Stephen King

"He had a massive stroke. He died with his tie on. Do you think that could be our generation's equivalent of that old saying about dying with your boots on?"

"You couldn't get hold of the things you'd done and turn them right again. Such a power might be given to the gods, but it was not given to women and men, and that was probably a good thing. Had it been otherwise, people would probably die of old age still trying to rewrite their teens."

"Afterward Larry felt as if he had been through a long pillow-fight in which all the pillows had been treated with a low-grade poison gas."

"What was important was that a regrettable incident had occurred. Starkey flashed back in time twenty-two years to 1968. He had been in the officers' club in San Diego when the news came about Calley and what had happened at Mei Lai Four. Starkey had been playing poker with four other men, two of whom now sat on the Joint Chiefs of Staff. The poker game had been forgotten, utterly forgotten, in a discussion of exactly what this was going to do to the military — not any one branch but the entire military — in the witch-hunt atmosphere of Washington's fourth estate. And one of their number, a man who could now dial directly to the miserable worm who had been masquerading as a Chief Executive since January 20, 1989, had laid his cards carefully down on the green felt table and he had said: Gentlemen, a regrettable incident has occurred. And when a regrettable incident occurs which involves any branch of the United States Military, we don’t question the roots of that incident but rather how the branches may best be pruned. The service is mother and father to us. And if you find your mother raped or your father beaten and robbed, before you call the police or begin an investigation, you cover their nakedness. Because you love them."

"Starkey put his fingers under the man's chin and pushed his head back. As he did so, the man's eyeballs fell back into his head with a meaty little thud. The words on the sign had been written in red Magic Marker. NOW YOU KNOW IT WORKS, the sign said, ANY QUESTIONS?"

"I have harbored hate of the Lord in my heart. Every man or woman who loves Him, they hate Him too, because He's a hard God, a jealous God, He Is, what He Is, and in this world He's apt to repay service with pain while those who do evil ride over the roads in Cadillac cars. Even the joy of serving Him is a bitter joy."

"Did you know that Dairy Queen ice cream is mostly bubbles?"

"M-O-O-N, that spells ILLEGAL!"

"There are a great many ways to commit suicide you know."

"It was things like the Teenage Mutant Ninja Turtles, he thought, that made you believe the world was maybe just as well off destroyed."

"When asked, "How do you write?" I invariably answer, "one word at a time.""

"Somebody had slipped. Either that, or the disease that Charles D. Campion had brought to Arnette was a lot more communicable than anyone had guessed. Either way, the integrity of the Atlanta Plague Center had been breached, and Stu thought that everyone who had been there was now getting a chance to do a little firsthand research on the virus they called A-Prime or the superflu. They still did tests on him here, but they seemed desultory. The schedule had become slipshod. Results were scrawled down and he had a suspicion that someone looked at them cursorily, shook his head, and dumped them in the nearest shredder. That wasn't the worst, though. The worst was the guns. The nurses who came in to take blood or spit or urine were how always accompanied by a soldier in a white-suit, and the soldier had a gun in a plastic Baggie. The Baggie was fastened over the wrist of the soldier's right gauntlet. The gun was an army-issue .45, and Stu had no doubt that, if he tried any of the games he had tried with Deitz, the .45 would tear the end of the Baggie into smoking, burning shreds and Stu Redman would become a Golden Oldie. If they were just going through the motions now, then he had become expendable. Being under detention was bad. Being under detention and being expendable... that was very bad."

"The elevator doors slid shut behind him; there was a hum as it began to go up automatically. It wouldn't come down again unless somebody else keyed it, Starkey knew; as soon as the installation's integrity had been breached, the computers had switched all the elevators to the general containment program. Why were these poor men and women lying here? Obviously they had been hoping the computers would fuck up the switch-over to the emergency procedures. Why not? It even had a certain logic to it. Everything else had fucked up."

""Nothing personal," Mathers said sincerely. "Just business, you understand. Myself, I hope you make out. That Markham law's a bitch." He strode away and Lloyd saw the door-guard standing atop the ramp in the truck-loading bay on the other side of the exercise yard. His thumbs were hooked in his Sam Browne belt and he was grinning at Lloyd. When he saw he had Lloyd's complete, undivided attention, the door-guard shot him the bird with the middle fingers of both hands. Mathers strolled over to the wall, and the door-guard threw him a pack of Tareytons. Mathers put them in his breast pocket, sketched a salute, and walked away. Lloyd lay on the ground, his knees drawn up to his chest, hands clutching his cramping belly, and Devins's words echoed in his brain: It's a tough old world, Lloyd, it's a tough old world. Right."

