Film Directors From Los Angeles

"I think being kind is actually harder than people like to admit"

"Humor trumps everything and is probably number one. I think it trumps being politically correct"

"Typically white people have the story, and any kind of minority is like adding that pop of red or fun purse or pair of shoes to jazz up an outfit. These people are accents that make things funny, weird, or dramatic"

"Why aren’t women starring in more films? It’s because the men are writing them and are the ones cutting the checks. We can’t blame them, I personally don’t think. We need to take that extra step"

"I’ve always felt very in touch with my masculine side"

"I needed someone to say, “You’re a woman now. Dress like a woman"

"You can tell when someone is driven by labels. If something is couture they think it’s important and wear it and sometimes make a terrible fashion mistake. People are shocked that I know so little about designers. I know the big ones because my grandmother wore them or they’ve been around forever. I know you because you’re my best friend, but I don’t know much about the fashion world except for when I like something, I like it."

"My parents didn’t become who they are because anything was handed to them, and they didn’t raise a child who expected something to be handed to her, either"

"I was incredibly privileged"

"I see the human in everyone and everything"

"I think I'm lucky having parents that have been in show business for a while and they don't care about the shiny stuff so much. They raised me in that way– to stay grounded, not to chase the shiny pretty things."

"in order for someone to be on the top, someone has to be on the bottom. It's oppressive by nature"

"I do believe that it's something women have the power to do, but I do think we have yet been given the opportunity within society to actually exercise it on a massive scale. That is the reason why it’s open-ended. And I appreciate what you're saying about wanting to know and saying, "Okay, what does she do with this power?" But I wanted to really leave that question open. Is she ending a cycle or is she continuing a cycle? Is it the idea of the oppressed becoming the oppressor, or does everything change now because the woman is in charge and power is this entity?"

"I also really wanted to honor that generation of women that really were made to feel like, "This is how it is. Deal with it.""

"We’ve seen stories so many times that when something is actually surprising, it’s the best gift I think you can get"

"I sincerely believe beauty is to be found inside us"

"In the end, it’s all about self confidence. When you have it, there’s no need to overdo anything – you just have to choose the right colours, the right cuts and the right fabrics"

"Where women are concerned, there’s a lot of pressure to do everything perfectly, all the time. So when we go out of our comfort zone, it’s no small thing."

"Every time someone, but I’m thinking specifically of women, tries something they’re not sure they can do, they’re taking a risk that requires courage"

"It’s amazing to see the extent to which we’re influenced by our appearance"

"And I don’t really know how or why I’d play the hero’s girlfriend, someone with no point of view. I wouldn’t know what to do with the part. There’s no humanity in that kind of character"

"I like playing women I identify with"

"If the story is exciting, it can get me on board even if I’m offered a small part, because I want to contribute to stories that I feel are important to tell"

"There have definitely been moments in my life where I’ve felt like I needed to soften my edges in some way"

"all the scripts that were being sent were about the first Black woman to make a muffin or something. Even though those stories are important to tell, I also want to open things up for myself as an artist"

"Creativity is like this invisible thread that you find, and then knowing I’ve got the thread, I’ve just got to keep following it. It’s going to show up, and that confidence is where the good shit is"

"There’s a difference between being cocky and knowing to trust that you know what you’re doing"

"My feelings don’t get hurt if the idea doesn’t come across or the idea doesn’t work"

"Everyone learns differently. Everyone hears things differently. Everyone has different strengths and weaknesses and insecurities, and you have to learn how to support them and what they need to hear. Some actors really need to hear ‘Good job’ after a take. Some actors don’t care. It’s really understanding that"

"Sometimes we can’t show up, and that’s okay as long as we know how to communicate that we love those people."

"The point of being alive is to experience life and play with it"

"The fact that I was like, ‘Should I not have worn that?’…. No, I do what I want to do, and I make what I want to make, and if I start being afraid of what other people are going to say or think, I’m no longer doing my job as an artist. I’m not experiencing the world and putting that into art. I’m walking on eggshells. Fuck that. So, I needed to take a minute"

"I’m a human being. I want to fucking defend myself"

"Being uncomfortable with the human body is colonization/brainwashing"

"The fact that people don’t think what they say affects a celebrity because [they’re] not a person to them is crazy"

"my instinct is always to say [to myself], ‘It’s not mine"

"I’m proud of where I come from. Now it’s nice to be in a place where I feel like when people ask me about my parents, I’m not like, ‘Let’s not talk about that.’ I’m like, ‘They’re awesome. I’m grateful to be their child. And I’m also my own human being"

"I’m another human being, floating around out there in the universe and figuring it out, too. If seeing that brings you comfort, or gives you hope, or makes you feel anything— makes you feel not al􏰀one — if that is being a role model, then I’m happy to do that."

"The nasty secret of American democracy is that we don't count all the votes and we do not let all people vote. In the past two years, according to the federal government, 17 million Americans have been stripped of their right to vote. Some of it is quite legitimate... But about half of that number, 9 million or so people, were removed from the voter rolls on a false premise. These potential voters are overwhelmingly young people and voters of color. Young people are the new target. There is a massive purge of voters in America and few people are talking about it."

