Academics From Russia

"I know that most men — not only those considered clever, but even those who are very clever and capable of understanding most difficult scientific, mathematical, or philosophic, problems — can seldom discern even the simplest and most obvious truth if it be such as obliges them to admit the falsity of conclusions they have formed, perhaps with much difficulty — conclusions of which they are proud, which they have taught to others, and on which they have built their lives."

"Настоящее произведение искусства делает то, что в сознании воспринимающего уничтожается разделение между ним и художником..."

"Чувства, самые разнообразные, очень сильные и очень слабые, очень значительные и очень ничтожные, очень дурные и очень хорошие, если только они заражают читателя, зрителя, слушателя, составляют предмет искусства."

"And so the arbitrary union of three incommensurate, mutually disconnected concepts became the basis of a bewildering theory... [by which] one of the lowest renderings of art, art for mere pleasure — against which all of the master teachers warned — was idealized as the ultimate in art."

"Truth is ... one approach to the attainment of the good, but in and of itself, it is neither the good nor the beautiful ... Socrates, Pascal, and others regarded knowledge of the truth with regard to purposeless objects as incongruous with the good ... [by] exposing deception, truth destroys illusion, which is the principle attribute of beauty."

"The good is the everlasting, the pinnacle of our life. ... life is striving towards the good, toward God. The good is the most basic idea ... an idea not definable by reason ... yet is the postulate from which all else follows. But the beautiful ... is just that which is pleasing. The idea of beauty is not an alignment to the good, but is its opposite, because for most part, the good aids in our victory over our predilections, while beauty is the motive of our predilections. The more we succumb to beauty, the further we are displaced from the good. ...the usual response is that there exists a moral and spiritual beauty ... we mean simply the good. Spiritual beauty or the good, generally not only does not coincide with the typical meaning of beauty, it is its opposite."

"Such ... was the theory (an outgrowth of Malthusian) of the selection and struggle for existence as the basis of human progress. Such again, is Marx's theory, with regard to the gradual destruction of small private production by large capitalistic production... as an inevitable decree of fate. However unfounded such theories are, however contrary to all that is known and confessed by humanity, and however obviously immoral these may be, they are accepted with credulity, pass uncriticized, and are preached ... To this class belongs this astonishing theory of the Baungarten trinity — Goodness, Beauty and Truth — according to which it appears that the very best that can be done by the art of nations after 1900 years of Christian teaching is to choose as the ideal of their life that which was held by a small, semi-savage, slaveholding people who lived 2000 years ago, who imitated the nude human body extremely well, and erected buildings pleasing to the eye. Educated people write long, nebulous treatises on beauty as a member of the aesthetic trinity of beauty, truth, and goodness... and they all think that by pronouncing these sacrosanct words, they speak of something quite definite and solid... on which they can base their opinions. ... only for the purpose of justifying the false importance we attribute to an art that conveys every feeling, provided those feelings give us pleasure."

"Aesthetic theories arose one hundred fifty years ago among the wealthy classes of the Christian European world. ...And notwithstanding its obvious insolidity, nobody else's theory so pleased the cultured crowd or was accepted so readily and with such absence of criticism. It so suited the people of the upper classes that to this day, notwithstanding its entirely fantastic character and the arbitrary nature of its assertions, it is repeated by the educated and uneducated as though it were something indubitable and self-evident."

"After Plotinus, says Schassler, fifteen centuries passed without the slightest scientific interest for the world of beauty and art. ...In reality, nothing of the kind happened. The science of aesthetics ... neither did nor could vanish, because it never existed. ... the Greeks were so little developed that goodness and beauty seemed to coincide. On that obsolete Greek view of life the science of aesthetics was invented by men of the eighteenth century, and especially shaped and mounted in Baumgarten's theory. The Greeks (as anyone may read in Bénard's book on Aristotle and Walter's work on Plato) never had a science of aesthetics."

