African Americans

"I pity the fool who drinks soy milk."

"As a kid, I got three meals a day. Oatmeal, miss-a-meal and no meal."

"I ain't no computer hacker!"

"We didn't starve. We spent wisely. Like I tell people in the ghetto, "If you can buy guns and bullets, why can't you buy food? You can buy heroin and crack cocaine, so why can't you buy bread and butter and milk? Why can't you pay your rent?" There's a lot of people in the ghetto who go out and get a fancy car and all that. The car costs more than their house. Meanwhile, your kids need shoes. That's not cool."

"I'm Mr. T and I'm a "Night Elf Mohawk"! What's YOUR game?"

"Well, maybe Mr. T hacked the game and created a Mohawk class! Maybe, Mr. T's pretty handy with computers! Had that occurred to you, Mr. "Condescending" Director?!"

"Mr. T has the greatest hair in the world. You can't deny it, it's been proven by science, fool!"

"Shut up, fool!"

"I didn't just start doing this today. Not like some people that have a movie coming out, so they go visit kids in the hospital. You don't need that phony crap. All of these celebrities, they turn my stomach with their funny stuff. I've been going in the ghettos without the press, without bodyguards, talking to kids. "Get to reading, stay in school. You don't have to carry a gun." I know about peer pressure and all that, but I say, "Hey, they called me a sissy because I wouldn't join a gang. Who was calling me a sissy? Does it make me a sissy because somebody called me a sissy?" [...] I'm going to fight if you touch me or hurt me or do harm to my family. But if you call me a bad name, or whatnot, I'm too smart for that. That's the message the kids need to hear coming from me. I tell them, "If I fought every time somebody called me a name, I would never get out of jail. But I'm disciplined. I'm smarter than that." So I tell them, like my mother said, "Consider the source." When you see who called you the name, then you understand why they're doing it. Then you don't have to stoop that low."

"Yo makin' me mad sucker, cold water never hurt nobody! It's time to get in da pool, 'cause you're goin' swimmin', fool! TAKE THAT, TOEDIPPER! Argh! Argh! I hate flying, so this had better be the last time I see yo cryin'! Snickers, get some nuts!"

"SPEEDWALKING?! I pity you fool! You a disgrace to the man race! It's time to run like a real man! Take that speedwalker! Do it again sucker, and there's going to be trouble! With a capital Mr.T! Snickers, get some nuts!"

"Quit yo Jibber-jabber! You ain't hurt, yo pathetic!, Argh! If I ever catch you acting like a crazy fool again, you're gonna meet my friend pain! Snickers, get some nuts!"

"Anger - use it, but don't lose it!"

"Calvin Klein and Gloria Vanderbilt don't wear clothes with your name on it, so why should you wear their name?"

"See, if I come into a black neighborhood and say, "Thanks for watching my show," and give out high fives and all that, I'm not doing no good. I go out and see a kid grabbing his crotch. Ain't nobody telling them that. Where do they get it from? They watch MTV. I say, "If you wash up more often, you won't have to grab your crotch." I'm telling these guys, "Why you gotta grab your crotch?" Then you see Michael Jackson grabbing his crotch 50 times. What's with him?"

"Hey, everybody gotta’ put on clothes and if you don’t you get arrested."

"Hey, you with the teeth..."

"Do you know me? Of course you do. 'Cause I'm famous!"

"There's two driving forces for every jazz player—the playing and the writing ... Ornette's writing was a little bit ahead of his playing when this record was made. He has a wonderful sense of humor, and the compositions are very interesting. But I don't think he plays his compositions as well as he wrote them."

"With his 1959 Atlantic debut, The Shape of Jazz to Come, alto player Ornette Coleman helped usher in free jazz and avant-garde jazz. Recording without piano helped liberate the songs of a recognizable chord structure and his harmolodics philosophy sought to to free musical compositions from any tonal center. Coleman also used somewhat inventive instrumentation, such as the double quartet (one quartet on each side of the stereo channel), on albums like Free Jazz. The 2006 live album Sound Grammar is among the 83-year-old saxophonist's better recent efforts."

