356 quotes found
"[chased by Razoul and his guards] All this for a loaf of bread?"
"[looks out at the window to see the Sultan's palace] Someday, Abu, things are gonna change. We'll be rich, live in a palace, and never have any problems at all."
"[followed by Jasmine when she's going home with Aladdin and Abu] Almost there"
"Abu, this is no time to panic! [gasps and sees a cliff] Start panicking!"
"[to Genie, regretfully] Genie, I can't keep this up on my own. I...I can't wish you free."
"[facing Jafar] Are you afraid to fight me yourself, you cowardly snake?!"
"[to Abu, when feigning insanity] Oh, wise Sultan! How may I serve you?"
"[to Aladdin] I'm a fast learner."
"[to Aladdin as Prince Ali] Just go, I mean, jump off the balcony!"
"I am not a prize to be won!"
"It's all my fault, Rajah. I didn't even know his name."
"[on Jafar who's laughing his head off hysterically] Oh, boy. He's cracked. He's goin' nuts! Jafar! [pounds on Jafar's turban] Jafar! GET A GRIP!!! [Jafar grabs him toughly around the throat which causes his head's blood circulation] Good grip."
"[going as a flamingo, turns around and finds a real flamingo smiling in his face] Ya got a problem... [hits the flamingo with his right stilt, and the flamingo falls into the water] Pinky?! Jerk. [laughs maniacally, removes his flamingo disguise, sneaks into the palace, and gets the lamp] Boy, Jafar's gonna be happy to see you! [mimics Jafar] Excellent work, Iago! [in his normal voice] Aw, go on! [as Jafar] No, really. I mean, dead seriously. On a scale of 1 to 10, you are an 11. [in his normal voice] Oh, Jafar, you're too kind. [flies away with the lamp] I'm embarrassed. I'm blushing."
"[to the Sultan while shoves many crackers into his mouth as his serious payback] Puppet ruler want a cracker?!"
"[after coming out of his lamp] Oy! [feels a pain in his neck] 10,000 years will give you such a crick in the neck!"
"[stomps his foot in front of them] Excuse me? Are you lookin' at me? Did you rub my lamp? Did you wake me up? Did you bring me here? And all of a sudden, you're walkin' out on me?! I don't think so! NOT right now! YOU'RE GETTIN' YOUR WISHES, SO SIT DOWN!!"
"[after transforming Aladdin into a prince] He's got the outfit. He's got the elephant. But we're not through yet! Hang on to your turban, kid! We're gonna make you a star!"
"[as a cheerleader begrudgingly waving a small white flag] Jafar, Jafar, he's our man, if he can't do it, [screaming bloody murder] GREAT!!!!"
"Allow me, ten thousand years in the Cave of Wonders ought to chill him out! [flicks the lamp to the desert]"
"[to the audience when he pushes up a "The End" scene to a blank white one] Made you look."
"[post credits scene; last lines] You have been a fabulous audience! Tell you what, you're the best audience in the whole world! Take care of yourselves! Good night, Alice! Good night, Agrabah! Adios, amigos!"
"[eyes the giant tiger head rising from the sand] At last, after all my years of searching, the Cave of Wonders."
"[after the cave closes; he chuckles and rips off the old man mask searching the disguise for the lamp] It's mine. It's all mine. I-- Where is it? No! NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!!!"
"[after Aladdin has returned with Abu and Carpet] That was... YOU!! How many times do I have to kill you, boy?!"
"I think that it's time to say goodbye to Prince A-Boo-Boo."
"Oh, Prince Achmed. You're, you're not leaving so soon, are you?"
"Oh, Jasmine. Jasmine. Jasmine. Confound it, Rajah. So this is why Prince Achmed stormed out."
"[first words] I'll have your hands for a trophy, street rat."
"[last words] I would, Princess. Except my orders come from Jafar. You'll have to take it up with him."
"[repeated line] Who disturbs my slumber?"
"Know this. Only one may enter here, one whose worth lies far within. A diamond in the rough."
"Seek thee out...the diamond...the diamond in the rough. [echoes]"
"Proceed. Touch nothing but the lamp."
