Alternative Rock Singers

"Don't look back all you'll ever get is the dust from the steps before I don't have to see you every day, but I just want to know youre there"

"I was never no, never no, never enough, But I can try, I can try to toughen up."

"Change is hard, I should know. I should know."

"For those of us who try to keep remembering, Try to do our better than our best. Think of all the children in the drifts of snow. Winners never quit, but winters never rest."

"For those of you who tried, but didn't make it, Settle down — it's never what you think. The summit doesn't differ from the deep, dark valley, And the valley doesn't differ from the kitchen sink."

"For those of you who thought you'd be forgotten, The friends you've made will try their best, to make it so. Think of all the beauty that you left behind you. You can take it if you want it, and then let it go."

"I somehow see what's beautiful In things that are ephemeral I'm my only friend of mine And love is just a piece of time in the world in the world. And I couldn't help but fall in love again."

"I got to get your presence Let's make it known I think you're just so pleasant I would like you for my own"

"If you can't sleep, I'll be there in your dreams. I'll be there in your dreams if you can't sleep at all. And in your dreams, I'll touch your cheek And lay my head on your shoulder. Goodbye shadows"

"I would watch Wizard of Oz, like every day, when I was two. I had a hard time understanding that I couldn't go into the film, because it felt so real to me."

"Shut your eyes, there are bluer skies For you're embraced in my heart"

"O-o-old habits die hard when you got, when you got a sentimental heart Piece of the puzzle, you're my missing part Oh what can you do with a sentimental heart?"

"My goal as an actor is always to be as truthful as possible, and to find the truth in the material I am representing. So I think that it’s the same with performing music. But in a way, performing your own music, it’s easier to find the truth in it, because it’s coming from yourself. There’s no translation needed."

"Take it back Oh, take it back I don't want your lovin', anymore Let me live Oh, let me live It's not you who I sing for"

"I think a lot of what motivates me songwriting-wise is — this might sound silly — but, when I listen to a song that I love, it kind of makes me feel better. I think that’s the impetus behind everything I write; I want to make people feel better, whether it’s myself, or a friend, or whoever. I don’t know how to say this without sounding corny or banal, but I know a lot of people who are very hard on themselves. So this is sort of a cheerleading lullaby."

"Why don't you sit right down and stay awhile? We like the same things and I like your style Its not a secret; why do you keep it? I'm just sitting on the shelf"

"I like to learn things slow I like learning alot I like to get it all again and in the end You know you get what you got"

"I don't want to go to another roller-coaster ride of a movie. If I want that, I'll go to Magic Mountain. I'm really interested in the young directors that are doing different things in cinema. I think the movies people will hold onto are the Rushmores and the Being John Malkoviches. Those are the kind of films I want to do; that's what I'm passionate about."

"I don't think I'm very much like anyone else, really. I'm sure there are aspects of other actors that I share, but I don't see anybody else and go, "Damn, they stole my thing." I'm me, and I like that there are people who have an appreciation for that."

"I have trouble actually describing myself because I’m always suspicious of people who start describing themselves. I’m like, “OK, why are you trying to tell me what you are?”"

"Hair got caught in the sunlight darling But I just wasted the day. I knew it would happen this way."

"I just read some quotes where Dave Grohl is talking about the Foo Fighters taking a hiatus of an undetermined length, saying, 'I want to be in this band forever, and that's why we need to take a break.' That's perfectly described. Did we need to split up and tell the world and the fans we're splitting up? Probably not. It was time to take a breather from the business."

"My first memory of Nirvana was getting a cassette of demos, which ended up becoming Bleach. Everybody's response was that this was an amazing band and these were amazing songs. It was another indication that the Northwest had something special that you couldn't argue with."

"I really had to come to the conclusion, the sort of humbling conclusion that, guess what, I'm no different than anybody else, I've got to sort of ask for help not something I ever did, ever. And then part two of that is, like, accept it when it comes and, you know, believe what people tell me. And trusting in what I have been told, and then seeing that work."

"I think movies can replace reality and in the case of my story I wouldn't trust many people with doing that."

"What ends up happening with musicians and actors is, they're famous, so when somebody has an issue, it's something that gets talked about. People die of drug overdoses every day that nobody talks about. It's a shame that famous people get all the focus, because it then gets glorified a little bit, like, 'This person was too sensitive for the world,' and, 'A light twice as bright lives half as long,' and all that. Which is all bullshit. It's not true."

