105 quotes found
"Creation seems to come out of imperfection. It seems to come out of a striving and a frustration. This is where, I think, language came from. I mean, it came from our desire to transcend our isolation and have some sort of connection with one another. It had to be easy when it was just simple survival. “Water.” We came up with a sound for that. “Sabretooth tiger right behind you!” We came up with a sound for that. But when it gets really interesting, I think, is when we use that same system of symbols to communicate all the abstract and intangible things that we’re experiencing. What is “frustration”? Or, what is “anger” or “love”? When I say “love” - the sound comes out of my mouth and it hits the other person’s ear, travels through this byzantine conduit in their brain, through their memories of love or lack of love, and they register what I'm saying... and they say yes they understand, but how do I know? Because words are inert. They’re just symbols. They’re dead - you know? And so much of our experience is intangible. So much of what we perceive cannot be expressed, it’s unspeakable. And yet, you know, when we communicate with one another and we feel that we have connected - and we think we’re understood, I think we have a feeling of almost spiritual communion... and that feeling may be transient, but I think it’s what we live for."
"For looking at the highlights of human development, you have to look at the evolution of the organism, and then at the development of its interaction with the environment. Evolution of the organism will begin with the evolution of life, proceed through the hominid, coming to the evolution of mankind. Neanderthal, Cro-magnon man. Now interestingly, what you are looking at here are three strings: Biological, Anthropological, development of cities, cultures, and Cultural, which is human expression. Now, what you've seen here is the evolution of populations, not so much the evolution of individuals. And in addition, if you look at the time scales that's involved here, two billion years for life, six million years for the hominid, 100,000 years for mankind as we know it, you begin to see the telescoping nature of the evolutionary paradigm. And then, when you get to agriculture, when you get to scientific revolution and industrial revolution, you're looking at 10,000 years, 400 years, 150 years. You've seen a further telescoping of this evolutionary time. What that means is as we go through the new evolution, it's going to telescope to the point we should be able to see it manifest itself within our lifetime, within a generation. The new evolution stems from information, and it stems from two types of information: Digital and Analog. Digital is artificial intelligence. The analog results from molecular biology, the cloning of the organism, and you knit the two together with neurobiology. Before, under the old evolutionary paradigm, one would die, and the other would grow and dominate, but under the new paradigm, they would exist as a mutually supportive, non-competitive grouping, independent from the external. And what is interesting here is that evolution now becomes an individually centered process emanating from the needs and the desires of the individual, and not an external process, a passive process where the individual is just at the whim of the collective. So, you produce a neo-human, okay, with a new individuality, and new consciousness, But that's only the beginning of the evolutionary cycle because as the next cycle proceeds, the input is now this new intelligence. As intelligence piles on intelligence, as ability piles on ability, the speed changes, until what? Until you reach a crescendo. In a way, it could be imagined as an almost instantaneous fulfillment of human, human and neo-human potential. It could be something totally different. It could be the amplification of the individual, the multiplication of individual existences, parallel existences, now, with the individual no longer restricted by time and space. And the manifestations of this neo-human-type evolution, manifestations could be dramatically counterintuitive. That's the interesting part. The old evolution is cold, it's sterile, it's efficient, and its manifestations are those of social adaptation. You're talking about parasitism, dominance, morality, war, predation. These will be subject to de-emphasis. These will be subject to de-evolution. The new evolutionary paradigm would give us the human traits of truth, of loyalty, of justice, of freedom. These would the manifestations of the new evolution. And that is what we would hope to see from this. That'd be nice."
"Anchors aweigh! So what do you think of my little vessel? She's what we call a see-worthy. S-E-E, see with your eyes. I feel like my transport should be an extension of my personality. Voila. And this, this is like my little window to the world, and every minute's a different show. Now I may not understand it. I may not even necessarily agree with it. But I'll tell you what, I accept it and just sort of glide along. You want to keep things on an even keel, I guess is what I'm saying. You want to go with the flow. The sea refuses no river. The idea is to remain in a state of constant departure while always arriving. It saves on introductions and goodbyes. The ride does not require an explanation - just occupants. That's where you guys come in. It's like you come onto this planet with a crayon box. Now you may get the eight-pack, you may get the sixteen-pack, but it's all in what you do with the crayons, the colors, that you're given. And don't worry about drawing within the lines or coloring outside the lines. I say color outside the lines, you know what I mean? Color right off the page. Don't box me in! We're in motion to the ocean. We are not land-locked, I'll tell you that. So where do you want out?"
