"Aeneas exhibits a new kind of tragic heroism: that of the public servant who labors for others selflessly... It is important to grasp the meanings of the Roman word pietas inasmuch as this, the only quality assigned Aeneas in the prologue, furnishes the most common description of him throughout the epic: pius Aeneas. The adjective and noun describe the right relationship that exists between a human being and (1) the gods, (2) his public responsibilities as citizen or political leader, (3) his family, and (4) other human beings. ... The pageant of [Aeneas'] exit from Troy is a masterpiece of Vergilian symbolism. Not content with the simple legend that Aeneas carried his father from the defeated city, Vergil adds to the picture little Ascanius stepping along at Aeneas' side, and in the father's hands he places a small receptacle containing the penates or household gods. Aeneas, in the center of the tableau, fulfills the first three aspects of pietas. Not only is he obeying the gods but he is carrying the religious symbols which will serve as the basis of important rituals in his new land. Not only is he showing family devotion with his filial act toward Anchises his father (as legend prescribed) but he is leading his son by the hand so as to continue the family. ... The total family group centered on Aeneas represents the public mission of the hero, who serves as the necessary link between old Troy (Anchises) and new Troy in Italy (Ascanius). Aeneas' duty, which he selflessly carries out, is to bring the Trojans to Italy and make possible their lasting settlement. This he admirably accomplishes, then dies three years later without having had time to enjoy his achievement."