"INFIDELS! YOU HAVE TOUCHED THE FORBIDDEN TREASURE! NOW YOU WILL NEVER AGAIN SEE THE LIGHT OF DAAAAAY!!!!!!"
"[singing] Oh I come from a land from a faraway place / Where the caravan camels roam / Where it's flat and immense and the heat is intense (soundtrack version: Where they cut off your ear if they don't like your face) / It's barbaric, but hey...it's home! / When the wind's from the east / And the sun's from the west / And the sand in the glass is right / Come on down, stop on by / Hop a carpet and fly / To another Arabian night! / Arabian nights / Like Arabian days / More often than not / Are hotter than hot / In a lot of good ways / Arabian nights / 'Neath Arabian moons / A fool off his guard / Could fall-and-fall hard / Out there on the dunes. [first lines] Ah, salaam and good evening to you worthy friend. Please, please, come closer... [camera pushes in on his face squishing it] Ah uh, too close, a little too close. [Camera pulls out] There. Welcome to Agrabah. City of mystery, of enchantment, [pulls a bag off of the camel and unrolls it to reveal a merchant's stand] and the finest merchandise this side of the river Jordan, on sale today, come on down! [chuckles] Look at this! Yes! Combination hookah and coffee maker, also makes Julienne fries. Will not break, will not... [breaks apart] it broke. [toss it away] Ooh! Look at this! I have never seen one of these intact before. This is the famous Dead Sea Tupperware. Listen. [lifts cover slightly and blows a raspberry] Ah, still good. [the camera pans to the right] Wait, don't go! I can see that you're only interested in the exceptionally rare. I think then, you would be most rewarded to consider...this. [pulls out an oil lamp] Do not be fooled by its commonplace appearance. Like so many things, it is not what is outside, but what is inside that counts. This is no ordinary lamp! It once changed the course of a young man's life. A young man who liked this lamp was more than what he seemed: a diamond in the rough. Perhaps you would like to hear the tale? [pours sand from the lamp into his hand, and throws it into the air which form into stars which transition into the next scene] It begins on a dark night, where a dark man waits, with a dark purpose."
"Gazeem: [last words] Uh, it is I, Gazeem, a humble thief."
"Portly Agrabah Woman: I'd blame parents, except he hasn't got 'em."
"Guard: He's got a sword!"
"Imagine if you had three wishes, three hopes, three dreams, and they all could come true."
"It is not what is outside, but what is inside that counts."
"A diamond in the rough."
"Scott Weinger - Aladdin"
"Robin Williams - The Genie/The Peddler"
"Jonathan Freeman - Jafar"
"Linda Larkin - Princess Jasmine"
"Frank Welker - Abu/Rajah/Cave of Wonders"
"Gilbert Gottfried - Iago"
"Douglas Seale - Sultan"
"Jim Cummings - Razoul/Farouk"
"Corey Burton - Prince Achmed/Necklace Merchant/Fish Merchant/Camel/Sheep"
"Charlie Adler - Gazeem/Melon Merchant/Nut Merchant"
"Carole Jeghers - Gazeem's horse"
"Phil Proctor - Royal Guards"
"The supporting characters are all depicted as nasty mean, people. While the Aladdin character, Jasmine and her father speak unaccented, standard Americanized English all the bad guys speak in foreign accents. The lesson is that anyone with a foreign accent is bad. This is horrendous racism."
"I saw something that speculates that the peddler at the beginning of 'Aladdin' is the Genie. That's true!""
"One of the things [directors] Ron [Clements], John [Musker], and I were talking about was that, originally, when he came in to the first session, he said, “Do you want me to do kind of an ethnic voice for the Genie?” And we said, “No, no, just be yourself.” And we realized later that “being yourself” for Robin Williams is like being 98 different characters at once. [Laughs]."
"Phillipe, please, steady. [enters the gate and sees Maurice's hat on the ground] Papa."
"That's funny, I'm sure there was someone... I-I-Is there anyone here?"
"He's no monster, Gaston. You are!"
"[gasps] No... no! No, please... Please don't leave me... [she sobs softly, laying her face against his chest] I love you..."
