Epic films

4029 quotes found

"2001 is a nonverbal experience; out of two hours and nineteen minutes of film, there are only a little less than forty minutes of dialog. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content. To convolute McLuhan, in 2001 the message is the medium. I intended the film to be an intensely subjective experience that reaches the viewer at an inner level of consciousness, just as music does; to "explain" a Beethoven symphony would be to emasculate it by erecting an artificial barrier between conception and appreciation. You're free to speculate as you wish about the philosophical and allegorical meaning of the film - and such speculation is one indication that it has succeeded in gripping an audience at a deep level - but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to purchase or else fear he's missed the point. I think that if 2001 succeeds at all, it is in reaching a wide spectrum of people who would not often give a thought to man's destiny, his role in the cosmos and his relationship to higher forms of life. But even in the case of someone who is highly intelligent, certain ideas found in 2001, if presented as abstractions, would fall rather lifelessly and be automatically assigned to pat intellectual categories; as experiences in a moving visual and emotional context, however, they can resonate within the deepest fibers of one's being."

- 2001: A Space Odyssey (film)

0 likesAbsurdismAmerican filmsBritish filmsCult filmsEpic films
"I remember when I was with Special Forces. Seems a thousand centuries ago. We went into a camp to inoculate the children. We left the camp after we had inoculated the children for polio, and this old man came running after us and he was crying. He couldn't see. We went back there and they had come and hacked off every inoculated arm. There they were in a pile, a pile of little arms. And I remember I...I...I cried. I wept like some grandmother. I wanted to tear my teeth out. I didn't know what I wanted to do. And I want to remember it. I never want to forget it. I never want to forget. And then I realized, like I was shot — like I was shot with a diamond...a diamond bullet right through my forehead. And I thought, my God, the genius of that. The genius! The will to do that: perfect, genuine, complete, crystalline, pure. And then I realized they were stronger than we, because they could stand it. These were not monsters. These were men, trained cadres — these men who fought with their hearts, who had families, who have children, who are filled with love — but they had the strength — the strength! — to do that. If I had ten divisions of those men, our troubles here would be over very quickly. You have to have men who are moral and at the same time who are able to utilize their primordial instincts to kill without feeling, without passion, without judgment. Without judgment! Because it's judgment that defeats us."

- Apocalypse Now

0 likesEpic filmsVietnam War films1970s American filmsAnti-war filmsFilms directed by Francis Ford Coppola
"[addressing the troops] I want you to remember that no bastard ever won a war by dying for his country. He won it by making the other poor, dumb bastard die for his country. Men, all this stuff you've heard about America not wanting to fight, wanting to stay out of the war, is a lot of horse dung. Americans, traditionally, love to fight. All real Americans love the sting of battle. When you were kids, you all admired the champion marble shooters, the fastest runners, big league ball players, the toughest boxers. Americans love a winner and will not tolerate a loser. Americans play to win all the time. I wouldn't give a hoot in hell for a man who lost and laughed. That's why Americans have never lost and will never lose a war, because the very thought of losing is hateful to Americans. Now, an army is a team. It lives, eats, sleeps, fights as a team. This individuality stuff is a bunch of crap. The bilious bastards who wrote that stuff about individuality for the Saturday Evening Post don't know anything more about real battle than they do about fornicating. Now, we have the finest food and equipment, the best spirit, and the best men in the world. You know, by God I, I actually pity those poor bastards we're going up against, by God, I do. We're not just going to shoot the bastards; we're going to cut out their living guts and use them to grease the treads of our tanks. We're going to murder those lousy Hun bastards by the bushel. Now, some of you boys, I know, are wondering whether or not you'll chicken out under fire. Don't worry about it. I can assure you that you will all do your duty. The Nazis are the enemy. Wade into them. Spill their blood. Shoot them in the belly. When you put your hand into a bunch of goo that a moment before was your best friend's face, you'll know what to do. Now there's another thing I want you to remember: I don't want to get any messages saying that we are holding our position. We're not holding anything. Let the Hun do that. We are advancing constantly and we're not interested in holding onto anything except the enemy. We're going to hold onto him by the nose and we're going to kick him in the ass! We're going to kick the hell out of him all the time, and we're going to go through him like crap through a goose! Now, there's one thing that you men will be able to say when you get back home. And you may thank God for it. Thirty years from now when you’re sitting around your fireside with your grandson on your knee, and he asks you: "What did you do in the great World War II?" You won't have to say, "Well, I shoveled shit in Louisiana." All right, now, you sons-of-bitches, you know how I feel. Oh... I will be proud to lead you wonderful guys into battle anytime, anywhere. That's all."

