First Quote Added
April 10, 2026
Latest Quote Added
"The aggregation of the spiritual life from the practical life is a curse that falls impartially upon both sides of our existence. A society that gives to one class all the opportunities for leisure, and to another all the burdens of work, dooms both classes to spiritual sterility."
"A community whose life is not irrigated by art and science, by religion and philosophy, day upon day, is a community that exists half alive."
"The fundamental values of a true community are elsewhere: in love, poetry, disinterested thought, the free use of the imagination, the pursuit of non-utilitarian activities, the production of non-profitmaking goods, the employment of non-consumable wealth - here are the sustaining values of a living culture."
"The individual contribution, the work of any single generation, is infinitesimal; the power and glory belong to human society at large, and are the long result of selection, conservation, sacrifice, creation, and renewal — the outcome of endless brave efforts to conserve values and ideas, and to hand them on to posterity, along with physical life itself. Each person is a temporary focus of forces, vitalities, and values that carry back into an immemorial past and that reach forward into an unthinkable future."
"Man's chief purpose...is the creation and preservation of values: that is what gives meaning to our civilization, and the participation in this is what gives significance, ultimately, to the individual human life."
"...in general, the traditionalists are backward-looking, conservative; pessimists about the future and optimists about the past."
"The cycle of the machine is now coming to an end. Man has learned much in the hard discipline and the shrewd, unflinching grasp of practical possibilities that the machine has provided in the last three centuries: but we can no more continue to live in the world of the machine than we could live successfully on the barren surface of the moon."
"Today, the degradation of the inner life is symbolized by the fact that the only place sacred from interruption is the private toilet."
"Nothing is permanent: certainly not the frozen images of barbarous power with which fascism now confronts us. Those images may easily be smashed by an external shock, cracked as ignominiously as the fallen Dagon, the massive idol of the heathen; or they may be melted, eventually, by the internal warmth of normal men and women. Nothing endures except life: the capacity for birth, growth, and renewal. As life becomes insurgent once more in our civilization, conquering the reckless thrust of barbarism, the culture of cities will be both instrument and goal."
"Today our world faces a crisis: a crisis which, if its consequences are as grave as now seems, may not fully be resolved for another century. If the destructive forces in civilization gain ascendancy, our new urban culture will be stricken in every part. Our cities, blasted and deserted, will be cemeteries for the dead: cold lairs given over to less destructive beasts than man. But we may avert that fate: perhaps only in facing such a desperate challenge can the necessary creative forces be effectually welded together. Instead of clinging to the sardonic funeral towers of metropolitan finance, ours to march out to newly plowed fields, to create fresh patterns of political action, to alter for human purposes the perverse mechanisms or our economic regime, to conceive and to germinate fresh forms of human culture. Instead of accepting the stale cult of death that the Fascists have erected, as the proper crown for the servility and brutality that are the pillars of their states, we must erect a cult of life: life in action, as the farmer or mechanic knows it: life in expression, as the artist knows it: life as the lover feels it and the parent practices it: life as it is known to men of good will who meditate in the cloister, experiment in the laboratory, or plan intelligently in the factory or the government office."
"The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in turn, urban forms condition mind."
"However far modern science and technics have fallen short of their inherent possibilities, they have taught mankind at least one lesson: Nothing is impossible."
"Today, the notion of progress in a single line without goal or limit seems perhaps the most parochial notion of a very parochial century."
"Sport in the sense of a mass-spectacle, with death to add to the underlying excitement, comes into existence when a population has been drilled and regimented and depressed to such an extent that it needs at least a vicarious participation in difficult feats of strength or skill or heroism in order to sustain its waning life-sense."
"War is the supreme drama of a completely mechanized society."
"Mechanical instruments, potentially a vehicle of rational human purposes, are scarcely a blessing when they enable the gossip of the village idiot and the deeds of the thug to be broadcast to a million people each day."
"On one side is the gigantic printing press, a miracle of fine articulation, which turns out the tabloid newspaper: on the other side are the contents of the tabloid itself, symbolically recording the most crude and elementary states of emotion."
"The recoil from the absolute of mechanism was into an equally sterile absolute of the organic: the raw primitive. The organic processes, reduced to shadows by the machine, made a violent effort to retrieve their position. The machine, which acerbically denied the flesh, was offset by the flesh, which denied the rational, the intelligent, the orderly processes of behavior that have entered into all man’s cultural developments—even those developments that most closely derive from the organic. The spurious notion that mechanism had naught to learn from life was supplanted by the equally false notion that life had nothing to learn from mechanism."
