African Americans

"My mother said I was a weird child. I had about 15 imaginary friends and talked to myself, a lot. I still do sometimes - I love the power of pretend. Now I channel all those voices into my characters. It's probably a saner outlet."

"If the action of The Bridge Party moves at what might at times seems to be a snail’s pace, it is because I want the audience to experience the characters as full human beings, not as abstractions or stereotypes…"

"[All of the characters] are composites. You’re looking at what could be. There’s theatrical truth to it, which is: maybe this isn’t verbatim, but it’s within the realm of possibility…"

"I am the white woman character, black woman character. I am the black man character, the white man character…I have to stand in that person’s shoes."

"My life's work has been to go around America with a tape recorder trying to become America word for word. And I've met a lot of people who I disagree with. I've met a lot of people who you would think I would disagree with. But I have to say it's enriched my sense of being an American to reach out to people who are very, very different from me…"

"When I’m writing, I can see myself in all of the characters I write."

"The outsiders. I’m interested in the people that don’t necessarily fit and the thing that gives you permission to be uncomfortable. I like dark work because you’re forced to learn about certain things…"

"Smashing things together. Because, culturally, that’s America at its most interesting. It’s things connected, awkwardly, that produce the brilliance. It’s not absoluteness that produces the brilliance; it’s when things that don’t belong together collide, and in that collision, something springs forth, and that becomes extraordinarily fascinating to me."

"Every play is rhythmic control. If you want an audience to go on a journey, it’s rhythmic control. You’re crafting when they lean in, when they push back, when they breathe, when they surrender. It takes you probably five to six minutes to build trust with an audience. A musical you can build trust in three notes. Boom, boom, boom, you’re instantly seduced. So musicals have this easy potency, but generally, in my opinion, they waste them, because a musical is incredibly hard to do…"

"The real struggle has been since Africans first set foot on the continent, an affirmation of the value of one’s self. And I think if, in order to participate in American society, in order to accomplish some of the things which the black middle class has accomplished, if you have had to give up that self in order to accomplish that, then you are not making an affirmation of the value of the African being. You are saying that in order to do that I must become someone else, I must become like someone else…"

"I think it was the ability of the theater to communicate ideas and extol virtues that drew me to it. And also I was, and remain, fascinated by the idea of an audience as a community of people who gather willingly to bear witness. A novelist writes a novel and people read it. But reading is a solitary act. While it may elicit a varied and personal response, the communal nature of the audience is like having five hundred people read your novel and respond to it at the same time. I find that thrilling."

"As social institutions, universities act to maintain the hierarchical nature of the status quo by excluding most of the population from its classrooms while ensuring that a small number are trained and certified to supervise others. In Gramscian terms, in the post-Civil Rights era black academics have functioned and continue to function as intellectuals in particular and politically contradictory ways in the "ensemble of the system of relations in which these activities have their place within the general complex of social relations." Are we meant to function as the black gatekeepers, ensuring the production, perpetuation, and maintenance of a small, black, middle-class elite, in the hope that this elite will act as a force to control the rebellious tendencies of the black oppressed?"

"Has the Negro girl proved herself worthy of the intellectual advantages which have been given her? What is your answer when I tell you that Negro women stand at the helm of outstanding enterprises; such are: Nannie Borroughs — Charlotte Hawkins Brown; they are proprietors of business — we recall Madam Walker and Annie Malone; they are doing excellent work in the field of Medicine, Literary Art, Painting and Music. Of that large group let us mention Mary Church Terrell and Jessie Fauset; Hazel Harrison, Caterina Jarbors and Marian Anderson as beacon lights. One very outstanding woman is a banner. Others are leaders in Politics."

"I have no creative use for guilt, yours or my own. Guilt is only another way of avoiding informed action, of buying time out of the pressing need to make clear choices, out of the approaching storm that can feed the earth as well as bend the trees. If I speak to you in anger, at least I have spoken to you: I have not put a gun to your head and shot you down in the street; I have not looked at your bleeding sister’s body and asked, “What did she do to deserve it?” This was the reaction of two white women to Mary Church Terrell’s telling of the lynching of a pregnant Black woman whose baby was then torn from her body. That was in 1921, and Alice Paul had just refused to publicly endorse the enforcement of the Nineteenth Amendment for all women — by refusing to endorse the inclusion of women of Color, although we had worked to help bring about that amendment."

