women-authors-from-canada

"I have always believed the aphorism that life is short and art is long, Ars Longa, Vita Brevis. Objects define, and often outlast, civilizations."

"The world of art is about free expression. But it is not about bullying and intimidation. I welcome debate and discussion about the realities of life in the digital age. There is a place for these debates, but they should be constructive, fair and factual - not based upon toxic personal attacks."

"I get energy from people."

"Media reports on “cults” frequently show bias and hasty, inadequate research methods, and are shaped by a militant secularism that showcases a group’s weirdest beliefs without context or any explanatory framework. Many journalists openly declare their mandate to “unmask” the cults and their proto-criminal leaders. They will seek out apostates and whistleblowers who are dedicated to broadcasting the “bad news” about their former religion."

"New religions are like weeds in our garden. Society’s gardeners will attempt to pull out weeds to make room for cultured plants and familiar religions. However, some weeds may be cherished flowers in other lands, and those deemed “invasive” might be edible or have healing properties."

"A woman is a female. That's it. And if you are born male there is no way to become female. It's simply not biologically possible. [...] And beyond that, why would a male ever NEED to 'become female'? I mean, by all means, be yourself, dress how you like, express yourself as you wish, in ways that make you feel good and authentic. Push back against gender stereotypes. But why that would demand one is literally the opposite sex, I do not know. 'Woman' is not simply a set of stereotypes, an outfit, a feeling. There is nothing wrong with being male or being a male who rejects masculinity. But it is ridiculous to say that if you reject gender stereotypes you are literally no longer male."

"Canada has managed to cultivate a culture that is simultaneously self-hating and self-righteous. We have no pride in being Canadian. Yet we are confident we are better than everyone else."

"[M]ales who wish to identify as women will be offered additional protections under the law; but those born female will not benefit in the same way. Of course, trans-identified people should be protected from abuse and discrimination. But why not women too? Does the SNP think the minority of individuals who choose to identify as transgender are much more at risk than women and girls? Women suffer disproportionally as victims of rape, domestic abuse, FGM, child marriage, and femicide around the world, yet in Scotland this seems to count for little."

"What has been revealed since, many times over, is that no one but Yaniv is, in these particular circumstances, guilty of harassment. Indeed, it is the women he attempted to extort money from, by abusing the tribunal system and human rights law, who have felt afraid, bullied, and preyed upon by a man claiming to be a woman."

"Over a year after a man then-named Jonathan Yaniv filed multiple complaints against British Columbia estheticians who declined to wax his balls, the B.C. Human Rights Tribunal has ruled against the now-named 'Jessica.'"

"What women experience as intimidating, many men read as harmless, not least in part because women are socialised to avoid conflict and respond politely, even when offended or uncomfortable."

"Under current trans activist doctrine we're not allowed to exclude a man from a woman's space if he says that he's female and I find that quite dangerous and troubling."

"Women's rights exist because women are born female, not because they identify with femininity, because they wear dresses, because they wear make-up. There is an understanding in law that women face oppression and discrimination because they are born female. I think we do need to protect everyone from being discriminated against, but we don't need to say that trans-identifying males are literally female to protect them from discrimination."

"The Canadian Human Rights Act protects women because as a society, we understand that women face discrimination based on their biological sex. But our ability to organize on behalf of women's liberation and to maintain women-only space is threatened by legislation that protects people based on "gender identity" and "gender expression." How can we argue for women's rights, based on the understanding that women are oppressed specifically due to their biological sex, if we simultaneously say that sex doesn't matter, but that "gender identity" and "gender expression" do?"

"Some of these [beauticians] were women working out of their homes and their names were published in the papers, but [Yaniv's] anonymity was protected."

"I have received countless violent threats on Twitter and I don’t think they’ve banned any of them. My tweets were not violent. I think someone at Twitter wanted to get rid of me — I was one of the most well-known women talking about this, and I wasn’t apologetic. It is scary a corporation [can] start determining what we’re allowed to talk about."

"There is, in fact, no place in the world that has managed to make prostitution safe for women, despite efforts to regulate the industry and even to form unions of sorts. Under legalised regimes, trafficking and an illegal industry thrive."

"The truth is that, in all likelihood, most men – if not all men – have engaged in behaviour that was inappropriate, made a woman feel uncomfortable, or was even abusive. This is the lesson we should have learned from #MeToo: that the problem of male entitlement and misogynist attitudes towards women is a social one, not a personal one, and certainly not one that will be resolved by more men insisting they are feminists."