- Patton (film)

0 likesBiographical filmsEpic filmsWorld War II filmsBest Picture Academy Award winnersUnited States National Film Registry films
"Right lads, now, I know there's not a faint heart among you, and I know you're as anxious as I am to get into close action. But we must bring them right up beside us before we spring this trap. That will test our nerve, and discipline will count just as much as courage. The Acheron is a tough nut to crack … more than twice our guns, more than twice our numbers, and they will sell their lives dearly. Topmen, your handling of the sheets to be lubberly and un-navy like. Until the signal calls, you're to spill the wind from our sails, this will bring us almost to a complete stop. Gun crews, you must run out and tie down in double quick time. With the rear wheels removed, you've gained elevation, but without recoil, there'll be no chance for re-load, so gun captains, that gives you one shot from the larboard battery … one shot only. You'll fire for her mainmast. Much will depend on your accuracy … however … even crippled, she will still be dangerous, like a wounded beast. Captain Howard and the marines will sweep their weather deck with swivel gun and musket fire from the tops. They'll try and even the odds for us before we board. They mean to take us as a prize. And we are worth more to them undamaged. Their greed … will be their downfall. England is under threat of invasion, and though we be on the far side of the world, this ship is our home. This ship is England. So it's every hand to his rope or gun, quick's the word and sharp's the action. After all, Surprise is on our side."

- Master and Commander: The Far Side of the World

0 likes2000s American filmsAdventure filmsDrama filmsEpic filmsWar films
"My dear Aknot, what about those two little planes you borrowed? [sees Aknot's human face] Aknot, is that you? What an ugly face. It doesn't suit you. Take it off. [Aknot's face transforms into a Mangalore's] Much better. Never be ashamed of who you are. You're warriors, be proud. So what if the Federal Government scattered your people into the wind? What doesn't kill you makes you stronger. Your time for revenge is at hand. Voila! The ZF-1. [activates a ZF-1 and holds it] It's light; handle's adjustable for easy carrying; good for righties and lefties; breaks down into four parts; undetectable by X-ray; ideal for quick discreet interventions. A word on firepower. Titanium recharger; 3000-round clip with bursts of 3 to 300. And with the replay button, another Zorg invention, it's even easier. [lights reveal a mannequin in police gear] One shot... [shoots mannequin]...and replay sends every following shot to the same location. [turns around, shooting in the direction of the Mangalores; bullets curve their trajectory and hit the mannequin instead] And to finish the job, all the Zorg oldies-but-goldies. [fires every weapon at the mannequin as he mentions them] Rocket launcher... arrow launcher, with exploding or poisonous gas heads, very practical... our famous net launcher... the always-efficient flamethrower, my favorite... [winks to the Mangalores] and for the grand finale, the all-new 'Ice-cube System'! [fires a cloud of liquid nitrogen which freezes the remains of the mannequin. Mangalores applaud politely by carnage and were very impressed]"

- The Fifth Element

0 likesAction filmsEpic filmsSpace adventure filmsComedy filmsScience fiction films
"Brothers and sisters, I'm here to tell you that I charge the White Man. I charge the white man with being the greatest murderer on Earth. I charge the White Man with being the greatest kidnapper on Earth. There is no place in this world that that man can go and say he created peace and harmony. Everywhere he's gone, he's created havoc. Everywhere he's gone, he's created destruction. So I charge him. I charge him with being the greatest kidnapper on this Earth! I charge him with being the greatest murderer on this Earth! I charge him with being the greatest ROBBER and ENSLAVER on this Earth! I charge the White Man with being the greatest SWINE EATER on this earth! The greatest DRUNKARD on this earth! He can't deny the charges! You can't deny the charges! We're the living proof of those charges! You and I are the proof! You're not an American, you are the victim of America. You didn't have a choice coming over here. He didn't say, "Black man, black woman, come on over and help me build America". He said, "Nigger, get down in the bottom of that boat and I'm taking you over there to help me build America". Being born here does not make you an American. I am not an American, you are not an American. You are one of the 22 million black people who are the victims of America. You and I, we've never seen any democracy. We ain't seen no democracy on the- the cotton fields of Georgia, there wasn't no democracy down there. We didn't see any democracy on the streets of Harlem, or in the streets of Brooklyn, or in the streets of Detroit, or Chicago. Ain't no democracy down there. No, we've never seen democracy! All we've seen is hypocrisy! We don't see any American Dream. We've experienced only the American Nightmare!"

