Films directed by Steven Spielberg

""Slow ahead." I can go slow ahead. Come on down here and chum some of this shit. [the shark suddenly appears, causing Brody to recoil in shock] You're gonna need a bigger boat."

"[aiming an M1 Garand] Smile, you son of a...! [shoots the air tank in the shark's mouth; causing the shark to explode]"

"[about Mayor Vaughn] I'm not going to waste my time arguing with a man who's lining up to be a hot lunch."

"[the shark crashes into the boat killing the power] It ate the light."

"Y'all know me. Know how I earn a livin'. I'll catch this bird for you, but it ain't gonna be easy. Bad fish! Not like going down to the pond and chasing bluegills and tommycods. This shark, swallow ya whole. Little shakin', little tenderizin', down you go. And we gotta do it quick, that'll bring back the tourists, that'll put all your businesses on a payin' basis. But it's not gonna be pleasant! I value my neck a lot more than three thousand bucks, chief. I'll find him for three, but I'll catch him, and kill him, for ten. But you've gotta make up your minds. If you want to stay alive, then ante up. If you want to play it cheap, be on welfare the whole winter. I don't want no volunteers, I don't want no mates, there's too many captains on this island. $10,000 for me by myself. For that you get the head, the tail, the whole damn thing."

"Here lies the body of Mary Lee; died at the age of a hundred and three. For fifteen years she kept her virginity; not a bad record for this vicinity."

"I don't think you appreciate the gut reaction people have to these things...Martin, It's all psychological. You yell 'Barracuda,' everybody says 'Huh? What?' You yell 'Shark,' we've got a panic on our hands on the Fourth of July."

"Don't go in the water."

"She was the first."

"Do you like fish? Well, he likes you too..."

"See it before you go swimming."

"You'll never go in the water again!"

"The terrifying motion picture from the terrifying No. 1 best seller."

"When beaches open this summer, you will be taken by Jaws."

"[from TV spot] None of man's fantasies of evil can compare with the reality of Jaws."

"[from TV spot] There is a creature alive today who has survived millions of years of evolution, without change, without passion and without logic. It lives to kill - a mindless eating machine. It will attack and devour anything. It is as if God created the Devil, and gave him Jaws."

"[from re-release trailer] It was seen by 67 million people. It took two years to make. It was shown in 40 countries, in 17 different languages. Nominated for 18 awards... If you forgot what terror is like, the original Jaws is back."

"Roy Scheider - Police Chief Martin Brody"

"Robert Shaw - Quint"

"Richard Dreyfuss - Matt Hooper"

"Lorraine Gary - Ellen Brody"

"Murray Hamilton - Mayor Larry Vaughn"

"Carl Gottlieb - Ben Meadows"

"Jeffrey Kramer - Deputy Leonard 'Lenny' Hendricks"

"Lee Fierro - Mrs. Kintner"

"[responding to an unimpressed 10-year-old] Now try to imagine yourself in the Cretaceous Period. You get your first look at this "six foot turkey" as you enter a clearing. He moves like a bird, lightly, bobbing his head. And you keep still because you think that maybe his visual acuity is based on movement like T. rex; he'll lose you if you don't move. But no, not Velociraptor. You stare at him…and he just stares right back. And that's when the attack comes. Not from the front, but from the side. [brings two fingers together with a whooshing sound] From the other two raptors…you didn't even know were there. [beat] Because Velociraptors a pack hunter, you see, he uses coordinated attack patterns and he is out in force today. And he slashes at you with this: [produces a claw] a six-inch retractable claw, like a razor, on the middle toe. He doesn't bother to bite your jugular like a lion, oh no…he slashes at you here [makes slashing motions below the child's chest] or here… [above the groin] or maybe across the belly, spilling your intestines. The point is, you are alive when they start to eat you. So, you know…try to show a little respect."

"[seeing the Brachiosaur for the first time] Uh…it's…it's a dinosaur!"

"[stunned after seeing the dinosaurs for the first time] They're moving in herds. They do move in herds."

"The world has just changed so radically, and we're all running to catch up. I don't want to jump to any conclusions, but look… Dinosaurs and man, two species separated by 65 million years of evolution, have just been suddenly thrown back into the mix together. How can we possibly have the slightest idea what to expect?"

"T. rex doesn't want to be fed. He wants to hunt. Can't just suppress 65 million years of gut instinct."

"Hammond, after some consideration, I've decided not to endorse your park."

"[on the Triceratops] Ellie, this one was always my favorite when I was a kid. And now I've seen one, it's the most beautiful thing I ever saw."

"Your scientists were so preoccupied with whether they could that they didn’t stop to think if they should."

"John, the kind of control you're attempting simply is…it's not possible. If there is one thing the history of evolution has taught us it's that life will not be contained. Life breaks free, it expands to new territories and crashes through barriers, painfully, maybe even dangerously, but, uh…well, there it is."

"I'm simply saying that life, uh…finds a way."

"What have they got in there, King Kong?"

"Now, eventually you do plan to have dinosaurs on your, on your dinosaur tour, right? Hello?"

"You did it. You crazy son of a bitch, you did it. [referring to Hammond after finally seeing a dinosaur]"

"[looking at the Triceratops droppings] That is one big pile of shit."

"Boy, do I hate being right all the time."

"Must go faster…"

"[after he, Muldoon and Sattler escape the T. rex in a Jeep] Think they'll have that on the tour?"

"[seconds before being eaten by a raptor] Clever girl."

"[when trying to save a worker from the raptor] Shoot her! SHOOT HER!!"

"They should all be destroyed."

"Dammit, even Nedry knew better than to mess with the raptor fences!"

"Doctor Grant, my dear Doctor Sattler, welcome...to Jurassic Park."

"[to Donald Gennaro, referring to Ian Malcolm] I bring scientists, you bring a rockstar."

"[repeated line] Spared no expense."

"[Watching Ian Malcolm from a security camera] I really hate that man."

"[To Dennis Nedry] Dennis, our lives are in your hands, and you have Butterfingers?!"

"It's a UNIX system, I know this!"

"Don't get cheap on me, Dodgson. That was Hammond's mistake."

"[Met in jungle by dilophosaurus about to kill him] Yeah...yeah, that's nice. Gotta go!"

"[Repeated line] Hold on to your butts."

"I am often asked if I would have liked to have been involved with Jurassic Park. The plain answer is no. Although excellent, it is not with all its dollars what I would have wished to do with my career. I was always a loner and worked best that way. Since the very beginning I fought and struggled under constant pressure to keep the design and final result within my hands. As time moved on this became more difficult, until I was forced to bow to the fact that my method of working, in the financial sense, was no longer practical. Model animation has been relegated to a reflection, or a starting point for creature computer effects that has reached a high few could have anticipated. However, for all the wonderful achievements of the computer, the process creates creatures that are too realistic and for me that makes them unreal because they have lost one vital element - a dream quality. Fantasy, for me, is realizing strange beings that are so removed from the 21st century. These beings would include not only dinosaurs, because no matter what the scientists say, we still don't know how dinosaurs looked or moved, but also creatures of the mind. Fantastical creatures where the unreal quality becomes even more vital. Stop-motion supplies the perfect breath of life for them, offering a look of pure fantasy because their movements are beyond anything we know."

"It was like one of those moments in history, like the invention of the light bulb or the first telephone call... A major gap had been crossed and things were never going to be the same."

"For me, honestly, if I had the choice, I would not have chosen to bifurcate my attention between Schindler’s List and Jurassic Park, because that in itself was a very bipolar experience for me. To be shooting the story of the Holocaust and at the same time, getting these effects of dinosaurs from an entirely different kind of motion picture genre to look believable to audiences."

"An Adventure 65 Million Years in the Making"

"The most phenomenal discovery of our time … becomes the greatest adventure of all time."

