Academics From The United Kingdom

"Morals have a perfectly firm and objective foundation in human personality. If men can be brought to understand this, then moral faith may be restored. The problem is really one of education."

"Religion can probably out live any scientific discoveries which could be made. It can accommodate itself to them. The root cause of the decay of faith has not been any particular discovery of science, but rather the general spirit of science and certain basic assumptions upon which modern science, from the seventeenth century onwards, has proceeded."

"All religious thought and speech are through and through symbolic. And this fundamental insight is perhaps as old as religion itself."

"It is certainly the case that there can exist an atheistic mysticism, a mystical experience naked and not clothed in any religious garb."

"Thus we see that mysticism naturally, though not necessarily, becomes intimately associated with whatever is the religion of the culture in which it appears."

"And in the end it is because of mysticism that it is possible to say that “no man is an island” and that on the contrary every man is “a part of the main.”"

"The incommensurability of the mystical with the sensory-intellectual consciousness is also the ultimate reason why we have to exclude visions and voices, telepathy, precognition, and clairvoyance from the category of the mystical."

"The most important, the central characteristic in which all fully developed mystical experiences agree, and which in the last analysis is definitive of them and serves to mark them off from all other kinds of experiences, is that they involve the apprehension of an ultimate nonsensuous unity in all things, a oneness or a One to which neither the sense nor the reason can penetrate."

"Mystics more often than not avoid direct reference to themselves."

"The great error of traditional proofs of the existence of god is that they try to take a symbolic truth for a literal truth, a truth of fact, and then try to prove that it is a fact."

"The same character of revelation, which we find in poetry, attaches to mystical illumination, although here the revelation is always the divine."

"Thus when Plotinus speaks of "the flight of the alone to the Alone," and the positivist or the empiricist asserts that these words are meaningless, he is right. Yet this does not import that the words are nonsense locutions, mere senseless noises which a man makes like a cough or a sneeze though it is possible that this is what the positivist intends. If this were so, it would be impossible to explain why generations of men have quoted those famous words. The explanation is that the words evoke in us a measure of the same experience which the author of them had. Our experience may be but a dim reflection of what was in him bright and clear. Our spirits vibrate faintly in unison with the soul of the great mystic, as a tuning fork vibrates faintly in response to the sound of the clear bell. But it is our own spontaneous experience which is evoked; it is not his experience which is communicated to us. His words are as grappling irons let down into the depths of our subconsciousness, which draw our own inner experiences nearer to the conscious threshold. But they are not, for most of us, drawn above the threshold. They remain below the surface faintly visible. Therefore they appear at the upper levels of our consciousness as faint hints, glimpses, and sometimes as mere vague feelings."

"The true religious doctrine is that the world is to be both denied and not to be denied."

"The pure religious consciousness lies in a region which is forever beyond all proof or disproof."

"It is a commonplace that eternity is not an endless prolongation of time, has nothing to do with time. Eternity is a characteristic of the mystical experience. The word eternity doubtless meant originally endlessness of time, which must count, therefore, as its literal meaning. But in its religious and metaphysical use it is a metaphor for the characteristic of the experience. For in that experience time drops away and is no more seen."

"It must now be added that these attempts at proof not only fail of their purpose, and so do no good to religion, but that they positively degrade it."

"If God does not lie at the end of any telescope, neither does he lie at the end of any syllogism. I can never starting from the natural order prove the divine order. The proof of the divine order must lie, somehow, within itself. It must be its own witness. For it, like the natural order, is complete within itself, self-contained."

"Either God is a Mystery or He is nothing at all."

"But it is not an exaggeration to say that mystical experience is everywhere unitary in the same sense that everywhere aesthetic experience is unitary. British, American, German, Indian, Chinese, Japanese art are of course very different from one another. Yet they have one root in their basic experience of beauty."

"Thus to say that God is ineffable is to say that no concepts apply to Him, and that He is without qualities."

