"The Chicago I landed in in 1967 was on fire with the Civil Rights and Black Power movements, antiwar activism, and the explosion of what was called the women's movement. If Pablo Neruda taught me that a poet could be passionately engaged in politics and write eloquently about it, it was white feminist women like Susan Griffin, Marge Piercy, Adrienne Rich, and Alta who taught me that writing about typing, housework, motherhood, the tangle of sex could be as powerful and gut-wrenching, as tender and exquisite as anything else in literature that my life was worthy. At the same time, the white women around me and my mother, both of us members of the Chicago Women's Liberation Union, said things like "Mexican women don't need feminism because they are at the heart of their families and already have the power and support they need. Black women find empowerment in the fight against racism, not sexism. The movement is white because we're the only ones who need it." They could not yet envision a feminism shaped by the needs of brown women. Nevertheless, white feminism began the process of giving me voice."