"Yes... but you must promise to stay here forever."
"The castle is your home now, so you can go anywhere you like, except the west wing. [Belle: What's in the West--] [growls] It's forbidden?!"
"[LeFou: So, how'd it go?] I'll have Belle for my wife. Make no mistake about that."
"Take whatever booty you can find, but remember, the Beast is mine!"
"If I didn't know better, I'd think you had feelings for this monster."
"What's the matter, Beast? Too kind and gentle to fight back?"
"Ma chère, mademoiselle. It is with deepest pride pleasure and greatest pride that I welcome you tonight. And now, we invite you to relax. Let us pull up a chair as the dining room proudly presents...your dinner."
"Don't you see? She's the one. The girl we have been waiting for. She has come to break the spell!"
"Couldn't keep quiet, could we? Just had to invite him to stay, didn't we? Serve him tea, sit in the master's chair, pet the pooch."
"Dinner is served."
"How would you like a nice spot of tea, sir? It'll warm you up in no time."
"Well, you can start by making yourself more presentable. Straighten up, try to act like a gentleman."
"Mama. There's a girl in the castle."
"You guys gotta try this thing."
"If no one will help me, then I'll go back alone. Yes, is that everything? I don't care what it takes. I'll find that castle and somehow, I... I'll get her out of there."
"Hitch up Philippe, girl. I'm off to the fair!"
"Tavern Man: Maurice?"
"Monsieur D'Arque: So you want me to throw her father in the asylum unless she agrees to marry you? [They both nod in agreement] Oh, that is despicable. I love it!"
"Dick: Is it a big beast?"
"Stanley: With a long, ugly snout?"
"Walter: And sharp, cruel fangs?"
"Well, [originally] when we were planning the big elaborate dance sequence that would include a moving camera craning up to the ceiling on the characters that would really have more of a live action feel to them—there was always this nagging doubt in our minds that it wasn't going to work at all (laughs). We had sort of a back-up plan just in case, if none of this works we'll just turn off all the lights and Bella and the Beast will be dancing in a little spotlight in a darkened room like an ice skating show (laughs). Fortunately, when we got the first piece of test film back, it was amazingly breathtaking, made a big sigh of relief because we knew it was going to work."
"We actually designed all the camera movement first and animated the characters to match that."
"We created computer generated stand-ins, the ballroom was sort of a chicken-wire kind of thing and Bella & the Beast were represented by these box and egg sort of things."
"You have to make all the same decisions that a live action director would have to make. Everything from where to put the camera to what the emotional tone of the scene is going to be, in addition to answering all the questions about costume design and weather and color and all the numerous elements that go into making the scene. We're there every step of the way from the very first crude character designs and early storyboards to how loud the footsteps of the Beast should be as he's walking across the marble floor. We shepherd the process from beginning to end."
"Paige O'Hara – B. la Belle the Beauty"
"Rex Everhart – Maurice"
"Robby Benson – Master B. le Bête the Beast/Prince Adam"
"Richard White – Gaston"
"Jerry Orbach – Monsieur Lumière the Candelabra"
"David Ogden Stiers – Narrator, Sir Cogsworth the Clock"
"Angela Lansbury – Mrs. Potts the Teapot"
"Mary Kay Bergman – Claudette Bimbette, Laurette Bimbette"
"Kath Soucie – Paulette Bimbette"
"Jesse Corti – Monsieur LeFou"
"Bradley Pierce – Chip Potts the Teacup"
"Kimmy Robertson – Fifi Plumette Featherduster"
"Hal Smith – Philippe B. the Horse"
"Jack Angel – Tavern Man, Tom"
"Phil Proctor – Dick"
"Bill Farmer – Stanley"
"Patrick Pinney – Walter"
"Mickie McGowan – French Peasant Woman"
"Carole Jeghers – Woman holding the baby"
"If you can't say somethin' nice.., don't say nothin' at all."
"Eating greens is a special treat. It makes long ears and great big feet. [to Bambi, aloud] But it sure is awful stuff to eat. [looks at his mother and turns to Bambi] [whispering] I made that last part up myself."
