Authors from Canada

"I would put my pilot out on the Internet in a heartbeat. Want five more? Come buy the boxed set."

"There are two novels that can change a bookish fourteen-year old's life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs."

"This...is why screenwriting pays so well. They don't pay me to write. I'd write for free. They pay me NOT to punch people in the neck."

"Pedophiles are almost certainly "born that way". Again, we go to evolutionary conditioning. Seek the youngest, strongest, most healthy, for breeding purposes. A sure (or as sure as it gets) way to guarantee the survival of your genes. Pedophilia also brings along a big heaping helping of learned responses, however. In a society like ours, where "normal" sex is considered by many to be filthy and disgusting, "abnormal" sex is of course even moreso. "Abnormal" in this case meaning anything—even simple physical attraction—that is not "age-appropriate", heterosexual, and strictly for procreation. Preferably missionary position. Thus, any confused individual who finds himself attracted to young girls is likely to find himself attracted to increasingly younger girls, as part of his pattern of self-loathing. So much emotional torment—in victims and victimizers—would surely be set aside if our society was sexually liberated enough to even be able to say "Sure, it's okay to be attracted to eleven year olds. Just don't do anything about it!" (2010)"

"Imagine, 24 pages of superhero adventures produced by the same writer and artist every month!! How did they do it? (What? By being professional about it? But that's too much like work!) (2008)"

"One of the things that kept most comics from being monthly was that very few artists could produce 24 pages per month. Jack Kirby was very much the exception to the rule, but his towering presence at Marvel started to dictate the whole shape of the industry—and that's where problems set in! (2008)"

"Tom Strong and the rest of the ABC bunch leave me cold for a lot of reasons. First—and I realize this is purely subjective, but what isn’t?—I find a smugness, a condescension that reads to me as nostalgia being done by someone who is not in the least bit nostalgic. Almost as if Moore sits down to write and flips his brain 180°, so he’s not really writing what he feels or what he likes, just the exact opposite of what he would usually write. Also, there is the whole pastiche/homage/whatever thing. I find this really annoying. Not just when Moore does it. I can look back on elements of my own work and be annoyed at myself for going down that path. I only did it on rare occasions, tho. Moore has turned it into a career. So much so, that in the post-Watchmen era I have trouble calling to mind much that he has done that was not based on someone else’s previous work. I am not the most original guy on the block, but at least when I do Superman, I do Superman. I suppose a lot of this could simply be the bad taste his earlier work left for me. All that tearing down and “deconstructionism.” All that revealing of the flaws and feet of clay, not a bit of which has served the industry in any positive way, and, in fact, has left huge scars across it, like the ones left in the landscape by open pit mining."

"1963 was an insult to all the craftsmen who actually worked to produce American comics in that period. I was appalled—and deeply saddened—by the number of “fans” who embraced the series as a “brilliant evocation” of the comics I’d read as a kid. I tried to tell myself the “success” of 1963 merely served to indicate how hungry fans were for “old fashioned” superhero comic books. So much so that they would embrace travesty as tribute. But eventually I came to see this as yet another harbinger of what was to come—of the ever increasing legions who are embarassed to be caught reading superhero comics, and so would rather see them mocked (or changed beyond recognition, as with current M*****) than simply move on and make room for readers who are happy to enjoy them for what they are. (2005)"

"I get no sense from Morrison’s work that he has any “love for the genre.” I get the same vibe I get from Moore—a cold and calculated mixing of ingredients the writer knows the fans like, but to which the writer himself has no eviceral [sic] connection. Nostalgia without being nostalgic, as I have dubbed it. (2004)"

"Being an immigrant myself, I have something of an insight, I think, into the way Clark’s mind works. I was born in England, and I am proud of my English heritage (I was also quite a lot older than Kal-El when I left “home,” so my connections would be stronger) but I grew up in Canada and I have lived for the last 25 years in the US, and I don’t ever—ever—feel like a “displaced Englishman.” Clark would be proud, too, of his Kryptonian heritage, but later portrayals of him have tried to shoehorn in too much of the pychobabble of adopted children longing for and seeking out their biological parents. Excuse my French, but to me, they fall under the heading of “ungrateful little sh*ts.” Clark grew up as human, thinks as a human, reacts as a human. He lives and loves as a human. And that is what really defines him. (2005)"

"When working with existing “franchises,” any good writer will return to the source material from time to time, to see if s/he can divine from that work something that might have been missed before. This is true whether the work is good, bad, or indifferent. The best place to start, however, no matter what the context, is not by saying “the creator didn’t get it right.” That’s the worst kind of hubris. I have been pilloried for my work on Superman, Spider-Man, Doom Patrol, and in the early days even FF and X-Men, yet I have never once said the creators of those series/characters “didn’t get it right.” It disgusts me not only to read Gaiman saying this—about Jack Kirby of all people!—but to see the cartwheels people are willing to turn in order to make his words seem other than what they are. Apparently, dissing one of the greatest talents this industry has produced is okay, as long as you’re on the Approved List. Next, how Eisner screwed up the Spirit, and Lee and Ditko on Spider-Man—what the heck were they thinking?? Maybe you should keep in mind, then, that the only person who knows if a creator “got it right” is the creator himself. Unless Kirby told Gaiman he felt he didn’t “get it right” on The Eternals, it’s pretty f***ing arrogant of Gaiman to make such a statement. “Kirby didn’t get it right, and I probably won’t either” sound like it should read “I don’t want to do this series.” (2006)"

"As I have noted elsewhere, and with the clarity of hindsight, I think Stan and Jack made a mistake when they decided to make Thor the “real” Thor. “Whosoever holds his hammer, if he be worthy, shall possess the power of Thor(r)!” That was really all I needed to know. But, of course, the rest of the Norse mythology began appearing early on, so it was only natural (if a tad anal) that fans should start writing in wondering what had happened to the real Thor. (2007)"

