Buddhism

228 quotes found

"Remember always that you are just a visitor here, a traveler passing through. your stay is but short and the moment of your departure unknown. None can live without toil and a craft that provides your needs is a blessing indeed. But if you toil without rest, fatigue and weariness will overtake you, and you will denied the joy that comes from labor's end. Speak quietly and kindly and be not forward with either opinions or advice. If you talk much, this will make you deaf to what others say, and you should know that there are few so wise that they cannot learn from others. Be near when help is needed, but far when praise and thanks are being offered. Take small account of might, wealth and fame, for they soon pass and are forgotten. Instead, nurture love within you and and strive to be a friend to all. Truly, compassion is a balm for many wounds. Treasure silence when you find it, and while being mindful of your duties, set time aside, to be alone with yourself. Cast off pretense and self-deception and see yourself as you really are. Despite all appearances, no one is really evil. They are led astray by ignorance. If you ponder this truth always you will offer more light, rather than blame and condemnation. You, no less than all beings have Buddha Nature within. Your essential Mind is pure. Therefore, when defilements cause you to stumble and fall, let not remorse nor dark foreboding cast you down. Be of good cheer and with this understanding, summon strength and walk on. Faith is like a lamp and wisdom makes the flame burn bright. Carry this lamp always and in good time the darkness will yield and you will abide in the Light."

- Buddhism

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"The lives and writings of the mystics of all great religions bear witness to religious experiences of great intensity, in which considerable changes are effected in the quality of consciousness. Profound absorption in prayer or meditation can bring about a deepening and widening, a brightening and intensifying, of consciousness, accompanied by a transporting feeling of rapture and bliss. The contrast between these states and normal conscious awareness is so great that the mystic believes his experiences to be manifestations of the divine; and given the contrast, this assumption is quite understandable. Mystical experiences are also characterized by a marked reduction or temporary exclusion of the multiplicity of sense-perceptions and restless thoughts. This relative unification of mind is then interpreted as a union or communion with the One God. … The psychological facts underlying those religious experiences are accepted by the Buddhist and are well-known to him; but he carefully distinguishes the experiences themselves from the theological interpretations imposed upon them. … The meditator will not be overwhelmed by any uncontrolled emotions and thoughts evoked by his singular experience, and will thus be able to avoid interpretations of that experience not warranted by the facts. Hence a Buddhist meditator, while benefiting from the refinement of consciousness he has achieved, will be able to see these meditative experiences for what they are; and he will further know that they are without any abiding substance that could be attributed to a deity manifesting itself to his mind. Therefore, the Buddhist’s conclusion must be that the highest mystical states do not provide evidence for the existence of a personal God or an impersonal godhead."

- Buddhism

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"But who cut the Bamian, still more colossal, statues, the tallest and the most gigantic in the whole world, for Bartholdi’s “Statue of Liberty” (now at New York) is a dwarf when compared with the largest of the five images. Burnes, and several learned Jesuits who have visited the place, speak of a mountain “all honeycombed with gigantic cells,” with two immense giants cut in the same rock.... Central Asian traditions say the same of the Bamian statues. What are they, and what is the place where they have stood for countless ages, defying the cataclysms around them, and even the hand of man, as in the instance of the hordes of Timoor and the Vandal-warriors of Nadir-Shah? Bamian is a small, miserable, half-ruined town in Central Asia, half-way between Cabul and Balkh, at the foot of Kobhibaba, a huge mountain of the Paropamisian (or Hindu-Kush) chain, some 8,500 feet above the level of the sea. In days of old, Bamian was a portion of the ancient city of Djooljool, ruined and destroyed to the last stone by Tchengis-Khan in the XIIIth century. The whole valley is hemmed in by colossal rocks, which are full of partially natural and partially artificial caves and grottoes, once the dwellings of Buddhist monks who had established in them their viharas. Such viharas are to be met with in profusion, to this day, in the rock-cut temples of India and the valleys of Jellalabad. It is at the entrance of some of these that five enormous statues, of what is regarded as Buddha, have been discovered or rather rediscovered in our century, as the famous Chinese traveller, Hiouen-Thsang, speaks of, and saw them, when he visited Bamian in the VIIth century. When it is maintained that no larger statues exist on the whole globe, the fact is easily proven on the evidence of all the travellers who have examined them and taken their measurements. Thus, the largest is 173 feet high, or seventy feet higher than the “Statue of Liberty” now at New York, as the latter is only 105 feet or 34 metres high. The famous Colossus of Rhodes itself, between whose limbs passed easily the largest vessels of those days, measured only 120 to 130 feet in height. The second statue, cut out in the rock like the first one, is only 120 feet (15 feet taller than the said “Liberty”).† The third statue is only 60 feet high — the two others still smaller, the last one being only a little larger than the average tall man of our present race. The first and largest of the Colossi represents a man draped in a kind of toga; M. de Nadeylac thinks (See infra) that the general appearance of the figure, the lines of the head, the drapery, and especially the large hanging ears, point out undeniably that Buddha was meant to be represented."

