atheists-from-russia

"American capitalism finds its sharpest and most expressive reflection in the American cinema."

"“This is Paul Robeson, the greatest American singer!” declared the famous film director, Eisenstein, introducing Robeson to a reception in his honor, attended by nearly all the celebrities in Moscow’s theatre and art world."

"The majority of my symphonies are tombstones."

"He did not write about this war and that revolution, but about war and revolution in general, the state of mind and emotion, not facts."

"You ask if I would have been different without "Party guidance"? Yes, almost certainly. No doubt the line I was pursuing when I wrote the Fourth Symphony would have been stronger and sharper in my work. I would have displayed more brilliance, used more sarcasm, I could have revealed my ideas openly instead of having to resort to camouflage."

"I feel eternal pain for those who were killed by Hitler, but I feel no less pain for those killed on Stalin's orders. I suffer for everyone who was tortured, shot, or starved to death."

"He is thinner, taller, younger – more boyish-looking – than expected, but he is also the shyest and most nervous human being I have ever seen. He chews not merely his nails but his fingers, twitches his pouty mouth and chin, chain-smokes, wiggles his nose in constant adjustment of his spectacles, looks querulous one moment and ready to cry the next. His hands tremble, he stutters, his whole frame wobbles when he shakes hands…There is no betrayal of the thoughts behind those frightened, very intelligent eyes."

"I think it is clear to everyone what happens in the Fifth. The rejoicing is forced, created under threat, as in Boris Godunov. It's as if someone were beating you with a stick and saying, "Your business is rejoicing, your business is rejoicing," and you rise, shaky, and go marching off, muttering, "Our business is rejoicing, our business is rejoicing.""

"If they cut off both hands, I will compose music anyway holding the pen in my teeth."

"A great piece of music is beautiful regardless of how it is performed. Any prelude or fugue of Bach can be played at any tempo, with or without rhythmic nuances, and it will still be great music. That's how music should be written, so that no-one, no matter how philistine, can ruin it."

"I don't think that either self-deprecation or self-aggrandizement is among the defining qualities of an artist…Beethoven could have been forgiven if his symphonies had gone to his head. Gretchaninoff could also be forgiven if his Dobrinya Nikititch went to his head. But neither one could be forgiven for writing a piece that was amoral, servile, the work of a flunky."

"The real geniuses know where their writing has to be good and where they can get away with some mediocrity."

"It's about the people, who have stopped believing because the cup of evil has run over."

"The Allies enjoyed my music, as though trying to say: Look how we like Shostakovich's symphonies, and you still want something more from us, a second front or something."

"I write music, it's performed. It can be heard, and whoever wants to hear it will. After all, my music says it all. It doesn't need historical and hysterical commentaries. In the long run, any words about music are less important than the music."

"Neuhaus was sitting next to him at a performance…that was being badly conducted by Alexander Gauk. Neuhaus leaned over to whisper in Shostakovich’s ear: “Dmitry Dmitrievich, this is awful.” Whereupon Shostakovich turned to Neuhaus: “You’re right, Heinrich Gustavovich! It’s splendid! Quite remarkable!” Realising that he’d been misunderstood, Neuhaus repeated his earlier remark: “Yes,” muttered Shostakovich, “it’s awful, quite awful.” That was Shostakovich to the life."

"Pornophony."

"Many consider that Shostakovich is the greatest 20th-century composer. In his 15 symphonies, 15 quartets, and in other works he demonstrated mastery of the largest and most challenging forms with music of great emotional power and technical invention…All his works are marked by emotional extremes – tragic intensity, grotesque and bizarre wit, humour, parody, and savage sarcasm."

"I live in the USSR, work actively and count naturally on the worker and peasant spectator. If I am not comprehensible to them I should be deported."

"What can be considered human emotions? Surely not only lyricism, sadness, tragedy? Doesn't laughter also have a claim to that lofty title? I want to fight for the legitimate right of laughter in "serious" music."

"Part of the task, of course, is simply insisting that female experience is human experience and worthy of being explored in literature...as Shostakovich said (speaking of Yevtoshenko’s Babi Yar poem mourning the massacre of the Jews of Kiev during World War II, defying the official cover-up), “Art destroys silence.” To bring what is silenced into speech is to make a space."

"Not since the time of Berlioz has a symphonic composer created such a stir. In far-away America, great conductors vie with each other for the jus primae noctis of his music. The score of his Seventh Symphony, the symphony of struggle and victory, has been reduced to a roll of microfilm and flown half-way across the world...to speed the day of the American première. How the old romantics would have loved to be the center of such a fantastic adventure!"

"I always try to make myself as widely understood as possible, and if I don't succeed I consider it's my own fault."