"...were I in charge of either of the Big Two, my “solution” to the ills of the industry would be to “reset” all the books to where they were at some arbitrarily chosen point in time. Usually I say 1976, for many reasons good and bad. Mostly because that’s the last year when, while actually still working in the Biz, I really still felt like a fan. (2007)"

"To harken back to the pre-Crisis days is to play to exactly what I find most wrong with DC these days—their idea of “innovation” is to press “rewind”. And that is most definitely catering to the “old” crowd. (2007)"

"As I have said many times, I don’t care if they wipe away every trace of every book I have ever worked on. I just wish they’d stop doing so by pressing the “rewind” button. That’s just creative bankruptcy. (2005)"

"If ^^***** had the stones they’d say “Screw continuity! As of January 2007, we’re hitting ‘rewind’ and resetting all the books to where they were in 1972—just set in modern time.” No “cosmic events,” no 100 issue crossovers. Just an editorial fiat, like Man of Steel. Only way to get things done. (2006)"

"I’d go back to 1975. I commented elsewhere, recently, that pressing the “rewind” button would be a good idea, as long as it was done across the board, and not piecemeal or in stealth mode, a la “Birthright.” Take all the characters back to their status quo circa 1975, but set the stories now. Since the most anal-retentive fanboys need “explanations” for everything, have the Shaper of Worlds do it at M*****. Not sure who’d be up for the job at DC. (2004)"

"I have noticed that people have begun referring to Christopher Reeve as a hero. I do not wish to take away one iota of the courage he must have needed not to wake up screaming every single day, but the hard truth is there was nothing heroic in what happened to him or how he dealt with it...In fact, as far as how he dealt with it he didn’t even have a choice. We could imagine he spent every hour of every day when not in front of the cameras begging family members to simply kill him and get it over with—but none of them did so he had no choice but to deal with each day as it came.* Heroism I believe involves choice. *Not in any way suggesting this is what was happening, just in case there are those who are paralyzed from the neck up who might be reading these words... (2004) —Comments four days after the actor’s death"

"There are lots of people who call black people “niggers.” Are both terms “right”? You seem to have missed the rather important point that my response indicated roughly the same percentage of fans and pros use the improper terms for various elements of what we do—but that percentage does not approach a balance. It is not that roughly half say “balloon” and half say “bubble.” It is that some say “bubble” and they are wrong."

"Um...in point of fact there are plenty of people who use the word “nigger” because that is the word they use, not because they imagine it has any negative racial connotations. That’s precisely why I chose that word as my illustration."

"The Onion lost all credibility for me a while back when they did a “story” on the Hudson River cleanup GE was forced to do. As some of you may recall, one of my neighbors is a GE veep, and he was directly in charge of this, so from him I found out all kinds of details the press did not bother to pass along to the public. Since The Onion apparently gets its info from other papers, the story was full of inaccuracies. What are they, Michael Moore? Anyway, I stopped reading The Onion from then on. (2005)"

"Okay, time for me to rain on this parade. I didn’t know he had kids. Young kids. This alters the mix considerably. This makes him an asshole. Cops and firemen, to name but two, place their lives on the line every day to protect others. There was nothing Steve Irwin was doing that he could not have done—as did, say, David Attenborough—without putting his life at risk. This takes this from tragedy to stupidity, and, worse, irresponsibility."

"I am glad this asshole is dead. Sorry for his wife and kids, but relieved they are in no further danger from his lunacy!"

"This guy should have been taken out of the croc pen, had his kids taken from him, and been thrown in the deepest, darkest, dankest pit the Australian judicial system has to offer. Preferably after being skinned alive. Asshole is too good a word. (2006)"

"John Byrne is tired of stepping up to the plate. John Byrne is tired of “doing the right thing” and getting f**ked up the ass for his troubles. John Byrne is tired of being lied to. John Byrne is tired of you. (2006)"

"No. Sorry, but no. I fully appreciate how much “trouble” I will get into for this, but no. I cannot let this pass without comment. Using the only hours past death of your own mother to make a point about a comic book story? There are not sufficient words in the English language to properly express my disgust. (2008)"

"Any opinion—even an informed opinion—expressed from behind the shelter of a screen name is rendered automatically invalid, as far as I’m concerned. Courage of one’s convictions is one of the few things that make people worth the powder to blow ’em up. And, after all, no one would be getting up in arms if I was posting as FuzyBuny and not letting anybody know who I really was. Internet cowards are among the lowest of the species. Grow some f***ing balls, you losers! (2006)"

"To think that the internet allowing fans to feel that they are “not alone as readers” plays to the “clubhouse” mentality that is a large part of what’s wrong with comics today. When you have isolated fans, reading the books on their own and not knowing (or much caring) if anybody else is, then the prime reason for reading is enjoyment—it’s all about the books themselves. It’s not about “getting together” with fellow fans to dissect and deconstruct..."

"There had been fan clubs before. The Merry Marvel Marching Society shamelessly stole its name from the Mary Marvel Marching Society. I was, myself, a member of the Supermen of America. What was key to these, tho, was that the fans who belonged were not truly interconnected. There was a sense of being part of a greater whole, but the hobby itself remained largely solitary. Which, the history of the industry seems to teach, was a good thing. (2007)"

"If you had paid any attention, instead of just scanning for places you can display your sparkling wit, you might have noticed that I use this forum in much the same way firemen use fire to fight fire. But, since you ask, I can shut it down for you. (2007)"

"Usually, I am quick to point out how the internet would have had a profoundly negative effect—as it does today—if it had been in place twenty, thirty, forty years ago. How things like the DC rebirth in the 1950s would have most certainly died aborning had internet chat rooms and forums been around, where a small group of vocal fans could make themselves seem like an army screaming against this utter abandonment of cherished “continuity.” (2007)"

"I kinda wish the internet had been around. Or at least some major force that could have screamed “Why are you turning Magneto into a half-assed clone of Doctor Doom?” and cataloged each and every way in which this transformation violated the long standing continuity. (2007)"