"Man wants chaos. In fact, he's got to have it. Depression, strife, riots, murder. All this dread. We're irresistibly drawn to that almost orgiastic state created out of death and destruction. It's in all of us. We revel in it. Sure, the media tries to put a sad face on these things, painting them up as great human tragedies; but we all know the function of the media has never been to eliminate the evils of the world, no! Their job is to persuade us to accept those evils and get used to living with them. The powers that be want us to be passive observers. Hey, you got a match? And they haven't given us any other options outside the occasional, purely symbolic, participatory act of voting. "You want the puppet on the right, or the puppet on the left?" I feel the time has come to project my own inadequacies and dissatisfaction into the sociopolitical and scientific schemes. Let my own lack of a voice be heard. [douses himself in gasoline and sets himself on fire]"
"The reason why I refuse to take existentialism as just another French fashion or historical curiosity, is that I think it has something very important to offer us for the new century. I'm afraid we're losing the real virtues of living life passionately in the sense of taking responsibility for who you are, the ability to make something of yourself and feeling good about life. Existentialism is often discussed as if it's a philosophy of despair, but I think the truth is just the opposite. Sartre once interviewed said, he never really felt a day of despair in his life. But one thing that comes out from reading these guys is not a sense of anguish about life so much as a real kind of exuberance, a feeling on top of it. It's like your life is yours to create. I've read the post-modernists with some interest, even admiration, but when I read them I always have this awful nagging feeling that something absolutely essential is getting left out. The more that you talk about a person as a social construction, or as a confluence of forces, or as fragmented or marginalized, what you do is you open up a whole new world of excuses. And when Sartre talks about responsibility, he's not talking about something abstract. He's not talking about the kind of self or soul that theologians would argue about. It's something very concrete. It's you and me talking, making decisions, doing things, and taking the consequences. It might be true that there are six billion people in the world, and counting. Nevertheless - what you do makes a difference. It makes a difference, first of all, in material terms. It makes a difference to other people, and it sets an example. And in short, I think the message here is that we should never simply write ourselves off and see ourselves as the victim of various forces. It's always our decision who we are."
"There are two kinds of sufferers in this world: those who suffer from a lack of life and those who suffer from an overabundance of life. I’ve always found myself in the second category. When you come to think of it, almost all human behavior and activity is not essentially any different from animal behavior. The most advanced technologies and craftsmanship bring us, at best, up to the super-chimpanzee level. Actually, the gap between, say, Plato or Nietzsche and the average human is greater than the gap between that chimpanzee and the average human. The realm of the real spirit, the true artist, the saint, the philosopher, is rarely achieved."
"The trick is to combine your waking rational abilities with the infinite possibilities of your dreams. Because, if you can do that, you can do anything."
"The worst mistake that you can make is to think you're alive when really you're asleep in life's waiting room."
"A thousand years is but an instant. There's nothing new, nothing different; same pattern over and over. The same clouds, same music, the same things I felt an hour or an eternity ago. There's nothing here for me now, nothing at all. Now I remember, this happened to me before. This is why I left. You have begun to find your answers. Although it will seem difficult the rewards will be great. Exercise your human mind as fully as possible knowing that it is only an exercise. Build beautiful artifacts, solve problems, explore the secrets of the physical universe, savor the input from all the senses, filled with joy and sorrow and laughter, empathy, compassion, and tote the emotional memory in your travel bag. I remember where I came from, and how I became human, why I hung around, and now my final departure's scheduled. This way out, escaping velocity. Not just eternity, but Infinity."
"On this bridge, Lorca warns: Life is not a dream. Beware, and beware, and beware. And so many think because then happened, now isn't. But didn't I mention? The ongoing WOW is happening, right now! We are all co-authors of this dancing exuberance, where even our inabilities are having a roast. We are the authors of ourselves, co-authoring a gigantic Dostoevsky novel starring clowns! This entire thing we're involved with, called the world, is an opportunity to exhibit how exciting alienation can be. Life is a matter of a miracle that is collected over time by moments flabbergasted to be in each others' presence. The world is an exam, to see if we can rise into the direct experiences. Our eyesight is here as a test, to see if we can see beyond it, matter is here as a test for our curiosity, doubt is here as an exam for our vitality. Thomas Mann wrote that he would rather participate in life than write a hundred stories. Giacometti was once run down by a car, and he recalled falling into a lucid faint, a sudden exhilaration, as he realized at last, something was happening to him. An assumption developed that you cannot understand life and live life simultaneously. I do not agree entirely, which is to say, I do not exactly disagree. I would say that life understood is life lived. But, the paradoxes bug me, and I can learn to love and make love to the paradoxes that bug me, and on really romantic evenings of self, I go salsa dancing with my confusion. Before you drift off, don't forget, which is to say remember, because remembering is so much more a psychotic activity than forgetting. Lorca, in that same poem said that the Iguana will bite those who do not dream, and as one realizes that one is a dream-figure in another person's dream - That is self-awareness!"
