Lgbt People

"LGBT people are not that different - we're just as anxious and just as flawed and just as desperate to fall in love as everyone else."

"Theatre is all about people. You can love a play and character and can be the right person to tell that story. But if you don’t click with the other people in the play, it won’t work."

"I've never gone in as the overdog, and that's liberating and I don't want that to ever change. I just want to allow my own experiences to come through."

"I’ve never doubted I would have children. It’s not something I’ve ever wavered on."

"I have three older sisters who definitely encouraged me to lark around. I’m pretty sure they spent their Sundays dressing me up (in suitably androgynous clothing) and forcing me to sing Sister Sledge. They were my heroes growing up."

"I was aged about five and I went to see Oliver!. I remember announcing to my family something very cliched like, I want to be up there one day."

"It is a private matter [sexuality], but if there are opportunities to say something . . . I wonder if, if it would be beneficial to someone else, that responsibility is on you. It’s complicated."

"I think the more trans visibility there is in mainstream media; the more room we will allow for individuality. Like if the trans community were the Spice Girls I’d just be the funny, raunchy one instead of me having to lie about my personal boundaries in order to better represent a community that does its best to operate as a whole while we get our footing in the world. But it’s still early now, and some trans people are understandably scared that the flippant sex worker is going to screw up the rebranding process. We’ve watched some feminists call porn stars sluts and whores for years because of fear that they’d undo social progress for women. I understand the fear, I just don’t necessarily agree with it."

"It's thrilling from beginning to end. And the last scene of Act I (which is now two guys) will completely shatter you, as well as it being one of the funniest scenes on record. All due to [Jonathan Bailey], the guy who plays Jamie, the Amy-equivalent."

"I’m as humble and sweet as apple pie."

"He’s the nicest person you could ever hope to meet. But when he acts, he can have an edge, which can feel dangerous in a great way. An unpredictability."

"Tbh I only want a vagina when I wanna go out in yoga pants and not look like David Bowie in The Labyrinth from the waist down."

"Jonny operates at a different voltage. He's a meteorite of fun with an incredible amount of energy and playfulness. Smoldering at one turn and then utterly innocent at the next, but all the time playing with this sense of untapped danger. That is the quality I love most about Jonny as a person and as a performer: his danger."

"He's quite open as a human being. I love him."

"We’re trying to bring music to everybody. Oftentimes, when you heard these instruments, sometimes you had to go to a concert hall to hear it. We’re trying to bring it out of the concert hall and just take it to wherever people are"

"In that one moment I knew you really did understand how I felt in life. Choking on anger, feeling so powerless, unable to protect myself or those I loved most, yet fighting back again and again, unwilling to give up. I didn’t have the words to tell you this then. I just said, “It’ll be OK, it’ll be alright.”"

"“I saw a devilish thing,” Spanish colonialist Alvar Nuñez Cabeza de Vaca wrote in the sixteenth century: “Sinful, heinous, perverted, nefarious, abominable, unnatural, disgusting, lewd"—the language used by the colonizers to describe the acceptance of sex/gender diversity, and of same-sex love most accurately described the viewer, not the viewed. And these sensational reports about Two-Spirit people were used to further "justify" genocide, the theft of Native land and resources, and destruction of their cultures and religions."

"I was looking at her while she was talking, thinking to myself that I’m a stranger in this woman’s eyes. She’s looking at me but she doesn't see me. Then she finally said how she hates this society for what it’s done to “women like me” who hate themselves so much they have to look and act like men. I felt myself getting flushed and my face twitched a little and I started telling her, all cool and calm, about how women like me existed since the dawn of time, before there was oppression, and how those societies respected them, and she got her very interested expression on—and besides it was time to leave."