"Nick went outside. Mike was standing on the curb, his hand on a parking meter, looking at the empty street. "My God," he whispered, and turned his stunned face to look at Nick. "All this? All this?" Nick nodded, his hand still on the gunbutt. Mike started to say something, and it turned into a coughing spasm. He covered his mouth, then wiped his lips. "I'm getting the Christ out of here," he said. "You're wise, you'll do the same thing, mutie. This is like the black death, or somethin." Nick shrugged, and Mike started down the sidewalk. He moved faster and faster until he was nearly running. Nick watched him until he was out of sight, and then went back inside. He never saw Mike again."

"Bob Palmer appeared again. "If you have children, ladies and gentlemen," he said quietly, "we would advise that you ask them to leave the room." A grainy shot of a truck backing down a pier jutting out over Boston Harbor, a big olive-covered army truck. Below it, riding uncertainly, was a barge covered with canvas tarps. Two soldiers, rugose and alien in gas masks, jumped down from the truck's cab. The picture jiggled and joggled, and then became steady again as they pulled back the canvas sheet covering the open rear end of the truck. Then they jumped up inside, and bodies began to cascade out onto the barge: women, old men, children, police, nurses; they came in a cartwheeling flood that never seemed to end. At some point during the film-clip it became clear that the soldiers were using pitchforks to get them out. Palmer went on broadcasting for two hours, his steadily hoarsening voice reading clippings and bulletins, interviewing other members of the crew. It went on until somebody on the ground floor realized that they didn't have to re-take the sixth floor to stop it. At 11:16, the WBZ transmitter was shut down permanently with twenty pounds of plastique. Palmer and the others on the sixth floor were summarily executed on charges of treason to their government, the United States of America."

""This is Major Alfred Nunn, United States Army. I am taking provisional and temporary control of United States forces in the San Francisco area. The handful of traitors in this HQ have been dealt with. I am in command, repeat, in command. The holding operation will go on. Deserters and defectors will be dealt with as before: extreme prejudice, repeat, extreme prejudice. I am now-" More gunfire. A scream. Background: "-them all! Get them all! Death to the war-pigs-" Heavy gunfire. Then silence on the band."

""Harold, if you'll excuse me-" "But whatever can you be doing, my child?" The unreality was trying to creep back in again, and she found herself wondering just how much the human brain could be expected to stand before snapping like an overtaxed rubber band. My parents are dead, but I can take it. Some weird disease seems to have spread across the entire country, maybe the entire world, mowing down the righteous and the unrighteous alike- I can take it. I'm digging a hole in the garden my father was weeding only last week, and when it's deep enough I guess I'm going to put him in it- I think I can take it. But Harold Lauder in Roy Brannigan's Cadillac, feeling me up with his eyes and calling me "my child"? I don't know, my Lord, I just don't know."

"Show me a man or a woman alone and I'll show you a saint. Give me two and they'll fall in love. Give me three and they'll invent the charming thing we call 'society'. Give me four and they'll build a pyramid. Give me five and they'll make one an outcast. Give me six and they'll reinvent prejudice. Give me seven and in seven years they'll reinvent warfare. Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home."

"I am too old for adventure," the Judge said, putting his clippers away, "but I hope I am not too old to do what I feel is right. There is an old woman out there someplace who has probably gone to a miserable death because she felt it was right. Prompted by religious mania, I have no doubt. But people who try hard to do the right thing always seem mad."

"A new sound in the rainy afternoon. Bobby Terry's head jerked up. The rain, yes, making its steel drum sound on the cabs of the two vehicles, the grumbling of two idling motors, and- A strange clocking sound, like rundown bootheels hammering swiftly along the secondary road macadam. "No," Bobby Terry whispered. He began to turn around. The clocking sound was speeding up. A fast walk, a trot, a jog, run, sprint, and Bobby Terry got all the way around, too late, he was coming. Flagg was coming like some terrible horror monster out of the scariest picture ever made. The dark man's cheeks were flushed with jolly color, his eyes were twinkling with happy good fellowship, and a great hungry voracious grin stretched his lips over huge tombstone teeth, shark teeth, and his hands were held out in front of him, and there were shiny black crowfeathers fluttering from his hair. No, Bobby Terry tried to say, but nothing came out. "HEY, BOBBY TERRY, YOU SCROOOOWED IT UP!" the dark man bellowed, and fell upon the hapless Bobby Terry. There were worse things than crucifixion. There were teeth."