"We have got to realize that we are being conditioned on a mass scale. Start challenging this corporate slave state. The 21st century is going to be a new century. Not the century of slavery; not the century of lies and issues of no significance and classism and statism and all the rest of the modes of control. It's going to be the age of human kind standing up for something pure and something right. What a bunch of garbage! ... liberal, democrat, conservative, republican ... It's all there to control you; two sides of the same coin! Two management teams bidding for control of the CEO job of slavery incorporated. The truth is out there in front of you but they lay out this buffet of lies. I'm sick of it; and I am not going to take a bite out of it! Do you got me?!"
"Wiley Wiggins - The Dreamer"
"Bill Wise - Boat Car Guy"
"Robert C. Solomon - Philosophy Professor"
"Kim Krizan - Herself"
"Eamonn Healy - Shape-Shifting Man"
"J.C. Shakespeare - Burning Man"
"Richard Linklater - Pinball Playing Man"
"Ethan Hawke - Jesse"
"Julie Delpy - Celine"
"Alex Jones - Man in Car with P.A."
"Timothy Levitch - Himself"
"I am Ripper... Tearer... Slasher... Gouger. I am the Teeth in the Darkness, the Talons in the Night. Mine is Strength... and Lust... and Power! I AM BEOWULF!"
"What do you know of me... Demon?"
"They say you have a monster here. They say your lands are cursed. I am Beowulf and I'm here to kill your monster."
"If we die... it will be for GLORY, not gold."
"The time of heroes is dead: the Christ god has killed it, leaving nothing but weeping martyrs and fear and shame."
"She's not my curse, not anymore."
"Are you the one they call Beowulf? Such a strong man you are. A man like you could own the greatest tale ever sung. Beowulf... lay with me. Give me a son, and I shall make you the greatest king that ever lived. This... I swear..."
"There have been many a brave men come to taste my lord's mead. And who have promissed to rid us of our night-man. But in the morning, there was nothing left but blood to be cleaned from the floor... and the benches... and the walls."
"Evil breeds pain."
"Survival is ruthless."
"Face your demons"
"I will kill your monster!"
"You've had enough of me? You've had enough of me, you piece of shit? You screwed us all for a piece of ass? And you've had enough of me? Where is she? It's the oldest law in Cool World. I've never had to enforce it. You cross that line, I'll slap you around and make you piss like a puppy."
"Noids do not have sex with doodles. Right? Noids do not have sex with doodles!!"
"You do nothing, man. This place exists with or without you. You believe me, right? I'm not one of your creations."
"Let me tell you something about over there. It hurts over there. It's lonely over there. It's a war over there. They got 8 million ways for you to die on and they're all permanent. This is real for me, this with you. If I want to stay with you, I gotta go back."
"You know, sweetheart, you look good in flesh. It's almost a shame I gotta take you back. You are going back, you know?"
"Don't you get it? They're real. When they touch someone, they feel it. When they taste something, they REALLY taste it. And when they are... With a man! Woo!"
"You want to know what it is about you that really kicks my ass, Harris?"
"Well, howdy, Nails. As you see, there have been some changes around here. [Nails: You made out with a noid, you don't know what you are! Mark my words, girlie-pie! You leave here and it is trouble for you!] I'm leaving, pencil-dick! You just try and stop me!"
"I know that movie by heart. The girl gets everything by the end of it everything she every wanted."
"Can't let the neighbors push us around can."
"I'm made of ink, but I'm no dream."
"Audiences actually wanted a wilder, raunchier Cool World. The premiere audience I saw it with certainly did."
"Cool World is such a dangerous place to be in."
"There are two different worlds: The Real World and the Wacky, Animated World. Only one of them will survive."
"Holli Would if she could ...and she will."
"Gabriel Byrne as Jack Deebs, the cartoonist seemingly responsible for the creation of Cool World."
"Brad Pitt as Detective Frank Harris, a detective for the Cool World Police Department who is bent on catching Holli. Brad Pitt also provides Frank's voice in doodle form."
"Deirdre O'Connell as Isabelle Malley"
"Frank Sinatra, Jr. as Himself"
"Michele Abrams as Jennifer Malley"
"Janni Brenn–Lowen as Agatha Rose Harris"
"Marilyn Monroe (archival footage)"
"Kim Basinger as Holli Would, a femme fatale doodle who wishes to be real in the real world. Basinger also portrays her in live action."
"Charlie Adler as Nails, an anthropomorphic spider who serves as Frank's partner. He actually has four arms and two legs."
"Joey Camen as Interrogator No. 1/Slash/Holli's Door"
"Jenine Jennings as Craps Bunny"
"Michael Lally as Sparks"
"Maurice LaMarche as Interrogator No. 2/Mash/ Dr. Vincent "Vegas Vinnie" Whiskers/Super Jack. LaMarche also makes a cameo live-action appearance sitting at a bar."