"Sam Neill – Dr. Alan Grant"

"Laura Dern – Dr. Ellie Sattler"

"Jeff Goldblum – Dr. Ian Malcolm"

"Richard Attenborough – John Hammond"

"Martin Ferrero – Donald Gennaro"

"Bob Peck – Robert Muldoon"

"Wayne Knight – Dennis Nedry"

"Samuel L. Jackson – Ray Arnold"

"Ariana Richards – Lex Murphy"

"Joseph Mazzello – Tim Murphy"

"[To Pfefferberg] Boxed teas are good, coffee, pâté, um, kiełbasa sausage, cheeses, beluga caviar. And of course, who could live without German cigarettes, as many as you can find. And some more fresh fruit – the real rarities: oranges, lemons, pineapples. I need several boxes of Cuban cigars, the best. And dark unsweetened chocolate, not in the shape of lady fingers, the chunk chocolate, big as my hand. You sample it at wine tastings. We're going to need lots of cognac, the best – Hennessy. Dom Pérignon champagne. Get L'Espadon sardines. And, oh, try to find nylon stockings."

"It is my distinct pleasure to announce the fully operational status of Deutsche Email Fabrik – manufacturers of superior enamelware crockery, expressly designed and crafted for military use, utilizing only the most modern equipment. DEF's staff of highly skilled and experienced artisans and journeymen deliver a product of unparalleled quality, enabling me to proffer with absolute confidence and pride, a full line of field and kitchen ware unsurpassable in all respects by my competitors. See attached list and available colors. Anticipating the enclosed bids will meet with your approval, and looking forward to a long and mutually prosperous association, I extend to you, in advance, my sincerest gratitude and very best regards. Oskar Schindler."

"[To Gestapo men, as they are arresting him] I'm not saying you'll regret it, but you might. You should be aware of that."

"I violated the Race and Resettlement Act. Though I doubt anyone can point out the actual provision to me. I kissed a Jewish girl."

"The train with the women has already left Płaszów and will be arriving here very shortly. I know you've had a long journey, but it's only a short walk further to the factory where hot soup and bread is waiting for you. Welcome to Brinnlitz."

"[To guards pulling girls out of the lines to get the train to Brinnlitz] Hey! Hey! Hey! What are you doing?! These are mine! These are my workers, they should be on my train! They're skilled munitions workers! They're essential. Essential girls! Their fingers polish the insides of shell metal casings. How else am I to polish the inside of a 45-millimeter shell casing? You tell me. You tell me!"

"[To Brinnlitz guards] Under Department W provisions, it is unlawful to kill a worker without just cause. Under the Businesses Compensation Fund, I am entitled to file damage claims for such deaths. If you shoot without thinking, you go to prison, I get paid. That's how it works. So, there will be no summary executions here. There will be no interference of any kind with production. In hopes of ensuring that, guards will no longer be allowed on the factory floor without my authorization. [To the Commanding Officer, Josef Liepold] For your cooperation, you have my gratitude."

"[To his wife, Emilie] No doorman or Maître D' will ever mistake you again. I promise."

"The unconditional surrender of Germany has just been announced. At midnight tonight, the war is over. Tomorrow you'll begin the process of looking for survivors of your families. In most cases … you won't find them. After six long years of murder, victims are being mourned throughout the world. We've survived. Many of you have come up to me and thanked me. Thank yourselves. Thank your fearless Stern, and others among you who worried about you and faced death at every moment. I am a member of the Nazi Party. I'm a munitions manufacturer. I'm a profiteer of slave labor. I am … a criminal. At midnight, you'll be free and I'll be hunted. I shall remain with you until five minutes after midnight, after which time – and I hope you'll forgive me – I have to flee. [To the factory's SS guards] I know you have received orders from our commandant, which he has received from his superiors, to dispose of the population of this camp. Now would be the time to do it. Here they are; they're all here. This is your opportunity. … Or, you could leave, and return to your families as men instead of murderers. [The guards gradually exit; he addresses the workers again] In memory of the countless victims among your people, I ask us to observe three minutes of silence."

"Today is history. Today will be remembered. Years from now the young will ask with wonder about this day. Today is history and you are part of it. Six hundred years ago when elsewhere they were footing the blame for the Black Death, Kazimierz the Great – so called – told the Jews they could come to Kraków. They came. They trundled their belongings into the city. They settled. They took hold. They prospered in business, science, education, the arts. They came with nothing. Nothing. And they flourished. For six centuries there has been a Jewish Kraków. Think about that. By this evening, those six centuries are a rumor. They never happened. Today is history."

"[To Stern] Goldberg and Chilowicz make sure I see my cut from the factory owners in this camp, leaving you to take care of my main account – the Schindler account. He wants his independence. I gave it to him. But independence costs money. This you understand? [Stern nods] Look at me. Don't forget who you are working for now."

"[To Helen] I came to tell you that you really are a wonderful cook and a well-trained servant. I mean it. If you need a reference after the war, I'd be happy to give you one. It's kind of lonely down here, it seems, with everyone upstairs having such a good time. Does it? You can answer. "What was the right answer?" That's – that's what you're thinking. "What does he want to hear?" The truth, Helen, is always the right answer. Yes, you're right. Sometimes we're both lonely. Yes, I mean, I would like, so much, to reach out and touch you in your loneliness. What would that be like, I wonder? I mean, what would be wrong with that? I realize that you're not a person in the strictest sense of the word. Maybe you're right about that too. You know, maybe what's wrong isn't – it's not us – it's this. I mean, when they compare you to vermin and to rodents and to lice, I just, uh … you make a good point, a very good point. [He strokes her hair] Is this the face of a rat? Are these the eyes of a rat? "Hath not a Jew eyes?" I feel for you, Helen. [He decides not to kiss her] No, I don't think so. You're a Jewish bitch. You nearly talked me into it, didn't you? [He beats her]"

"[Defending Schindler] He likes women. He likes good-looking women. He sees a beautiful woman – he doesn't think. He has so many women. They love him, yeah, they love him. I mean, he's married, yeah, but … all right, she was Jewish, he shouldn't have done it, but you didn't see this girl. I saw this girl. This girl was, wuff, very good-looking. They cast a spell on you, you know, the Jews. When you work closely with them like I do, you see this. They have this power, it's like a virus. Some of my men are infected with this virus. They should be pitied, not punished. They should receive treatment, because this is as real as typhus. I see this all the time. It's a matter of money, hm?"

"[Supervising the incineration of bodies buried near Płaszów] Can you believe this? As if I don't have enough to do, they come up with this? I have to find every rag buried up here and burn it. The party's over, Oskar. They're closing us down, sending everybody to Auschwitz … as soon as I can arrange the shipments, maybe 30, 40 days. That ought to be fun."

"[Last lines, before being hanged] Heil Hitler. [The chair underneath is kicked out, and he is hanged to death]"

"Herr Direktor, don't let the things fall apart. I worked too hard."

"[To Schindler, presenting a ring] It's Hebrew from the Talmud. It says, "Whoever saves one life, saves the world entire.""

"It's illegal to buy or sell anything on the street. We don't do that. We're here to pray."

"I'm a policeman now, could you believe it? That's what's hard to believe … it's a good racket, Poldek. It's the only racket here. Look, maybe I could put in a good word for you with my superiors … come on, they're not as bad as everyone says. Well, they're worse than everyone says, but it's a lot of money, a lot of money."

"SS officer: This storm is different. This is not the Romans. This storm is the SS."

"Jewish Woman: [to the Judenrat] They come into our house and tell us we don't live there anymore. It now belongs to a certain SS officer … aren't you supposed to be able to help?"

"Mr. Lowenstein: The SS beat me up. They would have killed me, but I'm essential to the war effort, thanks to you. … I work hard for you. … I'll continue to work hard for you. … God bless you, sir. … You're a good man. … [to Stern] He saved my life. … God bless him. … [to Schindler] God bless you."