- Malcolm X (film)

0 likes1990s American filmsBiographical filmsDrama filmsEpic filmsFilms about racism
"I must emphasize at the outstart that the Honorable Elijah Muhammad is not a politician. So I'm not here this afternoon as a Republican, nor as a Democrat; not as a Mason, nor as an Elk; not as a Protestant, nor a Catholic; not as a Christian, nor a Jew; not as a Baptist, nor a Methodist. In fact, not even as an American, because if I was an American, the problem that confronts our people today wouldn't even exist. So I have to stand here today as what I was when I was born: a black man. Before there was any such thing as a Republican or a Democrat, we were black. Before there was any such thing as a Mason or an Elk, we were black. Before there was any such thing as a Jew or a Christian, we were black people! In fact, before there was any such place as America, we were black! And after America has long passed from the scene, there will still be black people.I'm gonna tell you like it really is. Every election year these politicians are sent up here to pacify us! They're sent here and setup here by the White Man! This is what they do! They send drugs in Harlem down here to pacify us! They send alcohol down here to pacify us! They send prostitution down here to pacify us! Why you can't even get drugs in Harlem without the White Man's permission! You can't get prostitution in Harlem without the White Man's permission! You can't get gambling in Harlem without the White Man's permission! Every time you break the seal on that liquor bottle, that's a Government seal that you're breaking! Oh, I say and I say it again, ya been had! Ya been took! Ya been hoodwinked! Bamboozled! Led astray! Run amok! This is what He does."

- Malcolm X (film)

0 likes1990s American filmsBiographical filmsDrama filmsEpic filmsFilms about racism
"If the so-called Negro were American citizens we wouldn't have a race problem. If the Emancipation Proclamation was authentic, you wouldn't have a race problem. If the 13th, 14th, and 15th Amendments to the Constitution was authentic, you wouldn't have a race problem. If the Supreme Court desegregation decision was authentic, you wouldn't have a race problem. All of this is hypocrisy. These Negro leaders have been telling the white man everything is all right, everything is under control. And they've been telling the white man that Mr. Muhammad is wrong, don't listen to him. But everything Mr. Muhammad has been saying is going to come to pass is now coming to pass and now the Negro leaders are standing up saying that we are about to have a racial explosion. We're going to have a racial explosion and that's more dangerous than an atomic explosion. It's going to explode because black people are dissatisfied. They're dissatisfied now not only with the white man, but with these Negroes who have been sitting around here posing as leaders and spokesmen for black people. Anytime you put too many sparks around a powder keg, the thing is going to explode and if the thing that explodes is still inside the house, then the house will be destroyed. So the Honorable Elijah Muhammad is telling the white man get this powder keg out of your house, let the black people in this country separate from him while there's still time. And if the black man is allowed to separate and go on onto some land of his own, where he can solve his problems, then there won't be any explosion. Complete separation is the only solution to the black and white problem in this country!"

- Malcolm X (film)

0 likes1990s American filmsBiographical filmsDrama filmsEpic filmsFilms about racism
"Ossie Davis: [delivering Malcolm's eulogy] Here, at this final hour, in this quiet place, Harlem has come to bid farewell to one of its brightest hopes. Extinguished now, and gone from us forever. It is not in the memory of man that this beleaguered, unfortunate, but nonetheless proud community, has found a braver, more gallant young champion than this Afro-American who lies before us - unconquered still. I say the word again, as he would want me to: Afro-American. Afro-American Malcolm. Malcolm had stopped being Negro years ago. It had become too small, too puny, too weak a word for him. Malcolm was bigger than that. Malcolm had become an Afro-American, and he wanted so desperately that we, that all his people, would become Afro-Americans, too.There are those who still consider it their duty, as friends of the Negro people, to tell us to revile him, to flee, even from the presence of his memory, to save ourselves by writing him out of the history of our turbulent times. And we will smile. They will say that he is of hate, a fanatic, a racist who can only bring evil to the cause for which you struggle! And we will answer and say unto them: Did you ever talk to Brother Malcolm? Did you ever touch him or have him smile at you? Did you ever really listen to him? Was he ever himself associated with violence or any public disturbance? For if you did, you would know him. And if you knew him, you would know why we must honor him: Malcolm was our manhood, our living, black manhood! This was his meaning to his people. And, in honoring him, we honor the best in ourselves.However much we may have differed with him or with each other about him and his value as a man, let his going from us serve only to bring us together now. Consigning these mortal remains to earth, the common mother of all, secure in the knowledge that what we place in the ground is no more now a man, but a seed which, after the winter of our discontent, will come forth again to meet us. And we shall know him then for what he was, and is: a prince! Our own black shining prince who didn’t hesitate to die, because he loved us so."