"The partisans of aesthetic theory denied that it was their own invention, and professed that it existed in the nature of things and even that it was recognized by the ancient Greeks. But... among the ancient Greeks, due to their low grade (compared to the Christian) moral ideal, their conception of the good was not yet sharply distinguished from their conception of the beautiful. That highest conception of goodness (not identical with beauty and for the most part, contrasting with it) discerned by the Jews even in the time of Isaiah and fully expressed by Christianity, was unknown to the Greeks. It is true that the Greek's foremost thinkers — Socrates, Plato, Aristotle — felt that goodness may not coincide with beauty. ...But notwithstanding all this, they could not quite dismiss the notion that beauty and goodness coincide. And consequently in the language of that period a compound word (καλο-κάγαθια, beauty-goodness) came into use to express that notion. Evidently the Greek sages began to draw close to the perception of goodness which is expressed in Buddhism and in Christianity, but they got entangled in defining the relationship between goodness and beauty. And it was just this confusion of ideas that those Europeans of a later age ... tried to elevate into law. ... On this misunderstanding the new science of aesthetics was built."

"Having acknowledged the measure of the good to be pleasure, i.e., beauty, the European upper classes went back in their comprehension of art to the gross conception of the primitive Greeks which Plato had already condemned. And with this understanding of life, a theory of art was formulated."

"So the majority of the highest classes of that age, even the popes and ecclesiastics, really believed in nothing at all. They did not believe in the Church doctrine, for they saw its insolvency; but neither could they follow Francis of Assisi, Kelchitsky, and most of the sectarians in acknowledging the moral, social teaching of Christ, for that undermined their social position. And so these people remained without any religious view of life. And, having none, they could have no standard with which to estimate what was good and what was bad art, but that of personal enjoyment."

"No longer able to believe in the Church religion, whose falsehood they had detected, and incapable of accepting true Christian teaching, which denounced their whole manner of life, these rich and powerful people, stranded without any religious conception of life, involuntarily returned to that pagan view of things which places life's meaning in personal enjoyment. And then among the upper classes what is called the "Renaissance of science and art" took place, which was really not only a denial of every religion, but also an assertion that religion was unnecessary."

"In the upper, rich, more educated classes of European society doubt arose as to the truth of that understanding of life which was expressed by Church Christianity. When, after the Crusades and the maximum development of papal power and its abuses, people of the rich classes became acquainted with the wisdom of the classics and saw, on the one hand, the reasonable lucidity of the teachings of the ancient sages, and on the other hand, the incompatibility of the Church doctrine with the teaching of Christ, they found it impossible to continue to believe the Church teaching."

"The Christianity of the first centuries recognized as productions of good art, only legends, lives of saints, sermons, prayers, and hymn-singing evoking love of Christ, emotion at his life, desire to follow his example, renunciation of worldly life, humility, and the love of others; all productions transmitting feelings of personal enjoyment they considered to be bad, and therefore rejected ... This was so among the Christians of the first centuries who accepted Christ teachings, if not quite in its true form, at least not yet in the perverted, paganized form in which it was accepted subsequently. But besides this Christianity, from the time of the wholesale conversion of whole nations by order of the authorities, as in the days of Constantine, Charlemagne and Vladimir, there appeared another , a Church Christianity, which was nearer to paganism than to Christ's teaching. And this Church Christianity ... did not acknowledge the fundamental and essential positions of true Christianity — the direct relationship of each individual to the Father, the consequent brotherhood and equality of all people, and the substitution of humility and love in place of every kind of violence — but, on the contrary, having founded a heavenly hierarchy similar to the pagan mythology, and having introduced the worship of Christ, of the Virgin, of angels, of apostles, of saints, and of martyrs, but not only of these divinities themselves but of their images, it made blind faith in its ordinances an essential point of its teachings. However foreign this teaching may have been to true Christianity, however degraded, not only in comparison with true Christianity, but even with the life-conception of the Romans such as Julian and others, it was for all that, to the barbarians who accepted it, a higher doctrine than their former adoration of gods, heroes, and good and bad spirits. And therefore this teaching was a religion to them, and on the basis of that religion the art of the time was assessed. And art transmitting pious adoration of the Virgin, Jesus, the saints, and the angels, a blind faith in and submission to the Church, fear of torments and hope of blessedness in a life beyond the grave, was considered good; all art opposed to this was considered bad."

"Humanity unceasingly strives forward from a lower, more partial and obscure understanding of life to one more general and more lucid. And in this, as in every movement, there are leaders — those who have understood the meaning of life more clearly than others — and of those advanced men there is always one who has in his words and life, manifested this meaning more clearly, accessibly, and strongly than others. This man's expression ... with those superstitions, traditions, and ceremonies which usually form around the memory of such a man, is what is called a religion. Religions are the exponents of the highest comprehension of life ... within a given age in a given society ... a basis for evaluating human sentiments. If feelings bring people nearer to the religion's ideal ... they are good, if these estrange them from it, and oppose it, they are bad."