"Clerk: [to Schindler, about Stern] I'm sorry. You can't have him. He's on the list. If he were an essential worker, he would not be on the list … it makes no difference to us, you understand. This one, that one. It's the inconvenience to the list. It's the paperwork."

"SS Officer: [to Schindler, about relocating to Płaszów] Since your labor is housed onsite, it's available to you at all times. You can work them all night if you want. Your factory policies, whatever they've been in the past, they'll continue to be, they'll be respected."

"Oberführer Scherner: [to Schindler] We give you Jewish girls at five marks a day, Oskar. You should kiss us, not them. God forbid you ever get a real taste for Jewish skirt – there's no future in it. No future. They don't have a future. And that's not just good old-fashioned Jew-hating talk. It's policy now."

"Winston Churchill (on radio): Yesterday morning, at 2:41 AM, at General Eisenhower's headquarters, General Jodl signed the act of unconditional surrender of all German land, sea, and air forces in Europe to the Allied Expeditionary Force and simultaneously to the Soviet High Command. The German war is therefore at an end. But let us not forget for a moment …"

"Rabbi Lewartow: [to Schindler] We've written a letter trying to explain things in case you are captured. Every worker has signed it."

"End titles: Amon Goeth was arrested while a patient in a sanatorium at Bad Tolz. He was hanged in Kraków for crimes against humanity. … Oskar Schindler failed at his marriage and several businesses after the war. … in 1958, he was declared a righteous person by the council of the Yad Vashem in Jerusalem, and invited to plant a tree in the Avenue of the Righteous. It grows there still. … The Schindler Jews today. … There are fewer than four thousand Jews left alive in Poland today. There are more than six thousand descendants of the Schindler Jews. … In memory of the more than six million Jews murdered."

"Whoever saves one life, saves the world entire."

"The List Is Life."

"A story of courage that the world needs now more than ever."

"Una vela no pierde su luz por compartirla con otra. (Spanish, "A candle loses nothing by lighting another", attributed to Father James Keller)"

"Liam Neeson – Oskar Schindler"

"Ben Kingsley – Itzhak Stern"

"Ralph Fiennes – Amon Goeth"

"Caroline Goodall – Emilie Schindler"

"Jonathan Sagall – Poldek Pfefferberg"

"Embeth Davidtz – Helen Hirsch"

"Mark Ivanir – Marcel Goldberg"

"Andrzej Seweryn – Julian Scherner"

"Adi Nitzan – Mila Pfefferberg"

"Michael Schneider – Juda Dresner"

"Miri Fabian – Chaja Dresner"

"Anna Mucha – Danka Dresner"

"Ezra Dagan – Rabbi Menasha Lewartow"

"Uri Avrahami – Chaim Nowak"

"Elina Löwensohn – Diana Reiter"

"Has Godard or any other director living or dead done more than Spielberg, with his Holocaust Project, to honor and preserve the memories of the survivors?""

"I regard as kitsch any representation of the Holocaust that is incapable of understanding or unwilling to understand the organic connection between our own deformed mode of life and the very possibility of the Holocaust."

"Rernicious in its impact and influence. Very sentimental"

"Think that's about the Holocaust? That was about success, wasn't it? The Holocaust is about 6 million people who get killed. Schindler's List is about 600 who don't."

"Steven's gift to his mother, to his people, and in a sense to himself. Now he is a full human being."

"This looks and feels like nothing Hollywood has ever made before.It is] "Spielberg's most intense and personal film to date."

"The Holocaust was life without light. For me the symbol of life is color. That's why a film about the Holocaust has to be in black-and-white."

"I was hit in the face with my personal life. My upbringing. My Jewishness. The stories my grandparents told me about the Shoah. And Jewish life came pouring back into my heart. I cried all the time."

"[In the Higgins boat landing craft before the assault] Move fast and clear those murder holes. . . . Keep the sand out of your weapons. Keep those actions clear. I'll see you on the beach."

"Like finding a needle in a stack of needles."

"This Ryan better be worth it. He better go home and cure some disease, or invent a longer-lasting light bulb, or something. Because to tell you the truth, I wouldn't trade ten Ryans for one Vecchio or one Caparzo."

"You see, when...when you end up killing one of your men, you tell yourself it happened so you could save the lives of two or three or ten others. Maybe a hundred others."

"[Dying words, to Private Ryan] James... earn this. Earn it."

"I don't know. Part of me thinks the kid's right. What's he done to deserve this? He wants to stay here, fine. Let's leave him and go home. But another part of me thinks, what if we stay, and by some miracle we actually make it out of here alive? Someday we might look back on this and decide that saving Private Ryan was the one decent thing we were able to pull out of this whole godawful, shitty mess. And like you said, Captain: We do that, we all earned the right to go home."

"Tell her that when you found me, I was here, and I was with the only brothers that I have left. And that there's no way I was gonna desert them."

"[Older James Ryan at Captain Miller's grave] My family is with me today. They wanted to come with me. To be honest with you, I wasn't sure how I'd feel coming back here. Every day I think about what you said to me that day on the bridge. And I've tried to live my life the best I could. I hope that was enough. I hope that at least in your eyes, I've earned what all of you have done for me."

"The mission is a man."

"In the last great invasion of the last great war, The greatest challenge for eight men... was saving one."

"There was only one man left in the family, and the mission was to save him."

"Tom Hanks - Captain Miller"

"Tom Sizemore - Sergeant Horvath"

"Matt Damon - Private Ryan"

"Edward Burns - Private Reiben"

"Barry Pepper - Private Jackson"

"Adam Goldberg - Private Mellish"

"Vin Diesel - Private Caparzo"

"Giovanni Ribisi - Medic Wade"

"Jeremy Davies - Corporal Upham"

"Saving Private Ryan, Steven Spielberg's summer 1998 "blockbuster," is noteworthy [among other reasons for] its recreation of the experience of combat . . . . [A]udiences will surely remember [the film's] attention to the realities of battle . . . . Private Ryan is not anti-war; rather, it is a bloody memorial to the veterans of the crusade against Hitler. . . . We may leave the film with the conviction that war is hell, but not the belief that this war was unworthy of sacrifice. . . . The scene in which Private Ryan's mother sees the priest emerge from the car and she realizes that someone has been killed (she does not yet know that three of her sons are dead) is as powerful as any of the action scenes: She steps out onto the porch and in silent agony slowly sits down to await the news . . . . [Saving Private Ryan] takes the history of combat seriously [and for that] military historians, at least, owe Spielberg a debt. And for those who never saw a battle, Spielberg has enriched the imagination."

"[first lines] No one would have believed, in the early years of the 21st century, that our world was being watched by intelligences greater than our own; that as men busied themselves about their various concerns, they observed and studied, the way a man with a microscope might scrutinize the creatures that swarm and multiply in a drop of water. With infinite complacency, men went to and fro about the globe, confident of our empire over this world. Yet, across the gulf of space, intellects vast and cruel and unsympathetic regarded our planet with envious eyes...and slowly, and surely, drew their plans against us."

"[last lines] From the moment the invaders arrived, breathed our air, ate and drank, they were doomed. They were undone, destroyed, after all of man's weapons and devices had failed, by the tiniest creatures that God in his wisdom put upon this Earth. By the toll of a billion deaths, man had earned his immunity, his right to survive among this planet's infinite organisms. And that right is ours against all challenges. For neither do men live nor die in vain."

"[to Robbie] Okay, hey, enough of the "Ray" shit, alright! It's Dad, Sir, or, if you want, Mr. Ferrier. It sounds a little weird to me, but you decide."

"[to Robbie] You can hate me, but I love you!"

"Two for you, two for Robbie, two for me... One for the house."

"[looking out at the teleporter's bolt of lightning] Where's the thunder...?"

"Robbie, you wanna head in that direction?! There's nothing living in that direction, Robbie!"