- Malcolm X (film)

0 likes1990s American filmsBiographical filmsDrama filmsEpic filmsFilms about racism
"You men gather round. I've been talking with, uh, Pvt. Bucklin, he's told me about your problem. There's nothing I can do today. We'll be moving out in a few minutes, we'll be moving all day. I've been ordered to take you men with me. I'm told that, uh, that if you don't come, I can shoot you. Well, you know I won't do that. Maybe somebody else will, but I won't, so, that's that. Uh here's the, uh, situation. The whole Reb army is up that road a ways, waitin' for us, so this is no time for an argument like this, I tell ya. We could surely use you fellas, we're now well below half strength. Whether you fight, or not, that's...that's up to you. Whether you come along is, is...well, you're comin'. You know who we are and what we're doing here, but if you want to fight along side us, there's some things I want you to know. This regiment was formed last summer in Maine. There were a thousand of us then. There are less than three hundred of us now. All of us volunteered to fight for the Union, just as you did. Some came mainly because we were bored at home, thought this looked like it might be fun. Some came because we were ashamed not to. Many of us came because it was the right thing to do. All of us have seen men die. This is a different kind of army. If you look back through history, you will see men fighting for pay, for women, for some other kind of loot. They fight for land, power, because a king leads them or, or just because they like killing. But we are here for something new. This has not happened much in the history of the world. We are an army out to set other men free. America should be free ground - all of it. Not divided by a line between slave state and free, all the way from here to the Pacific Ocean. No man has to bow. No man born to royalty. Here, we judge you by what you do, not by who your father was. Here, you can be something. Here, is the place to build a home. But it's not the land. There's always more land. It's the idea that we all have value - you and me. What we're fighting for, in the end, we're fighting for each other. Sorry, I, uh, didn't mean to preach. You, uh, you go ahead. You talk for awhile. Uh, if you, uh, if you choose to join us, you want your muskets back, you can have 'em. Nothing more will be said by anybody anywhere. If you, uh, choose not to join us, well you can come along under guard, and when this is all over I will do what I can to see you get a fair treatment. But for now, we're moving out. Gentlemen, I think if we lose this fight, we lose the war. So if you choose to join us, I'll be personally very grateful."

- Gettysburg (film)

0 likesAction films1990s American filmsEpic filmsFilms based on novelsHistorical films
"[to Col. Fremantle, on the irony of his uncle defending the original "Star Spangled Banner" at Ft. McHenry in 1814] Colonel Fremantle, it does not begin or end with my uncle, or myself. We're all sons of Virginia here. That major out there, commanding the cannon - that's James Dearing, first in his class at West Point, before Virginia seceded. And the boy over there with the color guard - that's Private Robert Tyler Jones. His grandfather was President of the United States. The colonel behind me - that's Colonel William Aylett. Now, his great-grandfather was the Virginian, Patrick Henry. It was Patrick Henry who said to your King George III, "Give me liberty, or give me death." There are boys here from Norfolk, Portsmouth, small hamlets along the James River...from Charlottesville and Fredericksburg, to the Shenandoah Valley. Mostly, they're all veteran soldiers now; the cowards and shirkers are long gone. Every man here knows his duty. They would make this charge, even without an officer to lead them. They know the gravity of the situation, and the mettle of their foe. They know that this day's work will be desperate and deadly. They know, that for many of them, this will be their last charge. But not one of them needs to be told what is expected of him. They're all willing to make the supreme sacrifice - to achieve victory, here...the crowning victory...and the end of this war. We are all here, Colonel. You may tell them, when you return to your country, that all Virginia was here on this day."

- Gettysburg (film)

0 likesAction films1990s American filmsEpic filmsFilms based on novelsHistorical films
"[to Col. Devin, one of his brigade commanders] You know what's gonna happen here in the morning? The whole damn rebel army's gonna be here. They'll move through this town, occupy these hills on the other side. When our people get here, Lee'll have the high ground, and there'll be the devil to pay. The high ground! Meade will come in slowly, cautiously, new to command. They'll be on his back from Washington, wires hot with messages: "Attack! Attack!" So he will set up a ring around these hills, and when Lee's army is all nicely entrenched behind fat rocks on the high ground, Meade'll finally attack, if he can coordinate the army. Straight up the hillside, out in the open, in that gorgeous field of fire. We will charge valiantly, and be butchered valiantly! Afterwards, men in tall hats and gold watch-fobs will thump their chests and say what a brave charge it was. [sighs] Devin, I've led a soldier's life. I've never seen anything as brutally clear as this. It's as if I can actually see the blue troops in one long, bloody moment, going up the long slope to the stony top, as if it were already done, and already a memory. Odd, set, stony quality to it, as if tomorrow's already happened and there's nothing you can do about it. Way you sometimes feel before an ill-considered attack, knowing it'll fail, but you cannot stop it! You must even take part, and help it fail!"