"Candi Milo as Lonette/Bob"
"Patrick Pinney as Chico the bouncer"
"Gregory Snegoff as Bash"
"The truth is, I'm really not such a pig. No, that's not the truth. I am a pig. A womanizer. Been one for a long time now. Sometimes I think it's because I don't wanna be hurt. Well, not again. This macho bravado, it's all a facade. Wait, why am I telling you this? [Notices his foot's caught in the lasso of truth] God, I hope you Amazons can't mass-produce this thing."
"[after Diana shows a girl how to swordfight] That was sweet. Teaching her to disembowel her playmates like that."
"How will you stop me now that my powers rival that of any god? I am as strong as Hercules. As fast as Hermes. And now, like Hades, I wield dominion over the dead which allows me to unleash my own worst curse upon you people. Amazon dead, I command you to come to your lord. Slaughter your sisters."
"Keri Russell - Princess Diana/Diana Prince/Wonder Woman"
"Nathan Fillion - Col. Steve Trevor"
"Alfred Molina - Ares"
"Virginia Madsen - Queen Hippolyta"
"Rosario Dawson - Artemis"
"Marg Helgenberger - Hera"
"Oliver Platt - Hades"
"John DiMaggio - Deimos, Homeless Man"
"Vicki Lewis - Persephone"
"Julianne Grossman - Etta Candy"
"Tara Strong - Alexa"
"David McCallum - Zeus"
"Jason Miller - Thrax, Gang Leader"
"Rick Overton - Slic, President of the United States"
"Andrea Romano - President's Advisor"
"Skye Arens - Little Girl"
"Bruce Timm - Attacker"
"[after the Cinderella story wraps up] and they lived happily ever after. Well now Didn't that end nice? fairy tales always end like that don't they?... Bullshit! You wanna know why they ended like that? Because they were afraid to tell the truth. Do you want to see what happily ever after was really like? [angry] Okay I'll show you happily ever after! This is what it was like 20 years into that beautiful sunset. The kingdom continued to slide into bankruptcy because the Prince couldn't get out of bed long enough to run it properly. Cinderella started popping kids out of her belly like biscuits from an oversexed oven until her figure was shot, Morta and the stepsisters ran out of money and had to move into the castle, because that was the easiest way to support them. The prince took to fooling around with the local talent and got crabs, the stepsisters kept complaining, the kids kept crying, Morna nagged and bitched, the prince bitched and itched, and Cinderella grew old before her time, that kiddies is what "lived happily ever after" is really like!"
"[after a squirrel bites Jack's penis for humping it's tree] That's no way to collect nuts in May. [squirrel gives her the finger]"
"[after the judge asks her if she's really Mother Goose] You're fucking A right I am!"
"[preparing to tell the story of Jack and the Beanstalk] Well, um, I guess I'd better start at the fucking beginning."
"[as Jack and the frog hear strange noises at the giant’s castle] Why don’t you crawl under the door dummy?"
"[as Jack is about to suck the cow] Now wait a minute baby cakes your mother told you not to molest that cow anymore! She don't give for the little milk anyway."
"[after his frog climbs out of a woman's mouth] Wow that's what I call a h-h-headjob."
"[about his mother learning about trading the cow for the beans and beating him for it] Boy was she sore and now so is my ca-ca-ca- ass! Gee I wish I hadn't sold the cow just so I could suck on that gypsy's ti-ti-tits, [to his frog] Remember those tits, Froggy? [Froggy nods] Wow, those were the softest things I ev-ev-ev wow! [gets a boner] and those ni-ni-nipples oh boy that warm wet fu-fu-fuzzy little pu-pu-pussy, woo hoo hoo hoo shit, I get h-h-horny just thinking about her again w-w-wow!, watch out Froggy I'm gonna cu-cu-cu... [ejaculates out the window which splashes on the beans causing them to grow]"
"[after Little Red Riding Hood offers him money to let her pass] Screw thy shilling! Thy lush young body are trade for thy fare, sayeth I."
"[having sex with Little Red Riding Hood] Fucketh you harlot bitch, fucketh!"
"[yawning after having sex with Little Red Riding Hood] Thou it was a ripe annual fucketh Miss, thy firey cunt will stir pleasing memories, please if it pleases you proceed to yonder wedding."
"Bedtime Stories For Grown-Ups"
"Uncut, Uncensored & Incredibly Unsuitable for Children!"
"Hal Smith as Mother Goose (live action segments)"
"Frank Welker as Jack / Fairy Godmother / Prince / Additional voices"
"Richmond Johnson"
"Carol Piacente"
"Kelly Gordon"
"Lorenzo Music as Various"
"Hal Smith as Mother Goose"