"We're gonna leave this house in 60 seconds."

"Let's try a plan that doesn't involve your 10-year-old sister joining the army?"

"Get in the car, Manny, or you're gonna die!"

"[angrily, to a soldier] LOOK AT THE GODDAMN BIRDS!!!!"

"[as the family is chased by a tripod] Is it the terrorists?!"

"[just before the tripods appear] The trees are moving..."

"[unseen] Are we still alive?"

"[crying, and softly hitting him] Robbie! What are you trying to do?! Where are you trying to go?! Who's going to take care of me if you go?!"

"Is it them?! Is it them?!"

"This is not a war any more than there's a war between men and maggots... This is an extermination."

"You and me - I don't think we're on the same page."

"I'm dead set on living. [laughs, to himself] "Dead set on living"."

"So what are you gonna do? Hide and wait here till they come and get you? Is that your "plan"?"

"Reporter: Once the tripods start to move, no more news comes out of that area."

"Marine Corps Captain: Our mission Lieutenant, is to delay their advance until those refugees get to safety! Now keep firing!"

"Marine Corps Officer: Guidons, Guidons, Black Six. Attack, attack, attack!"

"National Guard Lieutenant: Load the Gustavs, this is gonna be a tough kill!"

"Tim: (awkwardly) I'm.....uh.....I'm gonna wait outside."

"Mary Ann: You're out of milk. And everything else."

"Captured Army Private: Everybody, down!-[when explosion is about to occur]"

"They're Already Here."

"This Summer, The Last War On Earth Won't Be Started By Humans."

"Though War of the Worlds may have been based on an H.G. Wells novel from 1897, the film is very much about a specific, confusing, terrible time in American history: the period directly following the 9/11 terrorist attacks and how we, as a country, reacted to it. The movie tries to work through this collective angst and trauma, a fact that is, somehow, even more obvious watching it more than a decade after its initial release. The story begins in New York City, where Tom Cruise's Ray works on the docks and lives in New Jersey. When the alien attack first begins, greater New York City is the "ground zero" we see it depicted from. Ray's New Jersey community, filled with a sense of tight-knit camraderie and friendly neighborhood cops that feel totally different in the context of post-9/11 than they do in our current cultural context, is where this all begins for us. From there, we get several iconic images Americans have come to associate with 9/11: from traumatized people covered in ash to hordes of weary people walking across bridges to the signs people have made to look for their missing loved ones. At one point, when Ray and his kids are driving away from NYC, Dakota Fanning's Rachel asks if it is "the terrorists" as the city is destroyed behind them. This movie is also really pro-military. Pretty much whenever there is a heroic moment, it is a military man leading the way. The National Guard makes recurring appearances, somehow still in operation in the midst of this batshit crazy alien attack that the Earth is wholly unprepared for. This is not only an allegory for the police and firemen whose heroism has become a central tenet of our 9/11 narrative, but of the Iraq War that began probably around the time of this film's initial development."

"In re-watching War of the Worlds, it's hard not to compare it to Battlestar Galactica. War of the Worlds deals with a lot of the same themes as Battlestar Galactica, which premiered in the same year and was also a direct response to 9/11 and post-9/11 American life."

"Spielberg: Mr. Spielberg, no other film director has done more image-building for aliens than you: in your films "Close Encounters of the Third Kind" (1977) and "E.T." (1982) you describe them as loveable creatures. In your latest film, "War of the Worlds," which opens in theaters on June 29, you have aliens from outer space attacking the world. What's the reason behind your change of heart?"

"Spielberg: Mr. Spielberg, your plans to make a film of "War of the Worlds" date back to the early 1990s. Would you have made the film if September 11 had not happened?"

"War of the Worlds is a big, clunky movie containing some sensational sights but lacking the zest and joyous energy we expect from Steven Spielberg."

"The problem may be with the alien invasion itself. It is not very interesting. We learn that countless years ago, invaders presumably but not necessarily from Mars buried huge machines all over the Earth. Now they activate them with lightning bolts, each one containing an alien (in what form, it is hard to say). With the aliens at the controls, these machines crash up out of the Earth, stand on three towering but spindly legs and begin to zap the planet with death rays. Later, their tentacles suck our blood and fill steel baskets with our writhing bodies. To what purpose? Why zap what you later want to harvest? Why harvest humans? And, for that matter, why balance these towering machines on ill-designed supports? If evolution has taught us anything, it is that limbs of living things, from men to dinosaurs to spiders to centipedes, tend to come in numbers divisible by two. Three legs are inherently not stable, as the movie demonstrates when one leg of a giant tripod is damaged, and it falls helplessly to the ground. The tripods are indeed faithful to the original illustrations for H.G. Wells' novel The War of the Worlds, and to the machines described in the historic 1938 Orson Welles radio broadcast. But the book and radio program depended on our imaginations to make them believable, and the movie came at a time of lower expectations in visual effects. You look at Spielberg's machines and you don't get much worked up, because you're seeing not alien menace but clumsy retro design. Perhaps it would have been a good idea to set the movie in 1898, at the time of Wells' novel, when the tripods represented a state-of-the-art alien invasion."

"The human characters are disappointingly one-dimensional. Cruise's character is given a smidgen of humanity (he's an immature, divorced hotshot who has custody of the kids for the weekend) and then he wanders out with his neighbors to witness strange portents in the sky, and the movie becomes a story about grabbing and running and ducking and hiding and trying to fight back. There are scenes in which poor Dakota Fanning, as his daughter, has to be lost or menaced, and then scenes in which she is found or saved, all with much desperate shouting. A scene where an alien tentacle explores a ruined basement where they're hiding is a mirror of a better scene in "Jurassic Park" where characters hide from a curious raptor. The thing is, we never believe the tripods and their invasion are practical. How did these vast metal machines lie undetected for so long beneath the streets of a city honeycombed with subway tunnels, sewers, water and power lines, and foundations?"

"Shug like honey. And now I's just like a bee."

"I'm poor, black; I may even be ugly. But dear God! I'm here! I'm here!"

"The more things change, the more they stay the same."

"[to Albert] The jail you planned for me is the one you're gonna rot in."

"See Daddy, sinners have soul too."

"I think it pisses God off when you walk by the color purple in a field and don't notice it."

"[to Celie] You sho' is ugly!"

"All my life I had to fight. I had to fight my daddy. I had to fight my uncles. I had to fight my brothers. A girl child ain't safe in a family of mens, but I ain't never thought I'd have to fight in my own house!! I loves Harpo, God knows I do. But I'll kill him dead 'fo I let him beat me..."

"I done had enough bad luck to keep me laughin' the rest of my life. Sat in that jail. I sat in that jail til I nearby done rot to death. I know what it like, Ms. Celie, to wanna go somewhere and cain't. I know what it like to wanna sing... and have it beat outch'ya. I want to thank you, Miss Celie, 'fo everything you done for me. I 'members that day I was in the store with Miss Millie - I's feelin' real down. I's feelin' mighty bad. And when I see'd you — I knowed there is a God. I knowed there is a God. And one day I was gonna get to come home."

"[to Albert] Boy, you let this ol' nappy-headed girl cuss you out like that? You sittin' at the head of your own dinner table and actin' like a waiter."

"Celie, you has my sympathy. Ain't many women allow they husband's ho to lay up in they house."

"[Sofia begins to laugh after years of silence] My God, the dead has arisen."

"It's about life. It's about love. It's about us."

"Alice Walker's Pulitzer Prize Winning Story."

"I loved [the book]The Color Purple. The movie disappointed me because so many people I do love were bowled over by it. I felt it was a romantic treatment that perhaps could have been dealt with more honestly."

"Danny Glover - Albert"

"Whoopi Goldberg - Celie"

"Margaret Avery - Shug Avery"

"Oprah Winfrey - Sofia"

"Willard E. Pugh - Harpo"

"Akosua Busia - Nettie"

"Desreta Jackson - Young Celie"

"Adolph Caesar - Old Mister"

"Rae Dawn Chong - Squeak"

"The greatest single human gift - the ability to chase down our dreams."

