Anti Communists

"Alert to all influences, Stravinsky receives and dominates them, only to reaffirm more and more his own personality. He is a living proof that authentic genius does not, indeed cannot, evade external influence but always absorbs and masters it."

"Isn't it surprising that, at the age of sixty-five, Stravinsky is still writing problem music? All the other composers over fifty—the famous ones, I mean—are turning out more or less what is expected of them. It seems a long time since we got a jolt from Hindemith. Schönberg's latest is problematical certainly, but in the same way it has been for the past thirty years. Milhaud, Honegger, Prokofiev are all sticking close to form. Only Stravinsky manages to mix his elements, including even the familiar ones, in such a way that no one can predict just where he will be taking us next. But perhaps the most impressive point of all is that over and beyond the questions of problem or influence there remains in Stravinsky's music an irreducible core that defies imitation. The essence of the man—his special "tone," his very personal brand of seriousness, the non-academic texture of his music—in short, the sum total of his extraordinary individuality, has never to my knowledge been adequately described, let alone imitated. Despite the widespread influence of his music, Stravinsky as a composer remains a singularly remote and removed figure, a composer whose passport to the future needs no signature other than his own."

"Stravinsky, the chameleon-musician, the man of a thousand-and-one styles, has bequeathed us a totally unified treasury of rhythm that traces a perfect arc from his first to most recent work, rising from the simple to the complex then falling from the complex to the simple."

"The great privilege of musicians now in their fifties is to have witnessed at first hand all the works of Stravinsky as he produced them. In 1910 I was present at the premiere of L'Oiseau de Feu. After that we had to wait a year, more or less, to hear the next work. Every year thereafter Diaghilev brought us the new Stravinsky—always different, always unexpected, always more than exciting. From L'Oiseau de Feu to the extraordinary Orpheus that Stravinsky played on his piano for my wife and me in Hollywood in 1947, every work has its weight, its deep resounding in our soul. Each time different problems are involved, and each time their solutions are achieved in masterly fashion. I am thankful to be fifty-five years old and to have been able, for thirty-seven of them, to observe this prodigious production. While teaching at Mills College I had a tremendous experience which increased my admiration for Stravinsky (if that were indeed possible). I established a course of study in his music, and every Tuesday I analyzed, one after the other, all his works. To go through these scores, written between 1910 and 1947, is a real comfort for a musician and his students, united in their love of art."

"The music of Le Sacre du Printemps baffles verbal description. To say that much of it is hideous as sound is a mild description. There is certainly an impelling rhythm traceable. Practically it has no relation to music at all as most of us understand the word."

"J. Robert Oppenheimer: [[wikipedia:Ernest_Lawrence|[Ernest] Lawrence]], you embrace the revolution in physics, can’t you see it everywhere else? Picasso, Stravinsky, Freud, Marx..."

"This intersecting of inherently non-symmetrical diatonic elements with inherently non-diatonic symmetrical elements seems to me the defining principle of the musical language of Le Sacre and the source of the unparalleled tension and conflicted energy of the work."

"The diatonicism of Le Sacre du printemps should not be understood in the restrictive sense of the major/minor system, but in terms of something more basic. Like the symmetrical partitionings of the twelve-tone scale in Le Sacre, its diatonicism may also be explained in terms of interval cycles--more simply and coherently, in fact, than in terms of the traditional modes and scales. With the single exception of interval[-class] 5, every interval[-class] from 1 through 6 will partition the space of an octave into equal segments. A seven-note segment of the interval-5 cycle [C5], telescoped into the compass of an octave, divides the octave into unequal intervals--'whole-steps' and 'half-steps.'"

"For my part I did not approve of Stravinsky's predilection for Bach's method — pseudo-Bachism — or rather, I did not approve adopting someone else's idiom and calling it one's own. True, I had written a Classical Symphony myself, but that was only a passing phase. With Stravinsky this 'Bachism' was becoming the basic line of his music."

"More like a sacrilege du printemps."

"Now we will throw these mediocre kitschmongers into slavery, and teach them to venerate the German spirit and to worship the German God."

"One can say that for European music the innovation of Stravinsky was revolutionary because again, Stravinsky and that whole group of European composers who introduced African tone into European music. In "Afternoon of a Faun" and "The Rite of Spring" and all of that you can keep hearing, those notes, that pentatonic scale."

"It is the transcendent (or 'abstract' or 'self-contained') nature of music that the new so called concretism--Pop Art, eighteen-hour slices-of-reality films, musique concrete--opposes. But instead of bringing art and reality closer together, the new movement merely thins out the distinction."

"Composers combine notes, that's all."

"What I cannot follow are the manic-depressive fluctuations from total control to no control, from the serialization of all elements to chance."

"Much of the music is a Merzbild, put together from whatever came to hand. I mean, for example...the Alberti-bass horn solo accompanying the Messenger. I also mean the fusion of such widely divergent types of music as the Folies Bergeres tune at No. 40 ('The girls enter, kicking') and the Wagnerian 7th-chords at Nos. 58 and 74.""

"Music's exclusive function is to structure the flow of time and keep order in it."

"The phenomenon of music is given to us with the sole purpose of establishing an order in things, including, and particularly, the co-ordination between man [sic] and time."

"The trouble with music appreciation in general is that people are taught to have too much respect for music; they should be taught to love it instead."

"The over-publicized bit about expression (or non-expression) was simply a way of saying that music is supra-personal and super-real and as such beyond verbal meanings and verbal descriptions. It was aimed against the notion that a piece of music is in reality a transcendental idea "expressed in terms of" music, with the reductio ad absurdum implication that exact sets of correlatives must exist between a composer's feelings and his notation. It was offhand and annoyingly incomplete, but even the stupider critics could have seen that it did not deny musical expressivity, but only the validity of a type of verbal statement about musical expressivity. I stand by the remark, incidentally, though today I would put it the other way around: music expresses itself."