"A creative artist works on his next composition because he is not satisfied with his previous one. When he loses a critical attitude toward his own work, he ceases to be an artist."

"Music is a means capable of expressing dark dramatism and pure rapture, suffering and ecstasy, fiery and cold fury, melancholy and wild merriment – and the subtlest nuances and interplay of these feelings which words are powerless to express and which are unattainable in painting and sculpture."

"Real music is always revolutionary, for it cements the ranks of the people; it arouses them and leads them onward."

"What do you think of Puccini? [ Britten: "I think his operas are dreadful." ] No, Ben, you are wrong. He wrote marvellous operas, but dreadful music."

"The most uninteresting part of the biography of a composer is his childhood. All those preludes are the same and the reader hurries on to the fugue."

"The withering away of illusions is a long and dreary process, like a toothache. But you can pull out a tooth. Illusions, dead, continue to rot within us. And stink. And you can't escape them. I carry all of mine around with me."

"For some reason, people think that music must tell us only about the pinnacles of the human spirit, or at least about highly romantic villains. Most people are average, neither black nor white. They're gray. A dirty shade of gray. And it's in that vague gray middle ground that the fundamental conflicts of our age take place."

"Jewish folk music has made a most powerful impression on me. I never tire of delighting in it, it's multifaceted, it can appear to be happy while it is tragic. It's almost always laughter through tears. This quality of Jewish folk music is close to my ideas of what music should be. There should always be two layers in music. Jews were tormented for so long that they learned to hide their despair. They express despair in dance music."

"There can be no music without ideology. The old composers, whether they knew it or not, were upholding a political theory. Most of them, of course, were bolstering the rule of the upper classes. Only Beethoven was a forerunner of the revolutionary movement. If you read his letters, you will see how often he wrote to his friends that he wished to give new ideas to the public and rouse it to revolt against its masters."

"People knew about Babi Yar before Yevtushenko's poem, but they were silent. And when they read the poem, the silence was broken. Art destroys silence."

"When a man is in despair, it means that he still believes in something."

"Here is music turned deliberately inside out in order that nothing will be reminiscent of classical opera, or have anything in common with symphonic music or with simple and popular musical language accessible to all...Here we have "leftist" confusion instead of natural human music. The power of good music to infect the masses has been sacrificed to a petty-bourgeois, "formalist" attempt to create originality through cheap clowning. It is a game of clever ingenuity that may end very badly."

"What you have in your head, put down on paper. The head is a fragile vessel."

"Andropov died the following month, to be succeeded by Konstantin Chernenko, an enfeebled geriatric so zombie-like as to be beyond assessing intelligence reports, alarming or not. Having failed to prevent the NATO missile deployments, Foreign Minister Gromyko soon grudgingly agreed to resume arms control negotiations. Meanwhile Reagan was running for re-election as both a hawk and a dove: in November he trounced his Democratic opponent, Walter Mondale. And when Chernenko died in March, 1985, at the age of seventy-four, it seemed an all-too-literal validation of Reagan's predictions about "last pages" and historical "ash-heaps." Seventy-four himself at the time, the president had another line ready: "How am I supposed to get anyplace with the Russians, if they keep dying on me?""

"A staleness was particularly apparent in the early 1980s, and notably under Chernenko, who died on 10 March 1985. An impression of stagnation, if not decay, became more insistent and was commented on both within and outside the Soviet Union. ‘The patient had died already on the operating table’ by 1985, although few of the top Soviet leaders understood that. Yet, underlying later counterfactuals about whether different outcomes were possible, very few commentators proved willing to predict that the Soviet bloc would soon collapse. There was an awareness in the West of its economic problems, but not of their consequences. The ability to suppress dissent in Poland in 1981 encouraged a sense that force would help deal with problems. However, the combination of Soviet economic difficulties, Soviet political sluggishness, and a much broader and better educated Soviet citizenry, indicated that the country in 1985 was very different to what had been called for and anticipated during the 1917 Revolution. Moreover, the citizenry was aware of this contrast."

"Re-elected in 1984, [Reagan] sought to assure the Soviet leadership that he wanted peace; he also signalled that he sought a resumption of negotiations. This was not going to be easy. Andropov had been in poor health at his accession to the General Secretaryship, and he died in February 1984. His successor Konstantin Chernenko had been Brezhnev’s personal assistant. Mental agility beyond the routine tasks of administration had never been one of his strong features and he was already badly ill with emphysema. Reagan was trying to parley at a table at which he was the solitary sitter. Yet fortune smiled on the American strategy when, in March 1985, Chernenko died and was succeeded by Mikhail Gorbachëv."