"You are a real boy. At least as real as I've ever made one."

"My son was one of a kind. You're the first of a kind."

"Come away O human child To the waters and the wild With a fairy hand in hand For the world's more full of weeping Than you can understand."

"Starving minds, welcome to Dr. Know! Where fast food for thought is served up 24 hours a day, in 40,000 locations nationwide. Ask Dr. Know — there's nothing I don't."

"I can't accept this! There is no substitute for your own child!"

"[to David] I do love you, you know. [whispers] I have always loved you."

"Narrator: Those were the years when the icecaps melted due to the greenhouse gases and the oceans had risen and drowned so many cities along all the shorelines of the world. Amsterdam, Venice, New York forever lost. Millions of people were displaced. Climate became chaotic. Hundreds of millions of people starved in poorer countries. Elsewhere a high degree of prosperity survived when most governments in the developed world introduced legal sanctions to license pregnancies. Which was why robots, who were never hungry and did not consume resources beyond those of their first manufacture were so essential an economic link in the chain mail society."

"Teddy: I am not a toy!"

"Teddy: We run now."

"Lord Johnson-Johnson: [Showing David off to the Flesh Fair crowd] Ladies and gentlemen! Boys and girls and children of all ages! What will they think of next? See here! A bitty-bot, a tinker-toy, a living doll. Of course, we all know why they made them. To steal your hearts, to replace your children. This is the latest iteration in a series of insults to human dignity, and in their grand scheme to phase out all of God's little children. Meet the next generation of child, designed to do just that. [crowd stares silently] Do not be fooled by the artistry of this creation. No doubt there was talent in the crafting of this simulator. Yet with the very first strike, you will see the big lie come apart before your very eyes! [as David pleads to be spared] Built like a boy to disarm us! See how they try to imitate our emotions now! Whatever performance this sim puts on, remember: we are only demolishing artificiality! Let he who is without sim cast the firs stone. [crowd pelts him with rocks and garbage]"

"Junky Mecha: Would you be so kind and shut down my pain receivers?"

"Narrator: That was the everlasting moment he had been waiting for. And the moment had passed, for Monica was sound asleep. More than merely asleep. Should he shake her, she would never rouse. So David went to sleep, too. And for the first time in his life, he went to that place, where dreams are born."

"David is 11 years old. He weighs 60 pounds. He is 4 feet, 6 inches tall. He has brown hair. His love is real. But he is not."

"Journey to a world where robots dream and desire"

"This is not a game."

"This summer, discover the next step in evolution."

"Do not speak the seven-word activation code unless you mean it."

"WARNING! Do not activate the seven word code if you have any doubts about your feelings. The code is permanent and irreversible."

"Haley Joel Osment as David"

"Frances O'Connor as Monica Swinton"

"Sam Robards as Henry Swinton"

"Jake Thomas as Martin Swinton"

"Jude Law aa Gigolo Joe"

"William Hurt as Professor Hobby"

"[To his son Jack, thwarting him banging on airplane window on on flight] What the hell's the matter with you? When are you gonna stop acting like a child?"

"[While trying to swat Tinkerbell] Fire fly from hell! Big damn bug!"

"[Trying to rationalize why he can see Tinkerbell] You're a... you're a complex Freudian hallucination having something to do with my mother and I don't know why you have wings, but you have very lovely legs and you're a very nice tiny person and what am I saying? I don't know who my mother was. I'm an orphan and I've never taken drugs because I missed the sixties; I was an accountant."

"[To a pirate who admires his boots] I think you can get them at Armani."

"Hook, you let those kids out of that net in less than one minute or you better get an attorney and hope to God he's better than me."

"[After Rufio draws his sword] Okay, Mister. All right. Show's over. You put that thing away! Now put it down before you poke somebody's eye out!"

"Oh, “Rufio?”, Why don't you go suck on a dead dog's nose!"

"[To Jack, while fighting the pirates] Jack, you won't believe this: I found my happy thought. It took me three days, then guess what happened when I did? Up I went! You know what my happy thought was? [He flies towards Jack, smiling lovingly] It was you!"

"It's Hook or me this time."

"[Unearthing his cell phone in snow before the statue of Peter Pan in Kensington Gardens park] Wow. [Opens it and holds it to his ear] Brad! Hi! ...you been holding this long? ...Uh, huh. ...Neverland. Lost Boys. Jim Hook, duel to the death, I'll tell you about it later. Listen, I'd love to chat... but I gotta climb a drain pipe right now. "Why?" Because I ran out of fairy dust, if not I would've flown up. [Hangs up] Pssh, "Why?""

"[Seeing Tinkerbell defeating the pirates] Are you related to Mighty Mouse?"

"[Voiceover] Thank you for believing."

"Here comes Pan! Hook, no...!"

"Your children love you, they want to play with you. How long do you think that lasts? Soon Jack might not even want you to come to his games. We have a few special years with our children, when they're the ones that want us around. After that you're going to be running after them for a bit of attention. It's so fast Peter. Just a few years, and it's over. And you are not being careful. And you are missing it."

"Hello children. Comfy? Cozy?"

"And you'd better deliver, Miss Bell, or no amount of clapping will bring you back from where I will send you."

"Revenge is Mine."

"He'll crow. He'll fight. He'll fly. And then... he'll die."

"Oh, I hate being disappointed, Smee. And I hate living in this flawed body. And I hate living in Neverland. And I hate, I hate, I hate Peter Pan!"

"[The pirates are playing baseball, and the catcher shoots the runner stealing second] No- no- no! Now stop it! We're playing this game by Master Jack's rules. Bad form! Sit down, now. Let's resume the game. [To the lady next to him] Very violent sport, isn't it, baseball?"

"Are you ready for me, Peter? Come on. Humor the Hook!"

"You know you're not really Peter Pan, don't you? This is only a dream. When you wake up, you'll just be Peter Banning - a cold, selfish man who drinks too much, is obsessed with success, and runs and hides from his wife and children."

"What would the world be like without Captain Hook?"

"Fools, James Hook is Neverland! [Corners Peter and prepares to impale him with his hook] Whenever children read, it will say "Thus perished Peter Pan.""

"[Last words] I want my mommy!"

"So, Peter... you've become a pirate."

"[Maggie says that Jack told her Wendy is not the "real" Wendy] Ahh. Well, do you see where Jack is? That is the same window and this is the same room where we made up bedtime stories telling about Peter, Neverland, and scary old Captain Hook. But did you know that Mr. Barrie... well, Sir James, our neighbor, he loved our stories so much that he wrote them all down in a book... oh dear me... eighty years ago."

"[Peter remembers the last time he came for Wendy] Peter, I can't come with you. I've forgotten how to fly. I'm old, Peter. Ever so much more than twenty. I grew up a long time ago."

"Smee, Smee. What about Smee? Smee! Smee! Smee. Smee. What about Smee? Smee's me. What about me?"

"[Ringing bell] If there's anybody not fighting, get here quick!"

"[A man sweeping garbage in a London park looks suspiciously like Mr. Smee] [to Peter, who is laying down in the snow] Hallo! Having trouble with the missus? Well, you will have by the time you get home."

"Good morning, Neverland! Tie down the main mast, mateys, because here he is! The cunning kingfish! The bad barracuda! A man so deep, he's almost unfathomable. [Silence, as they fail to understand] A man so quick, he's even fast asleep! [LaughS] Thank you!! Now let's give him a big hand - 'cause he's only got one. I give you, the steel-handed stingray, Captain James Hook!"

"It's time for Smee."

"[To Hook, who doesn't believe Peter's the real Peter Pan] He's Peter Pan alright, Captain... He's just been away from Neverland so long, his mind's been "Junk-tified." He's forgotten everything."