"[after thumping his foot by a old trunk] I'm thumpin'. That’s why they call me Thumper! [his echo comes on 'call me Thumper'] Thumper! [his echo comes on 'Thumper!']"
"You must never rush out on the meadow. There might be danger. Out there, we're unprotected. The meadow is wide and open, and there are no trees or bushes to hide us. So we have to be very careful. Wait here. I'll go out first. And if the meadow is safe, I'll call you."
"Yes. I know."
"Everyone respects him. He is the oldest deer to have lived. He is very brave and very wise. That's why he is known as the great Prince of the Forest."
"[her last words before she dies] FASTER, FASTER BAMBI! DON'T LOOK BACK! KEEP RUNNING! KEEP RUNNING!"
"[to Bambi after his mother died at the hands of Man] Your mother can't be with you anymore. Come, my son."
"[to Bambi] It is Man. He is here again. There are many this time. We must go deep into the forest. Hurry! Follow me!"
"The first movie I ever saw was a horror movie. It was Bambi. When that little deer gets caught in a forest fire, I was terrified, but I was also exhilarated. I can't explain it."
"Walt Disney's multiplane technicolor feature"
"Love Comes To The Forest Folk . . . and to you, in one of the world's greatest love stories !"
"Rediscover the wonder of this beautifully crafted animated film. [1982 re-release]"
"Enchanting Entertainment for Everyone! (1966 re-release)"
"BUBBLING WITH Laughter! TINGLING WITH Excitement! SPARKLING WITH Delight! (1966 re-release)"
"5 HAPPY SONG HITS... to Warm Your Heart! (1966 re-release)"
"A great love story."
"Bobby Stewart as Baby Bambi"
"Donnie Dunagan as Young Bambi"
"Hardie Albright as Adolescent Bambi"
"John Sutherland as Adult Bambi"
"Paula Winslowe as Bambi's Mother"
"Peter Behn as Young Thumper"
"Tim Davis as Adolescent Thumper and Adolescent Flower"
"Sam Edwards as Adult Thumper"
"Stan Alexander as Young Flower"
"Sterling Holloway as Adult Flower"
"Will Wright as Friend Owl"
"Cammie King as Young Faline"
"Ann Gillis as Adult Faline"
"Jon Provost as Mrs. Rabbit"
"The most delightful characters in the dog's age!"
"She's from the leash and license set... he's footloose and collar free!"
"One of the Greatest Love Stories Ever Told."
"Fall in love for the first time all over again."
"It's the doggone HAPPIEST!"
"... and NOW his Happiest Motion Picture!"
"Larry Roberts - Happy Dan the Tramp"
"Barbara Luddy - Lady, Annette, Collette, Danielle"
"Bill Thompson - Jock, Bull, Dachsie, Zoo Security Guard, Joe, Jim's Friend #1"
"Bill Baucom - Trusty"
"George Givot - Tony"
"Lee Millar - Jim Dear, Dogcatcher, Jim's Friend #2"
"Peggy Lee - Darling, Si, Am, Peg"
"Verna Felton - Aunt Sarah"
"Stan Freberg - Beaver, Pet Store Clerk"
"Alan Reed - Boris"
"Dallas McKennon - Toughy, Pedro, Professor, Hyena"
"The Mellomen (Thurl Ravenscroft, Bill Lee, Max Smith, Bob Hamlin and Bob Stevens) - Dog Chorus"
"Mel Blanc as Stray Dogs"
"Ted Cassidy as Al the Alligator"
"Bob Hamlin as Tony (singing voice)"
"Jerry Mann as the Pet Shop Assistant"
"Tommy Luske as Jim Jr. (Baby Sound Effects)"
"Donald Novis as Carol Singer"
"Thurl Ravenscroft as Dog in Pound"
"Taylor Holmes as the Doctor"
"Pinto Colvig, Clarence Nash and Earl Keen as dog and cat sounds"
"[to a baby bird] Hello there. What's the matter? Where's your mama and papa? Why, I believe you're lost. Oh, please don't cry. Come on, perk up. Won't you smile for me? [laughs] That's better. Your mama and papa can't be far. There they are! Can you fly? Good-bye. Good-bye!"