"Fossil fuel plants are predominantly located in poorer communities and communities of color. When wealthier, whiter communities oppose wind energy projects in their backyards, they extend the lifetime of fossil fuel projects. This is an injustice.”"

"“We wanted to take a comprehensive look at political opposition across North America to understand how common opposition is and what predicts it.”"

"“Fossil fuel plants are predominantly located in poorer communities and communities of color, “These plants create pollution. We need to replace fossil fuel power plants with clean energy, like wind and solar. When wealthier, whiter communities oppose wind energy projects in their backyards, they extend the lifetime of fossil fuel projects. This is an injustice.”"

"I have kids, and I don’t want to cook on gas,"

"Most research on opposition to wind energy projects focuses on specific case studies or small geographic areas,”"

"I'm not the only one who has experienced this, it's a pattern."

"Like a spoiled rich child, the meager stream of honored cream flowed out of a narrow tube, while the common thin milk, its essence taken from it, gushed out of the larger tube in a rush."

"In modern Yiddish writing, the moral, spiritual, and emotional capital of generations of Jewish women was utilized by male and female writers alike...Female prose writers, such as Fradl Shtok, Esther Kreitman, Rokhl Korn, Kadia Molodowsky, and Khava Rosenfarb, also deepened the awareness and understanding of the feminine contribution to Jewish civilization...In the realm of poetry, four female writers deserve special mention: Miriam Ulinover, Kadia Molodowsky, Rokhl Korn, and Rajzel Zychlinsky...Rokhl Korn grew up in the Galician countryside, spent the war years in the Soviet Union, and emigrated to Canada in 1948. Her early stories and poems emphasized rootedness in nature and the landscape of her childhood, while her later work stressed rootlessness and homelessness. Her poetry excels in brevity and the deft utilization of silence. Hers is one of the major lyrical voices in modern Yiddish poetry. Of particular excellence are the poems about her mother, her love poems, and her poems about the Holocaust and the reborn Israel."

"what, in essence, is poetry. To me it seems that it is a magical transporter through time and space because it manages to contain the present, the past, even the future. Poetry is also the only literary medium that allows for the deformation of reality in service of artistic vision while at the same time endowing that vision with a marked purpose defined by all the attributes of reality."

"the three most outstanding representatives of the Yiddish-Canadian literary group: J.I. Segal, Melekh Ravitch, and Rokhl Korn. Their presence in Canada corresponds to the most fruitful period of Yiddish-Canadian cultural life."

"In Poland one of the most outstanding of these neoclassical poets was Rachel Korn (who finally came to live in Canada), who writes with a deceptive simplicity, a pure lyricism."

"Often the poet will take faded words, lying forgotten and cobwebbed. He shakes off their dust, collected over generations, and marries them off to new images. He conducts them to a new breyshis, a second genesis. He also sets words as witnesses to the eternal struggle between justice and injustice, between purity and impurity."

"a great poet or artist is no coincidence in the history of a people. He is the logical consequence of historical developments, a product of ceaseless labor that has lasted generations. Centuries are spent toiling in the dark laboratory of the national subconscious in order to produce such a perfect individual who could become the people’s memory, its tongue, and—its conscience. His rise may not be attributed only to himself but rather, should be considered an answer to the nation’s concealed questioning of its own fears, of its own dreams. Only then, when the people itself is creative, when it searches and struggles, when it collects its debts from itself alone, the answer comes—in the form of a tremendous poetic talent."

"I was born and raised on a farm, ringed with fields and forests, where even to arrive at the nearest village was a serious journey, especially for a child’s tiny feet. I had no friends. Instead of friends, I had trees, and I spoke to them."

"my mother’s special wish that the oven should be “really remarkable,” as if the rest of the house were only an addition to the oven, as if all her thoughts and dreams would warm themselves there."

"The Japanese theatre art differs so widely from anything to be seen in Western countries that it might as well belong to the people of Mars or Saturn, so far removed is it from the ordinary affairs of life as known and experienced in the West. But just because the Eastern hemisphere has founded its theatres on opposite principles from those of Europe, there is all the more reason why this uncharted field of human endeavour should become familiar to our unaccustomed ears and eyes."

