actresses-from-indiana

"The forbidden love, if you will, between Caleb and Miranda…it's something that we're developing but he's very respectful toward his relationship with Hannah. He doesn't do anything inappropriate, if you will. He's just very considerate of her and he's such a very loyal boyfriend."

"It was really hard at first. I remember the first, the very first episode that we shot and I had to react to that Edwardian ghost, ghouly, kind of decrepit, scary figure that kept popping in and out everywhere. I was like, ‘Oh my gosh. It's going to be hard using my scared face!’"

"I actually found out when I did the chemistry read with Tyler. So I knew before signing onto the show and I was excited but I was nervous at the same time because I was curious to see where they can take a ghost storywise and really build on it throughout an entire season of the show."

"Smallwood told CNN Fox has “so many skill sets that contribute to the success of any project.”"

"I mean, she understood the story. quated by (Tonesa Welch)"

"I think that by her being a woman director, it just brought so much,"

"I loved watching some 48 Hours, some Dateline, I love a good whodunit just like everybody else does! Just trying to figure out how that simple piece of hair, or blood drop, or footprint can help solve a crime."

"In Missing, we just kind of caught criminals. We would get them, arrest them, and turn them over. But hosting The Interrogation Room, going behind the scenes, showing how they build a case, how they get confessions, that was all totally new."

"To see how they make someone comfortable enough to confess with their body language, that was the one thing that was the most interesting to me, was how you can tell when the detective goes in for ‘the kill.’ When they (the detective) get comfortable with someone and make them feel like they’re a friend."

"There was a lot of different wonderful elements that we had to tackle and we did. I just thank my amazing cast for coming in and leaving their egos at the door and my crew for working so very hard."

"No shortcuts were taken here from the amount of showing the love story to then the redemption and showing the violence"

"When I found out how inaccurately she was portrayed on [other] series, that was a driving force."

"We really had to make sure that we did that accurately because we didn’t want anyone walking away saying ‘Nah, that isn’t how it was. I don’t know if I, I don’t believe this"

"Nobody can outwork her in the industry."

"Her work ethic is incredible"

"When the stage musical came along, I was asked to play Margo [the Bette Davis role in the movie] to replace Betty Bacall, and I first thought it was gimmicky. But I can sing, or rather croak, and I wanted to do Broadway—and it turned out just fine. One matinee day Bette Davis phoned and said she was coming to check me out, and we got a chair placed just behind the curtain so she could watch without the audience watching her. After the curtain came down she said, "Baxter, you can still astonish me." And she left. Just like that. On another occasion, she was in Chicago to receive the real and I popped out to give it to her. Get it? Eve giving Margo the award she'd first won. She looked hesitant when she saw me and then roared with laughter. She got it, she really got it."

"Darryl Zanuck thought all women were either broads or librarians. He thought I was a librarian. He thought I was smart."

"Being a wife-mother and doing a job, it's the toughest damn thing in the world. But we want it."

"Acting is not what I do. It's what I am. It's my permanent, built-in cathedral."

"Well, rushed over to apologize to me once when Barrymore cut loose with a barrage of foul language, but I didn't even know he was swearing. The way I was raised, I didn't even hear a four-letter word until I was eighteen. I mean that. Here's another example: I was autographing photos of me for fans once and my mother looked over my shoulder with a stricken look on her face and said, "What are you writing?" So I told her: "Good luck, always, Anne Baxter." Then she told me, "Your 'L' looks just like an 'F,' and that's a very dirty word!" But the truth is I'd never heard that word before and hadn't a clue what it meant."

"I wasn't pretty enough to be used for cutesy parts. At my very best, I was attractive. I was not a face, so I never got into that rut. I was also constantly dieting to get rid of my baby fat. I was having a hard time with that and think I probably had a mild case of bulimia. I became a foodaholic. I loved rhubarb pies. There used to be this little place on that made wonderful rhubarb pies. I'd buy one, drive my car onto a side road, eat the whole thing, and then spit it back into the box. I'd buy whole containers of ice cream and spit it into the disposal. It was disgusting!"

"Adored him, but he was a lost soul. Kept saying, "They don't make films here like we do in France, n'est-ce pas?" [...] We filmed indoors on a studio stage with a recreated swamp. Jean could only clasp his arms and look horrified. He was limited in camera angles because of the transparency screens—a movement of inches and the screens would be exposed. And his English was learned from books. In conversation, he was terrible. One day he told a little girl extra to "Make some water." He meant get her dress damp because she'd just been pulled from the swamp. Her mother was horrified, thinking he'd asked her to tinkle—and slapped his face."