"Let's see what's upstairs. Oh, what adorable little beds! And look, they have their names carved on them. Doc, Happy, Sneezy, and Dopey. [laughs] What funny names for children! Grumpy, Bashful, and Sleepy. I'm a little sleepy myself. [yawns, lies across three of the beds]"
"March straight outside and wash, or you'll not get a bite to eat."
"[disguised as The Witch] When she breaks the tender peel, to taste the apple in my hand, her breath will still, her blood congeal. Then I'll be fairest in the land! [cackles, then pauses] But wait! There may be an antidote. Nothing must be overlooked. [looks through her book] Ah! Here it is! [reads the antidote aloud] "The victim of the Sleeping Death can be revived only by Love's First Kiss." [to herself] "Love's First Kiss..." [slams book shut] Bah! No fear of that. The dwarfs will think she's dead. She'll be buried alive! [cackles]"
"Heigh ho, heigh ho / It's home from/off to work we go!"
"The Happiest, Dopiest, Grumpiest, Sneeziest movie of the year."
"The Best Loved Musical Of All Time"
"The Show Sensation Of The Generation!"
"Walt Disney's First Full Length Feature Production"
"Behold – The Miracle Of The Movies! – Coming To Amaze You, Charm You, Thrill You!"
"The One That Started It All"
"Snow White and the Seven Dwarfs was immediately hailed as a masterpiece. (The Russian director Sergei Eisenstein called it the greatest movie ever made.) It remains the jewel in Disney's crown, and although inflated modern grosses have allowed other titles to pass it in dollar totals, it is likely that more people have seen it than any other animated feature. The word genius is easily used and has been cheapened, but when it is used to describe Walt Disney, reflect that he conceived of this film, in all of its length, revolutionary style and invention, when there was no other like it—and that to one degree or another, every animated feature made since owes it something."
"Snow White is the perfect embodiment of 1930s culture."
"Adriana Caselotti - Snow White"
"Harry Stockwell - Prince Florian"
"Lucille La Verne - Queen Grimhilde"
"Moroni Olsen - The Magic Mirror"
"Stuart Buchanan - Humbert the Huntsman"
"Roy Atwell - Doc"
"Pinto Colvig - Grumpy"
"Otis Harlan - Happy"
"Pinto Colvig - Sleepy"
"Scotty Mattraw - Bashful"
"Billy Gilbert - Sneezy"
"Eddie Collins - Dopey"
"Looks like we're eatin' caribou tonight, boys!"
"[the caribou are laughing at the wolves and start shaking their butts at them mockingly] Ugh, now that's a moon I don't wanna howl to."
"Kate's hot."
"[during the snow fight between Humphrey and Kate] Omega 1, Alpha 0!"
"Okay, so two bears are uh... eating a clown, and one of the bears says "Does this taste funny to you?"."
"I, uh... fell in love with an Omega?"
"It's okay, Dad. I understand, it's... It's my responsibility."
"[after her hunt is ruined by the eastern wolves] Great. My first hunt and I blew it."
"Oh, darn! Cause I wanted to tell you something."
"Humphrey, the train is coming!"
"[sighs] The Eastern wolves ruined Kate's hunt. [Eve growls] Luckily, the Omegas were there to break up the fight."
"Scraps and bones is no kind of dinner. Not for my pack!"
"We must defend our territory."
"I just want to say one thing. If any of you wolves have hurt my daughter, I will personally rip out your eyes and shove them down your throat so you can see my claws TEAR YOUR CARCASS OPEN!"
"W-Well, since Kate stood up Garth, I could show him around until she gets back."
"Now that's a howl."
"[about his howl] I know. It's not great, is it?"
"Dad... [referring to Lilly] I also am in love with an Omega."
"Could you do me a favor, Needles, and, um, shut the hole that makes the words?"
"You are relocated to, um... [looks at Kate and chuckles] repopulate."
"Now you will see this shot is mine."