"We all felt very proud of ourselves, walking along in our caps and gowns. One of the largest and loveliest sections was made up of uniformed nurses. It was very impressive. Then we had a foreign section, and a men’s section, and a Negro women’s section from the National Association of Colored Women, led by Mary Church Terrell. She was the first colored woman to graduate from Oberlin, and her husband was a judge in Washington. Well, Mrs. Terrell got together a wonderful group to march, and then, suddenly, our members from the South said they wouldn’t march. Oh, the newspapers just thought this was a wonderful story and developed it to the utmost. I remember that that was when the men’s section came to the rescue. The leader, a Quaker I knew, suggested that the men march between the southern delegations and the colored women’s section, and that finally satisfied the southern women. That was the greatest hurdle we had"

"Mary Church Terrell, a life-long member of NAWSA and the first Black woman to serve on a board of education anywhere in the United States (she was appointed to the Washington, D.C., Board of Education in 1894), was a frequent speaker at suffrage conventions. Her first such appearance was on February 18, 1898, at the Columbia Theater in Washington, on the fiftieth anniversary of the Seneca Falls, New York, woman's rights convention. Her speech was titled, "The Progress of Colored Women." She began this way: "Fifty years ago a meeting such as this, planned, conducted and addressed by women would have been an impossibility. Less than forty years ago, few sane men would have predicted that either a slave or one of his descendants would in this century at least address such an audience in the nation's capital at the invitation of women representing the highest, broadest, best type of womanhood, that can be found anywhere in the world. Thus to me this semi-centennial of the National American Woman Suffrage Association is a double jubilee, rejoicing as I do, not only in the prospective enfranchisement of my sex but in the emancipation of my race.”"

"In some respects this was a great loss, because Mrs. Terrell was by all odds the best educated woman among us and had proved herself an able presiding officer and parliamentarian. She had in the beginning the undivided affection of all the women who formed that organization, and it seemed such a pity that selfish ambition should destroy her opportunity to have led the organization to even greater heights."

"By a miracle the 19th amendment has been ratified, we women now have a weapon of defense ... it will be a shame to us if we do not use it … we shall give our enemies a stick with which to break our head, Hold meetings, every time you meet a woman talk to her about going to the polls and vote! p.310"

"Ida B. Wells and Mary Church Terrell, two women who helped shape the main contours of the civil-rights movement in the United States in the twentieth century."

"I arose and said, As a colored woman, I hope this association will include in the resolution the injustices of various kinds of which colored people are the victims." p. 143"

"In the early 1890’s it required a great deal of courage for a woman to publicly to acknowledge before an audience that she believed in suffrage for her sex when she knew a majority did not. p.144"

"When Elizabeth Cady Stanton presented a resolution demanding equal political rights for Women in Seneca falls in 1848, the only person there willing to second it was Fredrick Douglas, … and it was his masterful arguments and matchless eloquence that the resolution passed despite powerful opposition. Therefore, whenever the women of this country pause long enough to think about the hard fight which had to be waged so as to enable them to enjoy their rights as citizens …they should remember the great debt of gratitude they owe to a colored man at a crucial occasion point when no other man was willing to come to their aid. pp. 169-170"

"I could wish no better, brighter future for the boys and the girls who are so fortunate as to attend this beautiful, well-appointed Mott school than that they emulate the courage, the unselfishness, and the zeal in all good work which were such conspicuous and beautiful traits in the character of that saintly woman, for whom this building which we dedicate to day is named."

"How long the emancipation of the slave might have been delayed, had it not been for those Female Anti-Slavery Societies established largely through the efforts of Lucretia Mott, and other noble women like her, no human being can tell...Many a poor trembling slave was lifted from bondage into freedom by means of the underground railroad which ran through the home of James and Lucretia Mott. She helped and befriended free colored people and protested in season and out against the cruel exhibition of prejudice against them from which they suffered in the North."