- Gettysburg (film)

0 likesAction films1990s American filmsEpic filmsFilms based on novelsHistorical films
"My dear Frodo, you asked me once if I had told you everything there was to know about my adventures. And while I can honestly say I have told you the truth, I may not have told you all of it. I am old now, Frodo. I'm not the same hobbit as I once was. I think it is time for you to know what really happened. It began long ago in a land far away to the east, the like of which you will not find in the world today. There was the city of Dale, its markets known far and wide, full of the bounties of vine and vale, peaceful and prosperous. For this city lay before the doors of the greatest kingdom in Middle-earth; Erebor, stronghold of Thrór, King under the Mountain and mightiest of the Dwarf-lords. Thrór ruled with utter surety, never doubting his house would endure, for his line lay secure in the lives of his son and grandson. Ah, Frodo, Erebor! Built deep within the mountain itself, the beauty of this fortress city was legend. Its wealth lay in the earth, in precious gems hewn from rock and in great seams of gold running like rivers through stone. The skill of the Dwarves was unequaled, fashioning objects of great beauty out of diamond, emerald, ruby, and sapphire. Ever they delved deep, down into the dark and that is where they found it, the Heart of the Mountain! The Arkenstone. Thrór named it the King's Jewel. He took it as a sign, a sign that his right to rule was divine. All would pay homage to him, even the great Elven King, Thranduil. But the years of peace and plenty were not to last. Slowly, the days turned sour and the watchful nights closed in. Thrór's love of gold had grown too fierce. A sickness had begun to grow within him. It was a sickness of the mind. And where sickness thrives, bad things will follow. The first they heard was a noise like a hurricane coming down from the North; the pines on the mountain creaked and cracked in the hot, dry wind. It was a fire-drake from the North. Smaug had come! Such wanton death was dealt that day, for this city of Men was nothing to Smaug. His eye was set on another prize. For dragons covet gold with a dark and fierce desire. Erebor was lost - for a dragon will guard his plunder as long as he lives. Thranduil would not risk the lives of his kin against the wrath of the dragon. No help came from the Elves that day...or any day since. Robbed of their homeland, the Dwarves of Erebor wandered the wilderness. A once mighty people brought low. The young Dwarf prince took work where he could find it, laboring in the villages of Men. But always he remembered the mountain smoke beneath the moon, the trees like torches blazing bright, for he had seen dragon-fire in the sky and a city turned to ash. And he never forgave...and he never forgot."

- The Hobbit: An Unexpected Journey

0 likesAdaptations of works by J. R. R. Tolkien‎Films about wizardsEpic filmsAdventure filmsFantasy films
"[first address to his brigade, prior to First Manassas/Bull Run] Men of the Valley! Citizen soldiers! I am here at the order of General Robert E. Lee, commanding all Virginia forces. On April fifteenth of this year of our Lord, eighteen sixty-one, Simon Cameron, the Secretary of War of the United States, sent a telegram to our Governor, John Letcher, directing him to raise three regiments of infantry to be sent to assist in suppressing the Southern Confederacy. Governor Letcher's answer is well known to you, but perhaps not his words. His wire to Washington stated: "You have chosen to inaugurate civil war. And having done so, we will meet you in a spirit as determined as the Lincoln administration has exhibited toward the South." Few days later, the Virginia legistlature voted for secession. Just as we would not send any of our soldiers to march in other states and tyrannize other people, so will we never allow the armies of others to march into our state and tyrannize our people! Like many of you, indeed most of you, I've always been a Union man. It is not with joy or with a light heart that many of us have welcomed secession. Had our neighbors to the North practiced a less bellicose form of persuasion, this day might not have come, but that day has been thrust upon us, like it was thrust upon our ancestors! The Lincoln administration required us to raise three regiments; tell them we have done so! Dismissed!"

