"If the question, 'What has art become?', is synonymous with 'What are the reasons for the unbrotherliness between people and for the rift in the relations between nature and people?' then the question, 'What should art be?' is the same as the problem of establishing brotherly unity in order to transform the blind force of nature into a force guided by the reasoning powers of all the resurrected generations. In other words, what we are talking about is universal resurrection, since it is this that represents the complete restoration of kinship and that will provide art with the appropriate course to follow, and show it its goal. Transforming all the worlds into worlds guided by the reasoning powers of resurrected generations will constitute a complete resolution of the Copernican question and is at the same time identical to the primeval view – that is, the patrification of the heavens (the turning of the heavens into the fathers' abode), or catasterisation (the transferral of the fathers' souls to the stars) – which also finds its expression in church sculpture and painting. For children this primeval view is the most straightforward, an explanation and resolution of the Copernican question. To turn all the worlds into worlds guided by the reasoning powers of resurrected generations is also the most important goal of art."
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"How did art begin, what has it become and what should it be?", p. 186
https://en.wikiquote.org/wiki/Nikolai_Fyodorovich_Fyodorov
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Nikolai Fyodorovich Fyodorov
(Никола́й Фёдорович Фёдоров; surname also Anglicized as "Fedorov", June 9, 1829 – December 28, 1903) was a Russian Orthodox Christian philosopher, who was part of the Russian cosmism movement and a precursor of transhumanism. Fyodorov advocated radical life extension, physical immortality and even resurrection of the dead, using scientific methods.
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