"She used her brain and systematized her work, so that she might find time to do good in the world. The time many wives and mother of her day frittered away in gayety and embroidery she spent in reading and committing to memory choice thoughts in poetry and prose."

"Colored people so seldom tell certain truths about conditions which confront their race that when they do, even white people who are interested in them feel that they must be “bitter”. p.175"

"Tho thorny the path and rough the road, forward she pressed to do the work for the persecuted and afflicted which she felt called to perform."

"We congratulate ourselves upon having two such efficient and zealous workers as Miss Wells and Mr. Fortune to address us tonight. The harvest truly is great but the labourers are few."

"The name of Lucretia Mott has been written in the history of this country which records the deeds of those who have spent their lives trying to lift their fellow men to a higher plane and relieve the suffering of the world in letters which can never fade."

"Lucretia Mott shines more brilliantly in the galaxy of the good and great because of her work as an abolitionist and her efforts to improve the condition of woman"

"We extend to her a cordial welcome, we offer her our hearty support. In suppressing Miss Wells paper, the Free Speech, tyranny has wrought a good work of which it little dreamed. The fetters placed upon truth in the South are here transformed into weapons against itself."

"Lucretia Mott traveled thousands of miles, when travelling was much more difficult and far less pleasant than it is to day, holding meetings all through New England and even venturing in some of the slave States to arouse the conscience and touch the hearts of the people concerning the woes and wrongs heaped upon 4,000,000 slaves. She was often debarred from the use of public halls and suffered persecution of every conceivable nature even at the hands of those who called themselves Christians — yes even from her own religious sect, the Quakers, because of her activity in behalf of the slave. Once but wonder at the cool, calm courage of the small, fragile, gentle Lucretia Mott who never at any time of her life weighed more than 90 pounds, and much of the time did not weigh even that, as she faced the violence of hostile mobs. More than once her long, gray Quaker cloak was singed with vitriol thrown at her through windows by howling, hooting mobs during the meetings which she addressed. Nothing illustrates the courage and the tact [of] the little woman more than an experience she had, when she, the other speakers and the audience were driven from an abolition meeting in Philadelphia by an angry mob. She placed a friend who was with her under the care of a gentleman. “But what will you do”, inquired the lady. “This man”, replied Mrs. Mott touching the arm of a man among the hooting ruffians who had broken up the meeting, “will see me through safely, I think.” The man was so impressed with the sweetness of her manner and the angelic expression of her countenance that he instantly responded to her appeal [and] protected her from further insult as they passed through the hostile crowd."

"When Miss Wells, a journalist of the South, exiled for daring to use the prerogative of free speech in defence of her own race, fled to the South, it was Mr. Fortune who espoused her cause, and made it possible for her to continue the good work so nobly begun. We admire Miss Wells for her undaunted courage, we laud her zeal in so worthy a cause, we ecourage her ambition to enlighten the mind and touch the heart by a thrilling and earnest recital of the wrongs heaped upon her oppressed people in the South."

"What a fine thing it would be if the North were as loyal to what it claims to be its principles as the South to its views? p. 290"

"Poems have helped me figure out a lot about queer sexuality – it is a big hill to climb. The ability to transform myself in poetry helps me imagine myself differently in the real world."

"Look back over the history of the ages, and whence has come the inspiration of those who have lifted themselves from the level of the brute to the dignity of manhood? Has it not come from the oppressor’s chains? Tyranny’s mission is to teach. It has Proclaimed in clarion tones, which have echoed and re-echoed through all the battles, “Man must be free.”"

"We colored women own [sic] her a two-fold debt of gratitude. Her persecutions were greater than those of Garrison or Phillips. She was never a coward, not even among pistols. She contributed her work, but while I would not attempt to try to underage her work, there is almost as much work to-day as there was fifty or sixty years ago. In many States colored men are deprived of their right to vote and are held as slaves in peonage."

