"Then, we sang «Requiem» by W. A. Mozart. This piece requires quite a large team of musicians – 50 people in the orchestra and the same number in the choir. But there are also some passages for the soloist like «Tuba Mirum». So, when Wassyl started to sing this excerpt himself, I suddenly realized that he made the 250 meter-long hall resonate his voice. It is something that fifty of us managed to do only all in unison. Now, as a specialist, I can say that he got his rare timbre not by accident. His oval face with a long nose and elongated neck are typical signs of a bass voice that he developed later. But at the same time, he sang countertenor up to 28 years because his voice transformation happened extremely late. In other words, Wassyl managed to combine in himself two incompatible voices and perform both of them on a big stage. Call it what you want – God’s gift or a joke of nature, but it was amazing. At that time we did not see each other for three years. After that pause, I met Wassyl again and did not recognize him. He turned from a skinny young man into a courageous giant – big, strong and serious. But his internal changes were even more impressive. He became a principled patriot, he did not seem to tolerate things which were OK for him earlier when it came about Ukraine. But the largest change happened in his voice, because he began to sing bass."