"There are moments when Caterina is Duchampian with the digital medium, as in “UFOp (Unidentified Flying Objects Poetry)” (1999) and in “Poem in Red” (2004). You can think of Davinio’s work as something resembling the imagination without wires and the Words in Freedom, the second phase of the Italian Futurism (from 1909 to 1914), because she retrieves this technique and applies it in the digital realization of her videopoems, net poetry, in the structure of Karenina.it."