"[S]ome men appeared drawing out the dead beast, a miserable mass of flesh still fastened in the rope net; they left it in the midst of the puddles of melting snow. The surprise was so great that no one prevented the men from returning and barricading the door afresh. They all recognized the horse, with his head bent back and stiff against the plank. Whispers ran around: "It's Trompette, isn't it? it's Trompette." It was, in fact, Trompette. Since his descent he had never become acclimatized. He remained melancholy, with no taste for his task, as though tortured by regret for the light. In vain Bataille, the doyen of the mine, would rub him with his ribs in his friendly way, softly biting his neck to impart to him a little of the resignation gained in his ten years beneath the earth. These caresses increased his melancholy, his skin quivered beneath the confidences of the comrade who had grown old in darkness; and both of them, whenever they met and snorted together, seemed to be grieving, the old one that he could no longer remember, the young one that he could not forget. At the stable they were neighbours at the manger, and lived with lowered heads, breathing in each other's nostrils, exchanging a constant dream of daylight, visions of green grass, of white roads, of infinite yellow light. Then, when Trompette, bathed in sweat, lay in agony in his litter, Bataille had smelled at him despairingly with short sniffs like sobs. He felt that he was growing cold, the mine was taking from him his last joy, that friend fallen from above, fresh with good odours, who recalled to him his youth in the open air. And he had broken his tether, neighing with fear, when he perceived that the other no longer stirred."
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Original Language: English
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Sources
Emile Zola, in Germinal (1885), Chapter Six, Part 5 ("The Death of Trompette")
https://en.wikiquote.org/wiki/Horses
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