"In a way, those stories will be lost in time if we don’t fight for them, because white people aren’t going to write it for us. So in a lot of ways, I feel like it’s our responsibility to kind of, to document and to expose it, what has been going on in our world and our collective world and communities, and to share that story. .. Kung fu for kung fu’s sake, as an aesthetic or a prop, that’s where it starts to get tropey and dangerous. [But] there’s a reason why when Hong Kong action was introduced to Western audiences, people went bananas for it. Kung fu is, objectively, really cool."