"Gentlemen, may I introduce you to...golf? [Paddy places a ball] Fore! [he hits the ball]"
"Wolf pile!"
"Exactly! Just friends. End of story."
"I can almost taste the wind! Nah, just a bug. [he spits out a fly]"
"Forget about it, Humphrey! Kate's an Alpha now, and you're an Omega."
"I'm still gonna tear this snaggletooth fool apart!"
"[runs to Kate] Are you alright?"
"Candu was jumped by a group of Eastern wolves."
"[repeated line] Stop the insanity, go organic!"
"The African Queen is something that definitely inspired us. We looked at that. In terms of looking at other animated films, we wanted to do something unique so we veered away from copying anything animated."
"Justin Long - Humphrey"
"Hayden Panettiere - Kate"
"Christina Ricci - Lilly"
"Chris Carmack - Garth"
"Danny Glover - Winston"
"Dennis Hopper - Tony (final film voice role before his death on May 29, 2010)"
"Vicki Lewis - Eve"
"Larry Miller - Marcel"
"Brian Donovan - Salty"
"Kevin Sussman - Shakey"
"Eric Price - Paddy/Mooch"
"Paul Nakauchi - Hutch"
"Marilyn Tokuda - Claws and Janice"
"Eric Lopez - Candu"
"Mela Lee - Candy"
"Bitsie Tulloch - Sweets"
"Christine Lakin - Reba"
"Fred Tatasciore - Garn"
"Mindy Sterling - Debbie"
"Marcelo Tubert - Max"
"Nika Futterman - Porcupine"
"Jason Ortenberg & Andrew Ortenberg - Squirrels"
"Toby Huss - Truck Stop Employee"
"Steve Vinovich - Park Ranger"
"Maya Feltheimer - Bear Cub"
"Aziz Ansari - Thug (Uncredited)"
"Ben Gluck - Radio Announcer (Uncredited)"
"John Todd - Dancer (Uncredited)"
"Ayn Olivia Vaughan - Outhouse Lady (Uncredited)"
"A Pawsome 3D Adventure."
"Take A Ride On The Wild Side."
"There's A Joker In Every Pack."
"A Howling Good Time!"
"[to Engene] ?"
"[Grizzly bear roars at Flynn's Wilhelm scream] Flynn, look out!"
"Well, Byron and I love a good challenge. The idea of creating this hair, 70 feet of hair in a CGI film. When you go back and look at any other CGI film, hair is usually in a bob or it’s short, because technically it’s a pain to do. Up until this point it’s been pretty impossible at times to have people interact with it at times."
"When Glen [Keane] was doing drawing after drawing, we actually had a baseball cap with 70-foot long strands of string on it so that the animators could run around and see what that feels like. And we photographs…we had women who had never had their hair cut in 20–30 years come in and we looked at how it behaves once it gets past a certain length. What does that feel like? What’s the texture like? And, of course, we were just talking about this with one of the other guys, we had this brilliant team of technicians who were working on the hair for about six or seven years before the release of the film, and right up until the last minute we weren’t sure if we were going to be able to pull it off, because it was behaving so bizarrely. At one point it was looking like fabric, at one point it was looking like string, or synthetic nylon… it didn’t look like hair yet. All these layers that we had to add, like clumping and static electricity and now it just looks like natural, beautiful hair, but the effort behind it is mammoth."
"The braid was great because there is a point where you don’t want to think about the hair as a hindrance anymore and you just want to pay attention to her emotional journey and it was a great way to change her look mid-way through the movie. Even weaving that braid in CGI was so hard. We had to ask the woman of the studio who actually knew how to do it, we had to watch it so carefully, model it – it was nuts."
"Get tangled up."
"They're taking adventure to new lengths."
"A holiday motion picture event that takes adventure to new lengths."
"The lanterns will lead her to her true destiny."
