eternities generally, these seem to me to belong more to his German side and to be less sincere and vital. I mean a real power of seeing things suddenly, not apparently reached by any process; a grand power of guessing. He saw the crowd of the new States General, Danton with his "rude flattened face," Robespierre peering mistily through his spectacles. He saw the English charge at Dunbar. He guessed that Mirabeau, however dissipated and diseased, had something sturdy inside him. He guessed that Lafayette, however brave and victorious, had nothing inside him. He supported the lawlessness of Cromwell, because across two centuries he almost physically felt the feebleness and hopelessness of the moderate Parliamentarians. He said a word of sympathy for the universally vituperated Jacobins of the Mountain, because through thick veils of national prejudice and misrepresentation, he felt the impossibility of the Gironde. He was wrong in denying to Scott the power of being inside his characters: but he really had a good deal of that power himself. It was one of his innumerable and rather provincial crotchets to encourage prose as against poetry. But, as a matter of fact, he himself was much greater considered as a kind of poet than considered as anything else; and the central idea of poetry is the idea of guessing right, like a child."
"His great and real work was the attack on Utilitarianism: which did real good, though there was much that was muddled and dangerous in the historical philosophy which he preached as an alternative. It is his real glory that he was the first to see clearly and say plainly the great truth of our time; that the wealth of the state is not the prosperity of the people. Macaulay and the Mills and all the regular run of the Early Victorians, took it for granted that if Manchester was getting richer, we had got hold of the key to comfort and progress. Carlyle pointed out (with stronger sagacity and humour than he showed on any other question) that it was just as true to say that Manchester was getting poorer as that it was getting richer: or, in other words, that Manchester was not getting richer at all, but only some of the less pleasing people in Manchester."
"Because he frowned at the cockney cheerfulness of the cheaper economists, they and others represented him as a pessimist, and reduced all his azure infinities to a fit of the blues. But Carlyle's philosophy, more carefully considered, will be found to be dangerously optimist rather than pessimist. As a thinker Carlyle is not sad, but recklessly and rather unscrupulously satisfied. For he seems to have held the theory that good could not be definitely defeated in this world; and that everything in the long run finds its right level."
"Not less am I grateful for the Carlyle eulogium [on Emerson]. I have shed some quite delicious tears over it. This is a world worth abiding in while one man can thus venerate and love another."
"As a literary artist he has great merits, beginning with the main one that he never wrote one dull line. How well-read, how adroit, what thousand arts in his one art of writing."
"He is like a lover or an outlaw who wraps up his message in a serenade, which is nonsense to the sentinel, but salvation to the ear for which it is meant. He does not dodge the question, but gives sincerity where it is due. One word more respecting this remarkable style. We have in literature few specimens of magnificence. Plato is the purple ancient, and Bacon and Milton the moderns of the richest strains. Burke sometimes reaches to that exuberant fullness, though deficient in depth. Carlyle in his strange, half mad way, has entered the Field of the Cloth of Gold, and shown a vigour and wealth of resource which has no rival in the tourney play of these times—the indubitable champion of England. Carlyle is the first domestication of the modern system, with its infinity of details, into style."
"Search as you will, Carlyle's book is the only one which strikes a human chord, presents human relations and shows traces of a human point of view."
"Thomas Carlyle has become known in Germany through his efforts to make German literature accessible to the English. For several years he has been mainly occupied with the social conditions of England — the only educated man of his country to do so! — and as early as 1838 he wrote a brief work entitled Chartism. At that time the Whigs were in office and proclaimed with much trumpeting that the "spectre" of Chartism, which had arisen round 1835, was now destroyed. Chartism was the natural successor to the old radicalism which had been appeased for a few years by the Reform Bill and reappeared in 1835–36 with new strength and with its ranks more solid than ever before. The Whigs thought they had suppressed this Chartism, and Thomas Carlyle took this as his cue to expound the real causes of Chartism and the impossibility of eradicating it before these causes were eradicated."
"This is the condition of England, according to Carlyle. An idle landowning aristocracy which "have not yet learned even to sit still and do no mischief", a working aristocracy submerged in Mammonism, who, when they ought to be collectively the leaders of labour, "captains of industry", are just a gang of industrial buccaneers and pirates. A Parliament elected by bribery, a philosophy of simply looking on, of doing nothing, of laissez-faire, a worn-out, crumbling religion, a total disappearance of all general human interests, a universal despair of truth and humanity, and in consequence a universal isolation of men in their own "brute individuality", a chaotic, savage confusion of all aspects of life, a war of all against all, a general death of the spirit, a dearth of "soul", that is, of truly human consciousness: a disproportionately strong working class, in intolerable oppression and wretchedness, in furious discontent and rebellion against the old social order, and hence a threatening, irresistibly advancing democracy — everywhere chaos, disorder, anarchy, dissolution of the old ties of society, everywhere intellectual insipidity, frivolity, and debility. — That is the condition of England. Thus far, if we discount a few expressions that have derived from Carlyle's particular standpoint, we must allow the truth of all he says. He, alone of the "respectable" class, has kept his eyes open at least towards the facts, he has at least correctly apprehended the immediate present, and that is indeed a very great deal for an "educated" Englishman."