"Don't drink. And that's serious. For me, that's one, because I never wrote, I was never creative while drinking, and there were these periods of not drinking and just kind of white-knuckling it and writing and recording, and then drinking a lot and coming into the studio hung over and being in the studio drunk and never being able to do anything to the level or to the degree that I thought that I should be. I'm proud of everything that I did, but I think it was a lot more difficult than it needed to be."

"I was so fiercely independent that falling in love was a really terrifying experience. The first time I was in love to the degree that I realized this person has suddenly become so important to me that I can't imagine life without her."

"What I hear in my brain (brain radio) dictates the beginning of any attempt at a new song."

"It was given to me by the late Shannon Hoon, who fashioned it out of a fork he got in Denny's (a US fast food chain) on the first tour Blind Melon ever did, which was opening for us. I really liked it, but I stopped wearing it after he died. Because the other thing I wore was this ring that belonged to Andy Wood, who died. It's like, 'I don't wanna wear these f**king things from people who died.' A girl outside the hotel tonight had a similar fork, and I've had people throw them on-stage. I've seen hundreds of those forks, but it always reminds me of Shannon. They're making them cos they're thinking of me, but really it's him. Which is cool."

"With all that’s been written about Temple of the Dog recently, it’s reminded me of the original meanings of those songs. Say Hello 2 Heaven, for example, was one of the songs I wrote directly for Andy Wood and the amount of times someone has requested I play that song for someone else who’s died have been numerous. That’s great that it’s become this anthem that makes somebody feel some comfort when they’ve lost someone, but recently I’ve become a little more possessive of the idea that this song was actually written for a specific guy and I haven’t forgotten that person. So I’ve been reminding myself and those in the audience where that song came from."

"I’m completely self-taught on guitar- limited me in some ways but very helpful in others. My only goal to playing was to write songs."

"No, I think that's the worst f**king thing. I mean, can you imagine having to get up at 4am and sit in a trailer while someone puts makeup on you? Then stand in front of a camera and say the same lines 60 times. I feel sorry for actors and I never want to do it. I stood in front of a camera in Singles and that's about it."

"Right after Andy died, we [Soundgarden] went to Europe, and it was horrible, because I couldn't talk about it, and there was no one who had loved him around. I wrote two songs, "Reach Down" and "Say Hello 2 Heaven". That was pretty much how I dealt with it. When we came back, I recorded them right away. They seemed different from what Soundgarden naturally does, and they seemed to fit together. They seemed like music he would like. I got the idea to release them as a single, and to get at least Stone and Jeff, or all of Love Bone, to play on it. I had the idea for a couple days, then, with an artist's lack of self-confidence, I decided it was a stupid idea. Somehow those guys heard the tape, and they were really, really excited. Stone and Jeff and our drummer, Matt, had been working on a demo for what ended up being Pearl Jam, so we had the idea that we would make an EP or a record, and maybe even do some of Andy's solo songs."

"Team Rock: Away from the band [Soundgarden], do you guys still hang out together?"

"The rest of the band [Soundgarden] thought it was silly of the press to concentrate on the beefcake when I was writing songs, singing, and playing guitar for the band. Even now, some people will stick a paragraph about my hair in the body of a review."

"A certain scenario kept repeating itself. The people from the magazines would take two or three shots of the band. They’d start to pack up. And then they’d sort of take me off into a corner by myself. After about the thirtieth time that a photographer asked me to take my shirt off, I started to get the picture."

"Susan [Silver] was really busy with one of her bands, and there was about a month where I never left the house. I didn’t go out in public; I didn’t talk to anyone on the phone—I went a little psycho. If I hadn’t been alone so long, I would not have gone as far as I actually went. But one day, I went from wondering what I would look like with a shaved head to ‘That’s pretty cool.’ Then I put my hair in a big envelope and mailed it off to my wife. The funny thing was, I did this really silly, personal thing for no reason, and then all of a sudden it was on MTV News and in Newsweek, and I still hadn’t left the house. I thought it was strange, because I don’t know how anyone found out about my hair, and I don’t know why they cared."

"Susan [Silver] gives me a huge amount of room to be that recluse, and also the incentive to not be. It’s worth a lot to see her be excited about being around someone who’s not afraid of his shadow. It’s good for her. She digs it. But we’re becoming more alike. When she comes home to me from a day at the office, where she’s talking to people from all over the world about all sorts of important things... well, I probably haven’t answered the phone in seventy-two hours. She knows that when she comes home she’s going to get privacy, because I’m not like ‘These are my South American friends and... honey, have you ever really listened to that first Van Halen album?’ She’s the best roommate I’ve ever had. People are sort of perplexed, as to how this could possibly work in this grunge-music, super-druggy era where everybody is so emotionally screwed up. Not only is Soundgarden not OD’ing on heroin, but the singer’s wife manages the band, there’s no weird Yoko Ono trip, and she’s not trying to make us dress up like lions and unicorns."