"Aliens 3 [sic] is everything that’s wrong about Hollywood, from an incorrect title (it’s Aliens 2)...[after being shown that the title was, indeed, Alien3]...Aliens 3 or Alien 3—title is still wrong. (2007)"

"It’s too late for someone to steal this story now, I suppose. I intended Doom to return to Latvaria and absolutely freak out when he discovered what his robots had done to Kristoff. Basically—he’d need a whole lot of new robots by the time he calmed down. And then he would devote a whole lot of time and energy to restoring Kristoff. (I had not decided if he would be successful. Part of my brain wanted him to realize he needed the help of the other smartest guy on the planet—and there was no way he could ever go there!) (2007)"

"Oh—and “but it’s a good story” is the biggest load of crap ever foisted on the reading audience. Any story which deliberately violates core concepts and themes of original materials is not, by definition “a good story.” Time some people pulled their heads out of various writers’ asses and realized that. (2006)"

"Androids (i.e., artificial humans) tend to blur the line between living and non-living. Especially in a case like the Human Torch, where his origin tends to establish him as something much more than a clever assemblage of non-organic parts. The “instability” which originally caused him to burst into flame spontaneously indicates there’s an unknown factor involved. Push come to shove, I would put Jim Hammond into his own category, and grant that, altho he is “not of woman born,” he is, in a true sense, alive. In other words, not a toaster. (2006)"

"The question becomes, I suppose, one of value. Knowing that the Vision’s complete personality/memory/intelligence was downloaded into a computer in Titan (was it Titan? Memory blurs) allowed me to scrape his brain in my VisionQuest story, since everything could be restored with a literal flip of a switch. Should something that can be so easily copied and retrieved be treated as having the same intrinsic value as a human being? Should any of the human Avengers, for instance, ever risk their lives on behalf of the Vision? My vote would be no (as some of you have probably already guessed)—but I would say that even if it were not possible to restore or “save” the Vision in any other way. He is a “toaster.” (2006)"

"I have no interest in this grave robbing. (2008)"

"Byrne has developed a noticeable online presence, with his own website and forum, on which he is a participant and moderator, and a column, titled “In My Humble Opinion” [sic], which has run at both Slush Factory and UGO.online. His comments and statements, both online, and through the years in print, have gained Byrne a reputation as a controversial figure. Whilst noted as “one of if not the most longstanding and prolific writer/artist in comics today” Byrne has also gained a reputation for engaging in feuding with other comic book creators, being accused of getting into such conflicts with Peter David, Jim Shooter, Joe Quesada, Mark Evanier, and Marv Wolfman [http://www.comicbookresources.com/columns/index.cgi?article=1941, whilst in 2003, Byrne and Erik Larsen got into an argument, which saw Byrne claiming, “You can tell when Erik is saying something stupid—his lips move” and Larsen calling Byrne “a habitual liar.” Rich Johnston has noted the feud as ending with Byrne issuing a “non-apology apology” [http://www.comicbookresources.com/columns/index.cgi?article=1696."

"At the Dallas Fantasy Fair, during a panel discussion Byrne made unflattering comments about a number of industry figures, including Gene Colan, Lynn Graeme, Marv Wolfman, Len Wein, and Roy Thomas. After a transcript of the panel was published in The Comics Journal #75 (September 1982), Thomas threatened a libel suit if Byrne did not apologize. In a letter printed in TCJ #82 (July 1983), Byrne retracted his statements. He claimed he was only repeating information from Wolfman and Wein and wrote “I acted only in the office of a parrot.” ."

"Mark Waid reportedly responded to an anecdote Byrne had used in illustrating comic book terminology, Byrne recounting “...when Mark Waid stuck up his hand at a convention Q&A to ask me if ‘we can have the real Superman back’...,” by accusing Byrne of fabricating the story: “This, by the way, never happened, even though it’s become one of Byrne’s new favorite anecdotes.” Waid then went on to question Byrne’s impartiality as a moderator on his message board, noting “I’d gladly refute it more directly at the message board on which it was posted, but—at least in my experience—those who attempt to correct John’s delusional statements and borderline libels are quickly booted,” further clarifying “I have already been banned.” Waid went on to explain that a previous attempt at extracting a clarification or retraction from Byrne in reference to another matter had ended with Byrne removing Waid’s message: “...I registered, posted a response, and within ten minutes it was deleted and my membership was cancelled.” (2004)"

"In 2005, Byrne complained about his Wikipedia article, claiming it was full of “opinion, rumor and borderline libel” but did not specify what he objected to within the article. He attempted to “delete lies and troll-fodder” by removing most of the article [http://en.wikipedia.org/w/index.php?title=John_Byrne&diff=23225889&oldid=23225741, but it was soon restored. The article was revised following a complaint from Byrne to Wikipedia founder Jimmy Wales."

"If things weren't messy, or getting messy, there would be no discontent, and you wouldn't need productive thinking in the first place."

"One of the major barriers to productive thinking is the almost compulsive drive in most business organizations to be right."

"But as important as it is to see what's going on, it's unlikely that merely understanding the situation will do much to improve it. If you're interested in change, you need to develop a sense of possibility."

"No matter how dysfunctional the present, no matter how sensible the reasons for change, most people and organizations would rather wring out the old than ring in the new."

"Unless a potential future incorporates a powerful emotional pull, it will have great difficulty overcoming the gravitational pull of the past."

"Giving ourselves permission to imagine allows us to access a huge resource of cognitive capacity that we often ignore."

"As soon as you establish concrete intention, you begin to notice all kinds of things in your world that relate to that intention. Ideas and opportunities seem to appear from nowhere, almost as though by magic."

"In my experience one of the most common causes for programs, products, and change initiatives that don't work is that the wrong question has been asked."

"When you try to generate ideas, think of yourself as a sales person knocking on a whole subdivision of doors. Some won't open at all, some will open a suspicious crack, and some will slam in your face. But the more doors you knock on, the greater your chances of being invited in."

"The only dumb idea is, quite literally, the one that is unspoken."

