"It is precisely through her flesh as both mother and slave woman that Harriet A. Jacobs in Incidents in the Life of a Slave Girl (1861) claims the insurgent ground of her social identity and formulates her resistance to human bondage. By emphasizing her narrator's maternal sentiments, Jacobs resists prevailing beliefs concerning black women's indifference to their children while also establishing an important association between her protagonist Linda Brent and domestic ideologies. Much like Harriet Beecher Stowe and other nineteenth-century writers of sentimental fiction, Jacobs describes "nurture as a quintessence of the maternal that crosses race and class boundaries" (Stephanie Smith 215). Relying upon an understanding of maternity as a form of innate attachment, Jacobs presents Linda's actions as largely determined by the effect they will have on her children and their eventual emancipation. Many female slaves were unable to keep their families together, yet by emphasizing the oppositional action inspired by maternal sentiment Jacobs presents motherhood as a force that resists slavery and its supporters. By fashioning a literary persona who is defined almost exclusively by her maternal identity, Jacobs rejects the materialist logic of human ownership. Maternal love is shown to offer a model of relations that opposes the economy of exchange and possession characterizing the antebellum system of human bondage. Converting her body and reproductive abilities from sites of exploitation to vehicles of resistance, Linda undermines the authority of the slave master and works to liberate her children. Works by Carla Peterson, Valerie Smith, and Claudia Tate have focused upon Jacobs's departure from the assumptions and expectations of the male slave narrative to articulate the experiences and concerns of bondwomen. By contrast, I explore forms of female bodily resistance as well as ideological strategies of literary representation. Rather than conflate Jacobs with the text's protagonist, as many previous critics have done, I analyze Linda as a literary figure deliberately constructed to perform certain political aims. As the embodiment of maternal love, she acts almost exclusively to improve the lives of her children. Although Linda strains credibility as a result of her overriding maternal sensibility, Jacobs's reliance upon the trope of motherhood capitalizes on the political import of prevailing beliefs in the sanctity and power of the mother and suggests that a woman's sexuality offers a vital means of resistance against patriarchal oppression."