"[To Peter, who's climbing to rescue his children] Fly! I know it's you!"

"[To Peter ordering him to stop being a child] But I am a child."

"[On all fours on the floor] Lost. Lost. [To Peter] I've lost my marbles."

"Have to fly, have to fight, have to crow, have to save Maggie, have to save Jack. Hook is back."

"[In tears, after Peter fails to fly] It is true, then. You did grow up. I drank poison for you. You used to call me "Tink." Have you forgotten everything?"

"[To Peter, who's climbing to rescue his children] Be the Pan you are. Fly. Fly. Think a happy thought."

"You know that place between sleep and awake, the place where you can still remember dreaming? That's where I'll always love you, Peter Pan. That's where I'll be waiting."

"[Pressing on Peter's face to smooth the wrinkles and see if it's really him, and finally pulling the corners of his lips up to make him smile] Oh, there you are, Peter!"

"Rufi-o-o-o-o!"

"You are the Pan."

"[Repeatedly] Bangarang!"

"That's the game."

"[On P.A.] For now, please, sit back, relax, and enjoy the flight."

"What if Peter Pan grew up?"

"Peter Pan just got BIG!"

"Lawyer, Father, Legend"

"Dustin Hoffman as Captain James Hook"

"Robin Williams as Peter Banning/Peter Pan"

"Julia Roberts as Tinkerbell"

"Bob Hoskins as Smee/Garbage Sweeper"

"Maggie Smith as Granny Wendy Moira Angela Darling"

"Caroline Goodall as Moira Banning"

"Charlie Korsmo as Jack Banning"

"Amber Scott as Maggie Darling"

"Dante Basco as Rufio"

"Arthur Malet as Tootles"

"Raushan Hammond as Thud Butt"

"Isaiah Robinson as Pockets"

"Laurel Cronin as Liza (housekeeper)"

"Glenn Close as Gutless (cameo)"

"Phil Collins as Police Detective (cameo)"

"Carrie Fisher and George Lucas as Couple kissing in distance when Tinkerbell takes Peter to Neverland"

"Honey... Ronnie... Wake up. You're not gonna believe what I saw!... I never would have believed it. There was this, uh, in the cab, there was this... it was a red whoosh... You know those pictures in the National Geographic about the Aurora Borealis? This is better than that! Come on! Ronnie, I need you to see something with me. It's really important. [wakes his kids] Sylvia, come on. We're going on a little adventure. Toby! Brad! Come on. Get up. Up!... It's better than Goofy Golf! Come on!"

"I know this sounds crazy, but ever since yesterday on the road, I've been seeing this shape. Shaving cream, pillows...Dammit! I know this. I know what this is! This means something. This is important."

"I figured it out, that's all. Will you just listen?... Have you ever looked at something and it's crazy, and then you looked at it in another way and it's not crazy at all?... Don't be scared. Just don't be scared. I feel really good. Everything's gonna be all right. I haven't felt this good in years."

"Old Man: [about the UFOs] They can fly rings around the moon, but we're years ahead of them on the highway."

"Major Benchley: [holding up a photo] Ladies and gentlemen, this is a flying saucer. It's made of pewter, made in Japan, and thrown across the lawn by one of my children. I just wanted to point that out to you to show that we're not all polished brass about these things. Also to make a point that last year, Americans shot more than seven billion photographs at a record of 6.6 billion dollars for film, equipment and processing. Now with all those shutters clicking, where is the indisputable, photographic evidence?"

"Laughlin: We didn't choose this place! We didn't choose these people! They were invited!"

"We are not alone."

"Close Encounter of the First Kind - Sighting of a UFO. Close Encounter of the Second Kind - Physical Evidence. Close Encounter of the Third Kind - Contact. WE ARE NOT ALONE"

"Richard Dreyfuss - Roy Neary"

"François Truffaut - Claude Lacombe"

"Teri Garr - Ronnie Neary"

"Melinda Dillon - Gillian Guiler"

"Bob Balaban - David Laughlin"

"J. Patrick McNamara - Project Leader"

"Cary Guffey - Barry Guiler"

"Isaac Asimov: Well, I liked Star Wars. I thought Battlestar Galactica was such a close imitation of Star Wars, emphasizing the less attractive portions, that I was a little impatient with it. And as for Close Encounters, I'm afraid I detested that. It was too noisy and parts of it were just silly."

"You're gonna have to catch me first!"

"Ah, people only know what you tell them, Carl!"

"An honest man has nothing to fear, so I'm trying my best not to be afraid."

"For the last six months, he's gone to Harvard and Berkeley. I'm betting he can get a passport."

"[When asked why Frank won't flee to New York or Atlanta] Because I'm not in New York. I'm not in Atlanta."

"How'd you do it Frank? How did you cheat on the bar exam in Louisiana?"

"He's a kid. Our unsub is a kid. That's why we couldn't match his prints. That's why he doesn't have a record. Now, I want you to contact the NYPD for every all-points juvenile runaways in New York City. And don't forget the airports. He's been kiting checks all over the country."

"Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse."

"To the moon!"

"Where are you going tonight, Frank? Some place exotic? Tahiti, Hawaii?"

"The true story of a real fake."

"Leonardo DiCaprio - Frank Abagnale Jr."

"Tom Hanks - Carl Hanratty"

"Christopher Walken - Frank Abagnale Sr."

"Martin Sheen - Roger Strong"

"Nathalie Baye - Paula Abagnale"

"Amy Adams - Brenda Strong"

"James Brolin - Jack Barnes"

"Nice try, Lao Che!"

"Nothing shocks me. I'm a scientist."

"[with shoe on fire] Water! Water! Water! Wa...Oh. [sees a flood coming towards him] WATER!"

"Mola Ram! Prepare to meet Kali...IN HELL!"

"(as he and Short Round are whipped) Leave him alone, you bastards!"

"[Willie has the antidote to the poison that was in his martini] Stay there!"

"[Indy threatens to stab her with a fork to get the ashes back] Lao, he put a hole. He put two holes in my dress from Paris!"

"I hope you choke!"

"I burned my fingers and I CRACKED a nail!"

"[drags Indy to the plane's cockpit] No one's flying the plane!"

"[The three are about to jump out of the plane with a raft] A boat?! We're not sinking, WE'RE CRASHING!"

"I hate the water, and I hate being wet, and I hate YOU!"

"Dr. Jones, I'd be safer sleeping with a snake. [snake literally slithers on her] I said cut it OUT! [tossed the snake aside near Indy, who jumped up in fear] I hate that elephant."

"[shouting] Indiana Jones, this is one night you'll never forget! This is the night I slipped right through your fingers! Sleep tight, and pleasant dreams! I could've been your greatest adventure."

"Oh, I broke a nail. [turns her hand and noticed a bug on her]"

"I'm not going to have anything nice to say about this place when I get back!"

"[breaking down] I was happy in Shanghai! I had a little house, and a garden! My friends were rich, we went to parties all the time in limousines, I HATE being outside!"

"[about Indy] He no nuts, he crazy."

"[To Willie] You call him Dr. Jones, DOLL!"

"[To Willie] Hang on, lady, we going for a ride!"

"[To Indy] I keep telling you. You listen to me more, you live longer!"

"Indy, I love you! Wake up, Indy! Wake up!"

"What is Sankara?"

"They crash the plane to make you come here?"

"Three aces! I win! Two more games, I have all your money! Ha, ha, ha!"

"You make me poor! No fun! Playing with you no fun!"

"Cover your heart!"

"[first line] Wow! Holy smokes! Crash landing!"

"Diamonds? Diamonds!"

"[to Indy] Feels like I step on fortune cookies."

"I step where you step! I touch nothing!"

"Dr. Jones! No more parachutes!"

"Very funny!"