"If you let it, your mind will celebrate new stimuli by automatically making dozens of unexpected connections for you. If you pay attention to them, you may discover the answer you've been looking for."

"Even though you may have started out saying you wanted imaginative, novel ideas, the tendency to drift back into the conventional is powerful."

"Preliminary ideas are often weak and impure, and need to be driven through a forge in order to become powerful, workable solutions."

"Ideas are mutable. They are always capable of growing. Each time we look at them, we can see something new. We just need to give ourselves permission to do so."

"In the heat of the moment, it can be all too easy to generate solutions that take on a life of their own, without reference to the core values of the people developing them or those expected to implement them."

"We think the more detailed and exhaustive our plans, the more likely the future will actually mirror our vision. But it rarely even comes close."

"As in any discipline, to become good you need first to learn the rules. To become great, you need to break them."

"Often the true causes of our discomfort are so integral to our environment that we fail to recognize them."

"Sometimes it's just not practical to go through the effort of creating a new solution when an existing solution will do the job almost as well."

"Training, as practiced in much of corporate America, is an astonishing waste of resources."

"We tend to overestimate what we can do in the short term and underestimate what we can do in the long term."

"I agree. When I hear a player talking about how he "needs" to know about all the other details, I hear a player who is being adversarial to the GM and simply not trusting him to "get it right." Players like that make baby seals die and cause cancer with prolonged exposure. I don't write books for them."

"I know that when I write, I'm writing for people who can handle high-school math, read at the Grade 12 level, and appreciate subtle humor as opposed to the toilet-bowl kind. I guess that makes the lower cutoff about 17-18 years old."

"When students' language, culture and experience are ignored or excluded in classroom interactions, students are immediately starting from a disadvantage. Everything they have learned about life and the world up to this point is being dismissed as irrelevant to school learning; there are few points of connection to curriculum materials or instruction and so students are expected to learn in an experiential vacuum. Students' silence and nonparticipation under these conditions have frequently been interpreted as lack of academic ability or effort, and teachers’ interactions with students have reflected a pattern of low expectations which become self-fulfilling."

"Language and the human spirit are inextricably intertwined. We interpret the world through language. We express ourselves through language. Language is powerful. Language can bring us together or set us apart. It can be used to include — to bridge barriers between cultures, religions, worldviews — at the same time as it can be used to exclude by inflaming xenophobia and racism. Language can establish community and solidarity at the same time as it can be used to erect boundaries and divide communities. More often than not, when we turn on the TV we see language used to occlude — to hide reality — to deceive, to spin, to distract, to disempower, to reinforce us versus them conceptions of humanity. Language is no longer innocent. We can no longer conceptualize language as some kind of neutral code that can be taught in classrooms in splendid isolation from its intersection with issues of power, identity, and spirituality."

"As educators of linguistically and culturally diverse students we face choices with respect to how we view language and human potential. Is language the means of interpreting our increasingly complex world and mobilizing intellect, imagination, and identity to create new knowledge and act on social realities or is it simply a set of sounds and symbols and the codes that bind them? Can our society benefit from all the intelligence, imagination, and multilingual talent it can get or should schools develop these attributes only among a privileged elite while focusing on English-only basic skills for those constructed as incapable of independent learning?"

"Eventually, I decided that thinking was not getting me very far and it was time to try building."

"Where will we be ten years from now? CRT’s will be a thing of the past, multimedia will no longer be a buzzword, pen-based and voice input will be everywhere, and university students will still be editing with emacs. Pens and touchscreens are too low-bandwidth for real interaction; voice will probably also turn out to be inadequate. (Anyway, who would want to work in an environment surrounded by people talking to their computers?) Mice are sure to be with us a while longer, so we should learn how to use them well."

"Object-oriented design is the roman numerals of computing."

"On a related topic, let me say that I'm not much of a fan of object-oriented design. I've seen some beautiful stuff done with OO, and I've even done some OO stuff myself, but it's just one way to approach a problem. For some problems, it's an ideal way; for others, it's not such a good fit. [...] OO is great for problems where an interface applies naturally to a wide range of types, not so good for managing polymorphism (the machinations to get collections into OO languages are astounding to watch and can be hellish to work with), and remarkably ill-suited for network computing. That's why I reserve the right to match the language to the problem, and even - often - to coordinate software written in several languages towards solving a single problem. It's that last point - different languages for different subproblems - that sometimes seems lost to the OO crowd."

"Those days are dead and gone and the eulogy was delivered by Perl."

"I started keeping a list of these annoyances but it got too long and depressing so I just learned to live with them again. We really are using a 1970s era operating system well past its sell-by date. We get a lot done, and we have fun, but let's face it, the fundamental design of Unix is older than many of the readers of Slashdot, while lots of different, great ideas about computing and networks have been developed in the last 30 years. Using Unix is the computing equivalent of listening only to music by David Cassidy."

"The major things we saw wrong with Unix when we started talking about what would become Plan 9, back around 1985, all stemmed from the appearance of a network. As a stand-alone system, Unix was pretty good. But when you networked Unix machines together, you got a network of stand-alone systems instead of a seamless, integrated networked system. Instead of one big file system, one user community, one secure setup uniting your network of machines, you had a hodgepodge of workarounds to Unix's fundamental design decision that each machine is self-sufficient."

"One odd detail that I think was vital to how the group functioned was a result of the first Unix being run on a clunky minicomputer with terminals in the machine room. People working on the system congregated in the room - to use the computer, you pretty much had to be there. (This idea didn't seem odd back then; it was a natural evolution of the old hour-at-a-time way of booking machines like the IBM 7090.) The folks liked working that way, so when the machine was moved to a different room from the terminals, even when it was possible to connect from your private office, there was still a "Unix room" with a bunch of terminals where people would congregate, code, design, and just hang out. (The coffee machine was there too.)"