"I was real proud that in all those years I never hit another butch woman. See, I loved them too, and I understood their pain and their shame because I was so much like them. I loved the lines etched in their faces and hands and the curves of their work-weary shoulders. Sometimes I looked in the mirror and wondered what I would look like when I was their age. Now I know! In their own way, they loved me too. They protected me because they knew I wasn’t a “Saturday-night butch.” The weekend butches were scared of me because I was a stone he-she. If only they had known how powerless I really felt inside! But the older butches, they knew the whole road that lay ahead of me and they wished I didn’t have to go down it because it hurt so much. When I came into the bar in drag, kind of hunched over, they told me, “Be proud of what you are,” and then they adjusted my tie sort of like you did. I was like them; they knew I didn’t have a choice. So I never fought them with my fists. We clapped each other on the back in the bars and watched each other’s backs at the factory."

"If the music stopped and it was the cops at the door, someone plugged the music back in and we switched dance partners. Us in our suits and ties paired off with our drag queen sisters in their dresses and pumps. Hard to remember that it was illegal then for two women or two men to sway to music together. When the music ended, the butches bowed, our femme partners curtsied, and we returned to our seats, our lovers, and our drinks to await our fates."

"What was responsible for the imposition of the present-day rigid sex/gender system in North America? It is not correct to simply blame patriarchy, Chrystos stressed to me. "The real word is 'colonization' and what it has done to the world. Patriarchy is a tool of colonization and exploitation of people and their lands.""

"Dear Theresa, I’m lying on my bed tonight missing you, my eyes all swollen, hot tears running down my face. There's a fierce summer lightning storm raging outside. Tonight I walked down streets looking for you in every woman’s face, as I have each night of this lonely exile. I’m afraid I’ll never see your laughing, teasing eyes again."

"For all our lives, we've always … seen ourselves refracted through other people's prisms. We've always heard people analyze us, describe what our feelings are, what our thoughts are. How about talking about why Jesse Helms needs some therapy?"

"The sight of Colella's onstage relationship with the band was something slightly resembling a dodo video of a houseful of puppies at play ... and speaking of puppies, the personal highlight for this dog-obsessed hooman was watching Ms. Colella's eyes tear up while singing about the importance of dogs in our lives."

"It's not just that Jenn Colella puts on a great show, that she is talented, that she is a hard worker, it's the commitment to bringing all the parts of herself to her storytelling, the willingness to lay bare her soul and humanity...It is, apparently, not part of Jenn Colella's genetic makeup to hide herself from the people, and that is where her success as a concert performer resoundingly resonates."

"Her off-the-cuff commentary was so incredibly relaxed and natural (and sometimes intimately personal) that one would think that Jenn Colella was performing to a room full of friends at her very own birthday party, as opposed to a room full of paying guests in a supper club."

"Colella has carried several short-lived Broadway shows on her back. It's fitting, then, that she earned her first Tony nomination for "Come From Away," in which she plays Beverley Bass, the real-life pilot who on Sept. 11, 2001, carried dozens to refuge."

"It isn't just that Jenn Colella's show deserves praise, it isn't just that Jenn Colella belongs on a list of the best, it's that she belongs on a list all her own. I don't believe I have ever seen an artist work a room the way that this singing actress does, and that's what had me gobsmacked."

"You will fall in love with Kiki, a little four-year-old...played marvelously by an adult, Jenna Colella, steals every scene she romps through in Kiki Baby...Ms. Colella is wonderful, a sensation. She is dressed like a little child, and acts like one, with a deep frown or effervescent glee on her face. She is so good at the impersonation that you really think she’s young, although she is about 5’7”."

"I actually went to visit her in her home in Florida, in her vacation home. I got to spend some time with her away from Come From Away, away from the theater, away from interviews, and it was very, very dear. We had long deep talks about our feelings, about our families, about how we move through the world. It really helped me come back into the role this time."

"It was challenging. If you fail in standup you can’t blame anyone but yourself. But it definitely increased my confidence and now there’s really nothing that scares, frightens me in terms of performance."