"The word "mysticism" is popularly used in a variety of loose and inaccurate ways. Sometimes anything is called "mystical" which is misty, foggy, vague, or sloppy. It is absurd that "mysticism" should be associated with what is "misty" because of the similar sound of the words. And there is nothing misty, foggy, vague, or sloppy about mysticism."

"And we think that this ultimate blessedness differs only in degree from the happy and joyful experiences of our lives. Whereas the truth is that it differs in kind. The joys, not only of the earth, but of any conceivable heaven - which we can conceive only as some happy and fortunate prolongation of our lives in time - are not of the same order as that ultimate blessedness."

"How is it possible for both naturalism and religion - atheism and theism, if you prefer it - to be but two sides of one truth, is the same as the problem how God can be both being and non-being, as one of the most ancient religious and mystical insights proclaims he is, or how he can be both the Eternal Yes and the Eternal Nay, as Böhme affirmed."

"But the divine mystery is inherent in the divine, a part of the nature of God, and can never disappear. And this means that it is still a mystery even to the mystic who has directly experienced it, nay, even to God Himself. That is why it is ineffable. The mystery and the ineffability of God are one and the same thing."

"There is no such thing as natural theology. God is either known by revelation - that is to say, by intuition - or not at all."

"It is only by intuition that the infinite can be apprehended. But why is this? Why cannot the infinite be apprehended by concepts? To see this we must understand that the word "infinite," in the religious sense, has nothing at all to do with that sense of the word in which it is applied to space, time, and the number series. We may call this latter the mathematical infinite to distinguish it from the religious infinite. And it is the confusion between these two which misled us into the false trail of supposing that the infinity of God's mind refers to the amount of His knowledge and that the finitude of man's mind refers to his ignorance. The religious infinite, or in other words the infinity of God, means that than 'which there is no other. In this sense neither space nor time could be infinite, since space is an "other" to time, and time is an "other" to space."

"The perception of time among these mostly illiterate thirteenth-century inhabitants of may at first strike the twentieth-century reader as vague at best. They did not always know exactly how old they were, and their sense of history was strictly local."

"Hate breeds hate, and love breeds love."

"My own criterion of success is the ability to work joyfully and to live positively."

"You cannot make children learn music or anything else without to some degree converting them into will-less adults. You fashion them into accepters of the status quo – a good thing for a society that needs obedient sitters at dreary desks, standers in shops, mechanical catchers of the 8:30 suburban train – a society, in short, that is carried on the shabby shoulders of the scared little man – the scared-to-death conformist."

"A child is innately wise and realistic. If left to himself without adult suggestion of any kind, he will develop as far as he is capable of developing."

"A good teacher does not draw out; he gives out, and what he gives out is love. And by love I mean approval, or if you like, friendliness, good nature. The good teacher not only understands the child: he approves of the child."

"No one has the right to make a boy learn Latin, because learning is a matter for individual choice; but if in a Latin class, a boy fools all the time, the class should throw him out, because he interferes with the freedom of others."

"If the emotions are free, the intellect will look after itself."

"Women have been artists for millennia, since the cave paintings. And yet Gombrich and Janson, their first editions didn’t include a single woman artist. So it’s actually down to who has been able to tell the story of art history."

"Our memory is like that burning scrap of paper. We use it to light up the past. First of all our own, and then we ask old people to tell us what they remember. After that we look for letters written by people who are already dead. And in this way we light our way back. There are buildings that are just for storing old scraps of paper that people once wrote on – they are called archives. In them you can find letters written hundreds of years ago. In an archive, I once found a letter which just said: 'Dear Mummy, Dear Mummy, Yesterday we ate some lovely truffles, love from William.' William was a little Italian prince who lived four hundred years ago."

"If you want to do anything new you must first make sure you know what people have tried before."

"The beginning of the sixteenth century, the Cinquecento, is the most famous period of Italian art, one of the greatest periods of all time. This was the time of Leonardo da Vinci and Michelangelo, of Raphael and Titian, of Correggio and Giorgione, of Dürer and Holbein in the north, and of many other famous masters. One may well ask why it was that all these great masters were born in the same period, but such questions are more easily asked than answered. One cannot explain the existence of genius. It is better to enjoy it."

