Children S Authors

"She does recognize who she is, what she is from, and there is no separation. You know, she's been going at it a long time, has faced much opposition, and has kept on talking and speaking in such a beautiful and lyrical voice...She's really had a lot of influence on me in terms of being a woman who speaks as a woman and has been often criticized for it, and in the past she could not get her books published because she kept to her particular viewpoint and was sympathetic to certain unpopular viewpoints."

"Meridel Le Sueur is wonderful. She is still, in my view, a consummate artist, one of the best, most important American writers."

"There are a lot of stories like that, about how words have power that can create and heal. Also destroy. After something is said, the people who heard it will always remember it. You have to think about the words you say."

"Feminist writer Patricia Hampl once said of Meridel: "Bedecked with Indian turquoise bracelets and rings, a string of large ominous teeth around her neck, a bright multicolored serape covering her body-this walking heap of archetypal images is not your idea of somebody's grandmother. A grandmother, no; a wise and maybe occasionally avenging ancient goddess, yes.""

"Meridel Le Sueur, the Minnesota writer, interviewed her grandmother, who said, "I've lived all my life trying to suppress these stories of what happened to me, and now you're going to write them." And she did"

"The great energies, languages and nourishment of women are seized, hidden and violated by indifference and outright conspiracy in order to maintain the silence of women. It is a loss when the voices of women are muffled, lost or deliberately silenced."

"The independent strong woman was a bad woman, even in the radical press. Irene and I had a vision of the free new woman growing in her own pattern-a new crop, new protein, new communication, new connections, new conceptions-birthing out of terrible hunger and anger."

"The women's movement is great in the Twin Cities, I think."

"I'd always identified myself with the people's struggles. I think I began writing more about it and having an audience for writing it. But we wrote as partisans, we call it. You're on the side and like I was marching. I don't say anything about the troubles of the manufacturers association, or any sympathy for them. I just identified with the strikers."

"For the first time, Meridel says "I am writing what I want to write. I don't know if anyone is going to read it," she adds with the pragmatism of someone whose work was virtually banned for years. "I don't even think about it. I just love it. It's a wonderful gift to have a passion like that.""

"Emma Goldman lived at the Anarchist's House too. Describe Emma Goldman? Her interest to Meridel was as "the first sexually 'free' woman" she met. "The women and feminists of that period never dealt with sex. They were Puritans.""

"It's really hard to describe how you can fill a city with terror. When you look at it chronologically, it's terrifying to see how close you are to fascism."

"Some of the best poetry is being written by three American Indian women"

"Meridel has enjoyed being "rediscovered" by the feminist press, particularly because of her chance to work with women editors. Her male editors typically had "such a superior attitude-even in punctuation." Whereas, she contrasts, "The Feminist Press wouldn't even change a comma without asking." The format of Ripening, with its biography, commentary and scrapbook photos, "would never have been conceived in male printing," she notes. Trashing the women writers has resulted in the neglect of twenty midwest women writers-"some as good as Sandburg or Lewis"-now out of print, Meridel says unhappily. She cites as an example her friend and Wisconsin author Zona Gale, who won a Pulitzer Prize in 1921 ("for a feminist story"), yet is virtually forgotten and unread today. Meridel "repudiates categories of male literature." She politely answered all questions about times and dates, but mildly remarked, "Linear thinking is patriarchal.""

"Were all other monuments swept away from the face of Hindustan, were all its inhabitants destroyed, and its name forgotten, the existence of the Sanskrit language would prove that it once contained a race who had reached a high degree of refinement, and who must have been blessed with many rare advantages before such a language could have been formed and polished. Amidst the wreck of nations where it flourished, and superior to the havoc of war and conquest, it remains a venerable monument of the splendour of other times, as the solid Pyramid in the deserts of Egypt.""

"Wander into any pub in the city and strike up a conversation. Offer to buy your companion a drink, order a Guinness and take it from there."

"Everywhere in the ancient Hindu books we find the maxims of that pure and sound morality which is founded on the nature of man as a rational and social being…."

"In short, I consider morality like the sciences and arts, to be only slumbering not forgotten in India; and that to awaken the Hindus to a knowledge of the treasures in their own hands is the only thing wanting to set them fairly in the course of improvement with other nations."

