"John Paul II set the pattern by rattling the authorities throughout Poland, the rest of Eastern Europe, and even the Soviet Union. Others quickly followed his example. There was Lech Wałęsa, the young Polish electrician who stood outside the locked gate of the Lenin shipyard in Gdansk one day in August, 1980—with the pope's picture nearby—to announce the formation of Solidarnosc, the first independent trade union ever in a Marxist-Leninist country. There was Margaret Thatcher, the first woman to become prime minister of Great Britain, who relished being tougher than any man and revived the reputation of capitalism in Western Europe. There was Deng Xiaoping, the diminutive, frequently purged, but relentlessly pragmatic successor to Mao Zedong, who brushed aside communism's prohibitions on free enterprise while encouraging the Chinese people to "get rich." There was Ronald Reagan, the first professional actor to become president of the United States, who used his theatrical skills to rebuild confidence at home, to spook senescent Kremlin leaders, and after a young and vigorous one had replaced them, to win his trust and enlist his cooperation in the task of changing the Soviet Union. The new leader in Moscow was, of course, Mikhail Gorbachev, who himself sought to dramatize what distinguished him from his predecessors: in doing so, he swept away communism's emphasis on the class struggle, its insistence on the inevitability of a world proletarian revolution, and hence its claims of historical infallibility. It was an age, then, of leaders who through their challenges to the way things were and their ability to inspire audiences to follow them— through their successes in the theater that was the Cold War confronted, neutralized, and overcame the forces that had for so long perpetuated the Cold War. Like all good actors, they brought the play at last to an end."