"Mandy Moore — Rapunzel"
"Zachary Levi — Eugene"
"Donna Murphy — Gothel"
"Ron Perlman — Stabbington Brother #1"
"M.C. Gainey — The Captain of the Guards"
"Jorge Garica — Thug #4"
"Jeffrey Tambor — Thug #1 (Big Nose)"
"Alan Tudyk — Angel man"
"Brad Garrett — Thug #2 (Hook Hand)"
"Paul F. Tompkins — Thug #3 (Short)"
"Richard Kiel (last film role) — Vlad"
"Dee Bradley Baker — Pascal, Maximus"
"Well, good morning, everybody, and welcome to Day 255,642 aboard the Axiom. As always, the weather is a balmy 72 degrees and sunny, and, uh... Oh, I see the ship's log is showing that today is the 700th anniversary of our five year cruise. Well, I'm sure our forefathers would be proud to know that 700 years later we'd be... doing the exact same thing they were doing. So, be sure next mealtime to ask for your free "septuacentennial cupcake in a cup." Wow, look at that!"
"We can go back home! For the first time!"
"We have to go back."
"AUTO, EVE found the plant. Fire up the Holo-Detector."
"AUTO, get out of my way."
"What do you mean, "classified"? You don't keep a secret from the Captain."
"Tell me, AUTO! That's an order!"
"No. Wait a minute. Computer, when was that message sent out the Axiom?"
"That's... That's nearly 700 years ago! AUTO, things have changed! We've gotta go back!"
"WHAT?! IT’S COMPLETELY RELEVANT! Out there is our home! HOME, AUTO! And it's in trouble! I can't just sit out here and do nothing! That's all I've ever done! That's all anyone on this blasted ship has ever done! NOTHING!"
"I don't want to survive! I wanna live!"
"I'm the captain of the Axiom. We are going home today."
"This is mutiny! EVE, arrest him!"
"EVE, you are to put this plant straight in the Holo-Detector. NO!"
"NO! Mutiny! MUTINY!"
"AUTO! AUTO! Mutiny. Mutiny. Stupid wheel!"
"We'll see who's powerless now."
"Testing. Testing. Is this thing on?"
"Hey, this is the Captain. I am locked in my room. EVE, WALL-E, bring the plant to the Lido Deck. I'll have activated the Holo-Detector. Now, hurry! AUTO's probably gonna cut me off!"
"That's right. The plant. You want it? Come and get it, Blinky."
"Too heavy for you?! Huh?!"
"You're not getting away from me, one-eye!"
"Is that all you got?!"
"Ladies and gentlemen, this is your captain speaking! We're having a slight malfunction with the Autopilot! Please remain calm!"
"AUTO, you are relieved of duty! [switches to "MANUEL"]"
"[last lines] This is called farming! You kids are gonna grow all kinds of plants! Vegetable plants, PIZZA PLANTS! [laughs] Oh, it's good to be home!"
"Well, actually, its an animated Disney movie that takes 700 years after humans globally turned Earth into a living dumpster, inhabitable for them to live in. 700 years back humans fled in a spaceship in hopes of coming back to Earth after robots were left to "clean Earth". Unfortunately, all the robots left were never able to sustain the great damage already caused. Long forgotten about the purpose of the ship were left the humans on board with high robot technology made for them to live a luxurious life for the next 700 years. Back on Earth, Wall-E, a clean-up robot lives there. Wall-E stands for "Waste Allocation Load Lifter Earth-Class." He is a lonely, caring, and soulful robot. Wall-E although different, he is fascinated with Earth's objects that were left behind. One day a spaceship drops off a unique new high-tech robot. Its purpose...to find life on Earth. Wall-E is fascinated with this robot and follows her quietly and quite frightened, due to the robots immense power, it contains. What happens when Wall-E meets EVE ("Extraterrestrial Vegetation Evaluator") and fascinates her too with the objects of Earth, and one of them being a plant. What happens when the robots purpose is done, while stealing away the plant and getting picked up by a spaceship? What if Wall-E doesn't want her to leave?"