"That was the danger Samuel Butler jestingly prophesied in Erewhon, the danger that the human being might become a means whereby the machine perpetuated itself and extended its dominion."
"In his discussion on slavery Aristotle said that when the shuttle wove by itself and the plectrum played by itself chief workmen would not need helpers nor masters slaves. At the time he wrote, he believed that he was establishing the eternal validity of slavery; but for us today he was in reality justifying the existence of the machine. Work, it is true, is the constant form of man's interaction with his environment, if by work one means the sum total of exertions necessary to maintain life; and the lack of work usually means an impairment of function and a breakdown in organic relationship that leads to substitute forms of work, such as invalidism and neurosis. But work in the form of unwilling drudgery or of that sedentary routine which... the Athenians so properly despised—work in these forms is the true province of machines. Instead of reducing human beings to work-mechanisms, we can now transfer the main part of burden to automatic machines. This potentially... is perhaps the largest justification of the mechanical developments of the last thousand years."
"Bloodshed kept pace with iron production: in essence, the entire paleotechnic period was ruled, from beginning to end, by the policy of blood and iron. The brutal contempt for life was equalled only by the almost priestly ritual it developed for inflicting death. Its "peace" was indeed the peace that passeth understanding: what was it but latent warfare."
"The clock, not the steam-engine, is the key-machine of the modern industrial age."
"One of the marks of maturity is the need for solitude: a city should not merely draw men together in many varied activities, but should permit each person to find, near at hand, moments of seclusion and peace."
"The way people in democracies think of the government as something different from themselves is a real handicap. And, of course, sometimes the government confirms their opinion."
"Here was my city, immense, overpowering, flooded with energy and light... The world, at that moment , opened before me, challenging me, beckoning me, demanding something of me that it would take more than a lifetime to give, but raising all my energies by its own vivid promise to a higher pitch."
"I would die happy if I knew that on my tombstone could be written these words, "This man was an absolute fool. None of the disastrous things that he reluctantly predicted ever came to pass!""
"I'm a pessimist about probabilities, I'm an optimist about possibilities."
"Today, all the normal mischances of living have been multiplied, a million-fold, by the potentialities for destruction, for an unthinking act of collective suicide, which man's very triumphs in science and invention have brought about. In this situation the artist has a special task and duty: the task of reminding men of their humanity and the promise of their creativity."
"Let us confess it: the human situation is always desperate."
"Virtue is not a chemical product, as Taine once described it: it is a historic product, like language and literature; and this means that if we cease to care about it, cease to cultivate it, cease to transmit its funded values, a large part of it will become meaningless, like a dead language to which we have lost the key. That, I submit, is what has happened in our own lifetime."
"If we are to create balanced human beings, capable of entering into world-wide co-operation with all other men of good will — and that is the supreme task of our generation, and the foundation of all its other potential achievements — we must give as much weight to the arousal of the emotions and to the expression of moral and esthetic values as we now give to science, to invention, to practical organization. One without the other is impotent. And values do not come ready-made: they are achieved by a resolute attempt to square the facts of one's own experience with the historic patterns formed in the past by those who devoted their whole lives to achieving and expressing values. If we are to express the love in our own hearts, we must also understand what love meant to Socrates and Saint Francis, to Dante and Shakespeare, to Emily Dickinson and Christina Rossetti, to the explorer Shackleton and to the intrepid physicians who deliberately exposed themselves to yellow fever. These historic manifestations of love are not recorded in the day's newspaper or the current radio program: they are hidden to people who possess only fashionable minds."
"Modern industrial design is based on the principle of conspicuous economy [but] the bourgeois culture which dominates the Western World is founded... on the principle of conspicuous waste."
"The vast material displacements the machine has made in our physical environment are perhaps in the long run less important than its spiritual contributions to our culture."
"(The processes are) doubly ruinous: they impoverish the earth by hastily removing, for the benefit of a few generations, the common resources which, once expended and dissipated, can never be restored; and second, in its technique, its habits, its processes, the paleotechnic period is equally inimical to the earth considered as a human habitat, by its destruction of the beauty of the landscape, its ruining of streams, its pollution of drinking water, its filling the air with a finely divided carboniferous deposit, which chokes both life and vegetation."