- Buddhas of Bamiyan

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"The princes of Bamiyan were converted to Islam probably during the time of Abbasid dynasty, either in the ron of al-Mansur (755-775 A.D.) or in that of al-Mahdi (775-785A.D.).* The conversion of the Bamiyan princes to Islam must have created dismay and a dreadful impact on the fate of the monks and monasteries of this locality. Whether it was on account of the vehment Islamic zeal that led to the persecusion of Buddhists resulting in indiscriminate massacre of the monks and wanton destruction of the monasteries, and presumably some being converted to Islam by persuasion or under pressure, it is remarkable to note that the prince of Bamiyan, after his conversion from Buddhism to Islam, and so also the members of his dynasty enjoyed an influencial position in the court of Baghdad; and the prince of Bamiyan was appointed as the Sher(Ruler) of Bamiyan. In 844 he was also appointed as the Governor of Yaman. The Buddhist community had been left forlorn with no choice but to adopt Islam. In 256 Hizri i.e. 869-870 A.D. Bamiyan was again stormed by Yakub-bin- Laith resulting in the destruction of the images and other embellishments of this great monastic establishment. In the following years he removed some of the beautiful and precious images to Baghdad.! It seems that those images of the Buddha which once adorned many of the niches and which are not now traceable, were then removed from there and despatched to the capital. It also seems possible that the gems and jewels which were studded on the colossal images were also removed. The images suffered much damage, their hands were mutilated and, in particular their noses were battered.2 The dismembering of the colossal images must have continued for a long time on account of the Islamic abhorrence for idols of all kinds. In 970 A.D. Bamiyan witnessed another invasion by Alaptagin, the Turkish Governor of Balkh along with his slave Subaktgin. No doubt, the remaining glamour of Bamiyan was further obliterated, and many embellishments and images which escaped earlier rampages also suffered a lot. The prince of Bamiyan was taken captive. It is well known that Subaktgin, who later founded the Ghaznavi dynasty, was fanatically zealous to propagate Islam. He probably caused more havoc than others; and during his reign Islam was permanently established throughout Afghanistan. In 1222 the armies of Changiz Khan again invaded Bamiyan and caused widespread devastations, leaving nothing untouched except the inaccessible images of the Buddha. The damage to colossi did not stop then, rather they suffered destruction in the middle ages too. Aurangzeb, the Indian Mughal emperor (1658-1707 A.D.) who is noted for his religious fanaticism, ordered cannon-shots to be fired at the colossal images of the Buddha, signs of which can still be seen on them."

