"Her career is marked by an unusually, even spectacularly, high degree of interpenetration between her publicly available private life and her films. The star phenomenon depends upon collapsing the distinction between the star-as-person and the star-as-performer. This does not usually mean that the incidents of a film's scenario are taken to be actual incidents in the star's life but rather that they 'reveal' or express the personality of the type-of-person of the star. In the case of Turner, however, not only do her vehicles furnish characters and situations in accord with her off-screen image, but frequently incidents in them echo incidents in her life so that by the end of her career films like Peyton Place, Imitation of Life, Madame X and Love Has Many Faces seem in parts like mere illustrations of her life."