"The long procession of priests in picturesque robes, and the group of feudal lords in their large ceremonial court costumes of many colors, made a memorable stage picture, and one, indeed, that the most extravagant of motion picture scenes might well emulate."

"The western observer no doubt upon first impression may regard it as a hardchip that the girls of a family should do no more than gaze upon the beautiful dolls and be satisfied, and that these bright creatures of silk, embroidery and brocade from the hands of the skilled craftsmen are not to be touched, only to be admired at a distance. In brief, they are education, and so become removed from the sphere of ordinary playthings."

"Throughout the realm, the Hina Matsuri will be observed in the homes of rich and poor alike when a series of shelves, one rising above the other, and covered with a red cloth will be placed in the best room of the dwelling. Here the treasured dolls and their furniture will be displayed for one day only."

"In the No the world of the real is left behind and the audience enters into a land of imagination; the face of the actor would clash with the non-realistic material of the play and the treatment."

"A more disciplined stage than that of the Imperial can hardly be duplicated in any of the world's theater centers. The present repertory company has played together since the founding of the theater, and many of the younger actors have been associated with it since childhood."

"Kabuki is most distinguished when it deals with the weird and grotesque, and the American visitor may not be at all surprised if among the insubstantial stage creations of the Japanese he becomes acquainted with the spirit of a cherry tree, or the transformation of a maid into a fox or a lion."

"I used to submit to anthologies and magazines when I was a student – but I knew I was never going to be picked up. All their writing was, you know, about the Canadian landscape or something. And my poem is about this woman with her legs spread open."

"People aren’t used to poetry that’s so easy and simple."

"When you see someone who looks like your mom there and she’s like ‘this puts so much of my pain into something concrete that I can hold,’…That’s when I’m like okay, I’m doing something right and I just want to keep doing it."

"…For a long time, it debilitated me a lot. Nothing that I wrote was good enough. I’d start writing then be like, “Nope. This is sh–.” And that was a really negative experience to have with my writing, because the more I said that, it was almost like the writing in my heart would cower into a corner and be like, “I’m not coming out.” I really had to work through a few weeks of being kind to myself and saying, “Your job is to get to the desk, have your pen out, and write, write, write, write.” You have to get through the bad stuff before you can get to the pit of everything that you really enjoy…"

"She as a wonderful mother. She was whimsical, smart, caring, loving, playful. If I had any fault with her as a mother, it’s that she never criticized her children. She was very, very caring and supportive. You might say to a fault. There were times when I thought I shouldn’t get away with that. We often think of film stars as these iconic figures who we see on the screen, but behind the scenes, there’s a family, there are relationships, and she managed life. She came from what I call pioneer stock. She was born in Canada, but really from a pioneer Mormon family. Then they left the Mormon family, but that pioneer’s strengths saw her through quite a bit. The more I think about her, and reflect on her and try to write about her, I realize what a resilient person she was, but she was resilient with kindness and warmth and humor, which is not to say her life was easy. I think it’s good for people to know about the difficulties she faced because I think we all face difficulties and work our way through and she’s a good role model in that sense."

"He introduced me as being the new Ann Darrow, and she looked up at me and she went, 'You're not Ann Darrow, I am!'" Watts says. "I thought, 'Oh great, she's 96 and her humor is still right there.' Then I had a moment of, "Oh God, what if she doesn't like me? What if she doesn't think I'm good enough?" -- and all that typical stuff. Anyway, we had a nice dinner and chitchatted, and at the end of the night, we dropped her home at her house, and she got out of the car. We all kissed and hugged, and she whispered in my ear "Ann Darrow is in good hands." Those were great parting words, because it felt like she was giving me permission and I was given the baton."

"King Kong was difficult only because of the hours we had to put in. At that time, there was no protection for actors about time or anything. We worked straight through for 22 hours once on Kong. It was really a wearying experience, because it was mechanics, really, as much as anything that we were dealing with. The technicality was transparency to transparency from the rear, and then re-photographing me in the foreground on the same level with that screen-so I couldn't really see what was happening at all! It had to be done many, many times to confirm that it was okay. So we worked for 22 hours!"

"She was very attentive, and I think he was very moved by the experience of actually being in the same room with her. In fact, I think I saw a tear well up. It was a lovely moment."

"Simpson writing website"

"I do this in my long poems. I have to move between one thing and another and this oscillation is the way I find out what I'm trying to say"