"The Unix room still exists, and it may be the greatest cultural reason for the success of Unix as a technology. More groups could profit from its lesson, but it's really hard to add a Unix-room-like space to an existing organization. You need the culture to encourage people not to hide in their offices, you need a way of using systems that makes a public machine a viable place to work - typically by storing the data somewhere other than the "desktop" - and you need people like Ken and Dennis (and Brian Kernighan and Doug McIlroy and Mike Lesk and Stu Feldman and Greg Chesson and ...) hanging out in the room, but if you can make it work, it's magical. When I first started at the Labs, I spent most of my time in the Unix room. The buzz was palpable; the education unparalleled."

"Syntax highlighting is juvenile. When I was a child, I was taught arithmetic using colored rods. I grew up and today I use monochromatic numerals."

"I hold to the idea that civility, understood as the willingness to engage in public discourse, is the first virtue of citizens."

"War is smaller in scale than in recent memory, but it is far more ambiguous, intractable, and nasty. Money flows more quickly than ever, but it is still somehow manages to gather and puddle in certain places, for certain people rather then others."

"We tend to think of the problems of globalization and cultural identity as peculiar to our times. In fact they are rooted in ancient problems of civic belonging."

"Books, like lives, are always unfinished even when they end, for to write is to struggle with contingency, to impose a certain false order upon the endless, and endlessly frustrating, nature of thought."

"It wasn't atheism and corruption they feared, but inquiry."

"Politics is rather the creation of the best possible polity out of the deep inner needs of its citizenry - who are only some of its members."

"Our desires are never wholly transparent, even to ourselves."

"But what I mean is not as odd as it might sound - and is by no means intended as the last word on the subject, only the first."

"Ambition is ever tempered by experience. Otherwise, fortune makes fools of us all."

"Friendship requires a leap, not of faith but of regard."

"Tyranny is abhorrent, freedom benefits all, whereas violence benefits no one for long."

"It is only through a devoted attention to the details of objects and faces in the modern urban scene, he argues, that the commodity fetish of capitalism can be effectively dispelled."

"Dreams are evidence that we are creatures who produce more meaning than we can ourselves understand."

"Socrates was likewise right that pissing people off is how we first, and maybe best, go about the business of provoking thought."

"For every apparent gain, in short, we now observe a balancing danger. This is the world we have created."

"Paradoxically, the problems of politics often arise not in the form of a problem of scarcity, but as one of abundance."

"All social space is suffused with political meanings and agendas, the very stones and walls a kind of testament to the ongoing struggles for liberation and justices."

"We are capitalism made flesh."

"How doe we create the world we want, rather than a world that just happens to us?"

"Never before, I suspect, have so many people been so rich to so little purpose."

"We don't know what the future will bring, but that's because we are ever in the process of creating it, not because it is an alien force to which we have to submit."

"YOU ARE DIVINE. This is the truth for you, but it remains meaningless on earth until you know it. “Knowing” is the state of realized experience, and this occurs as your divine nature is given expression in thought, word and deed."

"SUPREME VALUE CENTERS IN LOVE. All true values are differentiations of this supreme value. The means by which love is differentiated into the infinite variety of its divine nature may be called “truth.” Life is the evidence of the truth of love in action."

"THE COMING OF YOUR DIVINE SELF on earth dissolves the unreal state as darkness is caused to vanish before the rising sun."

"The transmutation is occurring all around us — the transmutation which is primarily taking place in the consciousness of human beings, in the de–structuring of the human consciousness. The structured forms are burned. The substance composing those structured forms is transmuted into spirit — a quality of substance within the scope of this world of space and time which may then take form according to the design inherent in the irresistible force, spiritual form."

"Nothing ever does happen in the future and nothing ever has happened in the past; the only happening is in the present moment. And yet people everywhere are so wrapped up in the past and future that the present moment tends to be overlooked. Yet this present moment is the only moment of reality; everything else is imagination. Now is the only time we can live. We can't live in the past, although some attempt it, and we can't live in the future. We live now or not at all."

"Out of the nowhere of the dimensionless state comes the differentiation of the sound of the trumpet in the dimensional state, in the now here of the dimensional state. That sound is generated first in the mouthpiece of the trumpet, and the vibration is taken up by the air contained in the whole trumpet and by the trumpet itself. This portrayal indicates a oneness, first of all between the trumpeter and the trumpet; and then the oneness between the air (the substance in the trumpet), the trumpet itself, and the sound that is being propagated."

"Never underestimate the power of spiritual expression. It is the power of fusion, bringing and holding all things together in the true design in the creative process."

"From age to age, Love's word rings forth, “The truth is true and all is well, Unconquerable life prevails.”"

"The body of the mother is the physical planet. The physical planet therefore symbolizes the mother. The body of the father is the sun. The sun symbolizes the father. Neither the sun nor the earth are the father and the mother, but they are forms representing them."

"There is the necessity for the spiritual point of focus to be embodied on earth. This is the one thing that has been lacking."

"I am incarnate—and we all may share this awareness, seeing that there is but one God and one identity—I am incarnate in the earth, in all the animate forms of the earth, and in my human form. My human form was created so that I might be consciously incarnate. Being consciously incarnate, I may be unrestricted in the expression of myself and in the fulfilment of my purposes according to my will."

"The spirit of truth says, “Remember.” And you will, if you accept the spirit of truth, allow the spirit of truth to be your expression."

"The hotel wasn't that empty, however. Soon an old man walked unsteadily out of the nearby lounge and plopped himself into a big easy chair beside the piano. There, he slowly sipped his wine and watched me play. I felt distracted and uneasy, trapped on the bench where at any moment he might request one of his favourite tunes, one I most likely did not know how to play. [...] He said me: Who will play your music if you don't do it yourself?"

"On one level, then, Cadbury can be seen as a classic example of Victorian industrial paternalism, albeit carried to greater lengths than in most other companies of the day. On another level, however, the Cadbury system resulted in a very strong, highly flexible organisation which, thanks to the strong levels of employee commitment and participation, could draw on a large bank of experience and intelligence to solve problems and undertake what amounted to continuous improvement. The employee participation system in particular meant that Cadbury was constantly upgrading its processes and products. Herbert Casson regarded Cadbury in the 1920s as one of the best-run companies in Britain, if not the world, and summed up the key to its success very succinctly: ‘At Cadbury, everybody thinks.’"