- Gods and Generals (film)

0 likesAction films2000s American filmsEpic filmsFilms based on novelsHistorical films
"[at Fredericksburg, as the Army of the Potomac crosses the Rappahanock] In the Roman civil war, Julius Caesar knew he had to march on Rome itself, which no legion was permitted to do. Marcus Lucanus left us a chronicle of what happened. "How swiftly Caesar had surmounted the mighty Alps and in his mind conceived immense upheavals, coming war. When he reached the water of the little Rubicon, clearly to the leader through the murky night appeared a mighty image of his country in distress, grief in her face, her white hair streaming from her tower-crowned head, with tresses torn and shoulders bare, she stood before him and sighing said, 'Where further do you march? Where do you take my standards, warriors? If lawfully you come, if as citizens, this far only is allowed.' "Then trembling struck the leader's limbs, his hair grew stiff and weakness checked his progress, holding his feet at the rivers edge. At last he speaks, 'O Thunderer, surveying Rome's walls from the Tarpeian Rock. O Phrygian house gods of Iulus, Clan and Mystery of Quirinus who was carried off to heaven, O Jupiter of Latium seated in lofty Alda and Hearths of Vesta, O Rome, equal to the highest deity, favor my plans! Not with impious weapons do I pursue you. Here am I, Caesar, conqueror of land and sea, your own soldier, everywhere, now too, if I am permitted. The man who makes me your enemy, it is he who be the guilty one.' "Then he broke the barriers of war and through the swollen river swiftly took his standards. And Caesar crossed the flood and reached the opposite bank. From Hesperia's Forbidden Fields he took his stand and said, "Here I abandoned peace and desecrated law; fortune it is you I follow. Farewell to treaties. From now on war is our judge!'" [the Confederate cannons on Marye's Heights open fire] Hail Caesar! We who are about to die salute you!"

- Gods and Generals (film)

0 likesAction films2000s American filmsEpic filmsFilms based on novelsHistorical films
"Let me tell you a story. The first story my father told me, and the first story that I told each of you. In the beginning, there was nothing. Nothing but the silence of an infinite darkness. But the breath of the Creator fluttered against the face of the void, whispering "Let there be light." And light was, and it was good. The first day. And then the formless light began to take on substance and shape. A second day. And our world was born. Our beautiful, fragile home. And a great, warming light nurtured its days, and a lesser light ruled the nights. And there was evening, and morning - another day. And the waters of the world gathered together, and in their midst emerged dry land. Another day passed. And the ground put forth the growing things. A thick blanket of green stretching across all creation. And the waters, too, teemed with life. Great creatures of the deep that are no more. Vast multitudes of fish, some of which may still swim beneath these seas. And soon the sky was streaming with birds. And there was evening, and there was morning - a fifth day. Now the whole world was full of living beings. Everything that creeps, everything that crawls, and every beast that walks upon the ground, and it was good. It was all good. There was light and air and water and soil, all clean and unspoiled. There were plants and fish and fowl and beast, each after their own kind, all part of the greater whole, all in their place, and all was in balance. It was paradise, a jewel in The Creator's palm. Then The Creator made Man, and by his side, Woman. Father and mother of us all. He gave them a choice: follow the temptation of darkness, or hold on to the blessing of light. But they ate from the forbidden fruit. Their innocence was extinguished. And so for the ten generations since Adam, sin has walked within us. Brother against brother, nation against nation, Man against Creation. We murdered each other. We broke the world, we did this. Man did this. Everything that was beautiful, everything that was good, we shattered. Now, it begins again. Air, water, earth, plant, fish, bird and beast. Paradise returns. But this time there will be no men. If we were to enter the garden, we would only ruin it again. No, the Creator has judged us. Mankind must end. Shem and Ila, you will bury your mother and I. Ham, you will bury them. Japheth will lay you to rest. You, Japheth, you will be the last man. And in time you, too, will return to the dust. Creation will be left alone, safe and beautiful."

- Noah (2014 film)

0 likesAction films2010s American filmsApocalyptic filmsFilms about natural disastersEpic films
"Prologue Narrator: [opening lines] Greece and the islands of the Aegean Sea have given birth to many myths and legends of war and adventure. And these once-proud stones, these ruined and shattered temples bear witness to the civilization that flourished and then died here and to the demigods and heroes who inspired those legends on this sea and these islands. But, though the stage is the same, ours is a legend of our own times, and its heroes are not demigods, but ordinary people. In 1943, so the story goes, 2000 British soldiers lay marooned on the tiny island of Kheros, exhausted and helpless. They had exactly one week to live for in Berlin the Axis high command had determined on a show of strength in the Aegean Sea to bully neutral Turkey into coming into the war on their side. The scene of that demonstration was to be Kheros, itself of no military value, but only a few miles off the coast of Turkey. The cream of the German war machine, rested and ready, was to spearhead the attack, and the men on Kheros were doomed unless they could be evacuated before the blitz. But the only passage to and from Kheros was guarded and blocked by two great, newly designed, radar-controlled guns on the nearby island of Navarone. Guns too powerful and accurate for any allied ship then in the Aegean to challenge. Allied intelligence learned of the projected blitz only one week before the appointed date. What took place in the next six days became the legend of Navarone."