"The Hindus claim the honour of having invented the method of teaching by apologues…"

"A stranger in India will not fail to be struck with the indiscriminate respect which the lower classes of Hindus pay to the objects worshipped by all other sects. I have seen them making their little offerings, and joining the processions at the Mussulman feasts of Hassan and Hossein, and as frequently appearing at the doors of the Romish Portuguese chapels, with presents of candles to burn before the saints, and flowers to adorn the shrines; in short, whatever is regarded as holy by others, they approach with reverence, so much are uncultivated men the creatures of imitation and habit."

"Our missionaries are very apt to split upon this rock, and in order to place our religion in the brightest light, as if it wanted their feeble aid, they lay claim exclusively to all the sublime maxims of morality and tell those they wish to convert, that their own books contain nothing but abominations, the belief of which they must abandon in order to receive the purer doctrine of Christianity. Mistaken men! Mistaken men! Could they desire a better opening to their hopes than to find already established that morality which says, it is enjoined to man even at the moment of destruction to wish to benefit his foes, ‘as the sandal tree in the instant of its overthrow sheds perfume on the axe that fells it.’…"

"Really, just do it. Many people I speak to say they want to write or illustrate, but they actually haven’t completed anything. Write it, send it off to a publisher and while you’re waiting for a response, get on with the next story. Be determined and resilient, accept rejection and criticism. The publisher and editor are there to help you make the best book possible."

"I read somewhere that all this -the people, the animals, the mountains, the rivers -is just God dreaming. I wish he'd wake the fuck up."

"…perhaps I should be ashamed to own that I had so far strayed from good-nature and good-sense, as to forget, that whatever reproaches may be deserved by some of the Hindus for their moral practices the fundamental principles of morality itself are so firmly implanted in the soul of man that no vicious practice and no mistaken code can change their nature..."

"I love writing picture books. When I get the germ of a new idea, I feel a little shiver of anticipation or recognition. I don’t do anything immediately about the idea. I just keep it there at the back of my mind and think about it now and again and let it ‘brew’, sometimes jotting down bits of the story. Once I’ve got the whole story in my head – I especially need to know how it starts and ends – I sit down at my computer and write the first draft. Then I keep rewriting – draft after draft – until I feel it’s as good as I can make it, which is often not nearly good enough."

"I believe this was their way of ensuring we understood our heritage, where we came from, who we were and what we stood for. I think that is really key for any child to know who they are and be proud and confident in that.""

"....The prestige African literature enjoys globally today is a result of the ground-breaking work done by Achebe (especially with his Things Fall Apart) and a few other writers like him."

"In a society, a woman should be able to tolerate others, work with others and maintain a very humble attitude towards others but at the same time be herself."

"My mum always taught us not to expect favours but to work hard to make our way in life and to aim to get things through merit."

"Our writers must continue to educate our people and promote the cause of nation-building by producing powerful, inspiring and enduring works of art."

"Bombing the Terrorists with planes from the skies is not enough, we have to go to the source of their sinning souls and bomb them, condemn them and shame them, with all the power of our pens, our computers, our smartphones and our creative works!"

"Men and women complement each other in a home and in the society at large. God has given each a place, a role and responsibilities. It does not make one any better than the other or give any the right to lord it over or ill-treat the other."

"Todd Strasser has written many award-winning novels for teens and adults. Several of his works have been adapted for the screen, including Workin' for Peanuts, A Very Touchy Subject, and Over the Limit, which he adapted himself. A former newspaper reporter and advertising copywriter, Strasser worked for several years as a TV scriptwriter on such shows as The Guilding Light, Tribes, and Riviera. The author of nearly forty novels, Strasser lives with his family in a suburb of New York City."

