"(...) an abstract conception of cinema opposes a photographic conception, marked by technology; because of this I do not like it when photography is talked about as a precursor or pioneer of cinema; photography is related to cinema only mechanically; the poetic predecessor of the cinema, its thinking pioneer, is literature much more than photography; there is nothing intrinsically photographic in the cinema, cinema is as abstract as literature, and so opaque; nor is photography concrete; nothing human is concrete, or transparent, every human is predicative, it shows by hiding, includes by excluding , understands by ignoring, thinks by dispensing (...)"