"I loved that one because Greg Peck usually was so stolid in his pictures. Billy made him relax more than usual. He was playing an outlaw and I was shacked up in this ghost town with my pa and the outlaws are trying to smoke us out. Well, there's one line where I remark about his body odor and Greg tried to get it removed, saying it might undermine his box office appeal among girls. And Billy just chuckled and kept on shooting."

"I can report was twice as acerbic in person than on camera as Addison Dewitt. He was just plain nasty to poor Marilyn Monroe, who was always quaking in her boots. He'd pat her on the rump and say, "You almost got through that two-line speech, my dear. Shall we try again?""

"We've lost a remarkable actress and a significant star. I ... found her to be an extraordinary performer and a fine woman."

"Anne Baxter's death is a shattering shock to all of us who loved her and had the privilege of working with her."

"I love my work and I take it seriously. And I love everything I do and give everything I've got to whatever I'm doing. But I do not go about clutching my Career to an otherwise naked bosom. If my work were to be taken away from me tomorrow I wouldn't be stopped. I'd go on living, and still love it. There are a thousand things I could do, would do, would want to do. I'm like old Solomon. If he'd lost one of his wives he wouldn't exactly have been a widower. I couldn't be widowed by the loss of any one facet of my life. Because it's too rich, life is too abundant."

"Carole Lombard's tragic death means that something of gaiety and beauty have been taken from the world at a time they are needed most."

"John always said he had three favorite women. Fanny Brice, Carole Lombard and me."

"I do walk off sets but not for the reasons you might suppose. I'm not temperamental about myself. I can take care of myself all right. But I do get temperamental when I hear some little would-be Napoleon of a director, some little killer-diller of a petty czar cursing out extras, grips, electricians. I've walked off sets when things like that happen. And will again, if and when they happen again. I've said to the pettifogging Nappies, ‘Why don't you bawl me out if that's the way you feel about it? You don't dare to bawl the stars out, do you? They could bark right back at you, couldn't they? So you have to light on the little fellows, the ones who can't talk back, don't you?’ It's an obsession with me."

"They’re not really so different. You know the old thing, comedy and tragedy are akin? Like lots of old things, it's the truth. Back of all comedy, there is tragedy; back of every good belly-laugh there is a familiarity with things not funny at all. There must be. You laugh with tears in your eyes, don’t you?"

"I have no kicks at all [The] fact is I'm pretty happy about the whole thing...I enjoy this country. I like the parks and the highways and the good schools and everything that this Government does."

"At first thought , we might say, 'our job is to win a war'...but I am sure it would be closer to the hearts of all of us to say, 'We are fighting a war to assure a peace...our kind of peace.'"

"Being poor didn't matter a bit. I didn't mind a bit. Wouldn't mind living in a ground-floor right now—you can get out the back door faster!"

"I'm not as klutzy as I used to be... I've had visual therapy and all kinds of things to help, but I still wrap my purse around chair legs when I stand up to leave. I do ridiculous things on camera because I do them in my life all the time."

"I feel asleep late last night Crying like a newborn child Holding myself close Pretending my arms are yours I want no one but you."

"Seeing that your love's true. Never I'll doubt you. My heart belongs to you. That's alright with me. Worlds could end around me. So in love that I can't see. You and me were meant to be. That's alright with me."

"Like a moth to a flame Burned by the fire. My love is blind Can't you see my desire?"

"I'm not a prude, I just want some respect (that's right) So close the door if you want me to respond Cause privacy is my middle name My last name is control No, my first name ain't baby It's Janet — Ms. Jackson, if you're nasty"

"Acceptance is right. Kindness is right. Love is right. I pray, right now, that we're moving into a kinder time when prejudice is overcome by understanding; when narrow-mindedness, and narrow-minded bigotry is overwhelmed by open-hearted empathy; when the pain of judgmentalism is replaced by the purity of love."

"You ought to be thankful for the little things But little things are all you seem to give You're always putting off what we can do today Soap opera says you've got one life to live Who's right, who's wrong?"

"Her father’s white."

"So here's my demonstration A peep show Tonight my body's an exhibition baby Though it's on display don't be scared to Touch It, It said so So come and get it babe"

"I don't know if I've ever felt like this before But I'm sure that the way I feel, I don't want it to go 'Cuz I've cried my share of tears And I've sang my share of blues But to keep you over here, I'll do what I got to do"

"Relax... it's just sex."

"My love for you is unconditional love too Gotta get up, get out, get up, get out, get up And show you that it"