"[To Indy, who is digging through Willie's dress to get the antidote] Hey, Dr. Jones, no time for love! We got company!"

"Indy, take the left tunnel! (Indy takes the right) No, Indy! The left tunnel! The left! Indy!"

"Not very funny."

"Okey-Dokey, Dr. Jones! Hold on to your potatoes!"

"Kate Capshaw: I think we were constantly stretching and reaching to be as brilliant as the first one and we just didn't have the story. We had children at risk - where's the fun in that? There were also 100 more screams than we needed."

"Kate Capshaw: We started PG-13. We were pushing the envelope for what was appropriate for kids to look at."

"George Lucas: We made Temple Of Doom a prequel because we didn't want to use the same bad guys. We had ideas about the Monkey King. We had ideas for a haunted-castle movie but then Steve had just done Poltergeist and said, "I don't wanna do that again." We were struggling to come up with another MacGuffin. We couldn't find anything as good as the Lost Ark. We ended up with the Sankara Stones, which was a little obscure."

"George Lucas: You learn a million things on every movie. Obviously, in the sequels, we struggled to keep things going. It's not like Star Wars, which is basically one story cut off into a number of little pieces. These were real sequels that actually had no connection to the one before."

"Roshan Seth: The banquet scene was a joke that went wrong. I got a great deal of flak for it because people kept saying, "How does an intelligent man like you agree to be in a film which shows Indians dining on beetles and eels?" Steven intended it as a joke, the joke being that Indians were so fucking smart that they knew all Westerners think that Indians eat cockroaches, so they served them what they expected. The joke was too subtle for that film."

"Harrison Ford - Indiana Jones"

"Kate Capshaw - Willie Scott"

"Amrish Puri - Mola Ram"

"Jonathan Ke Quan - Short Round"

"Roshan Seth - Chattar Lal"

"Philip Stone - Philip Blumburtt"

"[first lines] Russians."

"[After he slams into a pursuing truck while pursuing Irina Spalko.] Damn, I thought that was closer!"

"[After Irina asks him if he had any last words] I like Ike."

"[after hearing siren] Oh, that can't be good. [P.A.: All personel, it is now one minute to zero time. Put on goggles or turn away. Do not remove goggles or face burst until 10 seconds after first light.] Oh, that can't be good at all."

"[to the Russians searching for him as they leave him at a nuclear test site] Sure, great! Don't wait for me!"

"I think you just brought a knife to a gunfight."

"If you want to be a good archaeologist, you gotta get out of the library!"

"Come on, genius."

"[to a crazy Harold Oxley who is speaking apparent gibberish] We went to the University of Chicago together, and you were never this interesting. My name is Ind... [quietly] My name is Henry Jones Jr."

"This is intolerable. (reference from his father)"

"I have a bad feeling about this. (reference from Star Wars)"

"Leave it to Ox to write a riddle in a dead language."

"[on his motorcycle, to Indiana] Get on, Gramps."

"[to Indiana] For an old man, you're not bad in a fight. What're you like - 80?"

"Hold up! [combs his hair] Okay, I'm ready. Don't give these pigs anything."

"Ox, it's Mutt. It's me."

"Don't call me son! [reference to Indy telling his own father not to call him "Junior"]"

"[To Indy] What are you looking at, Daddy-o! She's getting away!"

"[combs his hair while telling Indy and Marion] I can't concentrate with you two fighting all the time!"

"And where is it you would imagine I am from, Dr. Jones?"

"[To Mutt while they are dueling] You fight like a young man; eager to begin, quick to finish!"

"And what I do not know, I find out."

"So we will do this- what is expression? Old-fashion way. You will tell us."

"[Right before trying to push his truck off a cliff] Do svidaniya, Dr. Jones."

"[Right before she gets consumed by the knowledge] I want to know."

"Mac: Don't get clever Boris. You don't know him.(Boris has a crazed look in his eyes and drives faster) Mac: Know him, KNOW HIM! You don't know him! YOU DON'T KNOW HIM! YOU DON'T KNOW HIM! YOU DON'T KNOW- [the cars crash into each other]"

"Dovchenko: POMOGI MNE!!! (HELP ME!!!)"

"Jocks: Get that greaser!"

"Oxley: [repeated line] Henry Jones Jr.!"

"The fans are all upset. They’re always going to be upset. Why did he do it like this? And why didn’t he do it like this? They write their own movie, and then, if you don’t do their movie, they get upset about it."

"Harrison Ford - Henry "Indiana" Jones Jr."

"Cate Blanchett - Colonel Dr. Irina Spalko"

"Karen Allen - Marion Ravenwood"

"Shia LaBeouf - Henry "Mutt" Williams-Jones the 3rd."

"Ray Winstone - George "Mac" McHale"

"John Hurt - Harold "Ox" Oxley"

"[to Hammond] So you went from capitalist to naturalist in just four years. That's something."

"[to Hammond] If you want to leave your name on something, fine. But stop putting it on other people's headstones."

"Yeah. "Ooh, ah," that's how it always starts. But then later there's running and screaming."

"[to Ludlow, as the T. rex terrorizes San Diego] Now you're John Hammond."

"[after hearing the adult T. rex roar for its missing child] Mommy's very angry."

"Hey, when the adult sees us once again with his baby, uh, isn't he gonna be like, "You!"? You know, there may be some, uh, angry recognition."

"[to Malcolm] I've worked around predators since I was 20 years old. Lions, jackals, hyenas…you."

"[to Malcolm] Look. I love that you rode in here on a white horse. I really do. It's very touching, very dramatic. I just need you to show up in a cab now and then, too."

"I need something pliable. Spit. [Holds out her hand and Nick spits saliva into it] Your gum!."

"Violence and technology? Not good bedfellows!"

"[to Malcolm] You were right and I was wrong. There! Did you ever expect to hear me say such a thing? Thank god for Site B."

"Now it's only a matter of time before this…lost world…is found and pillaged."

"It's our last chance at redemption."

"It is absolutely imperative that we work with the Costa Rican Department of Biological Preserves to establish a set of rules for the preservation and isolation of that island. These creatures require our absence to survive, not our help. And if we could only step aside and trust in nature, life will find a way."

"Well, Dr. Malcolm. Here to share a few campfire stories with my uncle?"

"An extinct animal brought back to life has no rights. It exists because we made it. We patented it. We own it."

"Hammond's reach exceeded his grasp. Mine does not."

"[to Ian] "Careful. This suit costs more than your education"."

"Fifteen years ago, John Hammond had a dream. Like John himself, the dream was grand. It was outsized. It was bold. It was impractical. It was not to be. Half an hour from now…John Hammond's dream, re-imagined, will come true."

"[last words before being caught by the father T-Rex and being killed by the baby T-Rex] Wait! Wait, wait, wait, wait! Wait! Wait!"

"This is a game trail, Mr. Ludlow. Carnivores hunt on game trails. Do you want to set up base camp or a buffet?"

"Peter, if you want me to run your little camping trip, there are two conditions: Firstly, I'm in charge, and when I'm not around, Dieter is. All you have to do is sign the checks, tell us we're doing a good job, and open your case of scotch when we have a good day. Second condition: My fee? You can keep it. All I want in return for my services is the right to hunt one of the tyrannosaurs. A male, a buck only. How and when is my business. Now if you don't like either of those conditions, you're on your own. So go ahead, set up base camp right here, or in a swamp, or in the middle of a rex nest for all I care. But I've been on too many safaris with rich dentists to listen to any more suicidal ideas, OK?"

"You're coming up on a…a Pachy…a pachy…oh, hell. Uh, the fathead with the bald spot. Friar Tuck!"

"I felt like both of those movies had a disadvantage in their fundamental architecture, and that is that the first movie had a place that you could go to that was wondrous and magical and would bring you great joy - but surprise, you’re going to die. In those other movies, you’re going to a place that’s dangerous and you’re going to die, and sure enough, you do. So, you know, the equation was different in those two."