- The Guns of Navarone

0 likesAdventure films1960s American filmsBritish filmsEpic filmsFilms based on novels
"Wonder Woman was originally designed to draw strength from empathy and love. To her great credit, Jenkins doesn’t shy away from these stereotypically feminine attributes, but makes them the basis of Diana’s power. She doesn’t run on primeval adrenaline, but deep compassion. Too often, we see superheroes engage in combat because, well, that’s what they’re supposed to do. Here, there’s a true and meaningful connection between cause and effect. Diana is shocked, for example, when Steve encourages their hastily-assembled team (including standout Saïd Taghmaoui as Sameer) to rush past a devastated village on the way to the front lines. Steve is saddened by the sight of starving families being preyed on by mercenaries. But the priority is to reach Ludendorff as quickly as possible, and Steve won’t deviate from the plan secretly approved by his superior, Sir Patrick Morgan … Diana can’t follow him. Benevolence is the force that drives her. She sees suffering, and she has to alleviate it. Don’t get the wrong idea, though: while Amazons don’t like violence, they’re more than willing to use it – and, it seems, in flashy, fiery style. … Jenkins and screenwriter Allan Heinberg have created an unassailable icon, one who fits into the pantheon with ease, and stands out like no other. By viewing the familiar tropes of an origin story through a new – and, one can only hope, game-changing – lens, they have delivered us a lasting legend."

- Wonder Woman (2017 film)

0 likesAction filmsAdventure filmsComic book filmsDC Extended UniverseEpic films
"“For the first time in my entire career, I am reviewing a film”. Ram also said, "Kashmir Files released and broke every rule in the book. It doesn't have stars. There is no intention in the director to impress the audience which is what every filmmaker will be trying to do. He wants to impress." He added that from now onwards when any director or filmmaker plans any new film 'they can't help but study and refer back to Kashmir Files'. At the end of the video, he concluded, "I hate Kashmir Files because it destroyed whatever I learned, whatever I thought was right and whatever I thought was in at multiple times. I can't go back and I can't reinvent myself and can't rethink now, 'Oh, this is how it should be made'. No, can't. So I hate Kashmir Files whether it is the director or acting style or it is the way the screenplay was made...I hate all of them because you guys made me and all of the filmmakers I would say lose our identity...I hate all the people associated with Kasmir files but I love Vivek Agnihotri for making this happen." Sharing his review on Twitter, he wrote, “Don’t take at face value that mainstream Bollywood, Tollywood, etc are ignoring the mega success of #kashmirifiles. The reality is they are taking it more seriously than the audiences, but their silence is because they are s*** scared. Watch my review.” He also added, ".@vivekagnihotri single-handedly (footedly) kicked on the following myths a**** 1. Only big stars can get people into theatres, 2. Only mega budgets can get people into theatres, 3. Only #KapilSharmaShow can get people into theatres, 4. Only super hit songs can get people into theatres.""

- The Kashmir Files

0 likesIndian drama filmsPolitical drama filmsFilms set in IndiaEpic filmsKashmir
"The fact that Pallavi Joshi and Vivek Agnihotri spent 4 years to make the film, with such extensive detailed research of close to 700 hard-hitting interviews that are testimonials from first-generation victims of the genocide of the Kashmiri Pandits community in the 1990s is in itself not a small feat... I am not a history major in my formal education. But I have studied history like any other student as a module. After watching The Kashmir Files, it shakes my soul today that history books, academics alike have skipped pressing on the excruciating and extensive details of the plight of Kashmiri Pandits in the hands of Islamic fundamentalists. Mind you, this film tells you nothing new. But tells you and reminds you and forces you to think why we can’t look at history in the eye without any shame. Makes you angry again as to why a Yasin Malik and Syed Ali Shah Geelani were allowed to get tacit support from politicians and intellectuals like Arundhati Roy and many more. Why those intellectuals who constantly bat for the ‘azadi’ of Kashmir and call it ‘fundamentally a call for justice’ don’t see the other side of the rightful occupants of the land being forced into mass departure when that is their land and that is their country their home. ... These are stories that need to be told and for many soft separatists, it may be a hard pill to swallow. Think about it for a second if there have been such brutal atrocities that the Kashmiri Hindus have gone through would you not keep your political leanings aside for the sake of humanity and hope for some closure for the first generation victims in their right to justice?"