"Herbert Casson was a highly prolific writer on management, with a career as a management guru spanning some four decades. A skilled writer who was also a successful entrepreneur, he used his own experiences and acute observations of the world around him to develop a philosophy of management based on the concept of ‘efficiency’. He published more than seventy books, which by the time of his death had sold more than half a million copies around the world. Something of a maverick, he was never really accepted by the business academic community in either Britain or America. His books were popular and populist, highly entertaining and full of penetrating insight."

"Arie de Geus is a former executive with Royal Dutch/Shell who, together with Peter M. Senge, is responsible for the development of the concept of the ‘learning organisation’. In the early 1990s it was Senge, through his best-selling book The Fifth Discipline (1990), who did most to disseminate and popularise the concept. More recently, however, de Geus has produced an important body of writing in his own right, notably The Living Company (1997), in which he takes an organic and holistic view of organisations and closely links their ability to learn with the extent to which they are integrated into their environment."

"In retrospect, Mooney’s mission looks incredibly naive. It is astonishing that he could have been so close to affairs in Germany and yet not have realised the true nature of the Nazi regime; but it seems this was so. His efforts, though made in good faith, were kept secret at first, but eventually news leaked out and in the summer of 1940 PM magazine in the USA ran a series of articles accusing Mooney of Nazi sympathies and linking his meeting with Hitler to his earlier receipt of the German Order of Merit for services to industry in 1938."

"Gareth Morgan is best known as the creator of the concept of 'organisational metaphors' as a management tool. His greatest insight has been to determine that, while there is no one model of organisation that can entirely capture the essence of organisation, it is possible by means of metaphors to look at organisations from different angles and see different facets"

"Revolution without evolution is just a waste of lives."

"You cannot denounce violence in the present and encourage it in the past by glorifying violent historical figures."

"It is an irony to see in some Muslim societies someone who curses God, in his daily slang when angry, go out and protest against the Danish cartoons about the Prophet."

"Having liberated the key to a liberatory interpretation and contextualization of the Qur'an, the issue of patriarchal and misogynic interpretations of the Qur'an becomes a societal issue rather than an issue of the religion."

"We can imagine the Palestinian identity as a person born in a village prior to the introduction of modern administration; a person whose village was divided between other villages, and whose date of birth is unknown. A person that started struggling to prove she exists in the 1960s and suffers today from a weakened structure and an uncertain future."

"Nobody tells me what to do in my book. I can do whatever I wish and to whomever I want. It is fun for me. It calms the chaos inside my mind. That is why I write."

"As they say in Hindi ‘Chalti ka naam zindagi.’ Anybody who is just sitting (even on the right track) will be run over (by the train) at some point in life."

"I tried my hand at a novel around college romance, but soon figured out I was no good at it."

"The ocean of love, though vast and magnanimous in its beauty, is a treacherous place. It is riddled with strong currents pulling you towards them as you helplessly give in to their force. Drowning under them was my destiny, but floating around to admire the mesmerizing beauty of the corals underwater was my choice, for those depths felt like home—the depths of unrequited love."

"I picked the stardust you left behind and made phantoms of you in my head. I ran after the echoes of your soul—too swift for my feeble legs to catch up to. Even my shadow yearns for your lips to say my name. You steady me like an anchor in the vastness of my dark waters, yet you crumble me like a delicate flower under a roaring cloudburst. I close my eyes and dance with the memory of you. And for that moment, I am home."

"Get along with me as I don't wait for anybody. I am time , and I welcome you to the world of Kali where nothing is as it seems."

"Vyas was no less than a Purushottam. A Purushottam of the dark epoch, an era where sinners judge and punish sinners for sinning differently."

"As I continued to walk step by step, the lie of life freed me from its clutches, and the universal truth of death swept over breath by breath."

"Books give us the ability to see things from different perspectives. They educate us, entertain us, force us to think upon certain issues. And reading a book or reading, in general, is an excuse for those who are less sociable like me for not socialising much. And guess what, it works most of the times."

"Dedicated to all non-award winning, non-bestselling and self-published authors."

"Sincere thanks to all the publishers who rejected my manuscripts. Rejection is the reason behind the creation of this book."

"I think reading is an effective way of introspecting how you perceive reality and imagination. As an author, you get to know what other authors have done better and it helps hone skills."

"Whoever said, he/she is a proud non-reader of books is living in oblivion."

"It (reading) not only opens up one’s mind to a wider array of things as well, but is also a welcome relief from the monotony of the mundane world."

"I dedicate this book to all my readers, irrespective of whether they purchased my book, illegally obtained a copy, downloaded it or borrowed it from someone else. Some went ahead and directly asked me to send them a soft-copy of my book. Special salute to them as well."

"Excuse me pal! This is IELTS; you understand? This is International English Language Testing System…not a Bihar Board exam where candidates are accompanied by their friends, neighbours and relatives until they finish writing the test."

"If Bihari version of ‘Harry Potter’ would have been shot in Sitamarhi, I am sure that school (St. Joseph) would have been pictured as Hogwarts."

"Stealing is really an art, a dangerous, risky art, though."

"The moment I stood there I saw people from houses to my right, left and front were already on their balcony’s and they stared at me all at once as if I was from Jupiter. Their interrogative expression was asking me ‘who the hell are you?’ repeatedly. I did not give a damn, though."

"Either I had to get my admission in grade ninth again or else I had to do some work-around to seek for a ‘jugaad’ (hack). I chose the latter."

"The only thing appeared to be fine in most of the rooms was blackboard. It seemed black; and fine too."

"He (night-guard) was wearing an underwear and a torn vest which said ‘yeh aram ka maamla hai.’ He implemented that statement literally in his life, I could see that."