"On the interrelationship of poems and politics in “‘Every poem is political’: Danez Smith, the YouTube star shaking up poetry” in The Guardian (2018 Jan 28)"

"For me, it’s about writing a good poem. The questions of page and performance come later. My first allegiance is with what the poem wants to be, in terms of how it looks. The question of performance is something I ask myself at a later date once the poem is finished, when I ask myself, ‘can I read this to an audience one time through and be able to make them feel something?’ Some poems are just easier to translate to a space of performance than others…"

"Naming is important. In many black cultures you learn the importance of giving the right name or not naming things…"

"Mr. Chauncy M. Depew in his oration delivered at the dedicatory exercises of the World’s Fair a few days ago said, “The United States is a christian country and a living and practical christianity is characteristic of its people.” In his conviction that this is a christian country, that a living and practical christianity is characteristic of its people we naturally conclude that Mr. Depew along with other truthful, law-abiding citizens of this great commonwealth is ignorant of the many barbarities, and the fiendish atrocities visited by the Southern Whites upon the defenceless and persecuted Blacks. We must conclude that Mr. Depew is not aware of the knavish methods employed to disfranchise the Negro or of the scandalous compliances resorted to which transform the courts from seats of justice into veritable haunts of inquisition and corruption wherever the Afro-American is concerned."

"Every poem is political. In poems not obviously political, the writer is trying to avoid something…"

"It needs to be a team effort and until straight dudes are expected to roll up their sleeves and get to work…I’m over being asked about what men need to do."

"The language in a casting call is like, "all-American" is white. "Beautiful but doesn't know it" is white. And then usually it'll be like "open to all ethnicities" is when you know that that is a role that they can envision someone not white doing it. But it's like, all the roles should be open to ethnicity. Do you know what I mean?..."

"…We carry ourselves different — maybe we tell our jokes in a different way or a different style — and we were beating ourselves up in allowing that patriarchal energy to affect our self-esteem. And then I was like, "Yeah, I'm good at this job.""

"“My parents helped me and they hurt me…My mom was extremely pro-Black, and I believed her. My dad is Senegalese, and I grew up around my dark-skinned cousins and just thought that they were the most beautiful women in the world. I was surrounded by beautiful dark people. And then middle school hit, and I was like, Oh, they think I’m ugly. They think I’m big. They think I’m unattractive. I went back to my mom like, ‘What the f—k?! Y’all lied to me my whole life. What is this?!’ I started realizing, Mom, you’re light-skinned. So I don’t know what you were talking about. It’s not like you can relate to being dark. And your hair is not the same texture as mine. So what do you know about telling me I’m beautiful? Why would you lie to me? That definitely had an impact on how I saw myself."

"I can not believe that the great mass of Americans, who fought for freedom and who love justice, are awake to the shocking and systematic subversion of all law and order in the South. To ignorance and not to connivance must we charge the wicked apathy of some of the best citizens of the country. Open their eyes to the magnitude and hideousness of the evil flourishing in the South, blighting the lives and wrecking the happiness of men whose labor has enriched and whose blood has been shed for this country and I can not believe that by their silence and indifference they will continue to be accomplices in crime. Let us impress upon men and women whose hearts are not dead to law and love that there are citizens in the South who are deprived of all the rights of citizenship, denied even the right to life, who are hunted down and butchered like wild animals, and I am persuaded that the inquisition will be throttled to death."

"“I was trying to stand out, trying to be the class clown and be super-funny. But everybody thought I was lame and hated me…I’ve experienced that real sense of feeling out of place plenty in my life."

"…I found the world of nonprofits funny to begin with just because having worked there, you see that people are so altruistic and they're so benevolent and they're pretty selfless and you're working generally for a great cause.But the atmosphere within the work environment can be oddly competitive. People want the credit. Sometimes they don't listen to the people they're trying to help. And for me, this white guilt is so prevalent at this nonprofit. And they're so - they treat the kids as this pity party. And for me, I would hate to work in an environment like this, but it's ripe for comedy."

"This show will hit that sweet spot between educational and charmingly ignorant,” Robinson said in a statement. “Who doesn’t love that? Well, all older black people who struggled and marched for my rights. But besides that, everyone else does!"