- The Kashmir Files

0 likesIndian drama filmsPolitical drama filmsFilms set in IndiaEpic filmsKashmir
"“We requested the current dispensation that a recent film which has showcased atrocities on our Kashmiri Pandit brothers should be taken down. It has shown only one side of the story and would hence create rifts in society. While my full statements weren’t shown in the video, I was misquoted by some people. I did not mean to offend any particular caste or religion.” In an issued video message he stated, “Although if my comments have hurt someone then I duly apologise. I was not referring to any particular religion.” However, he stood by his stance that the films like ‘The Kashmir Files’ should not be released. Being an excellently received film across the globe, the film has resonated with people with its honest and truthful portrayal of the Kashmiri Hindu Genocide in 1990. The film has collected over Rs 220 crore until Saturday. While addressing a gathering at a mosque in Jammu, in an enraged tone, said Maulvi Farooq was heard stating, “Don’t you agree that the movie ‘The Kashmir Files’ should be banned? There should be restrictions on this movie. We(Muslims) are peace-loving people, we intend to keep the country peaceful.” He went further targeting, “We have ruled this country for 800 years, however, you (Hindus) came to power just 70 years ago. You want to target us. The reality is you will face death and consequences, but you cannot do anything to Kalma-chanting Muslims.”"

- The Kashmir Files

0 likesIndian drama filmsPolitical drama filmsFilms set in IndiaEpic filmsKashmir
"To an extent, The Kashmir Files, a recent film by Vivek Agnihotri, has tried to reset the Kashmiri Hindu narrative, and that is why so many are rattled by it. Many prominent Kashmiri voices, politicians, intellectuals, writers and poets—all those who stayed silent even as the Kashmiri Hindu genocide unfolded right before their eyes—called for a ban on the film. To them I ask—can there be reconciliation without remembrance? Crime without comeuppance? Can there be death without deliverance? Can there be justice without Nuremberg? Why do they want to hide the truth about the Nadimarg massacre that the film truthfully depicts, where terrorist Zia Mustafa lined up 23 unsuspecting Kashmiri Hindus and shot them point blank, and as he was escaping, he heard a baby cry and his comrade goaded ‘ye karnawun chupe’ and then the baby became the 24th victim. Why do they want to hide this? Why do they want to hide the truth about Girija Tickoo, who was raped and cleaved in two by a mechanical saw while she was still alive? Why do they want to hide the truth about B.K. Ganjoo, who hid inside a rice barrel when jihadis came looking for him after his Muslim neighbour informed on him? Ganjoo was shot dead. Rice laced with his blood was fed to his wife. Why do they want to hide the truth about slogans raised from mosques on 19 January 1990—“Ralive, Tsalive, Galive [convert, run or die]; ‘Death to kafirs’; Pandits go but leave your women behind’; Nizam-e-Mustafa!’ Why do they want to hide all this? And what is this other side of the genocide that they demand should also be shown? Yasin Malik, the assassin of Squadron leader Khanna, loved dum aloo? Bitta Karate, the killer of Kashmiri Hindus, was the son of a shawl weaver? Zia Mustafa, the perpetrator of the Nadimarg massacre, was a compounder at a hospital? I will tell you why they want this truth to be hidden. Because they realise that The Kashmir Files is not just a film, it is a Proustian collection of memories. Of Girija. Of Ganjoo. Of Dinanath. Of tens of thousands of Kashmiri Hindus who were betrayed by their own friends. But they forget. They might have taken away from the Kashmiri Hindus their home, but they can never take away from them their words. For their entrapment in a film may fool us into believing they have a physical form, a form that can be destroyed when the film is destroyed. But the words existed much before their prisons did. Words never die. They always survive. In times of terror, we wrap them and hide them like our ancestors did, and it may take 30 or 300 or 3,000 years for them to be uttered again—but uttered again they will be. And when they are, their words will echo in the valleys of violence where people only know how to light Molotov these words will make them light diyas again."

- The Kashmir Files

0 likesIndian drama filmsPolitical drama filmsFilms set in IndiaEpic filmsKashmir