""Come on," she said. "Let's go home." They turned and started back toward the house. Mark carried the dead brown flowers. Susan carried her memories and grief. Behind them they left Henry and the tombstone, which read: HENRY EVANS 1981-1993 WITHOUT DARKNESS THERE CAN BE NO LIGHT"

"Tell me the truth, Henry," she said. "Tell me what happened the night Richard died. "Don't you know?" Henry asked innocently. "I'd like to hear it from you," Susan said. "I was downstairs playing..." he began. Susan knew he was lying. She knew by the tone of voice he used. He used it every time he'd lied to her, and he'd lied to her many times. "Don't lie to me," she snapped angrily. "I'm sick and tired of your lying." She found herself shaking him by his shoulders. "Henry, tell me the truth: Did you kill Richard?" Henry pulled away and regarded her coolly. It was a look that was unnatural in a boy of his age. "So what if I did?"

"Anyone looking for simple black-and-white answer to the problem of school violence involving guns will not find it here. Like Beth Bender and Dick Flanagan, I have no one answer. But I do have suggestions: The manufacture, importation, and possession of all semiautomatic assault-type weapons should be banned. The sale of handguns should be restricted to the military and law enforcement agencies. Children should be taught from the earliest age to respect one another's differences. Schools should enact zero tolerance for teasing. Students' achievements off the field should be valued as highly as those on the field."

"Anyone see us?" Harry asked as they sped away down the street. "I didn't see anyone in the windows," said Marv. "I thought you said they were gone." "We both watched them leave this morning, birdbrain," Harry snapped. "Then who was that?" Marv asked. "I don't know," Harry said. "I didn't see anyone. I swear I don't get it. I know they all left." "And I know I ain't goin' near that house again," Marv said. "Cool it." Harry ran his fingers over his hair. "I'm gonna figure this thing out and then we are going back. That's the best house on the block."

"How'd you know I was here?" Kevin asked. "I know you and Christmas trees," Kate said as she rubbed a tear out of her eye. "I guess this is the biggest one around, huh?" Kevin said. Kate smiled. "Let's go tell Dad you're all right." "Where's everyone else?" Kevin asked. "At the hotel," Kate said, sliding her arm around his shoulders. "They're in New York?" Kevin gasped, wide-eyed. Kate smiled. "They didn't like the palm trees either."

"If these changes are going to occur, they will have to start with you, the young person reading this book. If this story has moved you, then it will be your job to keep those ideas alive, to examine your own life and your own school, to keep these issues in the forefront with open discussions and debate. Mine is the generation that will see true gun reform continually stalled by lobby-fattened politicians. Yours is the generation that may someday have the power to make the real changes that will save young lives."

"Human beings worked constantly to make their gods unnecessary. He was an individual who made scientific measurements: one day time and perhaps also space would be measured and controlled by scales of measurements hitherto unknown. The supernatural was shadows dancing in the remains of a childhood fear of the dead."

"Averno was my homage to Mankell. I tried to use something from one of his books in every one of the poems. Nobody noticed it, which is good, but it was there for me."

"She expressed herself clearly, as only people who talk a lot to themselves can."

"When I was about five or six, I got in big trouble at school for illustrating an age-inappropriate poem about the Queen. To my detriment, the art was so carefully and lovingly drawn that my teacher could see exactly who was depicted, and what was going on. I grew up in England where that sort of thing was frowned upon—unlike corporal punishment, which was actively employed—and it all ended very badly. But I definitely learned an early lesson in the breathtaking power of art."

"(Being able to draw) means that I have both an escape, and a voice."

"I spend a majority of my time thinking, and reading: Trying to find the angle that no one else would think to depict. I am always fearful of producing obvious things. While all art is at least tangentially political (the second you publicly place a mark on a piece of paper you will piss SOMEONE off), mine is deliberately overtly political. I take issues and events and try desperately to make sense of them. Like a columnist, I practice opinion journalism except I actually draw my conclusions, so to speak."

"My sketchbooks are a mess. I use them as sounding boards so there's a mixture of writing, word associations, and incomprehensible squiggles. Except when I am trying to perfect a caricature, the art in them is blisteringly rudimentary."

"I find that I can say so much more through humor. People are far more likely to absorb a message or opinion if it is wrapped in wit."

"You pay twenty head of cattle for a maiden because you are excited. Then when your head is cool, you begin to say "If I had known!"

"On the day of death, there is no medicine."

"A maiden is one of those things a man must not trust. By Allah, it is!"