"I think that in a lot of ways the Seattle scene was a turn-the-gun-on-itself scene. It was being born out of the punk rock bible, where being a rock star is a bad thing. So we couldn't enjoy our success because we weren't really supposed to. You had to pretend success was fucked. We all became very self-conscious. I wish now that we'd had a better attitude about it."

"When you write your own lyrics, you tend to be over-analytical. One second everything you do is brilliant, and the next, everything is garbage, and I want to be able to express personal things without being made to feel stupid. One of the first times I remember writing something personal was on tour. I was feeling really freaky and down, and I looked in the mirror and I was wearing a red T-shirt and some baggy tennis shorts. I remember thinking that as bummed as I felt, I looked like some beach kid. And then I came up with that line—’I’m looking California / And feeling Minnesota,’ from the song ‘Outshined’—and as soon as I wrote it down, I thought it was the dumbest thing. But after the record came out and we went on tour, everybody would be screaming along with that particular line when it came up in the song. The was a shock. How could anyone know that that was one of the most personally specific things I had ever written? It was just a tiny line. But somehow, maybe because it was personal, it just pushed that button."

"I wish I had my dogs with me. We have a white German Shepherd and two Pomeranians. That's one big and two little. We used to have two big and three little. Then one of the bigs ate one of the littles, so we had to give him away. That was hard. We essentially lost two dogs in one four-minute incident. You have a sense of responsibility and a bond with this creature, whether it's a human or an animal, and we've always had an amazing bond with animals. We didn't even know we had that in common when we first got together, because neither of us had any pets. Then I got Susan [Silver] a cat from the pound, and she just freaked out on it. She still has that cat. It sleeps on her chest every night. As time went on, I realized, 'Wow', not only is she a great pet owner, she'd be a great mother'. I've noticed that when I get around human babies, the role of the pets changes. I don't know why. Maybe because looking into the eyes of a baby is different from looking into the eyes of a Pomeranian."

"He's like one of my best friends in the world. Absolutely genuine guy, I swear on the bible."

"They didn’t have such a long time together, no, but they were of the same mind and heart. Chris was a very kind and compassionate person too. And Chris said that Andy showed him how to be a rock star. Andy said, “Come on! Follow me! I’ll show you!”. And he just showed him. And Chris, of course, developed his own style. He was wonderful. Chris was wonderful. They loved one another. Andy used to make Chris, Chris Cornell, just… you know, they’d write songs together. But Andy would write eleven songs to Chris’ one. And then Chris would say, “Most of it was shit but one or two would be diamonds. He would write eleven songs to my one, you know.” They’d be in a competition together. You know, Andy couldn’t… they wouldn’t let him go when he was dying, until Chris got there."

"I was not surprised when he died. No, I was not surprised. I don’t know why I say that, it’s just something that I feel from Chris, he was so complicated. He always struggled with mundanity. He was really in another dimension, and for him to be normal was really hard."

"No favorites. I think of them [my songs] as children with strengths, weaknesses & secrets that reveal themselves over time."

"That was a very moving and poignant experience. We didn’t say much about it beforehand, and we didn’t say much about it afterward, because we thought the music said enough. I wanted to do ‘Boot Camp’, because that was my favorite song on [Soundgarden’s 1996 album] ‘Down On The Upside’, so I went and learned it, but the thing with Chris is, he would tune the guitar to his voice, so it’s kinda complicated to learn from following YouTube!"

"Chris’s death affected me, but I wasn’t that surprised. He always had gallows humor about being lonely in hotel rooms. ‘The only thing missing is a noose,’ he’d say. And it was like ‘oh, Chris.’ And he’s like ‘[I’m] too tired, the road is too hard, too impersonal.’ He was darkly joking.”"

"He’s one of the greatest artists and songwriters of all time, not only in my small town, but worldwide, and that always made me really proud. He set an example of how to do shit and set an example of what not to do, and I respected that, too. Chris had a part in steering a direction there; you don’t need this shit, you don’t need miscellaneous bullshit – you need the music. He was a very deep and emotional writer, and I feel like I have an affinity with writers like Chris. He didn’t pull any fucking punches at all and that’s never been my style, either."

"Jerry Cantrell quoted in **{{cite web"