"The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf."
"Max Beer, in his History of British Socialism, points out that Bacon looked for the happiness of mankind chiefly in the application of science and industry. But by now it is plain that if this alone were sufficient, we could all live in heaven tomorrow. Beer points out that More, on the other hand, looked to social reform and religious ethics to transform society; and it is equally plain that if the souls of men could be transformed without altering their material and institutional activities, Christianity, Mohammedanism, and Buddhism might have created an earthly paradise almost any time this last two thousand years. The truth is, as Beer sees, that these two conceptions are still at war with each other: idealism and science continue to function in separate compartments; and yet "the happiness of man on earth" depends upon their combination."
"It is our utopias that make the world tolerable to us: the cities and mansions that people dream of are those in which they finally live."
"Some writings could sometimes, in moments of grace, attain the quality of deeds."
"Miracles in mysticism don't occupy such an important place. It's metaphor, for the peasants, for the crowds, to impress people. What does mysticism really mean? It means the way to attain knowledge. It's close to philosophy, except in philosophy you go horizontally while in mysticism you go vertically. You plunge into it. Philosophy is a slow process of logic and logical discourse: A bringing B bringing C and so forth. In mysticism you can jump from A to Z. But the ultimate objective is the same. It's knowledge. It's truth."
"What I don't like today is, to put it coarsely, the phony Hasidism, the phony mysticism. Many students say, "Teach me mysticism." It's a joke."
"If you ask me what I want to achieve, it's to create an awareness, which is already the beginning of teaching."
"Time does not heal all wounds; there are those that remain painfully open."
"Friendship marks a life even more deeply than love. Love risks degenerating into obsession, friendship is never anything but sharing."
"Elie Wiesel, a pious Hungarian boy whose life had been circumscribed by Jewish faith until his arrest, discovered Western literature in Paris after the war and wrote his memoir under its formative influence ten years later, he began his literary odyssey as a Yiddish and Hebrew writer but then turned his first book into French and wrote thereafter in his adopted language, largely about his native Yiddish and Hebrew culture."
"Elie Wiesel warned us that there may be times when we are powerless to prevent injustice, but there must never be a time when we fail to protest."
"It is the Committee's opinion that Elie Wiesel has emerged as one of the most important spiritual leaders and guides in an age when violence, repression and racism continue to characterise the world. Wiesel is a messenger to mankind; his message is one of peace, atonement and human dignity. His belief that the forces fighting evil in the world can be victorious is a hard-won belief. His message is based on his own personal experience of total humiliation and of the utter contempt for humanity shown in Hitler's death camps. The message is in the form of a testimony, repeated and deepened through the works of a great author."
"Elie Wiesel, a survivor of Auschwitz and preeminent spokesman of the tragedy, has touched us all. The written word has been his way of speaking on behalf of the Jews who have suffered throughout history, as well as on behalf of all humankind. "Not to transmit an experience is to betray it," he comments. A character, obviously Wiesel himself, states in the Legends of Our Time: "The act of writing is for me often nothing more than the secret or conscious desire to carve words on a tombstone: to the memory of a town forever vanished, to the memory of a childhood in exile, to the memory of all those I loved and who, before I could tell them I loved them, went away.""
"Most great instigators of social change have intimate personal knowledge of trauma. Oprah Winfrey comes to mind, as do Maya Angelou, Nelson Mandela, and Elie Wiesel. Read the life history of any visionary, and you will find insights and passions that came from having dealt with devastation."
"The wonderful Elie Wiesel says that we should never compare tragedies. All suffering, to the sufferer especially, is individual and unique."
"Elie Wiesel, in his novel The Testament, wrote, "Between a Jewish businessman from Morocco and a Jewish chemist from Chicago, a Jewish rag picker from Lodz and a Jewish industrialist from Lyon, a Jewish mystic from Safed and a Jewish intellectual from Minsk, there is a deeper and more substantive kinship, because it is far older, than between two gentile citizens of the same country, the same city and the same profession. A Jew may be alone but never solitary..." To which Hélène Elek, a revolutionary Hungarian Jew, replied, "I do not feel Jewish when I meet an orthodox Jew from Poland, for example. I tell myself that I have nothing in common with him. In Hungary, the Jews were assimilated, which I was very happy with. But I was never ashamed of being Jewish... You are a Communist first, and being a Jew comes second. You can be a very good Jew without Judaism.""