Dante Alighieri

"Dante's Inferno was the first book to give me a real thrill. I thought Doré's drawings in it remarkable, and I became exceedingly curious about his work."

"Dante and Shakespeare divide the modern world between them; there is no third."

"Dante as a poet performs miracles in some of the openings of his lyrics or some of his verses in the Commedia. In an age of convention and formalism he went to Virgil to school; in an age when nothing gave reason to hope for the appearance of a masterpiece of form and structure, he produced such a masterpiece. His creative work is immensely superior in merit to his theorizing, but even these show how, in spite of the limitations of contemporary philosophy and rhetoric he was able to slip through the meshes of the network which encircled him, and to bring the vernacular poetry of Italy, when it was still in its infancy, to heights of perfection and finish that have seldom been equalled and never surpassed."

"I would like to add my voice to those who consider Dante Alighieri an artist of the greatest universal esteem, who through his immortal works still has much to say and offer to those who desire to travel the way to true knowledge, to the authentic discovery of self, of the world, of life's profound and transcendent meaning. ... The Comedy can be read as a great itinerary, rather as a true pilgrimage, both personal and interior, as well as communal, ecclesial, social and historic. ... Dante is...a prophet of hope, a herald of humanity's possible redemption and liberation, of profound change in every man and woman, of all of humanity."

"Dante was the first to sing of heaven and of hell, not as the dreams of mythological fiction, but as the objects of a real faith. He was the first who lanched from this promontory on which we stand, into the vast immensity of the universe, traversed the abyss amidst demons and infernal tortures, and mounting afterwards through angelic hosts and undiscovered worlds, gazed with stedfast eye upon the glories of the Highest... Dante was the Columbus who discovered this new world of poesy... Dante probably surpassed even Homer himself."

"Dante's corpus as a whole is in certain respects like a testament to the closing medieval age; it shows what the Western world would have been had it not broken from its tradition."

"If instilling the fear of hell is a form of “child abuse” perhaps Dante’s “Comedy,” with its graphic depictions of hell, should be forbidden to minors in Japan, and Japanese travel agents should not take families with minors to the famous Medieval Cemetery of or to countless European cathedrals whose frescos or paintings show how devils will torment the sinners in the afterlife (Buddhist depictions of are not less terrifying, by the way)."

"I love Dante almost as much as the Bible. He is my spiritual food, the rest is ballast."

"Dante has not deigned to take his inspiration from any other. He has wished to be himself, himself alone; in a word, to create. He has occupied a vast space, and has filled it with the superiority of a sublime mind. He is diverse, strong, and gracious. He has imagination, warmth, and enthusiasm. He makes his reader tremble, shed tears, feel the thrill of honor in a way that is the height of art. Severe and menacing, he has terrible imprecations for crime, scourgings for vice, sorrow for misfortune. As a citizen, affected by the laws of the republic, he thunders against its oppressors, but he is always ready to excuse his native city. Florence is ever to him his sweet, beloved country, dear to his heart. I am envious for my dear France, that she has never produced a rival to Dante; that this Colossus has not had his equal among us. No, there is no reputation which can be compared to his."

"Time in culture is capable of many arrangements. Dante read today sets up different relations, very likely, from Dante read in his own decades, but the change is not in Dante nor in his truth, although many will say so. These truths, the truth of the voyage, of the skull-grinding horror, the white chance, leopard, star, and belief, are present. There is no particular question of death, since we are in a life where imaginative experience is given and taken."

"In The Divine Comedy, Dante reserved a special place in the Seventh Circle of Hell for people who charged usurious interest rates. Today we don't need the hellfire, the pitchforks, or the rivers of boiling blood, but we do need a national usury law that caps interest rates on credit cards and consumer loans at 15 percent."

"His very words are instinct with spirit; each is as a spark, a burning atom of inextinguishable thought; and many yet lie covered in the ashes of their birth, and pregnant with the lightning which has yet found no conductor."

"That great genius conceived, in his vast imagination, the mysteries of the invisible creation, and unveiled them to the eyes of the astonished world."