"They (the Nazis) would put it to our young people that our best writers were Nazis at heart, and so try to warp their minds. It is interesting, in this connextion, to read what Nazi critics have been saying lately about Shakespeare and Carlyle. They have not got a bad case over Carlyle - he had something of the Nazi about him: he despised individualism and liberty and worshipped the dictator-hero. However, Carlyle also said "Thought is stronger than artillery-parks", and this side of him the Nazis don't mention."
"He was a teacher and a prophet in the Jewish sense of the word. The prophecies of Isaiah and Jeremiah have become a part of the permanent spiritual inheritance of mankind, because events proved that they had interpreted correctly the signs of their own times, and their prophecies were fulfilled. Carlyle, like them, believed that he had a special message to deliver to the present age. Whether he was correct in that belief, and whether his message was a true message, remains to be seen. He has told us that our most cherished ideas of political liberty, with their kindred corollaries, are mere illusions, and that the progress which has seemed to go along with them is a progress towards anarchy and social dissolution. If he was wrong, he has misused his powers. The principles of his teaching are false. He has offered himself as a guide upon a road of which he had no knowledge; and his own desire for himself would be the speediest oblivion both of his person and his works. If, on the other hand, he has been right; if, like his great predecessors, he has read truly the tendencies of this modern age of ours, and his teaching is authenticated by facts, then Carlyle, too, will take his place among the inspired seers, and he will shine on, another fixed star in the intellectual sky. Time only can show how this will be."
"I have recently been reading Thomas Carlyle's book on Frederick the Great. This biography is extraordinarily instructive and uplifting. Carlyle is an ardent admirer of Frederick the Great and the picture he draws of his life is that of an heroic epic."
"It is admirable in Carlyle that, in his judgment of our German authors, he has especially in view the mental and moral core as that which is really influential. Carlyle is a moral force of great importance. There is in him much for the future."
"If the "Frederick" thus fails both as a biography and a history of the reign and adds little to knowledge, it is none the less full of purple patches. It has been called the largest and most varied show-box in historical literature. Mrs. Carlyle, an exacting critic, pronounced it the best of her husband's works. It exhibits an undiminished power of mise-en-scène, freshness of humour, and mastery of character-painting. Emerson pronounced it the wittiest book ever written. Carlyle never composed anything more brilliant than the story of Voltaire's visit to Potsdam, and the portraits of the rulers of Europe are in his best style."
"Carlyle was the greatest of English historical portrait-painters... But the writer who saw individuals with such incomparable clearness was weak in perspective and blind to the very existence of the masses. His later years reveal something like contempt for the poor and the ignorant. "Shooting Niagara" gave almost brutal expression to his opinion of the working-classes in 1867. He told Wolseley, half in earnest, that he hoped he would lock the door of Parliament and turn the members out. He sided with the South in the slavery struggle, and with Governor Eyre against quashee nigger. His whole philosophy was that the common herd must be drilled, led and punished by their superiors. Alike in politics and history he drifted ever further away from the generous intuitions of his early manhood."
"For Cromwell, the primary authority is Mr. Carlyle's "Life and Letters," an invaluable store of documents, edited with the care of an antiquarian and the genius of a poet."
"About that age [16], or perhaps a year later, a friend sent me Sartor Resartus, and one of the most abiding remembrances of those days is the attic in which I used to read by the light only of my collier's lamp whilst going through Carlyle's most impressive book. I felt I was in the presence of some great power, the meaning of which I could only dimly guess at. I mark the reading of Sartor, however, as a real turning point, and went through the book three times in succession until the spirit of it somewhat entered into me. Since then I have learned much of the human failings and weaknesses of Carlyle, but I still remain a worshipper at his shrine. He was, indeed, to me in those days a hero, more particularly when Past and Present and the French Revolution followed in the wake of Sartor."
"It is really, as Coleridge I think said of something else, like reading a story by flashes of lightning!"
"I found him as usual sitting at his table, but evidently in a condition of great suppressed irritability; with Mill's treatise On Liberty lying before him... [H]e rose angrily from the table with the book in his hand, and gave vent to such a torrent of anathema (glancing at Christianity itself, as if Christianity had been the inspiration of it), as filled me with pain and amazement. He addressed himself directly to me, almost as if I had written the book, or had sent it to him, or was in some way mixed up with it in his mind. I felt terribly hurt; but what could I say in protest against such a wide-rushing torrent of invective? ... I know the book well enough now, and the ghastly issues to which it inevitably points, with its accurate balancing of enlightened self-interests, and its deification of every man's own heart; and I will only say that, putting myself honestly in Carlyle's place, I do not wonder that his indignation was beyond endurance. It must have been to him, in the incisiveness of its attack and the taking popularity of its style, like a vision of the great red dragon standing triumphant before him, ready to devour the fruit of his soul's travail as soon as it was born. Since that day, I have never heard him express more utter abhorrence of anything than I have, more than once in late years, heard him express of the crowing, God denying, death-stricken spirit, now making such ‘great signs’ with our fashionable sciences and life-philosophies,—and all the world wondering after it!"