"Lloyd got the call from Stan Bailey at Indian Springs fifteen minutes later. Stan was nearly hysterical between his fury at Trash and his fear of the dark man. Carl Hough and Bill Jamieson had taken off from the Springs at 6:02PM to run a recon mission east of Vegas. One of their other trainee pilots, Cliff Benson, had been riding with Carl as an observer. At 6:12PM both helicopters had blown up in the air. Stunned though he had been, Stan had sent five men over to Hangar 9, where two other skimmers and three large Baby Huey copters were stored. They found explosive taped to all five of the remaining choppers, and incendiary fuses rigged to simple kitchen timers. The fuses were not the same as the ones Trash had rigged to the fuel trucks, but they were very similar. There was not much room for doubt. It was the Trashcan Man," Stan said. "He went hogwild. Jesus Christ only knows what else he's wired up to explode out here." "Check everything," Lloyd said. His heartbeat was rapid and thready with fear. Adrenaline boiled through his body, and his eyes felt as if they were in danger of popping from his head. "Check everything! You get every man jack out there and go from one end to the other of that cock-knocking base. You hear me, Stan?" "Why bother?" "Why bother?" Lloyd screamed. "Do I have to draw you a picture, shitheels? What's the big dude gonna say if the whole base-" "All our pilots are dead," Stan said softly. "Don't you get it, Lloyd? Even Cliff, and he wasn't very fucking good. We've got six guys that aren't even close to soloing and no teachers. What do we need those jets for now, Lloyd?" And he hung up, leaving Lloyd to sit thunderstruck, finally realizing."

"Silent white light filled the world. And the righteous and unrighteous alike were consumed in that holy fire."

""Frannie," he said, and turned her around so he could look into her eyes. "What, Stuart? " "Do you think... do you think people ever learn anything?" She opened her mouth to speak, hesitated, fell silent. The kerosene lamp flickered. Her eyes seemed very blue. "I don't know," she said at last. She seemed unpleased with her answer; she struggled to say something more, to illuminate her first response, and could only say it again: I don't know."

"Life was such a wheel that no man could stand upon it for long. And it always, at the end, came round to the same place again."

"It was in the rule book. They gave you three warnings. The fourth time you fell below four miles an hour you were...well, you were out of the Walk. But if you had three warnings and could manage to walk for three hours, you were back in the sun again."

"Talk had faded with the daylight. The silence that set in was oppressive. The encroaching dark, the groundmist collecting into small, curdled pools...for the first time it seemed perfectly real and totally unnatural, and he wanted either Jan or his mother, some woman, and he wondered what in the hell he was doing and how he ever could have gotten involved. He could not even kid himself that everything had not been up front, because it had been. And he hadn't even done it alone. There were currently ninety-five other fools in this parade."

"It wasn't as bad, Garraty discovered, if you stared down at your feet as you walked and leaned forward a little. You stared strictly down at the tiny patch of pavement between your feet and it gave you the impression that you were walking on level ground. Of course, you couldn't kid yourself that your lungs and the breath in your throat weren't heating up, because they were."

"Somehow the word started coming back - some people still had breath to spare, apparently. The word was this hill was a quarter of a mile long. The word was it was two miles long. The word was that no Walker had ever gotten a ticket on this hill. The word was that three boys had gotten tickets here just last year. And after that, the word stopped coming back."

"Overhead, capricious spring clouds began to scud across the sky in mackerel shapes, promising more rain. Garraty turned up his collar and listened to the sound of his feet pounding the pavement. There was a trick to that, a subtle mental adjustment, like having better night vision the longer you were in the dark. This morning the sound of his feet had been lost to him. They had been lost in the tramp of ninety-nine other pairs, not to mention the rumble of the halftrack. But now he heard them easily. His own particular stride, and the way his left foot scraped the pavement every now and then. It seemed to him that the sound of his footfalls had become as loud to his ears as the sound of his own heartbeat. Vital, life and death sound."

"The darkness. Goddamn the darkness. It seemed to Garraty they had been buried alive in it. Immured in it. Dawn was a century away. Many of them would never see the dawn. Or the sun. They were buried six feet deep in the darkness. All they needed was the monotonous chanting of the priest, his voice muffled but not entirely obscured by the new-packed darkness, above which the mourners stood. The mourners were not even aware that they were here, they were alive, they were screaming and scratching and clawing at the coffin-lid darkness, the air was flaking and rusting away, the air was turning into poison gas, hope fading until hope itself was darkness, and above all of it the nodding chapel-bell voice of the priest and the impatient, shuffling feet of mourners anxious to be off into the warm May sunshine. Then, overmastering that, the sighing, shuffling chorus of the bugs and the beetles, squirming their way through the earth, come for the feast...I could go crazy, Garraty thought. I could go right the fuck off my rocker."

"Three-thirty in the morning...To Ray Garraty it seemed the longest minute of the longest night of his entire life. It was low tide, dead ebb, the time when the sea washes back, leaving slick mudflats covered with straggled weed, rusty beer cans, rotted prophylactics, broken bottles, smashed buoys, and green-mossed skeletons in tattered bathing trunks. It was dead ebb."