"‘Be in line and then see what’s going on!’ a fat lady shouted at me. ‘Hell yeah! you greasy piece of flesh.’ I cursed her in my mind. But ‘Yes I am going back in line!’ I shouted at her."

"I mean did we take the law, the ‘LAW’ in our hands by playing in college? What were they going to do, put a charge on us under Indian Penal Code?!"

"I too had some of the ‘Indian’ things in my bags. A pressure cooker, Parle-G, Maggi, desi ghee, underwear (a lot of them), some more Maggi, shirts, pants, socks, thermal wear, jackets, chappals, soap, some more Parle-G and the list goes on and on."

"We middle class people are all same from inside. First things first, I logged into my Facebook account and checked-in there as well. You know what, it is more important to check-in on Facebook than it is to check-in for real at the airport. Let the world which gives zero fucks to what you are doing with your life, know you can afford a plane ticket for economy class. Right?"

"Grandma asked me to confirm if I had landed in Canada and not any other country. I just pointed my camera towards the different direction where grandma could see some Sardar roaming here and there. ‘Aa ta Kanedda hi lagda hai.’ (it is Canada, indeed) grandma said in joy. We all laughed like anything."

"Gaurav is a man, man is a social being and Gaurav is not social at all. From statements one two and three we get ‘Gaurav is just a being.’ Hence proved, he mere exists."

"I don’t know where I am, what am I doing, where will life take me, how will things go, whom to talk to, what to share, what to cook, how to eat, when to sleep, what to wear, what to do and how to live. All of my known are busy making their CVs look professional and substantial. And I am figuring out the way to make my life normal and less bumpy. Forget about building strong resume. Rest assured, I am okay…I will be alright. Cheers to my life!"

"Canada harbours its own disgraceful legacy. Down through the decades, scores of federal and provincial laws isolated, dispossessed and ghettoized one racial or ethnic minority after another. Asians weren't allowed to vote in Canada until the late 1940s; federally-registered Indians had to wait until 1960... For Canada’s young Aboriginal people, it’s not clear that the arc of the moral universe is even bending in their direction at all."

"have no recourse to anything like an . The Communist Party decides if you’re guilty or innocent. The conviction rate stands in excess of 98 per cent. Torture and are commonplace. Xi has lately embarked on a vicious campaign of harassment and intimidation of activists, ethnic and religious minorities, and feminists. Scores of human rights lawyers have been rounded up and jailed."

"In these impoverished conditions, it's much easier for journalists to construe events in such a way as to uphold an ideologically rigid "narrative" than to go about the hard work of building true stories from the construction material of hard facts."

"There is something very strange and new and different that is occupying all the places where the left used to be and so these stories, it didn't really matter that they weren't true but they were weaponized, if you like, in this narrative about Canada as an irredeemably racist white colonial apartheid settler state."

"What I worry about is that the truth doesn't matter, and I think this is something that has changed from 20 years ago, it's not just that the truth doesn't matter anymore, it's that it doesn't matter that the truth doesn't matter anymore. [...] I also think that people really do want some kind of an honest assessment of things that are important. Of something grounded in fact. I think that is something that is actually necessary for a liberal democracy to function."

"I think we have to make a very important distinction between belief and knowledge. And this is something that I think is lost these days, particularly in the news media. There's actually a difference between (and we should draw attention to it when it's transgressed) [...] what we know [and] what we're expected to believe, or told to believe."

"Before I start writing I know I have at least one character who I want to work with…and I would have a vague idea of where the story might lead. Though it could change direction, I have at least a vague idea of where it might go."

"…People who know about these things say that the short story is the most challenging form, much more so than the novel, because of the precision required; sometimes you have to achieve as much as a novel in a much shorter space and period of time. Had I known that it was the most difficult of forms, I probably would not have started with the short story…"

"It appeals to me when I read it but I cannot write like that. I have tried to write like that; for a while I get really involved and enjoy it but then it all starts to feel like a pointless exercise. It is just too clever by half; I don't like clever books, I like honest books…"

"I count myself blessed that I'm able to follow this line of work. I didn't grow up with the burning ambition to be a writer - I never even thought of it as a possibility. It seemed such a huge thing, it never occurred to me that I could aspire to it."

"My mother used to say that my tones are all crooked: it’s like hearing a song sung out of tune."

"It’s one of those places you can never quite see enough of it, it’s vast. For the Chinese it’s very odd for people to travel alone so I often get picked up by families and couples. You learn a lot from what people don’t tell you."

"…Language is fragile. Words can erase and distort so many things. Justice, reason, democracy, freedom, goodness, truth—we have used these words in the service of widely different intentions. We have used them in humane ways and in deeply violent ways…"

"…There are numerous sensitive subjects in China, and writers there have to make decisions about how they’re going to create in these conditions. The resulting literature is fascinating, full of docu-fiction, allegory, and everything in-between…"

"Definitely if I am writing something that feels completely straight, I’ll sew some queerness in there, because queerness is always there. It’s like when you’re writing a cityscape, you need to write in the characters that would be there. To me, not doing that is more of a choice."

"I try to write to the story, as opposed to writing for the reader…"

"Books don’t have a nutritional value. Which is to say, we don’t just read "good" books because they’re good for us. We read to expand our horizons, to understand and connect with something outside ourselves, good and bad. We read to challenge ourselves…"

"Comics allow you to really subtly do those different perspectives without necessarily telling you explicitly what anyone is thinking, just what they’re saying or what they’re doing, which is incredibly valuable I think in storytelling."

"…I suspect that I can attribute my style to Arabic poetry…I permit myself to be overtly poetical in my writing. Maybe because I grew up in a culture that values poetry more than anything…But having said that, not all the writing is lyrical. It fluctuates to social realism sometimes, to different influences."

"…I have to be in this frame of mind where I’m feeling pity for myself, and feeling pity for the world. Once I’ve attained the summit of this, then I have to sit down and write…"

"…When I recall the war, I recall it in images, not verbally or by text. That’s what really comes to me: fragmented images, much like photographs…"

"…The responsibility, the burden, is much heavier for us. If we don’t exercise our collective imagination—and not just documentation —we’ll always be at a certain disadvantage. I think what literature could provide us with is showing other possibilities. What I fear most is homogeneity."

