"But despite the film’s title, the co-directors Leonid Kanter and Ilya Yasniy abstained from overt mythmaking. Instead, they created a nuanced, multifaceted profile of Wassyl Slipak, the Ukrainian opera singer who abandoned his life in Paris to fight and, ultimately, die for his country. The result is an unexpectedly touching, at times meditative reflection on both Slipak himself and the nature of sacrifice and war. The film includes extensive interviews with Slipak’s ex-girlfriend Liza, who appears to be from Russia. In essence, the opera singer chose the Ukrainian armed forces over her, a decision that she cannot entirely comprehend. Yet instead of the potential political significance of the decision, the directors focus on the human side of the story. The documentary presents Slipak as an over-the-top, maximalist personality. Yet it also does not shy away from his shortcomings. Soldiers in his battalion admit that he probably wasn’t the best fighter in the group. Friends admit to not entirely understanding his decisions. However, the most chilling moment of the film comes near the end. When Slipak was hit by sniper fire, one of his comrades-in-arms had a camera running. While we don’t see Slipak being shot, we do see the other soldiers’ frantic and ultimately unsuccessful efforts to resuscitate him. (2018)"
January 1, 1970
https://en.wikiquote.org/wiki/Myth_(film)