"It was the hardest decision I’ve ever made. I did 1,180 performances, and I’ve fallen in love with the company. It was a career-defining moment that helped me become a more well-rounded artist. But I really enjoy travel, and I enjoy creating my own shows."

"To play a living person is one thing, but then to have that person present so often, and I can see her, it's trickier than anything I've ever done…Her hands were over her face, and she was sobbing openly, she said. I'm not a robot -- I could feel something inside of me start to break. And yet, I have a job -- she remained stoic through those five days, and I'm in those five days."

"Doing stand-up, for me, created a deep sense of courageousness. There’s no one else to blame if your screw up. The moments you’re failing are quite devastating. But you realize you can win the audience back with the next joke if you hold on and keep working."

"There's a lyric in our opening number where we sing, "I'm an islander." And they heard this and leapt to their feet and started clapping and crying. And the cast just started bawling. We didn't know what to do. It was so beautiful. They really - they gave us the OK to come to Broadway. They really kind of blessed the show."

"Stand-up created a platform to weave a story together and trust my own ideas… it gave me a deep sense of bravery as a performer. To be on stage and have a joke fail miserably, and realizing that the world continues to spin. I can get them back in the next breath."

"For audiences to discover that kindness is accessible at all times, not just in the wake of tragedy. That we all have the capacity to be kind, that it is a practice. That it is there just waiting for us whenever we choose to grab it."

"A hug is a tribute to connection between two humans."

"And you know. Jenn Colella. that we all think you are hella fine. You know I'm not alone in this belief."

"I'm honored that creators trust me to collaborate on their babies. It touches me deeply. Plus I get to start from a blank slate and play. Of all the characters I’ve ever played, Anne is the closest to who I am in the world. It makes me feel very vulnerable but I love it. I’m wide open to this experience."

"I talk a lot about kindness and gratitude and how those two things can bring us into the present moment and how present moment awareness is key to being not only a good artist but a good person. And we don't just get hired because we have this tremendous talent, we get hired because we're the whole package. People can sense that throughout the day we are in the practice of taking care of others and certainly for a new work you know you're going to be in the room developing with this team, this family, for years and years and years so the energy that you bring into the room has to be something that you practice throughout the day."

"What it’s helped me remember is that it’s all a crapshoot — theater. All of the variables that have to be in place for it to be a success, it’s like an alchemy that has to happen. It’s rare that it does, and it’s a reminder to be grateful for each and every moment. So now, every rehearsal, every time I walk into my stage door, I say thank you three times. Because I know that it’s just for now. It’s fleeting."

"A captivating adult actor, Colella is utterly believable in the role of a four-year-old celebrity singer. Rather than bounding about with child-like abandon or producing high-pitched "little girl" speech, she talks very quietly, yet firmly, pauses a lot, stands still and tenses her fingers—this is a kid trying to be taken seriously...Colella is side-splittingly funny, never cloying, and incredibly lovable—even when Kiki turns into a monstrously spoiled brat."

"It’s so idealized, like, your life must be perfect if you can hold a balance posture on the beach. But the actual practice of yoga isn’t about that at all. The image isn’t important. The practice is."

"We often think that yoga is only about the combination of postures, breathing, and meditation, but it results in a lot of internal work, too. That work has led me to understand my own liberation — not just of my physical body, but of my emotional and spiritual bodies. A huge part of that has been recognizing that I am a sexual being, and that's not something that I need to apologize for or be ashamed of."

"I didn’t realize that in truth what makes you a good teacher is really living your own practice, and living it so much that you request it to other people. Ultimately, everything you do that you teach someone else is something that you’re working through to teach yourself, and that practice of really digging within yourself, it feels like having your soul cracked open."

"Technique is what you fall back on when you run out of inspiration."

"The main thing is dancing, and before it withers away from my body, I will keep dancing till the last moment, the last drop."

"You live because you dance, you dance as long as you live."

"I would be ready to take over tomorrow. But first of all, all fat and lazy members of the troupe would have to be thrown out."