"The appreciation of the merits of art (of the emotions it conveys) depends upon an understanding of the meaning of life, what is seen as good and evil. Good and evil are defined by religions."

"Some teachers of mankind — as Plato... the first Christians, the orthodox Muslims, and the Buddhists — have gone so far as to repudiate art. ...[They consider it] so highly dangerous in its power to infect people against their wills, that mankind will lose far less by banishing all art than by tolerating each and every art. ...such people were wrong in repudiating all art, for they denied that which cannot be denied — one of the indispensable means of communication, without which mankind could not exist. ...Now there is only fear, lest we should be deprived of any pleasures art can afford, so any type of art is patronized. And I think the last error is much grosser than the first and that its consequences are far more harmful."

"The activity of art is... as important as the activity of language itself, and as universal."

"Art is not, as the metaphysicians say, the manifestation of some mysterious Idea of beauty or God; it is not, as the aesthetical physiologists say, [play or] a game in which one releases surplus energy, ...not the production of pleasing objects, and is above all, not pleasure itself, but it is the means of union among mankind, joining them in the same feelings, and necessary for the life and progress toward the good of the individual and of humanity."

"Art is a human activity consisting in this, that one consciously, by means of certain external symbols, conveys to others the feelings one has experienced, whereby people so infected by these feelings, also experience them."

"To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then by means of movements, lines, colors, sounds, or forms expressed through words, so to convey this so that others may experience the same feeling — this is the activity of art."

"By words one transmits thoughts to another, by means of art, one transmits feelings."

"In order to correctly define art, it is necessary, first of all, to cease to consider it as a means to pleasure and consider it as one of the conditions of human life. ...Reflecting on it in this way, we cannot fail to observe that art is one of the means of affective communication between people."

"...никогда Христос ... ни одним словом не утверждал личное воскресение и бессмертие личности за гробом..."

"Error is the force that welds men together; truth is communicated to men only by deeds of truth. Only deeds of truth, by introducing light into the conscience of each individual, can dissolve the cohesion of error, and detach men one by one from the mass united together by the cohesion of error."

"I know that my unity with all people cannot be destroyed by national boundaries and government orders."

"Martin's soul grew very very glad. He crossed himself put on his spectacles, and began reading the Gospel just where it had opened; and at the top of the page he read: I was an hungered, and ye gave me meat; I was thirsty, and ye gave me drink; I was a stranger, and ye took me in. And at the bottom of the page he read: Inasmuch as ye did it unto one of these my brethren even these least, ye did it unto me (Matt. xxv). And Martin understood that his dream had come true; and that the Saviour had really come to him that day, and he had welcomed him."

"A man can live and be healthy without killing animals for food; therefore, if he eats meat, he participates in taking animal life merely for the sake of his appetite. And to act so is immoral."

"I sit on a man's back, choking him, and making him carry me, and yet assure myself and others that I am very sorry for him and wish to ease his lot by any means possible, except getting off his back."

"Six feet of land was all that he needed."

"The happiness of men consists in life. And life is in labor."

"The vocation of every man and woman is to serve other people."

"The more is given the less the people will work for themselves, and the less they work the more their poverty will increase."

"Condemn me if you choose — I do that myself, — but condemn me, and not the path which I am following, and which I point out to those who ask me where, in my opinion, the path is."

"In all history there is no war which was not hatched by the governments, the governments alone, independent of the interests of the people, to whom war is always pernicious even when successful. The government assures the people that they are in danger from the invasion of another nation, or from foes in their midst, and that the only way to escape this danger is by the slavish obedience of the people to their government. This fact is seen most prominently during revolutions and dictatorships, but it exists always and everywhere that the power of the government exists. Every government explains its existence, and justifies its deeds of violence, by the argument that if it did not exist the condition of things would be very much worse. After assuring the people of its danger the government subordinates it to control, and when in this condition compels it to attack some other nation. And thus the assurance of the government is corroborated in the eyes of the people, as to the danger of attack from other nations."

"Government is violence, Christianity is meekness, non-resistance, love. And, therefore, government cannot be Christian, and a man who wishes to be a Christian must not serve government."