"[The Mythical Jesus viewpoint is] the theory that no historical Jesus worthy of the name existed, that Christianity began with a belief in a spiritual, mythical figure, that the Gospels are essentially allegory and fiction..."

"[Per writings earlier than Mark] the object of Christian faith [Jesus] is never spoken of as a human man who had recently lived, taught, performed miracles, suffered and died at the hands of human authorities, or rose from a tomb outside Jerusalem. There is no sign in the epistles of Mary or Joseph, Judas or John the Baptist, no birth story, teaching or appointment of apostles by Jesus, no mention of holy places or sites of Jesus’ career, not even the hill of Calvary or the empty tomb. This silence is so pervasive and so perplexing that attempted explanations for it have proven inadequate."

"[The Epistle to the Hebrews chapter 8, verse 4] contains a grammatically ambiguous statement in the Greek: it says either that “If Jesus were on earth [meaning now], he would not be a priest” or “If Jesus had been on earth, he would not have been a priest.” [...] What my analysis does is show that, within the context of the passage and through deductive reasoning, the present sense, allotting the statement to the present time, cannot be supported; in fact, it can be shown that the author can only be applying it to the past."

"[In the Gospels] many elements of the Jesus story [depend] on passages and motifs from the Jewish scriptures. [...] John Shelby Spong (in his Liberating the Gospels) regards the Synoptic Gospels as midrashic fiction in virtually every detail, though he believes it was based on an historical man."

"It is my belief that the early descriptions of Mecca and its mountains do not fit the Mecca of today."

"Sometimes, I confess, Starlight seems too sharp, And like the moon I bend my face to the ground, To the small patch where each foot falls, Before it falls, And I forget to ask questions, And only count things."

"In almost all other games you pit yourself against a mortal foe; in golf it is yourself against the world: no human being stays your progress as you drive your ball over the face of the globe."

"Most of the difficulties in golf are mental, not physical; are subjective, not objective; are the created phantasms of the mind, not the veritable realities of the course."

"Golf is a game in which attitude of mind counts for incomparably more than mightiness of muscle."

"It is not a wrestle with Bogey; it is not a struggle with your mortal foe; it is a physiological, psychological, and moral fight with yourself; it is a test of mastery over self; and the ultimate and irreducible element of the game is to determine which of the players is the more worthy combatant."

"Golf is more exacting than a a steeple-chase or the half-mile."

"There are more "Don't's" in golf than there are in any other avocation in life."

"Don't worry about your caddie. He may be an irritating little wretch; but for eighteen holes he is your caddie."

"Golf is more exacting than racing, cards, speculation, or matrimony."

"Golf gives no margin: either you win or you fail. You cannot hedge; you cannot bluff; you cannot give a stop-order; you cannot jilt. One chance is given you, and you hit or miss. There is nothing more rigid in life. And it is just this ultra and extreme rigidity that makes golf so intensely interesting."

"A man to whom a woman cannot look up, she cannot love. Yet, It is marvelous how a woman contrives to find something to look up to in a man."

"Woman is a species of which every woman is a variety."

"For woman's chief want is to feel that she is wanted. Therefore it is that With women, cruelty is more easily borne than coldness. Indeed, It is astonishing how much downright cruelty a woman will stand from the man she loves or has loved."

"What women admire is a subtle combination of forcefulness and gentleness. If a woman has to choose between forcefulness and gentleness, always she will sacrifice the latter."

"All women are rivals."

"A woman can say more in a sigh than a man can say in a sermon."

"A wounded love carries a scar to the grave."

"It often gives a lady a pleasure to give her lover a pang."

"A man imagines he wins by strenuous assault. The woman knows the victory was due to surrender."

"More women are wooed for their complexions than for their characters."

"Widows rarely choose unwisely!"

"Nature's lessons are hard to learn. Harder still is it to translate Nature's lessons to others. Besides, the appeal of Nature is to the Emotions; and words are weak things (save in the hands of a great Poet) by which to convey or to evoke emotion. Words seem to be the vehicles rather of ratiocination than of emotion. ... If, in these pages, there are scattered speculations semi-mystical, semi-intelligible, perhaps even transcending the boundaries of rigid logic, I must simply aver that I put in writing that only which was given me to say."

"Never have I though so much, ever have I realized my own existence so much, been so much alive, been so much myself if may so say, as in those journeys which I have made alone and afoot. Walking has something in it which animates and heightens my ideas: I can scarcely think when I stay in one place; my body must be set a-going if my mind is to work."

"Those who think their God has revealed himself in the Canonical Books will go to their Bible; those who think he has chosen the channel of a Church will derive ghostly strength from their spiritual counsellors; but those who think the Nameless has nowhere so plainly shown himself as in his works, will seek in the face and lineaments of Nature that consoling smile which every lonely soul so miserably craves; and fortunate it is that not over his works, but only over his words, theologians so wrathfully wrangle."

"Go thou to Pan; betake thee to the fields; betake thee to the woods; pour out thy contrite heart at the altar of the universe, and thou shalt be comforted. ... Lay thy tired head on Nature's breast. ... Always there is at hand the Infinite and the Eternal: about thee, above thee, in presence of which the petty and the paltry flee away."

"Some immensity of Being. It is to this that in reality all Nature points. The clouds, the skies, the greenery of earth, the myriad forms of vegetation at our feet, stir as these may the soul to its depths, they are but single chords in the orchestra of Life. It is the great pæan of Being that Nature chants. ... Through them it is that we detect the enormous but incomprehensible unity which underlies this incommensurable multiplicity. The wavelet's plash; the purl of the rill; the sough of the wind in the pines—these are but notes in the divine diapason of Life, of Life singing its cosmic song, unmindful who may hear.—Alas, that so few hear aught but a thin and scrannel sound!"