"Daylight came creeping through a white, muted world of fog. Garraty was walking by himself again. He no longer even knew how many had bought it in the night. Five maybe. His feet had headaches. Terrible migraines. He could feel them swelling each time he put his weight on them. His buttocks hurt. His spine was icy fire. But his feet had headaches and the blood was coagulating in them and swelling them and turning the veins to al dente spaghetti."

"The reason all of this is so horrible," McVries said, "is because it's just trivial. You know? We've sold ourselves and traded our souls on trivialities. Olson, he was trivial. He was magnificent, too, but those things aren't mutually exclusive. He was magnificent and trivial. Either way, or both, he died like a bug under a microscope."

"You'll know the voice when it comes. It'll tell you what to do. It told Jeremiah and Daniel and Amos and Abraham. It'll come to you. It'll tell you. And when it does, Johnny ... do your duty."

"Ninety-five percent of people who walk the earth are simply inert. One percent are saints, and one percent are assholes. The other three percent are people who do what they say they can do."

"He felt as if Stillson might have taken the game of the Laughing Tiger a step further: inside the beast-skin, a man, yes. But inside the man-skin, a beast."

"Well, we all do what we can, and it has to be good enough... and if it isn't good enough, it has to do."

"She stood and turned around and of course there was nothing there. But she could see him standing there, his hands jammed deep into his pockets, that easy, crooked grin on his pleasant-rather-than-handsome face, leaning lanky and at ease against a monument or one of the stone gateposts or maybe just a tree gone red with fall's dying fire."

"“It’s gonna be all right,” he told her, and rocked her, not really believing it, but it was the litany, it was the Psalter, the voice of the adult calling down the black well of years into the miserable pit of terrorized childhood; it was what you said when things went wrong; it was the nightlight that could not banish the monster from the closet but perhaps only keep it at bay for a little while; it was the voice without power that must speak nevertheless. “It’s gonna be all right,” he told her, not really believing it, knowing as every adult knows in his secret heart that nothing is really all right, ever."

"It always comes down to just two choices. Get busy living or get busy dying."

"Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure."

"Remember, Hope is a good thing, maybe the best of things, and no good thing ever dies."

"More and more it seemed to Ed that there was a vicious downside of American life, a greased skid of opportunism, cut corners, easy drugs, easy sex, a morality that grew cloudier each year."

"But maybe there is something about what the Germans did that exercises a deadly fascination over us - something that opens the catacombs of the imagination. Maybe part of our dread and horror comes from a secret knowledge that under the right - or wrong - set of circumstances, we ourselves would be willing to build such places and staff them. Black serendipity. Maybe we know that under the right set of circumstances the things that live in the catacombs would be glad to crawl out."

"The most important things are the hardest things to say. They are the things you get ashamed of, because words diminish them - words shrink things that seemed limitless when they were in your head to no more than living size when they're brought out. But it's more than that, isn't it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were saying it. That's the worst, I think. When the secret stays locked within not for want of a teller, but for want of an understanding ear."

"I never had any friends later on like the ones I had when I was twelve. Jesus, did you?"

"Your friends drag you down, Gordie. Don't you know that?” He pointed at Vern and Teddy, who were standing and waiting for us to catch up. They were laughing about something; in fact, Vern was just about busting a gut. “Your friends do. They’re like drowning guys that are holding onto your legs. You can’t save them. You can only drown with them.”"

"Has it ever occurred to you...that parents are nothing but overgrown kids until their children drag them into adulthood? Usually kicking and screaming?"

"Arnie didn't say a lot more, but a kid I knew named Randy Turner was there, and he filled me in on what happened in more detail after school had started again. He said that Arnie might have gotten hurt a lot worse, but he came back at Buddy a lot harder and a lot madder than Buddy had expected. In fact, Randy said, Arnie went after Buddy Repperton as if the devil had blown a charge of red pepper up his ass. His arms were windmilling, his fists were everywhere. He was yelling, cursing, spraying spittle. I tried to picture it and couldn't- the picture I kept coming up with instead was Arnie slamming his fists down on my dashboard hard enough to make dents, screaming that he would make them eat it. He drove Repperton halfway across the garage, bloodied his nose (more by good luck than good aim), and got one to Repperton's throat that made him cough and gag and generally lose interest in busting Arnie Cunningham's ass. Buddy turned away, holding his throat and trying to puke, and Arnie drove one of his steel-toed workboots into Repperton's jeans-clad butt, knocking him flat on his belly and forearms. Repperton was still gagging and holding his throat with one hand, his nose was bleeding like mad, and (again, according to Randy Turner) Arnie was apparently gearing up to kick the son of a bitch to death when Will Darnell magically reappeared, hollering in his wheezy voice to cut the shit over there, cut the shit, cut the shit. "Arnie thought that fight was going to happen," I told Randy. "He thought it was a put-up job." Randy shrugged. "Maybe. Could be. It sure was funny, the way Darnell showed up when Repperton really started to lose.""