- Buddhas of Bamiyan

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"Richard Lannoy, the most scintillating interpreter of Indian culture to date, writes: At first sight it is the genial “Buddhist humanism” which strikes the visitor Itothe fresco caves]. Yet these reassuringly human scenes are not quite what they seem to be. For one thing, even the best preserved are exceedingly elusive to “read”; one must make an appreciable effort to slow down one's reading of their visual language in order to perceive the spatial and tactile relations established between the figures. There is no recession - all advance towards the eye, looming from a strange undifferentiated source to wrap around the viewer. This is not an optical illusion of cave-light; on close examination it will be found to result from a controlled use of almost equal tones in the variation of local colour. A patch of green, say, juxtaposed to a patch of red, is of very nearly the same tonality when photographed in monochrome. Because of this tonal equality one is constantly discovering new figures which were unseen through the deliberately unaccented or “suppressed” tonality of detail, and the tempo of this slow discovery is very precisely calculated. Every figure has a counterfigure, every body an anti-body. Each figure is inseparable from its environment. The optical basis of this technique is very simple and is frequently used by Bonnard, Vuillard, and Matisse to obtain a hallucinating, visionary effect; the later, psychedelic poster artists made a trick of it. One can assume that the Ajanta painters discovered the effect under similar lighting conditions. There is one vital difference, however; at Ajanta there is no source of light in the caves, a fact which says much about the metaphysic of the cave sanctuaries. Objects are their own light when experienced by all the senses in harmony, and such harmony was the goal of the cave ritual. When viewed by flickering light, as was intended, only' fragmentary glimpses of the colours and lines of the objects depicted can be obtained. A body undulates towards the eye from an indistinguishable blur; moments (perhaps minutes) later, a second body wells out of the blur and is seen to be intertwined with the first. The viewer is so involved in this optical assimilation that his relation to the other figure only proceeds gradually from the tactile to the emotional recognition of its significance. It cannot be reduced to verbal interpretation, as it is pure tactile sensation."

- Ajanta Caves

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"Therefore, you should be revulsed by such a body. You should despair of it and should arouse your admiration for the body of the Tathagata. Friends, the body of a Tathagata is the body of Dharma, born of gnosis. The body of a Tathagata is born of the stores of merit and wisdom. It is born of morality, of meditation, of wisdom, of the liberations, and of the knowledge and vision of liberation. It is born of love, compassion, joy, and impartiality. It is born of charity, discipline, and self-control. It is born of the path of ten virtues. It is born of patience and gentleness. It is born of the roots of virtue planted by solid efforts. It is born of the concentrations, the liberations, the meditations, and the absorptions. It is born of learning, wisdom, and liberative technique. It is born of the thirty-seven aids to enlightenment. It is born of mental quiescence and transcendental analysis. It is born of the ten powers, the four fearlessnesses, and the eighteen special qualities. It is born of all the transcendences. It is born from sciences and superknowledges. It is born of the abandonment of all evil qualities, and of the collection of all good qualities. It is born of truth. It is born of reality. It is born of conscious awareness. Friends, the body of a Tathagata is born of innumerable good works. Toward such a body you should turn your aspirations, and, in order to eliminate the sicknesses of the passions of all living beings, you should conceive the spirit of unexcelled, perfect enlightenment."

- Buddhism and the body

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"Good people, this body is impermanent, without durability, without strength, without firmness, a thing that decays in a moment, not to be relied on. It suffers, it is tormented, a meeting place of manifold ills. Good people, no person of enlightened wisdom could depend on a thing like this body This body is like a cluster of foam, nothing you can grasp or handle. This body is like a bubble that cannot continue for long. This body is like a flame born of longing and desire. This body is like the plantain that has no firmness in its trunk. This body is like a phantom, the product of error and confusion. This body is like a dream, compounded of false and empty visions. This body is like a shadow, appearing through karma causes. This body is like an echo, tied to causes and conditions. This body is like a drifting cloud, changing and vanishing in an instant. This body is like lightning, barely lasting from moment to moment. This body is like earth that has no subjective being. This body is like fire, devoid of ego. This body is like wind that has no set life span. This body is like water, devoid of individuality. This body has no reality but makes these four elements its lodging. This body is void, removed from self and self's possessions. This body is without understanding, like plants or trees, tiles or pebbles. This body is without positive action, blown about by the wind. This body is impure, crammed with defilement and evil. This body is empty and unreal; though for a time you may bathe and cleanse, clothe and feed it, in the end it must crumble and fade. This body is plague-ridden, beset by a hundred and one ills and anxieties. This body is like the abandoned well on the hillside, old age pressing in on it. This body has no fixity, but is destined for certain death. This body is like poisonous snakes, vengeful bandits, or an empty village, a mere coming together of components, realms, and sense-fields."

- Buddhism and the body

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