"Even though I came from a Jewish home myself, it never entered my head that such horrors might be repeated in my own lifetime."

"[About The Story of Art by E.H. Gombrich] It's the introductory bible to our history. And I love it because it is for everyone. The fact that he writes in such beautiful prose that anyone can understand, you want to — you have heard of a term such as the Renaissance or the Baroque, and you can look that up in Gombrich. But he doesn't include any woman artist. He only includes one in his 16th edition, which is crazy. And the fact that I loved this book growing up, I wanted to write — if he was going to leave that women, I thought I'd leave out men."

"Whether we know it or not, we always approach the past with some preconceived ideas, with a rudimentary theory we wish to test. In this as in many other respects the cultural historian does not differ all that much from his predecessor, the traveller to foreign lands. Not the professional traveller who is only interested in one particular errand, be it the exploration of a country’s kinship system or its hydroelectric schemes, but the broad-minded traveller who wants to understand the culture of the country in which he finds himself."

"One never finishes learning about art. There are always new things to discover. Great works of art seem to look different every time one stands before them. They seem to be as inexhaustible and unpredictable as real human beings."

"The true miracle of the language of art is not that it enables the artist to create the illusion of reality. It is that under the hands of a great master the image becomes translucent. In teaching us to see the visible world afresh, he gives us the illusion of looking into the invisible realms of the mind - if only we know, as Philostratus says, how to use our eyes."

"The point is rather that all of them felt, consciously or unconsciously, that if they let go of the magnet that created the pattern, the atoms of past cultures would again fall back into random dust-heaps. In this respect the cultural historian was much worse off than any other historian. His colleagues working on political or economic history had at least a criterion of relevance in their restricted subject matter. They could trace the history of the reform of Parliament, of Anglo-Irish relations, without explicit reference to an all-embracing philosophy of history."

"In my own field, the History of Art, it was Alois Riegl who, at the turn of the century, worked out his own translation of the Hegelian system into psychological terms."

"Anyone who can handle a needle convincingly can make us see a thread which is not there."

"Images apparently occupy a curious position somewhere between the statements of language, which are intended to convey a meaning, and the things of nature, to which we only can give a meaning."

"If Van Eyck's patrons had all been Buddhists he would neither have painted the Adoration of the Lamb nor, for that matter, the Hunting of the Otter, but though the fact that he did is therefore trivially connected with the civilization in which he worked, there is no need to place these works on the periphery of the Hegelian wheel and look for the governing cause that explains both otter hunting and piety in the particular form they took in the early decades of the fifteenth century, and which is also expressed in Van Eyck’s new technique."

"We are all inclined to accept conventional forms or colours as the only correct ones. Children sometimes think that stars must be star-shaped, though naturally they are not. The people who insist that in a picture the sky must be blue, and the grass green, are not very different from these children. They get indignant if they see other colours in a picture, but if we try to forget all we have heard about green grass and blue skies, and look at the world as if we had just arrived from another planet on a voyage of discovery and were seeing it for the first time, we may find that things are apt to have the most surprising colours."

"I hope and believe cultural history will make progress if it also fixes its attention firmly on the individual human being. Movements, as distinct from periods, are started by people. Some of them are abortive, others catch on. Each movement in its turn has a core of dedicated souls, a crowd of hangers-on, not to forget a lunatic fringe. There is a whole spectrum of attitudes and degrees of conversion. Even within the individual there may be various levels of conviction, various conscious and unconscious fluctuations in loyalty. What seemed acceptable during the mass rally or revivalist meeting may look pretty crazy on the way home. But movements would not be movements if they did not have their badges, their outward signs, their style of behaviour, style of speech and of dress. Who can probe the motives which prompt individuals to adopt some of these, and who would venture in every case to pronounce on the completeness of the conversion this adoption may express? Knowing these limitations, the cultural historian will be a little wary of the claims of cultural psychology."