"Critical theory was sometimes teased for its aristocratic components, its disinclination to praise popular culture, jazz or Americanism, its sometimes overwhelming sense of cultural pessimism, and all these sentiments echo the larger and older traditions of aristocratic radicalism, for which the old world, in general, was better than the brashness and shock of the new. The European critique of modernity was born as a critique of the mass, mass society, mass production, mass migration, the mass man, the image of life based on the factory, on its regimentation and yesmen, the conformism of following orders."