"Dante Alighieri wrote in the fourteenth century that the spirit of poetry abounds "in the tangled constructions and defective pronunciations" of vernacular speech where language is renewed and transformed. His vision resonates today with the faulty speech of migrants creating the sounds and intonations of the future."

"Sa réputation s'affermira toujours, parce qu'on ne le lit guère. II y a de lui une vingtaine de traits qu'on sait par cœur: cela suffit pour s'épargner la peine d'examiner le reste."

"In quella parte del libro de la mia memoria, dinanzi a la quale poco si potrebbe leggere, si trova una rubrica, la quale dice: Incipit vita nova."

"Ecce deus fortior me, qui veniens dominabitur mihi."

"ne le braccia avea madonna involta in un drappo dormendo. Poi la svegliava, e d'esto core ardendo lei paventosa umilmente pascea: appresso gir lo ne vedea piangendo."

"Ella è quanto de ben pò far natura; per essemplo di lei bieltà si prova."

"Amore e 'l cor gentil sono una cosa... e così esser l'un sanza l'altro osa com'alma razional sanza ragione."

"Sì lungiamente m'ha tenuto Amore e costumato a la sua segnoria"

"Amor che ne la mente mi ragiona de la mia donna disiosamente... che lo 'ntelletto sovr'esse disvia."

"La moralitade è bellezza de la filosofia."

"Nam in omni actione principaliter intenditur ab agente, sive necessitate naturae, sive voluntarie agat, propriam similitudinem explicare, unde fit, quod omne agens, in quantum huiusmodi, delectatur; quia, quum omne quod est appetat suum esse, ac in agendo agentis esse quodammodo amplietur, sequiturde necessitate delectatio... Nihil igitur agit, nisi tale existens, quale patiens fieri debet..."

"Hiis visis, manifestum est quod duplex oportet esse subiectum circa quod currant alterni sensus. Et ideo videndum est de subiecto huius operis, prout ad litteram accipitur; deinde de subiecto, prout allegorice sententiatur. Est ergo subiectum totius operis, litteraliter tantum accepti, status animarum post mortem simpliciter sumptus. Nam de illo et circa illum totius operis versatur processus. Si vero accipiatur opus allegorice, subiectum est homo, prout merendo et demerendo per arbitrii libertatem iustitie premiandi et puniendi obnoxius est."

"Genus vero philosophie, sub quo hic in toto et parte proceditur, est morale negotium, sive ethica; quia non ad speculandum, sed ad opus inventum est totum et pars."

"Nel mezzo del cammin di nostra vita, mi ritrovai per una selva oscura, ché la diritta via era smarrita."

"Lasciate ogni speranza, voi ch'entrate."

"E 'n la sua volontade è nostra pace."

"Nel suo profondo vidi che s'interna, legato con amore in un volume, ciò che per l'universo si squaderna."

"The hottest places in hell are reserved for those who in times of great moral crisis maintain their neutrality."

"And you, beloved children, whose lot it is to promote learning under the magisterium of the Church, continue as you are doing to love and tend the noble poet whom We do not hesitate to call the most eloquent singer of the Christian idea."

"Dante's relationship with women is very complex, because the range of real women in Dante's life and in Dante Alighieri's imagined life is very different. There is an idealization of women that occurs when he is nine years old. He lost his real mother when he was five years old, so he is the son of a father and a stepmother. The neighbors of the Portinari family had six daughters and one of these is Beatrice, a nine-year-old girl, his age. Dante meets her gaze and from that moment he becomes almost a prisoner of that gaze, which is why nine is Beatrice's magic number, because he meets her at nine years old. The Poet follows her to Florence for another nine years, without ever receiving encouragement from her, until at eighteen, before entering the church where the girl goes every evening in Santa Margherita dei Cerchi which is the Portinari church, suddenly she decides to stop, look at him, smile at him, and says "I greet you" which is the only phrase Dante will hear from Beatrice. Dante remains completely satisfied by this smile and considers it the sealing of a relationship that has had no other type of concretization, nothing else, just this look and this greeting. He tells this story in this wonderful diary which is the Vita Nova, a set of poems and prose writings that he wrote in the aftermath of Beatrice's death."

