Playwrights From France

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April 10, 2026

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April 10, 2026

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"Reason is to the philosopher what grace is to the Christian. Grace causes the Christian to act, reason the philosopher. Other men are carried away by their passions, their actions not being preceded by reflection: these are the men who walk in darkness. On the other hand, the philosopher, even in his passions, acts only after reflection; he walks in the dark, but by a torch. The philosopher forms his principles from an infinity of particular observations. Most people adopt principles without thinking of the observations that have produced them, they believe the maxims exist, so to speak, by themselves. But the philosopher takes maxims from their source; he examines their origin; he knows their proper value, and he makes use of them only in so far as they suit him. Truth is not for the philosopher a mistress who corrupts his imagination and whom he believes to be found everywhere; he contents himself with being able to unravel it where he can perceive it. He does not confound it with probability; he takes for true what is true, for false what is false, for doubtful what is doubtful, and probable what is only probable. He does more, and here you have a great perfection of the philosopher: when he has no reason by which to judge, he knows how to live in suspension of judgment... The philosophical spirit is, then, a spirit of observation and exactness, which relates everything to true principles..."

- Denis Diderot

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"But Comedy justly treated, as you find it in Molière, whom we so clownishly mishandled, the Comedy of Molière throws no infamous reflection upon life. It is deeply conceived, in the first place, and therefore it cannot be impure. Meditate on that statement. Never did man wield so shrieking a scourge upon vice, but his consummate self-mastery is not shaken while administering it. Tartuffe and Harpagon, in fact, are made each to whip himself and his class, the false pietists, and the insanely covetous. Molière has only set them in motion. He strips Folly to the skin, displays the imposture of the creature, and is content to offer her better clothing, with the lesson Chrysale reads to Philaminte and Bélise. He conceives purely, and he writes purely, in the simplest language, the simplest of French verse. The source of his wit is clear reason: it is a fountain of that soil; and it springs to vindicate reason, common-sense, rightness and justice; for no vain purpose ever. The wit is of such pervading spirit that it inspires a pun with meaning and interest. His moral does not hang like a tail, or preach from one character incessantly cocking an eye at the audience, as in recent realistic French Plays; but is in the heart of his work, throbbing with every pulsation of an organic structure. If Life is likened to the comedy of Molière, there is no scandal in the comparison."

- Molière

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