"His musical inspiration operates in a world uncluttered by conventional bar lines, conventional chord changes, and conventional ways of blowing or fingering a saxophone. Such practical 'limitations' did not even have to be overcome in his music; they somehow never existed for him. Despite this--or more accurately, because of this--his playing has a deep inner logic. Not an obvious surface logic, it is based on subtleties of reaction, subtleties of timing and color that are, I think, quite new to jazz--at least they have never appeared in so pure and direct a form."

"I'm in favor of Ornette and many of the things he has done ... he does possess the basic elements that go to make up a jazz artist ... a rhythmic drive ... qualities you can find in everybody since Louis Armstrong—all the good guys ... I can still see in his figures a certain quality that was exemplified by Bird. Everybody says Ornette's playing sounds weird or so forth. But the basic jazz essentials, as I said ... Ornette has—the drive and the rhythm. Rhythm is the most necessary part, the prerequisite for the jazz musician—the positive element. But, of course, harmony is the negative through which the positive must exert itself."

"Whichever alto player it was, I wish he would play in tune. He's got good ideas, but it would help to get them across a little more, you know, if ... unless that's considered to be a little bit more freedom—if you can take liberties with the intonation like that. if that's liberty, boy, they're making an ass out of Abraham Lincoln! I think it would be a good idea for everybody to just leave Ornette alone for about five years and let him get himself together rather than subject him to all the controversail ends of it ... he's searching and he should at least have the liberty to do it in peace."

"In my estimation a very important date, along with some of Ornette's earlier dates. It was very important insofar as the direction of the music; jazz, specifically the avant-garde ... Ornette inspired me to move from the canal-like narrow-mindedness of the '40s through the later '50s, to the later Grand Canyon-like harmonic awareness of the '60s ... I think he might have had some bearing on Newk Rollins and the impeccable John Coltrane."

"I like Ornette's approach to writing. I wish I could see more of a link between the writing and the solos. It's like a building without any foundation and something's got to keep it up in the air. Even an atom-powered submarine has to go back to home base sometimes ... You've got to know where home is. You've got to acknowledge that somewhere."

"When asked to play a 12-bar blues, Ornette Coleman fingered his plastic saxophone and played nothing...he's felt more nothing than you or I know."

"When people like and John Lewis, whose musicianship I respect, back and support this so openly and fervently, I don't know what to think. I just can't figure it out. From the very first note it's miserably out of tune. [...] I should like to revise one rating. After hearing "Embraceable You" by the Ornette Coleman group, I'd like to raise the rating on ' "Midnight Sun Never Sets" to 12!"

"Jazz is the only music in which the same note can be played nigth after night but differently each time."

"The only thing my mother would say about my music—I'd say, "Mom, listen to this," and she'd say, "Junior, I know who you are.""

"I wasn't so interested in being paid. I wanted to be heard. That's why I'm broke."

"Let's play the music and not the background!"

"I mostly like things that have causes more than effects, and this seemed to be a tune that is mostly effects. I don't get the cause clearly."

"I freed thousands of slaves. I could have freed thousands more, if they had known they were slaves."

"I had reasoned dis out in my mind; there was one of two things I had a right to, liberty, or death; if I could not have one, I would have de oder; for no man should take me alive; I should fight for my liberty as long as my strength lasted, and when de time came for me to go, de Lord would let dem take me."

"Oh, Lord! You've been wid me in six troubles, don't desert me in the seventh!"

