"Theatro Technis in North London, where the issues of prejudice against immigrants, the poor, the illiterate were dramatised , and more urgently the exploration of the war crime that constituted the illegal invasion by the Turkish military of CYPRUS, and for which the USA ( especially the diabolical Kissinger ) and the UK had little concern, as the president of Cyprus was the Orthodox Archbishop Makarios, who had the reputation of being a bit of a red. This was a theatre company that practiced political theatre in its purest form! I found myself performing a Greek Cypriot peasant woman driven from her land in the North of Cyprus and expressing her grief at the loss of her home in front of an audience that included refugees who had suffered the same fate but had managed to escape to London. The tears just flowed naturally. It was also at this theatre that I tackled the Mount Everest of acting parts – Medea(play) by Euripides, and which I performed to great reviews and was the performance that put me on the London map as an actress. The whole play was interpreted politically."