"Pessimism seems to have an existential density that optimism - even non-naive optimism - does not have. In Bernardo Bertolucci's famous Last Tango in Paris (1972), the unknown (Marlon Brando) whose wife has just committed suicide, wanders around Paris and casually meets Jeanne (Maria Schneider), with whom he has a rich and violent physical and existential relationship, in an unfurnished apartment, where conventions and the name of things or people do not matter (...) But the moment he can get out of the pit and get back into life, dress well and resume the exercise of usual conventions, knowing her name, marrying and being happy, it becomes a conventional caricature and his relationship with Jeanne abruptly ends (...)."