"I knew of a man who was sent to the State Prison for twenty-five years. All these years he was always thinking of his home, and counting by years, months, and days, the time till he should be free, and see his family and friends once more. The years roll on, the time of imprisonment is over, the man is free. He leaves the prison gates, he makes his way to his old home, but his old home is not there. The house in which he had dwelt in his childhood had been torn down, and a new one had been put up in its place; his family were gone, their very name was forgotten, there was no one to take him by the hand to welcome him back to life. So it was wid me. I had crossed de line of which I had so long been dreaming. I was free; but dere was no one to welcome me to de land of freedom, I was a stranger in a strange land, and my home after all was down in de old cabin quarter, wid de ole folks, and my brudders and sisters. But to dis solemn resolution I came; I was free, and dey should be free also; I would make a home for dem in de North, and de Lord helping me, I would bring dem all dere. Oh, how I prayed den, lying all alone on de cold, damp ground; 'Oh, dear Lord,' I said, 'I haint got no friend but you. Come to my help, Lord, for I'm in trouble!'"

"I looked at my hands, to see if I was de same person now I was free. Dere was such a glory over everything, de sun came like gold trou de trees, and over de fields, and I felt like I was in heaven."

"I was the conductor of the Underground Railroad for eight years, and I can say what most conductors can't say — I never ran my train off the track and I never lost a passenger."

"I can't die but once."

"I prayed all night long for my master. Till the first of March; and all the time he was bringing people to look at me, and trying to sell me. I changed my prayer. First of March I began to pray, 'Oh Lord, if you ain't never going to change that man's heart, kill him, Lord, and take him out of the way'."

"She made nineteen dangerous trips back and forth, often disguised, escorting more than three hundred slaves to freedom, always carrying a pistol, telling the fugitives, "You'll be free or die." She expressed her philosophy: "There was one of two things I had a right to, liberty or death; if I could not have one, I would have the other; for no man should take me alive....""

"Herself born a slave, she first tasted the sweets of liberty in 1849. She subsequently made nineteen excursions south and brought off over three hundred fugitives from bondage."

"I am where I am because of the bridges that I crossed. Sojourner Truth was a bridge. Harriet Tubman was a bridge. Ida B. Wells was a bridge. Madam C. J. Walker was a bridge. Fannie Lou Hamer was a bridge."

"Harriet Tubman, like John Mason, did not reckon the value of her own liberty in comparison with the liberty of others who had not tasted its sweets. Like him, she saw in the oppression of her race the sufferings of the enslaved Israelites, and was not slow to demand that the Pharaoh of the South should let her people go. She was known to many of the anti-slavery leaders of her generation; her personality and her power were such that none of them ever forgot the high virtues of this simple black woman."

"I have known Harriet long, and a nobler, higher spirit or a truer, seldom dwells in human form."

"While she was certainly a nurse, spy, and scout for the Union Army, I think the claims that she was the first female general and commanded a raid are wishful thinking."

"In the 1970s we were rediscovering women whose lives had been dropped out of history or distorted, like Susan B. Anthony, Harriet Tubman, Emily Dickinson, Marie Curie, Ida B. Wells-Barnett, Hannah Senesch, Ethel Rosenberg."

"According to Tubman’s own words, and extensive documentation on her rescue missions, we know that she rescued about 70 people – family and friends – during approximately 13 trips to Maryland ... In addition to the family and friends, Tubman also gave instruction to another 70 or so freedom seekers from the Eastern Shore who found their way to freedom on their own."

"We have had the greatest heroine of the age here, Harriet Tubman, a , and a fugitive slave, who has been back eight times secretly and brought out in all sixty slaves with her, including all her own family, besides aiding many more in other ways to escape. Her tales of adventure are beyond anything in fiction and her ingenuity and generalship are extraordinary. I have known her for some time and mentioned her in speeches once or twice — the slaves call her Moses. She has had a reward of twelve thousand dollars offered for her in Maryland and will probably be burned alive whenever she is caught, which she probably will be, first or last, as she is going again. She has been in the habit of working in hotels all summer and laying up money for this crusade in the winter. She is jet black and cannot read or write, only talk, besides acting."

"Numerous American heroes-such as Harriet Tubman, Nat Turner, and Henry David Thoreau-led rebellious acts to reconcile the government's actions with the country's promise of liberty for all its citizens."