"I'm sorry, there's no short answer to this, but in '94 we were having a lunch about what to do next because we were finishing up Toy Story and we realized we were already behind schedule-wise if we were going to make another movie soon. So we came up with A Bug's Life from that lunch, but before we got to that, we threw out a bunch of other sort of half-baked thoughts. Some of them just were settings, like an ocean, some of them were your fears, and that's – it's fascinating to see later that they became Finding Nemo and Monsters Inc. But then we just had a character we came up with. We came up with the last robot on Earth, this robot that just keeps doing the same thing, that got left on for whatever reason, and it's just doing the same job. And I just thought that was the saddest character I had ever heard of and I just loved that and I remember Pete Docter and I couldn't drop it for a couple of weeks. We said, wouldn't it be cool if it was sort of like R2-D2, you sort of had to infer based on how it was engineered how it—it would almost be a movie about Luxo Jr. through the whole thing."
"Here's my argument. There's dialogue from frame one. Each of those beeps and those squawks and those whirs mean something and they're trying to convey a specific thing, so I wrote the script with dialogue – wrote it just like a regular script. I would just put the dialogue in brackets. So if he says 'Hey, come over here,' I wrote 'Hey, come over here' and I put it in brackets. Now it was a map for me and anybody else, for Ben Burtt, whoever. When you put in a sound, it's got to convey that. And so it was very conventional how I wrote it."
"Ben Burtt — Servicebot ADAM WALL-E, Brushbot M-O"
"Elissa Knight — Probebot EVE"
"Jeff Garlin — Captain B. McCrea"
"Fred Willard — Shelby Forthright"
"MacInTalk — AUTO"
"John Ratzenberger — John"
"Kathy Najimy — Mary"
"Sigourney Weaver — COM"
"After 700 years of doing what he was built for - he'll discover what he's meant for."
"In Space, No One Can Hear You Clean"
"He's got a lot of time on his hands."
"An Adventure Beyond the Ordinar-E"
"Miracles Do Happen And True Love Can Come True"
"Tom Hulce — Quasimodo"
"Jennifer Love Hewitt — Madellaine"
"Haley Joel Osment — Zephyr"
"Demi Moore — Esmeralda"
"Kevin Kline — Phoebus"
"Michael McKean — Sarousch"
"Frank Welker — Djali"
"Michael T. Weiss as Tarzan"
"Olivia d'Abo as Jane Porter"
"April Winchell as Terk"
"Jim Cummings as Tantor / Merkus"
"John O'Hurley as Johannes Niels"
"Jeff Bennett as Prof. Archimedes Q. Porter / Robert (Bobby) Canler"
"Alexis Denisof as Nigel Taylor"
"Grey DeLisle-Griffin as Greenly"
"Nicollette Sheridan as Eleanor"
"Tara Strong as Hazel"
"René Auberjonois as Renard Dumont"
"Frank Welker as Nuru and Sheeta"
"[realized he's goin' to be neutered] (BLEEP) me."
"Kill the squirrel!"
"[Rated G Version; realized he's goin' to be neutered] Not yet."
"[Rated G Version] Catch this squirrel!"
"[Rated PG Version; realized he's goin' to be neutered] No way."
"[Rated PG Version] Stop that squirrel!"
"[Rated PG-13 Version; realized he's goin' to be neutered] Not good."
"[Rated PG-13 Version] Eat the squirrel!"
"[to Lucky] Hey! Zip it!"
"Lucky, no! That's not a squirrel! That's a skunk!"
"Oh, (Bleep). I recognize that expression anywhere. Don't say anything."
"[Rated G Version] Oh, gosh. I recognize that expression anywhere. Don't say anything."
"[Rated PG Version] Oh, no. I recognize that expression anywhere. Don't say anything."
"[Rated PG-13 Version] Oh, rats! I recognize that expression anywhere. Don't say anything."
"Someone put this loser out of his misery."
"That was yesterday. Today, you're a mutilated freak. I'm a show dog. These are your friends now. You can all get together and lick each other's nothingness."
"No! What the (Bleep)? No! No, no, no! Uh-uh, no. Oh my God, no!"
"[Rated G Version; his last words when he discovered he's next to be neutered by his owners.] ???"
"[Rated PG Version; his last words when he discovered he's next to be neutered by his owners.] ???"
"Idris Elba - Rocco"
"- Sterling"
"- Molasses"
"Aaron LaPlante - Luther"