"After Tezuka passed away there were so many memorial publications and documentaries. He was so lauded, it was a huge national event in Japan. And then of course inevitably after a certain number of years there’s this “anti-Tezuka movement,” simply because his influence was so great, at some point you have to revolt against him. Some people have said, “how could he possibly have done all that stuff? It’s not possible.” From the standpoint of Americans, they would think nobody could be that productive. You could not draw that amount of stuff. But of course in the case of Americans, they’re usually not aware of the Japanese production system that Tezuka was responsible largely for developing, how that operated. He was like a movie director: He had people who would fill in the bushes in the background, spot the blacks and that kind of thing, but he was in charge, he drew the characters and he broke down the story. He may have had all kinds of assistants drawing the squares on the page for the panels and spotting the blacks and doing background designs and stuff, but it was his work."