Academics From England

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April 10, 2026

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"For as a hedonist, Bentham apparently bases moral status not on the dignity of rational nature but rather solely on the capacity to feel pleasure and pain. And this is clearly different from the Kantian position. Yet I claim that Bentham’s idea here is in general terms not inconsistent with Kantian ethics but is instead a corollary of the Kantian position. I would even claim that Kantian ethics provides a better justification for it than Bentham’s hedonism–a shallow empiricist doctrine that cannot account properly even for the values it assigns to pleasure and pain in human beings. […] Nonhuman animals do not have the capacity to reason or to talk. Therefore, beyond making the obvious point that they are not persons in the strict sense, whether they have or lack these capacities is irrelevant to how we should treat them. Bentham is therefore correct in telling us not to ask about these matters when we are deciding how to treat animals. What is relevant, because it relates their capacities to those of rational nature, is the fact that they can suffer, and desire, and sometimes also care – about members of their own species, or even occasionally about members of other species, such as humans. Bentham is therefore also correct in telling us what we should ask about these capacities, for they are the relevant ones. Bentham is correct, however, not because Kant is wrong, but because Kant is right."

- Jeremy Bentham

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"In their time, Bentham's ideas promoted progress, reform, wider democracy, and the amelioration of undesirable social conditions. Bentham lived... when common people, the "labouring poor," had little voice and no vote... Their toil and sacrifices enhanced the power of the nation, the glory of its rulers, the wealth of industrialists and merchants, and the indolent ease of the aristocrats. Yet here was a philosopher who said that people are people regardless of their social position. ...[L]egislators ought actively to augment the total happiness of the community. Instead of the people serving the state, the state should serve the people. ...[H]is slogan for government was "Be quiet." But he did not worship laissez-faire as a principle to be accepted blindly. ...[T]he state should monopolize the issue of paper money, thereby saving interest on its borrowing. It should... operate life and annuity insurance, and tax inheritance, monopolies, [etc.] ...Bentham's idea of diminishing marginal utility of money suggested an argument for the redistribution of income. ...[M]ore happiness will be gained by the poor person than will be lost by the wealthy one. ...Bentham's devotion to the greatest good for the greatest number led him to... advocate for.. democratic reforms. He supported universal (male) suffrage, equal electoral districts, annual parliaments, and the secret ballot. He opposed the monarchy and the , arguing that only in a democracy do the interest of the governors and the governed become identical. ...Bentham urged a system of national education, even for pauper children. Frugality Banks... should... stimulate saving by the poor. should provide jobs for unemployed workers during slack times. ...He designed ...a model prison that would reform criminals rather than punish them. No wonder Bentham and his circle of intellects (including James Mill, John Stuart Mill, and Ricardo) were called "philosophic radicals.""

- Jeremy Bentham

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"Aldiss' New Wave masterpiece is Report On Probability A. … The minutiae of all the involved's lives are the only thing; the act of observation is the only plot. The science fiction happens when it becomes apparent that there are Other watchers, and watchers watching those watchers, stretching back to what seems to be citizens of our own reality. Report On Probability A is about the metaphor of circular vision, manifested in the narrative by the round fields of view of the various optical devices and windows through which S, G, and C observe their world, expanding macrocosmically with the vast circle of observers observing the observers. As banality merges with paranoia, drawn only by whatever the reader brings to the narrative, there is no conclusion, no story, only facts. The story returns over and over to the painting The Hireling Shepherd by Holman Hunt, which becomes a recurring unresolved image which has no final meaning, only whatever speculation it's benighted observers bring to bear on it. Every character is searching for a meaning which may, or may not, exist as actual Truth. Behind each level of truth lies another; who is to say how far the chain goes or which part of it is more Actual? … The simplicity of the "story" masks an investigation into uncertainty and the nature of reality itself. The seeming bankruptcy of plot opens the reader to question the act of observation, of reporting, of writing itself. Truth is what Report On Probability A is all about, and Aldiss points out that it is a plastic thing that depends on who is trying to figure it out, and an ambiguous thing that may, at it's root, be unknowable."

- Brian Aldiss

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