"Tell people that war is an evil, and they will laugh; for who does not know it? Tell them that patriotism is an evil, and most of them will agree, but with a reservation. "Yes," they will say, "wrong patriotism is an evil; but there is another kind, the kind we hold." But just what this good patriotism is, no one explains."

"It will be said, "Patriotism has welded mankind into states, and maintains the unity of states." But men are now united in states; that work is done; why now maintain exclusive devotion to one's own state, when this produces terrible evils for all states and nations? For this same patriotism which welded mankind into states is now destroying those same states. If there were but one patriotism say of the English only then it were possible to regard that as conciliatory, or beneficent. But when, as now, there is American patriotism, English, German, French, Russian, all opposed to one another, in this event, patriotism no longer unites, but disunites."

"Understand that all the evils from which you suffer, you yourselves cause by yielding to the suggestions by which emperors, kings, members of parliament, governors, officers, capitalists, priests, authors, artists, and all who need this fraud of patriotism in order to live upon your labour, deceive you!"

"If people would but understand that they are not the sons of some fatherland or other, nor of Governments, but are sons of God, and can therefore neither be slaves nor enemies one to another - those insane, unnecessary, worn-out, pernicious organizations called Governments, and all the sufferings, violations, humiliations and crimes which they occasion, would cease."

"The workmen's revolution, with the terrors of destruction and murder, not only threatens us, but we have already been living upon its verge during the last thirty years, and it is only by various cunning devices that we have been postponing the crisis... The hatred and contempt of the oppressed people are increasing, and the physical and moral strength of the richer classes are decreasing: the deceit which supports all this is wearing out, and the rich classes have nothing wherewith to comfort themselves."

"The Anarchists are right in everything; in the negation of the existing order, and in the assertion that, without authority, there could not be worse violence than that of authority under existing conditions. They are mistaken only in thinking that Anarchy can be instituted by a revolution. "To establish Anarchy." "Anarchy will be instituted." But it will be instituted only by there being more and more people who do not require protection from governmental power, and by there being more and more people who will be ashamed of applying this power."

"There can be only one permanent revolution — a moral one; the regeneration of the inner man. How is this revolution to take place? Nobody knows how it will take place in humanity, but every man feels it clearly in himself. And yet in our world everybody thinks of changing humanity, and nobody thinks of changing himself."

"Every one who has a heart and eyes sees that you, working men, are obliged to pass your lives in want and in hard labor, which is useless to you, while other men, who do not work, enjoy the fruits of your labor—that you are the slaves of these men, and that this ought not to exist."

"Not only does the action of Governments not deter men from crimes; on the contrary, it increases crime by always disturbing and lowering the moral standard of society. Nor can this be otherwise, since always and everywhere a Government, by its very nature, must put in the place of the highest, eternal, religious law (not written in books but in the hearts of men, and binding on every one) its own unjust, man-made laws, the object of which is neither justice nor the common good of all but various considerations of home and foreign expediency."

"One might think that it must be quite clear to people not deprived of reason, that violence breeds violence; that the only means of deliverance from violence lies in not taking part in it. This method, one would think, is quite obvious. It is evident that a great majority of men can be enslaved by a small minority only if the enslaved themselves take part in their own enslavement. If people are enslaved, it is only because they either fight violence with violence or participate in violence for their own personal profit. Those who neither struggle against violence nor take part in it can no more be enslaved than water can be cut. They can be robbed, prevented from moving about, wounded or killed, but they cannot be enslaved: that is, made to act against their own reasonable will."

"All violence consists in some people forcing others, under threat of suffering or death, to do what they do not want to do."

"Understand then all of you, especially the young, that to want to impose an imaginary state of government on others by violence is not only a vulgar superstition, but even a criminal work. Understand that this work, far from assuring the well-being of humanity is only a lie, a more or less unconscious hypocrisy, camouflaging the lowest passions we possess."

"God is the infinite ALL. Man is only a finite manifestation of Him. Or better yet: God is that infinite All of which man knows himself to be a finite part. God alone exists truly. Man manifests Him in time, space and matter. The more God's manifestation in man (life) unites with the manifestations (lives) of other beings, the more man exists. This union with the lives of other beings is accomplished through love. God is not love, but the more there is of love, the more man manifests God, and the more he truly exists... We acknowledge God only when we are conscious of His manifestation in us. All conclusions and guidelines based on this consciousness should fully satisfy both our desire to know God as such as well as our desire to live a life based on this recognition."