"We came in, that was already there; the idea to have the park be fully functional was already there. It was an idea of Steven [Spielberg]’s and he has great ideas."

""I beat myself up... growing more and more impatient with myself... It made me wistful about doing a talking picture, because sometimes I got the feeling I was just making this big silent-roar movie... I found myself saying, 'Is that all there is? It's not enough for me."

"Something Has Survived"

"Jeff Goldblum - Dr. Ian Malcolm"

"Pete Postlethwaite - Roland Tembo"

"Julianne Moore - Dr. Sarah Harding"

"Vince Vaughn - Nick Van Owen"

"Richard Schiff - Eddie Carr"

"Richard Attenborough - John Hammond"

"Arliss Howard - Peter Ludlow"

"Vanessa Lee Chester - Kelly Curtis Malcolm"

"Peter Stormare - Dieter Stark"

"Sometimes you land on a small fish. You unhook him very carefully. You place him back in the water. You set him free so that somebody else can have the pleasure of catching him."

"Tom Hanks as Viktor Navorski"

"Catherine Zeta-Jones as Amelia Warren"

"Stanley Tucci as Frank Dixon"

"Chi McBride as Joe Mulroy"

"Diego Luna as Enrique Cruz"

"Barry Shabaka Henley as Thurman"

"Kumar Pallana as Gupta Rajan"

"Zoe Saldana as Dolores Torres"

"Eddie Jones as Salchak"

"Jude Ciccolella as Karl Iverson"

"Corey Reynolds as Waylin"

"Guillermo Diaz as Bobby Alima"

"Rini Bell as Nadia"

"Stephen Mendel as First Class Steward"

"Valery Nikolaev as Milodragovich"

"Michael Nouri as Max"

"Benny Golson as himself"

"Scott Adsit as cab driver"

"In Gimbels, there are lots of dresses that fit me."

"[singing] I feel pretty, oh so pretty, I feel pretty and witty and bright, And I pity, any girl who isn't me tonight. I feel charming, oh so charming, it's alarming how charming I feel. And so pretty, that I hardly can believe I'm real."

"It's like I'm always just about to fall off the edge of the world's tallest building. I stopped falling the second I saw you."

"[singing] Maria... I just met a girl named Maria, and suddenly that name Will never be the same to me. Maria - I just kissed a girl named Maria And suddenly I found how wonderful a sound can be Maria - say it loud and there's music playing Say it soft and it's almost like praying."

"Tonight is about family."

"[about Tony] He's a polack, that's what he is - a big, dumb polack!"

"[to Maria] Get your shoes on. I want to dance!"

"[to the band leader] Oye, Javi! Ponle fuego, ¡vamos!"

"[to Tony after he and Maria are caught together] Do you want to start World War III?"

"[after being assaulted by the Jets] You think I want to stay here? In this city full of ugly little animals like you? No gracias. Yo no soy Americana. Yo soy Puertorriqueña! [to Valentina] Tell Tony... you tell that murderer... Maria ain't coming. Chino, he found out about them. Tony and Maria. He shot her. Maria is dead. You tell him that."

"[singing] There's a place for us, Somewhere a place for us Peace and quiet and open air wait for us, Somewhere. There's a time for us, Some day a time for us Time together with time to spare, time to look, time to care, Someday. Somewhere we'll find a new way of living. We'll find a way of forgiving, Somewhere."

"What's a gang without its terrain, its turf? You're a month or two away from finding out, one step ahead of the wrecking ball. And in this uncertain world, the only thing you can count on is me."

"A city divided. Their love will change everything"

"Celebrate the greatest love story of all time."

"Risk everything for true love."

"Ansel Elgort - Tony"

"Rachel Zegler - Maria"

"Ariana DeBose - Anita"

"David Alvarez - Bernardo"

"Mike Faist - Riff"

"Rita Moreno - Valentina"

"Brian d'Arcy James - Officer Krupke"

"Corey Stoll - Lieutenant Schrank"

"Josh Andrés Rivera - Chino"

"Ana Isabelle - Rosalía"

"Andréa Burns - Fausta"

"Jamila Velazquez - Meche"

"Yassmin Alers - Lluvia"

"Jamie Harris - Rory"

"Curtiss Cook - Abe"

"Paloma Garcia-Lee - Graziella"

"Patrick Higgins - Baby John"

"Ben Cook - Mouthpiece"

"Kyle Allen - Balkan"

"Myles Erlick - Snowboy"

"Talia Ryder - Tessie"

"Maddie Ziegler - Velma"

"Do you know what my husband said about the news? He called it the first rough draft of history."

"Quality drives profitability."

"[to Robert McNamara] I'm here asking your advice, Bob, not your permission."

"When Phil died it was just - I was 45 years old and I had never held - I never had to hold a job in my life. But, I just, I loved the paper, you know. I do. I do so love the paper. I don't want it to be my fault. I don't want to be the one - I don't want to let Phil and my father and all of you kids and everybody down."

"This company has been in my life for longer than most of the people working there have been alive. So, I don't need the lecture on legacy."

"This is no longer my father's company. It's no longer my husband's company. It's my company."

"My decision stands, and I'm going to bed."

"He says we can't, I say we can. There, you're caught up."

"They'll be defending the first amendment. We'll tell them that the only way to protect the right to publish - is to publish."

"No matter what happens tomorrow, we are not a little local paper anymore."

"But Kay. Kay is in a position she never thought she'd be in, a position I'm sure plenty of people don't think she should have. When you're told time and time again that you're not good enough, that your opinion doesn't matter as much. When they don't just look past you, when, to them, you're not even there, when that's been your reality for so long, it's hard not to let yourself think it's true. So to make this decision, to risk her fortune and the company that's been her entire life, well, I think that's brave."

"I always wanted to be part of a small rebellion."

"Someone said this, at some point, about why we stayed when we knew we were losing. Ten percent was to help the South Vietnamese. Twenty percent was to hold back the Commies. Seventy percent was to avoid the humiliation of an American defeat. Seventy percent of those boys just to avoid being humiliated? That stuck with me."

"I was struck, in fact, by President Johnson's reaction to these revelations as close to treason. Because it reflected to me the sense that what was damaging to the reputation of a particular administration, a particular individual, was in itself treason. Which is very close to saying, "I am the State"."

"Meg Greenfield: ...from the majority opinion: 'In the First Amendment the Founding Fathers gave the free press the protection it must have to fulfill its essential role in our democracy. The press was to serve the governed, not the governors.'"

"Meryl Streep - Katharine "Kay" Graham"

"Tom Hanks - Ben Bradlee"

"Sarah Paulson - Antoinette "Tony" Pinchot Bradlee"

"Bob Odenkirk - Ben Bagdikian"

"Tracy Letts - Fritz Beebe"

"Bradley Whitford - Arthur Parsons"

"Bruce Greenwood - Robert McNamara"

"Carolyn McCormick - Mrs. McNamara"

"Matthew Rhys - Daniel Ellsberg"

"Alison Brie - Lally Graham"

"Carrie Coon - Meg Greenfield"

"Jesse Plemons - Roger Clark"

"David Cross - Howard Simons"

"Zach Woods - Anthony Essaye"

"Michael Stuhlbarg - A. M. Rosenthal"

"David Costabile - Art Buchwald"

"Pat Healy - Philip L. Geyelin"

"Rick Holmes - Murrey Marder"

"Philip Casnoff - Chalmers Roberts"

"Jessie Mueller - Judith Martin"

"Stark Sands - Donald E. Graham"

"Michael Cyril Creighton - Jake"

"James Riordan - Vice Admiral Joseph Francis Blouin"

"Kelly AuCoin - Assistant Attorney General Kevin Maroney"

"Cotter Smith - William Macomber"

"Jennifer Dundas - Liz Hylton"

"Justin Swain - Neil Sheehan"