"If Soviet society is to move forward with confidence toward our great goals, each new generation must rise to an ever-higher level of learning and general cultivation, occupational skill and civic activism. One might say that such is the law of societal progress. In the context of the scientific and technological revolution, under a virtual avalanche of information, this law imposes unwontedly high demands on both those who study and those who teach—from rank-and-file classroom teachers to government ministers."

"Those who try to give us advice on matters of human rights do nothing but provoke an ironic smile among us. We will not permit anyone to interfere in our affairs."

"The Soviet Union has long been proposing to outlaw chemical weapons, to remove them from the arsenals of states. We are prepared for resolution of this problem either on a global basis or piece by piece. As one of the first steps the USSR and the other socialist countries proposed in January 1984 that agreement be reached on ridding Europe of all types of chemical weapons."

"As a great socialist power the Soviet Union is fully aware of its responsibility to the peoples for preserving and strengthening peace. We are open to peaceful, mutually beneficial cooperation with states on all continents. We are for the peaceful settlement of all disputable international problems through serious, equal, and constructive talks."

"All this is forcing the USSR to fortify the nation's defences. The Soviet people want no arms build-up. What they want is arms reduction on both sides. But we are compelled to see to our country's essential security and also to that of our friends and allies. That is exactly what is being done. And we want everybody to remember that no adventure-seekers will ever succeed in catching us unawares, that no potential aggressor has the slightest chance of escaping a devastating retaliatory strike."

"Sverdlov Hall was already nearly full...The provincial elite were all there. And it was all the usual things: people kissing each other and shouting greetings across the rows of seats, chattering about the snow and the harvest prospects and generally feeling themselves to be masters of their fate. In all the cacophony I didn't hear the name of Andropov mentioned once, not anything said about his death. At twenty minutes to eleven the hall hushed. The waiting began. With each minute the tension rose and the atmosphere felt charged with electricity...The tension reached a climax. All eyes turned towards the door...Who would come through it first? At precisely eleven, Chernenko's head appeared in the doorway. He was followed by Tikhonov, Gromyko, Ustinov, Gorbachev and the rest. The delegates' reaction was silence."

"You know, comrades, that Konstantin Ustinovich has been gravely ill for a long time, and has been in the hospital in recent months. On the part of the Fourth Main Department, all necessary measures were taken in order to treat Konstantin Ustinovich. But the illness did not submit to the cure, it started to weaken his systems first slowly, and then faster and faster. It became especially aggravated as a result of pneumonia in both lungs, which Konstantin Ustinovich developed during his vacation in Kislovodsk. There were periods when we succeeded in alleviating the lung and heart insufficiencies, and during those periods Konstantin Ustinovich found enough strength to come to work. Several times he conducted Politburo sessions, and put in work days, although shortened ones. Emphysema of the lungs and the aggravated lung and heart insufficiency had worsened significantly in the last two or three weeks. Another, accompanying illness had developed—chronic hepatitis, i.e. liver failure with its transformation into cirrhosis. The cirrhosis of the liver and the worsening dystrophic changes in the organs and tissues led to the situation where not with standing intensive therapy, which was administered actively on a daily basis, the state of his health gradually deteriorated. On March 10 at 3:00 p.m., Konstantin Ustinovich lost consciousness, and at 19:20 death occurred as a result of heart failure."

"Washington's adventuristic policy, whipping up international tension to the utmost, is pushing mankind towards nuclear catastrophe."

"It makes not a bit of difference that Pavlov was a devout physicalist who felt that a scientific treatment of conscious experience was impossible. In time-honored scientific fashion, good data outlast the orientation of the investigators who collected them."

"I was, I am and will remain the Russian, the son of the Motherland. Her life first of all I will be interested in. I will live with her interests. With her’s dignity I will strengthen mine."

"Pavlov’s findings were confirmed in the most distressing manner, and on a very large scale, during the two World Wars. As the result of a single catastrophic experience, or of a succession of terrors less appalling but frequently repeated, soldiers develop a number of disabling psycho-physical symptoms. Temporary unconsciousness, extreme agitation, lethargy, functional blindness or paralysis, completely unrealistic responses to the challenge of events, strange reversals of life-long patterns of behaviour—all the symptoms, which Pavlov observed in his dogs, re-appeared among the victims of what in the First World War was called ‘shell shock’, in the Second, ‘battle fatigue’. Every man, like every dog, has his own individual limit of endurance. Most men reach their limit after about thirty days of more or less continuous stress under the conditions of modern combat. The more than averagely susceptible succumb in only fifteen days. The more than averagely tough can resist for forty-five or even fifty days. Strong or weak, in the long run all of them break down. All, that is to say, of those who are initially sane. For, ironically enough, the only people who can hold up indefinitely under the stress of modern war are psychotics. Individual insanity is immune to the consequences of collective insanity."