"One has a nose. The nose scents and it chooses. An artist is simply a kind of pig snouting truffles."

"My music is best understood by children and animals."

"I was...attacked for being a pasticheur, chided for composing “simple” music, blamed for deserting “modernism,” accused of renouncing my “true Russian heritage.” People who had never heard of, or cared about, the originals cried “sacrilege”: “The classics are ours. Leave the classics alone.” To them all my answer was and is the same: You “respect,” but I love."

"As for myself, I need music for hygienic purposes, for the health of my soul. Without music in its best sense there is chaos. For my part, music is a force which gives reason to things, a force which creates organization, which attunes things. Music probably attended the creation of the universe."

"Ask yourself why totalitarian dictatorships find it necessary to pour money and effort into propaganda for their own helpless, chained, gagged slaves, who have no means of protest or defense. The answer is that even the humblest peasant or the lowest savage would rise in blind rebellion, were he to realize that he is being immolated, not to some incomprehensible noble purpose, but to plain, naked human evil."

"The moral precept to adopt...is: Judge, and be prepared to be judged."

"Individual rights are the means of subordinating society to moral law."

"All the reasons which made the initiation of physical force evil, make the retaliatory use of physical force a moral imperative."

"The skyline of New York is a monument of a splendor that no pyramids or palaces will ever equal or approach."

"A genius is a genius, regardless of the number of morons who belong to the same race—and a moron is a moron, regardless of the number of geniuses who share his racial origin."

"Racism is the lowest, most crudely primitive form of collectivism. It is the notion of ascribing moral, social or political significance to a man's genetic lineage—the notion that a man's intellectual and characterological traits are produced and transmitted by his internal body chemistry. Which means, in practice, that a man is to be judged, not by his own character and actions, but by the characters and actions of a collective of ancestors."

"Errors of knowledge are not breaches of morality; no proper moral code can demand infallibility or omniscience."

"When a man declares: "There are no blacks and whites [in morality]" he is making a psychological confession, and what he means is: "I am unwilling to be wholly good—and please don't regard me as wholly evil!""

"Any group or “collective,” large or small, is only a number of individuals. A group can have no rights other than the rights of its individual members."

"Man's rights can be violated only by the use of physical force. It is only by means of physical force that one man can deprive another of his life, or enslave him, or rob him, or prevent him from pursuing his own goals, or compel him to act against his own rational judgment."

"Since only an individual man can possess rights, the expression “individual rights” is a redundancy (which one has to use for purposes of clarification in today's intellectual chaos). But the expression “collective rights” is a contradiction in terms."

"Observe, in politics, that the term extremism has become a synonym of "evil," regardless of the content of the issue (the evil is not what you are extreme about, but that you are "extreme"—i.e., consistent)."

"Capitalism is the only system where such men are free to function and where progress is accompanied, not by forced privations, but by a constant rise in the general level of prosperity, of consumption and of enjoyment of life."

"When you consider socialism, do not fool yourself about its nature. Remember that there is no such dichotomy as “human rights” versus “property rights.” No human rights can exist without property rights."

"When one observes the nightmare of the desperate efforts made by hundreds of thousands of people struggling to escape from the socialized countries of Europe, to escape over barbed-wire fences, under machine-gun fire—one can no longer believe that socialism, in any of its forms, is motivated by benevolence and by the desire to achieve men's welfare."

"Poverty, ignorance, illness and other problems of that kind are not metaphysical emergencies. By the metaphysical nature of man and of existence, man has to maintain his life by his own effort; the values he needs—such as wealth or knowledge—are not given to him automatically, as a gift of nature, but have to be discovered and achieved by his own thinking and work."

"The only proper, moral purpose of a government is to protect man's rights, which means: to protect him from physical violence—to protect his right to his own life, to his own liberty, to his own property and to the pursuit of his own happiness. Without property rights, no other rights are possible."

"Neither life nor happiness can be achieved by the pursuit of irrational whims. Just as man is free to attempt to survive by any random means, as a parasite, a moocher or a looter, but not free to succeed at it beyond the range of the moment—so he is free to seek his happiness in any irrational fraud, any whim, any delusion, any mindless escape from reality, but not free to succeed at it beyond the range of the moment nor to escape the consequences."

"The men who attempt to survive, not by means of reason, but by means of force, are attempting to survive by the method of animals."

"When I say “capitalism,” I mean a full, pure, uncontrolled, unregulated laissez-faire capitalism—with a separation of state and economics, in the same way and for the same reasons as the separation of state and church."

"Man is the only living species that has the power to act as his own destroyer—and that is the way he has acted through most of his history."

"Is man worth it? What else is worth anything?"

"And if you ask me, what is greatness? – I will answer, it is the capacity to live by the three fundamental values of John Galt: reason, purpose, self-esteem."

"If you say, do I think that Objectivism will be the philosophy of the future, I would say yes, but with this qualification: If men turn to reason, if they are not destroyed by dictatorship and precipitated into another Dark Ages, if men remain free long enough to have time to think, then Objectivism is the philosophy they will accept."

"When I came here from Soviet Russia, I was interested in politics for only one reason—to reach the day when I would not have to be interested in politics. I wanted to secure a society in which I would be free to pursue my own concerns and goals, knowing that the government would not interfere to wreck them, knowing that my life, my work, my future were not at the mercy of the state or of a dictator’s whim. This is still my attitude today. Only today I know that such a society is an ideal not yet achieved, that I cannot expect others to achieve it for me, and that I, like every other responsible citizen, must do everything possible to achieve it. In other words, I am interested in politics only in order to secure and protect freedom."