"Christianity has an admirable example of the natural union between faith and freedom in Dante Alighieri. Precisely his undoubted adherence to Catholic truth allows and illuminates his perfect autonomy of judgement, free from any fear or human conditioning. Dante is not afraid to criticize the work of the popes and their operational choices, to the point of placing several of them in the depths of hell. But in him "the reverence of the supreme keys" never diminishes and never diminishes in the slightest (Inf. XIX, 101). When it comes to expressing reservations or criticisms that he considers due, there are no discounts neither for lay people, nor for ecclesiastics, nor for monarchs, nor for ordinary citizens... all of whom are required, without exception, to abide by the law evangelical."

"Dante does not come before us as a large catholic mind; rather as a narrow, and even sectarian mind: it is partly the fruit of his age and position, but partly too of his own nature. His greatness has, in all senses, concentred itself into fiery emphasis and depth. He is world-great not because he is world-wide, but because he is world-deep. Through all objects he pierces as it were down into the heart of Being. I know nothing so intense as Dante."

"Redeth the grete poete of Itaille, That highte Dant, for he can al devyse Fro point to point, nat o word wol he faille."

"I wanted my illustrations for the Dante to be like the faint markings of moisture in a divine cheese. This explains their variegated aspect of butterflies' wings. Mysticism is cheese; Christ is cheese, better still, mountains of cheese!"

"Gilson criticizes attempts to trace Dante's position back to Thomism or Averroism. For St. Thomas, every hierarchy of dignity is at the same time a hierarchy of jurisdiction, while for Dante—except for God—a hierarchy of dignity is never the foundation of a hierarchy of jurisdiction, and this corresponds to Dante's specific philosophical problem, which is not so much to define the essence of philosophy as to determine functions and jurisdictions. The principle governing this determination is absolutely irreconcilable with Thomism. St. Thomas knows only one ultimate end: eternal bliss, which can only be attained through the Church; moreover, the spirituality of the ultimate end implies that between temporal and spiritual power there is a hierarchical subordination of the means to the end. For Dante, on the other hand, man can obtain, through the exercise of political virtues, a human happiness completely distinct from heavenly bliss, even if the latter represents a higher end. The thesis of the “duo ultima” legitimizes the complete distinction between the political order and the religious order, which is equally universal to that of the Church, but autonomous and pursuing an end of earthly happiness."

"For us Anishinaabe, Biskaabiiyang is a specific term that means “returning to the woods,” because we’re woodland peoples. For example, I grew up growing my “three sisters”—that is, corn, beans, and squash—along the edge of the forest, using what people now call sylvan culture or permaculture. It’s curious how this counters the perspective of classical authors like Dante in early modern Europe or, later, Edmund Spenser, an important Renaissance poet, who view the woods as this terrifying presence. Why is this decolonizing? Because through boarding schools and many other colonial experiences, that fear of the woods creeps in."

"Drei Dinge sind uns aus dem Paradies geblieben: die Sterne, die Blumen und die Kinder."

"Dante: oder die Hyäne, die in Gräbern dichtet."

"Das Menschengeschlecht befindet sich im besten Zustande, wenn es möglichst frei ist."

"…Kehr heim zu Deiner Lehre, die will, daß, je vollkommener ein Wesen, es Freud und Schmerzen um so mehr empfinde"

"Wie der, der eifrig zu gewinnen strebt,// Wenn zum Verlieren nun die Zeit gekommen,// In Kümmerniß und tiefem Bangen lebt:"

"Wer bist du, der auf solchen Sitz hinauf will, // um von tausend Meilen weither zu richten, // mit nur einer handbreit kurzen Sicht?."

"… unter dem festen Panzer des Reinheitsgefühl."

"Reden wir nicht über sie, schau und geh deinen Weg."

"Lasst, die ihr eintretet, alle Hoffnung fahren!"

"Kein größerer Schmerz als sich erinnern glücklich heiterer Zeit im Unglück."

"Hier ziemt es, jeden Argwohn zurückzulassen, // Jede Feigheit muß hier ersterben."