"In the days following the presidential election (of 2000), there were so many stories of African Americans erased from voter rolls you might think they were targeted by some kind of racial computer program. They were. I have a copy of it: two silvery CD-ROM disks right out of the office computers of Florida Secretary of State Katherine Harris. Once decoded and flowed into a database, they make for interesting, if chilling, reading. They tell us how our president (George W. Bush) was elected – and it wasn’t by the voters."

"Secretary of State Harris declared George W. Bush winner of Florida, and thereby president, by a plurality of 537 votes over Al Gore... Over 50,000 voters wrongly targeted by the purge, mostly Blacks. My BBC researchers reported that Gore lost at least 22,000 votes as a result of this smart little black-box operation. The first reports of this extraordinary discovery ran, as you’d expect, on page one of the country’s leading paper. Unfortunately, it was in the wrong country: Britain. In the USA, it ran on page zero – the story was simply not covered in American newspapers. The theft of the presidential race in Florida also grabbed big television coverage. But again, it was the wrong continent: on BBC Television, broadcasting from London worldwide – everywhere, that is, but the USA. Was this some off-the-wall story that the British press misreported? Hardly. The chief lawyer for the U.S. Civil Rights Commission called it the first hard evidence of a systematic attempt to disenfranchise Florida’s Black voters. So why was this story investigated, reported and broadcast only in Europe, for God’s sake?"

"Who owns America? How much did it cost? Was the transaction cash, check or credit card? Was it a donation to my son who’s running for president? Or a consulting contract to my wife’s former law partner to comfort him on his way to the federal penitentiary? And what do you give a billionaire who has everything? Immunity from prosecution? Then there’s the practical difficulty of gift wrapping the U.S. Congress. George W. Bush may have lost at the ballot box but he won where it counts, at the piggy bank. The Fortunate Son rode right into the White House on a snorting porker stuffed with nearly half a billion dollars: My calculation of the suffocating plurality of cash from Corporate America (“hard” money, “soft” money, “parallel” spending and other forms of easy squeezy) that smothered Al Gore runs to $447 million. They called it an election but it looked more like an auction."

"That was May 2001, days before President Bush issued his proposals to end the energy crisis in California. The Golden State was suffering rolling blackouts. The state’s monthly electricity bill shot up by 1,000 percent. But as soon as I got a whiff of the president’s proposals, I knew his plan had nothing to do with helping out the Gore-voting surfers on the Left Coast. Bush put Vice President Dick Cheney in charge of the committee to save California consumers. Recommendation number one: Build some nuclear plants. Not much of an offer to earthquake-prone California, but a darn good deal for the biggest builder of nuclear plants based in Texas, the Brown and Root subsidiary of Halliburton Corporation. Recent CEO of Halliburton: Dick the Veep."

"On 28 January China said it would welcome international help as it struggled to contain coronavirus. No substantial help has come. Instead of solidarity and defying WHO, the US, Australia, Britain seek to isolate China, returning it to a state of siege and the dangers of the past. (Twitter post 5 Feb 2020)"

"It isn't done by some guy pressing a lever and changing the vote from blue to red. Rigging an election is usually done by blocking people from casting ballots or not counting the ballots they cast."

"It’s enough to make one cynical. American elections are manipulated, British parliamentarians are bribed, scientific research is financed by companies who are interested parties, energy crises are rigged, and a score of other varieties of modern-day sleaze... The Best Democracy Money Can Buy, (2002) is composed of dozens of essays – many of which are actually summaries of Palast’s investigative journalism escapades – on the myriad ways those of power and wealth have stolen and/or perverted cherished ideas and institutions of the United States and the United Kingdom."

"Palast, an American who writes for The Guardian and The Observer of London, has the uncanny knack of turning up at the wrong place at the right time. His showcase essay has to do with the 2000 US presidential election in Florida, and how Governor Jeb Bush and his team shamelessly contrived the removal of thousands of voters’ names from the election rolls; voters who were in large measure black (read Democratic voters). The result was nothing less than the placing in the White House of Jeb’s brother George. This is by now a well-known story, thanks to Palast, who adds a lot of details to it in the book."

"…I found the world of nonprofits funny to begin with just because having worked there, you see that people are so altruistic and they're so benevolent and they're pretty selfless and you're working generally for a great cause.But the atmosphere within the work environment can be oddly competitive. People want the credit. Sometimes they don't listen to the people they're trying to help. And for me, this white guilt is so prevalent at this nonprofit. And they're so - they treat the kids as this pity party. And for me, I would hate to work in an environment like this, but it's ripe for comedy."

"There was such a dearth of films like that…And the high-school teen movie is a genre that I love. Everything at that age is so heightened and dramatic, and high-school movies capture that so perfectly. But those films are all white, too; there’s no black teen movie genre that exists in the same way."

"“I was trying to stand out, trying to be the class clown and be super-funny. But everybody thought I was lame and hated me…I’ve experienced that real sense of feeling out of place plenty in my life."