"There were many Kunama and Nara girls that joined the armed struggle. Many of them were small girls and they were taken there to get education and my assignment was to help them as a translator and provide them political training in their language. I stayed there for about six months."

"I had to quit my education for about two years but later in 1977 I had to go to the field to join the armed struggle for independence."

"I had to quit for some time. I was married in 1991 and I had my first child, Nasser, in 1992, and Semir was born later and I had to go after my kids for some time."

"There is no easy road to success."

"It says, ‘Let the tears stop."

"one of my new songs in this upcoming album will address the out-of-control global crisis and disorder around us that you see every day."

"I sing about peace, love, and togetherness, since war, conflict and other disturbances did not bring any positive change to Africa, but it only creates refugee crisis, pains, agony, discomfort and economic hardship. I bring a music of hope to the people."

"My aunt once told us that five krars had been made in Port Sudan; one stayed there, one was sent to Egypt and my aunt brought three to Asmara. One for the legend Ato Berhane Segid, one for Hollanda, the daughter of Halima Konti, and the third on my aunt kept for herself and stored it above the cupboard in our home. My niece Meeraf was very tall and we always asked her to get the krar down for us. So she would fetch the instrument and also she knew how to tune it and all the kids at home would play on it one by one"

"My favourite song is Freweini. It is a song about Eritrea, but it also tells about a mother. Love is always loved, one doesn’t forget it. But love for one country is incomparable. A mother and your own country is basically the same."

"But by 1973, the political situation got worse. People didn’t feel safe anymore, they felt uneasy and scared. These were difficult times in Asmara."

"I admire Tsehaytu not only because of her songs but also for the important role she played in the national struggle. I am beyond words to describe the beauty of her voice in spite of her age."

"At the time Tsehaytu played music on her own, though she was a woman. On her own she was equal to any band. This has earned her a good name up to this moment. She was courageous and disliked slavishness and did not bow down to anyone. She sang many traditional, love and nationalist songs.Said Jaber Mahmoud"

"I found Tsehaytu by coincidence in Rotterdam, Holland, discouraged and not playing much anymore. I build her a new krar and after some practice sessions, we decided to record the CD together. There isn¹t really much Eritrean music recorded, from those days."

"That's very good. And let me add one more thing, that in all my musical releases, I write, compose and arrange my own music, I just get the lyrics from someone else."

"I started to play music at a very young age during the time I joined the liberation movement. The very first instrument I ever touched was a "Krar" (a hand-made traditional guitar), I guess it was in 1980. After that, in 1981 I had the opportunity to learn and play the "SHambqo" (traditional flute). And then in 1983, I was also exposed to learning some Fine Arts, and did some hand drawings and paintings."

"Since I had a lot of love for music and a box guitar by my side -- a hand-made guitar used to belong to a martyr known as "Oromo," I continued to develop and focus on my musical skills with "sne-Tbeb" until 1987.Since at that time I was very young, I had very easy time to master the "Krar" and also the box guitar. And also since I kind of felt a very strong love for music in general, learning the instruments was very simple for me."

"Over the years I became that incomplete Saba as many things in my life fell apart. People went missing one by one and the constellation of artists and writers vanished right from under my nose. You see, to do anything in our culture one needs a group of companions - we do not do things alone. One needs someone to eat with; one feels more comfortable when surrounded by friends and family; one needs a literary companion to work with. That disappeared from my world.."

"Many come out of past experiences."

"My poems come from ordinary experiences and objects, I think."

"I was born in the heart of Asmara during the Dergue era. I grew up in a neighbourhood that leaned on Abashawul, facing Edaga Hamus. Godena Ra'esi BeraKi BeKit, as it was called then, is what comes to mind when I think of my old neighbourhood. Basically, I was born in house# 62 and raised in house# 26."

"Eritrea’s Saba Kidane: Write Saba Write!,By ALEWANA (ኣለዋና!), retrieved on 16 August 2019"

"We are distressed that Saba Kidane could not participate in the poetry reading cabaret, said Noreen Tommassi"

"We hope to bring Ms. Kidane to the United States in the very near future.”“Kidane is a poet with a gift. And in Eritrea we honor our poets and our poetry. And we honor the struggle for freedom."

"Kidane is a poet with a gift. And in Eritrea we honor our poets and our poetry. And we honor the struggle for freedom."

"Eritrean Women Poets Lifting Post-War Voices,By SIOBHAN BENET, retrieved on 22, 2001"